#...I just start drawing silly sketches of those characters being the best kind of themselves outside of creepy

[buttercupshands]

some silly sketches

#remember that time when this blog was full of undertale? #I feel old knowing it was 7 years ago #undertale #chara dreemurr #frisk #flowey #sketch #my art #fanart #deltarune #kris dreemurr #I love that one interaction with a plant that later gets a name if you interact with a book #like... it's so cute in a way #I find it funny that when I play or make myself aware that I'll have nightmares if I go to bed... #...I just start drawing silly sketches of those characters being the best kind of themselves outside of creepy #replayed both Undertale and Deltarune AND started Undertale Yellow finally #missed those games more than I thought I did

[cjsinkythoughts]

Birthday Memories

Word Count: 1591

Warnings: A little angst, a bit of fluff, some recovery Bucky

Summary: Bucky figures out why birthdays are so important.

A/N: This is just a little something I put together for one of my favorite characters of all time to celebrate his birthday. It hasn’t been beta’d and I wasn’t planning on writing it, but my finger slipped. Oops. 😇

He didn’t tell anyone. 

He didn’t want them to know. He didn’t want to be reminded that his life was taken away. He didn’t want to be reminded that he was over a century old. 

He didn’t want to remember that the last birthday he ever had was in the midst of a war he never wanted, among friends who became brothers, and whom he’d never see again. 

He didn’t want to remember the “party” he had with his family. How his sisters would give him something meaningful of theirs since they didn’t have money, usually a stuffie or a toy. How his mother would stay up all night decorating their small apartment with everything they could afford - streamers and a couple balloons, usually. How his father would work overtime to make him something at the shop; a small wagon he got for his eighth birthday, a wooden gun for his tenth, and a new baseball bat for his thirteenth after he broke the one he had for years. How his parents would scrape and save all year so that he could have that stupid chocolate brownie cake that he loved so much, but was extremely expensive, form the bakery down the street.

He didn’t want to remember how Sarah Rogers - one of the greatest women he’d ever met, a second mother to him - always came over early, dragging little Stevie along, to make those delicious blueberry pancakes she concocted, even though she was busy enough without stressing over him and his birthday breakfast. Even though she always had a new hat she made him every year and didn’t need to make food with a hard to come by fruit. Even though she was alone with her own sick son to worry about.

And Steve. He didn’t want to remember how he always stayed over for the night. How they would talk for hours about their dreams and aspirations. About where they were going to be by the time the next birthday hit. The blonde used to say that his birthday present from him was not having to bail him out of any fights. He always kept that promise; no fighting on Buck’s birthday. It wasn’t the only thing he got from his best pal, though. Steve always kept a sketchbook - a journal of sorts - illustrating their adventures throughout the year, starting the day after Bucky’s birthday when they always went to Coney Island, and ending on his birthday, whether it be a sketch of Bucky blowing out candles, or a drawing of the stars they looked at while talking later in the night.

He didn’t want to remember, because it hurt to do so.

Sometimes he wished he never remembered. It was a cruel thing. A life that he could never go back to. One that he wasn’t ready to leave, no matter how many times he told himself he was while sitting in muddy ditches with bullets flying over head.

Sometimes, on his bad days, he wished the experiments didn’t work. That Steve never came. That he was never “rescued” by that Soviet soldier. That he never survived the fall.

It just so happened that his birthday was one of those bad days.

He missed his life more than he let on. He missed his sisters. He missed his ma. He missed his pa. He missed when it was only him and tiny Stevie against the world. When they could do whatever they wanted, curious and innocent, exploring the big wide world as they knew it.

Turns out, the world is a lot bigger, and a lot scarier, than they thought.

He missed it, and he didn’t want to remember because it hurt, so he didn’t tell anyone, and he didn’t want anyone to find out. He stayed in his room all day, until he got too hungry to ignore around dinner time.

So he walked into the common room of the newly built Compound.

“HAPPY BIRTHDAY!”

He froze as confetti was shot out of those little hand-held cannons, balloons were dropped from the ceiling, and party horns were blown. His team - his friends and family, he had to remind himself - were beaming at him with party hats on their heads, frosting and flour on some of their cheeks. A banner reading, “HAPPY 107th BIRTHDAY, CYBORG!’ was hung up, no doubt courtesy of a certain birdbrain, along with streamers that looked like they were just thrown randomly.

He blinked, trying to process what was happening, before Sam had an arm over his shoulders, dragging him over to the table and sitting him down. Wanda set a plate of blueberry pancakes in front of him as Tony blasted music from the speakers overhead. A pile of gifts sat at the other end of the room, and the island counter was filled with all kinds of treats.

The team gathered around, laughing and teasing while eating the breakfast dinner that Bucky swore came straight from the 1920’s. Once they were done, a familiar chocolate brownie cake was placed in front of him, a gazillion candles on it, which he blew out in one breath to spite Sam, who said he couldn’t do it. Turns out, however, they were trick candles. Bucky rolled his eyes when Tony, Sam, Clint, and Pietro started laughing way too hard, but he couldn’t fight the small smile on his face.

He had yet to say more than a few words by the time they were done with the food and opening presents. He had gotten more books, a telescope, new boxing gloves, a teddy bear, a newsboy cap like the ones they used to have, and a wooden baseball bat along with a new glove (among other things). Tony even booked Coney Island the next day for the team to have it all to themselves. 

It was too much; his brain was still processing all that had happened so suddenly in the past hour or two.

They knew. About everything. They knew about his birthday. They knew about the blueberry pancakes. They knew about the brownie cake. They knew about the hat and the baseball bat and Coney Island. They knew it all.

He didn’t have to question how. He looked up from the bear in his hands when something was placed in front of him. He met the ocean blue eyes of his best pal, and instantly knew what he’d done. How could anyone else know? How else could Wanda make blueberry pancakes that tasted just like Ma Sarah’s? How else would they find a hat that looked just like the last one she gave him when he turned 19 in 1936? How else would they know he, one of the most deadly assassins in the world, would want a teddy bear? How else would they know how much the silly decorations and the simple brownie cake meant to him?

Steve gave him that mischievous smile that never ceased to make Bucky chuckle, pushing the book he set on the table in front of him closer. “It’s a little more than a year…”

His icy blue gaze fell to the table, jaw clenching as he realized what it was. A sketchbook. Bigger, better quality than the ones he used to get, but that was to be expected. It was still torn up a little bit, the edges fading, the pages separating.

With shaky hands, he tugged the book closer and flipped through the pages. The Potomac River in DC. His little apartment in Bucharest. The airport in Germany. The Citadel in Wakanda. His hut in Wakanda. Him with his goats. Him and his new arm. Him and the team this past Thanksgiving when everyone came back. Him ice skating at Rockefeller Center during Christmas. New Years. Valentine’s Day. Snow days. Training. Watching movies. Playing games. 

The very last couple pages were something he wasn’t expecting though; his family, new and old. Headshots of his smiling parents and sisters and Ma Sarah. The Commandos, laughing despite dirt on their cheeks and tears in their clothes. The Avengers doing signature poses with smirks and winks and cheeky grins. All perfectly drawn, safe in charcoal and ink, hidden protectively within the worn out sketchbooks covers.

“They’d want you to celebrate. So…happy birthday, jerk.”

Bucky’s eyes, prickling with unshed tears, making his vision slightly blurry, wandered up from the pages of black and white to the team, all smiling at him, before landing on Steve.

So maybe he missed the past. And maybe it hurt to remember. But he had Stevie with him, and he had his new team - his new family. And the blonde, as much as it hurt to admit it, was right. His old family would want him to celebrate. To remember them and, instead of getting upset and angry at the world for what it took away from him, would want them to cherish the memories he has. To be glad for what the world gave to him.

A few tears slipped down the curves of his cheeks, but he didn’t mind. They weren’t out of frustration and sorrow. They were good tears. Relieved tears.

“Thanks, punk.”

Maybe birthdays shouldn’t be about holding onto the past and wishing you were back. Maybe they’re about letting go and celebrating everything you’ve accomplished, how you’ve grown. Maybe they’re about being grateful for the people you’ve met, the places you’ve been, and where you end up.

And James Buchanan Barnes was glad to be who he was. A son, a brother, a friend, a teammate, a comrade…a hero.

#HAPPY BIRTHDAY BUCKABOO #cjsinkythoughts #cjswriting #bucky barnes #james buchanan barnes #bucky #the winter soldier #mcu #marvel #happy birthday bucky barnes #💙🦾 #🎂🎈🎉 #bucky fluff #bucky angst #bucky barnes fanfic

[emachinescat]

Murdoc + Ithika + Mac

A MacGyver Fan-Fiction

by @emachinescat

@febuwhump day 14 - “I didn’t mean it”

Summary: As an artist, Murdoc prides himself in taking his time with his work - he never loses control.  Except one time, with his favorite boy genius.  He always imagined that when he finally made MacGyver cry, it would be his finest moment.  Now, he’s not so sure.

Characters: Murdoc, Mac, Jack

Words: 3,454

TW: torture, broken bones, Murdoc being his creepy little self

Note: Happy Valentine's Day – the store was all out of chocolate, so I got you Mac whump! ;) The allusions to Ithika are from Homer's epic by the same name, but even more so from the incredible poem by C.P. Cavafy. The muse mentioned, Melpomene, is the Muse of Tragedy.

Keep reading here, or on AO3!

If you enjoy, please consider liking, commenting, or re-blogging, and you can follow me for more content like this!

Ithika gave you the marvelous journey.

Without her you wouldn't have set out.

She has nothing left to give you now.

- From “Ithika” by C. P. Cavafy

Murdoc enjoyed taking his time.

He was an artist, after all, and artists didn’t slap together a masterpiece in an afternoon – not the ones worth anything, at least.  Most spent days studying their subjects, becoming intimately familiar with every line and curve and element – the shading, the lighting, the vibrancy of the colors.  The very best didn’t even consider touching brush to canvas until they had developed a personal relationship with their subject – for how can a true artist paint that which he does not know deeply?  Why bother recreating that landscape or tea kettle or sad-eyed little girl or bowl of fruit if it could be any landscape, tea kettle, little girl, or bowl of fruit?  Why would someone paint something that wasn’t theirs?

Murdoc knew his subject very well.  He, like a true artist, had studied it in a variety of settings.  He’d watched and learned, dug deep into the core of its being, drawn out every secret and motivation and loss and love.  He understood what made his subject tick.  He’d even done some brief sketches, practicing each brushstroke with care, waiting patiently for the day he could at last, intricately, evoke that muse sought by the Romantics, that evasive Melpomene, and breathe his masterpiece to life.  Or, more accurately, to death.

And now, after years of watching, interacting, teasing, sketching, his time had finally come.  Months of planning had been sunk into this particular endeavor.  And now, unlike the first time he’d been introduced to his subject, he hadn’t been commissioned by anyone.  This portrait was personal, deeply personal.  He finally had his subject right where he wanted it.  The canvas was bare and waiting for the artist’s touch.  Murdoc had chosen his palette, mixed the colors – it might be cliche, but he was a sucker for red, black, and blue.

Now that his moment had finally arrived, however, it didn’t mean that he could rush through the actual creation process.  The act of studying one’s subject matter was slow and deliberate.  So must be the painting.  

***

Murdoc studied his canvas slowly, methodically, unsurprised that it wasn’t exactly blank.  MacGyver stood, hands chained above his head, attached to a grate above.  His bare toes just reached the cold concrete below.  His jacket and Henley had been removed – he shivered slightly from the chill of the basement.  Murdoc liked to think it was from fear.  

“Oooh, this one’s fun, MacGyver!” Murdoc crooned as the blonde boy wonder eyed him scornfully.  It was quite entertaining how expressive his prey’s pretty blue eyes could be.  Murdoc briefly brushed the tip of his little finger against the scar of a bullet wound on MacGyver’s chest.  MacGyver jerked back from the touch, though his expression remained stoic.

“Jealous that you weren’t the one who did it, Murdoc?”  He sounded confident enough, but Murdoc knew his subject quite well by now.  MacGyver was shaken.  For once, he had no control, nothing to work with, no way to escape.  He was at his captor’s mercy – Murdoc could do whatever he wanted, and MacGyver knew that.

“Oh, it’s nothing compared with what I’ve got planned for you, Angus,” Murdoc simpered sweetly, circling his catch of the day, dark eyes darting across more scars and recent cuts and bruises.  He pressed directly into the dark center of a boot-tip bruise on MacGyver’s side, relishing the sharp intake of breath it elicited.  “Someone on your last mission in Volgograd left their mark, I see.”

He circled back around to face his victim, who did a subpar job of hiding his surprise at the observation.  “That was highly classified.  How did you–”

“I’ve been watching you for a very long time, MacGyver.  But you had to have known I would.  After all, you’re my closest friend, and I know where you live.  It’s kind of silly that you never moved, but maybe you just figured I’d find you even if you did.  I wonder – have you always tossed and turned in your sleep or is that a more recent development?”

True horror flashed momentarily in blue eyes, tugging Murdoc’s lips up into a satisfied smile.  “Oh, yes, your nightmares are very entertaining.  I do hope the majority of them are about me.  Oh, oh, oh!  And I especially love it when they’re so bad you have to call your watch dog to calm you down.  I wonder how Dalton’s taking your disappearance, by the way?  I’m sure he’s in for some nightmares of his own.”

“He’ll find me, if I don’t escape first.”  MacGyver’s bravado was both highly endearing and incredibly tiresome.  Same old, same old.

“Doubtful,” Murdoc purred.  “I mean, I know you well enough not to make stupid mistakes, my friend.”

“I escaped from the sewers, and you’d drugged me.”

“I intended for you to escape that day.  I needed to draw your friends in, to focus their attention on finding you while I attended to other business.  But this time – you’re mine.”  At the fervor in his words, a shudder entirely unrelated to cold clinked the chains restraining his victim.  Murdoc smiled, then continued.

“But now, there is no ulterior motive.  I grabbed you for no other reason than because I wanted to.  You are hidden away quite well, even more securely than last time, I’m afraid.  And you will not be left alone, not even for a second.  There may be things in this room you could use to escape, but they’re useless to you in your position.  And I am not going to take my eyes off of you.  You won’t have a chance to wriggle your way out of this one, MacGyver.  Ooooh, is that fear I see on your face?  No?  We really must change that.”  He tutted.  “Defiance and bravado really are your bread and butter, aren’t they, Angus?  What are you, an action hero from a cheesy 1980s TV show?”  Silence, though the fiery glare spoke more loudly than words.  

Murdoc clapped his hands together.  “Well, there’s no time like the present.  What do you say, MacGyver?  Let’s get started.”

***

Three hours later, Murdoc admired his work.  It was a slow process.  He painted with precision and care, layering the colors just so, balancing the strokes, the lights and darks and brights.  His brushes were many – laid out on the table before him were knives and pliers and blow torches and hammers and whips and cattle prods and other more specialized tools that he liked to work up to.  He also had an oversized meat tenderizer, made of steel.  He rarely used it – too garish for his refined tastes – but it did look nice and scary looming over the other instruments.

So far, he’d only used his knives and the cattle prod.  The masterpiece was starting to come together, but it was hardly complete.  He prowled around his artwork.  MacGyver’s trembling had increased.  He gasped for breath as Murdoc appraised his work – burns and cuts, some deeper than others – made a nice foundation.  The drip of blood across bare flesh outshone any Pollock painting.  He’d practiced his blending techniques, jabbing the cattle prod directly into the center of the lovely bruise he’d noticed earlier.  MacGyver hadn’t been able to hold in his yell of pain.  

Music.

“Are you enjoying our time together?” Murdoc asked.

MacGyver uttered a creative string of curse words that made Murdoc proud.  He whistled appreciatively.  “Who knew the boy scout had that in him?  I’m almost impressed.”

“Yeah, well,” MacGyver said, hissing as he shifted and pulled at his many wounds.  “Almost is about all you’ll ever be, Murdoc.”

Murdoc had been reaching for his trusty pair of pliers (those toenails could sure use a trim!).  He paused, his back partially to his captive, fingers hovering over the tool.  He was used to MacGyver’s sass, but what he’d just said hit a sour note that the hit man couldn’t shake.  He didn’t know if it was the tone or the words themselves.  “Excuse me?”  He tried to sound amused, but his voice was tight, as if it had been squeezed out of him.

A clink of the chains, a grunt of pain that didn’t lighten Murdoc’s mood as it should have.  Then, MacGyver elaborated.  His voice was clipped in pain, breathless, but conviction lined every syllable.  “You are doomed to live a life of almost, Murdoc.  Nothing is ever going to be enough for you.  Why do you think you take so long to get anything done?  Why do you spend so much time talking and taunting and watching and waiting?”

Murdoc didn’t move, his hand still inches away from his delicate instrument that caused pain but did no lasting damage.  “I’m an artist.”

“You’re afraid.” 

“I fear nothing.”

“You fear winning.”

Murdoc laughed, a forced, uncomfortable sound that he’d never heard come from his own mouth.  “That’s the stupidest thing I’ve ever heard, Angus.  Are you sure the pain isn’t getting to your head?”

MacGyver pressed on relentlessly.  “You crave attention.  You need a challenge.  That’s why you picked me.  And you’re afraid of what happens if you beat me.  If I die, there’s always that possibility that you won’t find another playmate.”

Still, Murdoc didn’t move.  His words, despite their teasing jaunt, had a forced quality to them.  “Awfully full of ourselves, aren’t we, MacGyver?”

He could hear the triumphant smile in his adversary’s voice.  “I’m just stating the truth, Murdoc.  You might torture me, you might have your fun.  But at the end of the day, you’re going to slip up somehow.  It’s your way of making sure the game goes on.  Without that challenge, what are you?  Just an angry voice screaming at the sky, no purpose, no point.  You say you’ve studied me, Murdoc.  You’ve watched me and know me.  Well, in doing so, you’ve shown me yourself, too.  You’re not going to kill me today.  You’re never going to kill me.  

“I don’t know what exactly I’ve done to deserve this… honor,” he continued, placing particular derision on the last word, “but you’ve become obsessed with me, Murdoc.  Believe me, I don’t like saying this any more than you like hearing it.  But it’s how I know I’m going to walk away from this.  If I’m gone, so is your fun.”

Murdoc prided himself on maintaining control over his emotions.  An artist, though he might express the inner workings of his soul on canvas, could not let his feelings control the brush, control him.  Look what had happened to Van Gogh – sure, beautiful work, but his emotions controlled him, destroyed him in the end.  Murdoc didn’t make mistakes like that.  He waited.  He didn’t lash out in anger.  It wasn’t because he wanted MacGyver to live, oh no.  His fondest dream was to see the blonde boy cry, to watch him squirm and beg for mercy, and then, finally, only when he’d really begged for it, to send him to his death.  MacGyver had no idea what he was talking about.  

It wasn’t even MacGyver’s words, his cocky belief that he was important enough to his torturer to keep alive, that sent Murdoc over the edge.  It was the tiny little voice, way back in the darkest, most depraved corner of his already dark and depraved mind, the one that spoke not in the voice of Murdoc, but one that sounded more like Dennis, the first casualty of Murdoc’s career – himself.  The voice said, plainly, without emotion, You know he’s right.

And that was the catalyst for the tsunami of rage that crashed into Murdoc, pummeling his well-practiced and unshakable resolve to take his time.  That was what spurred his frozen body into movement, curled his fingers around the handle of the meat tenderizer, that brash, archaic tool, rather than the pliers.  That was what spit his next words out of his mouth as if they were poison, words that finally – beautifully – caused Angus MacGyver’s eyes to widen in real fear: “You are going to walk out of here?”  A sadistic, mad giggle.  “My dear Angus, it will be a miracle if you ever walk again.”  

He hefted the heavy steel implement in his hand, pulled back, and lunged.  MacGyver tried to back away, the chains around his wrists cackling and clicking against one another in his desperation.  They held firm, and the meat tenderizer slammed full force into MacGyver’s left kneecap.  Murdoc felt the crunch of bones.  He heard the bestial howl, the scream of anguish, the body-jerking, breath stealing cry of a man in so much pain he lost himself.  He watched MacGyver’s face drain of color, recognized the moment when the pain became too much, and saw the tear-streaked face go slack, the chin thud against the battered chest and stay there. 

For a moment, Murdoc experienced the euphoria one could only find in hurting that special someone in such a catastrophic way.  He relished in that moment the scream, the agony, the writhing and loss of control.

Then the moment ended – and far too soon.

Immediately after, the weapon dropped out of Murdoc’s limp fingers.  It smashed into the floor below, with the jarring clang that only metal on concrete can produce.  He looked at the limp, hanging form before him, and something twisted inside of him – a feeling he’d never known.  It wasn’t guilt, nor revulsion.

It was, however, regret.

He didn’t understand it.  He should be overjoyed.  MacGyver was completely at his mercy.  Murdoc could kill him now.  Carve that bleeding heart out like a villain in a fairy tale would.  But then, he realized, MacGyver would be gone.  Forever.  Even now, his kneecap had been crushed, shattered into tiny fragments of bone and cartilage, and unless he got treatment of the highest quality, and soon, he’d almost certainly be crippled.  Even if he had extensive reconstructive surgery, his career as a Phoenix agent could still be over.

Wasn’t that what Murdoc had wanted?  To end MacGyver’s pesky existence, to win at this game of cat and mouse?  To create his most spectacular masterpiece with his greatest enemy?  That’s what he had dreamed of for years now, what he’d studied and practiced and yearned for.  And yet – 

What was it that hoity toity Greek poet had written?  Murdoc had read “Ithika” long ago, a random page in a poetry book of a man he’d killed.  For some reason, the poem had attached itself to his mind and never let go.  He could remember it even now:  

Keep Ithika always in your mind. Arriving there is what you’re destined for.  But don’t hurry the journey at all.  Better if it lasts for years, so you’re old by the time you reach the island, wealthy with all you’ve gained on the way, not expecting Ithika to make you rich.  Ithika gave you the marvelous journey.  Without her you wouldn’t have set out.  She has nothing to give you now.

And he understood.  The poem was supposed to be inspirational, for fools so focused on their goals that they missed the journey of life along the way – a mundane, silly sentiment.  But now Murdoc could see – MacGyver’s destruction was his Ithika.  Perhaps Cavafy had a point – maybe he had been a bit of an artist himself.  And MacGyver had been right about some things, wrong about others.

He was right in that Murdoc wasn’t ready to end the game just yet.  But it wasn't fear that held him back, that urged him to take his time.  It was joy.  Joy of the journey.  The little pleasures of life that are so often passed by in the grand scheme of things – the poet had been speaking of knowledge, of friendship, of love, of experiences.  Murdoc’s little pleasures were things like fear, drawn-out suffering, playing with his food and watching it squirm.  He relished that joy.  He wanted more of it, and if MacGyver died, or was out of commission as a spy, that joy would diminish.  Even if MacGyver lived, it wouldn’t be the same if he couldn’t fight back, couldn’t play along.

Murdoc made his decision.

He reached into his pocket, pulled out a burner phone.  He dialed a number he’d memorized long ago, put the phone to his ear.

A fierce Texas twang answered before the first ring had run its course.  “Murdoc, you son of a bitch–”

“Temper, Jack,” Murdoc drawled.  He shivered in excitement at the mental picture of the inferno in Dalton’s eyes.  “You just assumed it was me – imagine if it were your mother on the other line.”

“I can scent the devil from a mile away.”  Murdoc heard muffled voices in the background, knew the call was being traced.  

“Don’t waste your time running a trace, you grumpy old hound dog.”  His words were light, yet he allowed the slightest hint of urgency to infect them.  “I’ve had my fun for today.  I’ll text you the address.”  He paused.  “Oh, and bring one of those fancy whirly-birds you like to use for medical emergencies.  I might have been a little… over zealous this time.”

He closed his eyes, gorging on the incalculable levels of hatred in Jack Dalton’s next words.  “If you hurt him–”

Appreciation turned to irritation.  Murdoc rolled his coal eyes to the ceiling.  “Weren’t you listening, you brute?  Obviously, I hurt him.  Quite a bit actually.  You should have heard him scream.”

A short silence.  Then – “You didn’t let me finish, you overgrown sewer rat.  If you hurt him, I am going to tear you limb from limb.  I don’t need any of your fancy tools.”

“Hmm, that was almost intimidating,” Murdoc teased in his most good-natured tone.  “But you’ll have to find me first.”  He let the words linger for just a moment, then continued: “Anyway, ta-ta for now.  I’ll text you the address.  I’ll be long gone by the time you get here, but feel free to bring all your little friends for a game of hide and seek.  Though I have a feeling that you’re going to be more focused on sweet Angus.”

He hung up, texted the address, then turned to a feebly stirring MacGyver.  Pity he was waking up right as Murdoc had to leave.  Whimpers that would have torn the very soul out of Jack Dalton erupted unbidden from MacGyver’s lips.  Glazed blue eyes cracked open, regarding Murdoc with a mixture of terror and acceptance.  Though he had regained consciousness, MacGyver still hung limply from the chains, too weak and in pain to move.

Murdoc stepped forward, eliciting the tiniest of flinches  Even that motion made MacGyver cry out.  But Murdoc didn’t hurt him again.  Instead, he said, “Your friends are on their way.”

MacGyver’s voice rasped in the aftermath of his screams.  “You’re letting … me go… Why?”  

“Got bored, I suppose.”  No way was Murdoc going to let MacGyver know he’d been right, even if only a little bit.

MacGyver didn’t respond – maybe he didn’t know how to respond; more likely, he could barely form coherent thoughts, let alone words, amidst the torrent of pain.

Murdoc started to step away, then turned back, studying his latest draft of the elusive masterpiece that he would continue to dream about and that would fuel his passion and creativity for years to come.  He pulled off one black glove, placed his hand on a pale, cold cheek.  MacGyver jerked back feebly from the touch, grunting at the pain it produced.  Slowly, Murdoc wiped one of the fresher tears away with his thumb.  It might have been a power play.  It might have been a show of comfort.  Even the hit man didn’t know.  He glanced down at the shattered knee, swollen and misshapen, a grotesque monster straining to break free from the unrelenting fabric of the khakis.

“For what it’s worth,” he said quietly, moving his gaze up from the deformed knee to lock his black eyes with fearful, anguished blue ones, “I didn’t mean it.”

He walked away, casting one final look over his shoulder before he left his art behind for the coming Phoenix agents to admire.  “Until next time, MacGyver.”

And despite the extensive search conducted by Phoenix once MacGyver had been loaded onto the chopper, on his way to the best orthopaedic surgeons in the country, Murdoc had once more disappeared, like a ghost.

That night he dreamed about his Ithika, and this time, it was enough. 

#febuwhump #febuwhumpday14 #murdoc #macgyver #jack dalton #macgyver 2016 #creepy murdoc #tw torture #broken bones #possessive murdoc #obsession #kidnapping #whump #whump fic #mac whump #extended metaphor #torture as art #murdoc as artist #mac as canvas #murdoc being a dramatic little bitch #ithika #literature #hurt/comfort #febuwhump 2021 #i didn't mean it #violence #breaking point #murdoc pov #sassy macgyver #emcatwrites

[vuelie-frost]

F2: How do we cope?

So I’m someone who has a moderate dose of anxiety in her life, which is being combatted through therapy, medication, & learning healthy coping mechanisms. I’m no expert, but I have some experience dealing with strong negative emotions. One strategy I’ve been recommended is asking yourself, in any given anxiety-riddled situation, “What’s the worst-case scenario that could happen?” This brings you out of your own head- out of hypotheticals- and into the concrete.

Don’t get me wrong, it can be painful to think about. But it can be helpful to see where our biggest fears lie. And if you’re interested in alleviating those strong negative emotions, it’s a necessary step.

I’ve said before that I’m trying to stay open-minded and optimistic about this movie. But that doesn’t mean I don’t have fears and concerns. For me personally, my biggest "worst that can happen” theories for the ending of Frozen 2 are:

- The sisters never see each other again (with a heart-shattering goodbye scene that makes us all inconsolable) - Elsa loses her humanity to become a spirit/goddess, essentially intangible and immortal - Elsa is no longer called “Queen Elsa” in the franchise, invalidating a huge historic part of her identity - Elsa doesn’t attend Anna’s coronation because she’s “too busy” doing other shit - Disney+ makes a spin-off TV series with Elsa going on adventures (just please... no.)

(please don’t chime in with what you guys think about those ideas, at least in this post, whether they’re right or wrong... that’s not the point.)

So what if any, if all, of these things happen? What next?

Stuff not to do (I mean, do whatever you want, but these probably won’t be very helpful)

- oversleeping as a defense mechanism - eating your feelings - drinking/using substances to numb pain - stew and ruminate on the internet with people who only get your sadness and anger riled up - spend all day on the internet - engage in maladaptive compulsive behaviors (oh, hello dermatillomania. great to see you again.) - completely avoid feeling your feelings - making impulse decisions (don’t go buy a car just because “Frozen 2 sucks, the world is meaningless.”) - rant to Jen/Chris/the creative team at Disney on Twitter (which is different from an honest review of the movie, which I’m sure they’d be more receptive to)

Stuff to do

1) Grieve the movie we longed for. 

This might sound dramatic and my inner critic is constantly chiding me with “It’s literally a movie for kids, why are you so bonded to it?” But that’s totally unhelpful here. It doesn’t matter why or how, but most of us in the fandom feel a deep connection to the first movie. It’s not exaggeration to say that IF the sequel crushes us, it could be emotionally devastating. Grief is complex, individualized, and weird to work through... but it’s real, and if it’s something we need to face in order to move forward,  2) Decide how tightly to hold onto the franchise. 

Something being canon doesn’t mean we have an obligation to internalize it. How many franchises before have whittled their stories down to C-rated TV shows and average spinoffs? Do we accept all of them wholeheartedly?

Granted, this is hard to write about because there’s a slight cognitive dissonance that has to happen for us to disbelieve the sequel of any story.  But regardless, determining your relationship to the narrative is a deeply personal choice- one that can’t be decided for you. If my worst-case scenarios happen for F2, I’m probably going to maintain my complete love for the first movie... and pretend the sequel is an AU. Or extrapolation. Accept that it exists as the canon progression, but reject its meaning in my life.

3) Get off the internet. 

This is probably the best possible thing to do when the online world is causing you strife and stress. Tumblr has a tendency to be an echo-chamber; I actually only recently rejoined after a long loooong hiatus for that reason. Despite what boomers want you to think, the internet’s not inherently toxic. But despite all its good, it’s also highly curated, completely biased, full of half-truths, and a fantastic vehicle for rumors.

Also realize that until November 22, anything and everything Frozen 2-related that’s released by Disney is going to make you psychoanalyze the content for clues on how to feel. We’ll all become obsessed, deranged Sherlocks in our own right. Don't let it consume you.

4) Creatively output your thoughts & feelings

Headcanons, AUs, derivative work, fan fiction, fan art all serve us well (and are way healthier than like, downing an entire chocolate cake in sadness.) I’m an artist and you bet your biscuits I’ll be sketching Elsa for weeks and WEEKS before & after the premiere. It’s just how I process things.

Another thing I’ve decided I’m going to do if any of my worst-case scenario fears are realized is: write letters to the sisters as if they were real people. Talk to them about the ending. Jen Lee kept journals writing to/from the girls when they were conceptualizing the movie; I think there’s merit in letting the characters speak for themselves.

5) Employ your favorite coping mechanisms

These are personal to you, but could include:

- meditation - working out or exercising - yoga - writing/drawing (see above point) - making coffee or tea & relax in bed with a book - talk to someone about it, bonus points if it’s someone in the “real world” - take a walk outside - use breathing exercises - take a hot bath or shower - clean your room/house/apartment - put on music - cook - play with a pet - do something with a friend Note that all of these have to do with the external world. Distraction doesn’t heal us by itself (which is why denial is a poor way of dealing with shit,) but it helps our brains reset in the background. It sets the rest of the world into perspective, so that we can more effectively face our negative emotions later.  Remember, there’s nothing wrong with putting off processing until you’ve done something helpful or enriching. “Listen brain, we can cry later, right now I’m going to bake pumpkin cookies and you can’t stop me.”

6) Remember story is told to connect us with the real world

The idea of escapism is a bit paradoxical, because in pursuing a fantasy world, we’re only working to realize our desires in the real world. The reason we love Frozen so much is because we want that kind of love in our own lives... and the fairy tale reminds us that it’s real. Idealized and sanitized by The Mouse, sure, but it’s real. 

It may be painful to acknowledge but: we don’t need Elsa, Anna, Kristoff, or Olaf in order to flourish. Fiction exists to affect us in the real world. Frozen is one story among many- MANY!- that have the potential to sculpt your own personal future. That’s not to say it doesn’t retain a deep meaningful significance for us. I’m going to hold the first movie in my heart forever, that I know for sure. But its reasons for being great are because it plants us in reality. Can you imagine a beautiful young woman with the ability to freeze ice? Maybe that’s not plausible. But an undying, fiercely loyal commitment between two women? Hell yeah. 7) Recognize idolization & parasocial relationships where they may be... and start to heal them

This is heavy stuff that might require a professional to help you sort through- but if you’re truly suffering, paralyzed, or flung into a depressive episode due to any life circumstance (including a movie sequel,) it’s not silly to seek help in order to move forward. 

Parasocial relationships are perceived relationships where the other party (usually a celebrity, in terms of celebrity worship) doesn’t know you. Fictional worlds can fall into this category as well. It’s a one-side relationship that feels unbalanced when the other party does something we don't like. This is a studied topic I’m not super knowledgable on, but here are some links to more information if you’re interested: Why We Get So Attached To Fictional Characters by Kimberly Truong 

Parasocial Relationships with Fictional Characters in Therapy by Kathleen Gannon

Parasocial Break-Up from Favorite Television Characters: The Role of Attachment Styles and Relationship Intensity by Jonathan Cohen

Our fictional friends: Parasocial interaction and relationships in an evolving media world by Carri Romm - - - Also: I love you guys. <3 I love being in the Frozen fandom. It’s all going to be okay.

#frozen 2 leaks #frozen 2 spoilers #frozen 2

[comicteaparty]

March 7th-March 13th, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from March 7th, 2020 to March 13th, 2020.  The chat focused on the following question:

What is your overall marketing/promotion strategy for your webcomic?

Cronaj (Whispers of the Past)

I don't know if this counts as a strategy, but these are some of the things I do to promote my comic or my work in general. 1. Most important from what I've noticed (which I have been failing at due to stress and self-doubt lately) is to post updates to your comic frequently and consistently. It seems somewhat silly that simply putting your work out there is the best way to grow an audience, but it really is. Newly posted chapters frequently get shown on more pages and thus detected by the algorithms and potential readers. It also helps to establish trust with current and returning readers. 2. Participating in art/comic events, forums, and other comicking communities (such as this one). In a way, this isn't really marketing directly, but it is good to build connections with other creators! 3. Conventions! I actually have gotten a several new readers/followers from attending cons. It's also nice just to talk to people, get your name out there locally, and to make a little bit of money while at it. 4. Social media promotion. Tbh, this hasn't been super helpful to me, but more eyes is always a win in my book. I try to post almost every day, even if it isn't art or comic related. Having some kind of social media presence at all, even if it's small, shows people that you are working hard to connect to others. Also finding the right hashtags definitely helps with visibility.

kayotics

Overall, my strategy for marketing is to be authentic and just keep plugging my stuff. People will come if they like it. I work as a marketer for my day job, so I know what I COULD do, but I really don’t do that much since a whole marketing plan would take a lot more time than I have available to me. Some of the stuff I do otherwise: - regular updates. This ones pretty important for retaining viewers I already have. Any good marketing strategy is thinking about retaining people, not just getting new ones - self promo: this usually is on top webcomics or on social media. I get a LOT of traffic from top webcomics, and I get a good handful of people from social media. - conventions, like mentioned before, can be a great way to get people’s eyes on your stuff. I have a postcard that I hand out to people if they come by or they purchase something. - the thing I don’t do enough is post more art outside of the comic, or even just little previews. If I were dedicated to marketing, I’d be sharing sketches or illustrations on social media to grow my audience.

DanitheCarutor

Ah you know, I don't really have much of a strategy. At some point I promoted as much as I could on Twitter, adding my comic to those share/promo thread, getting in on relevant hashtag events, participating on WebComic Chat (whenever I remembered to). I've done a little promotion on forums, but there is really only so much you can do since only so many people hang out there and if your work is super niche like mine, they will pretty much avoid your promos at all cost. Lmao Other than those I don't really do much, at some point I attempted to use Instagram but the site/app is very stingy about offsite links. I also started a Facebook page, although if you don't have the money to boost your promos and don't usually have a lot going on with your comic outside of weekly updates, it won't get a whole lot of attention. I've also tried to be more active, but I'm not a good conversationalist, and I tend to be kind of a thread/conversation/mood killer so I try to avoid talking outside of Q&A prompts like this.

eli [a winged tale]

Same Dani, I used Instagram for a while too and I just don’t think the platform is a good fit for my vertical scroll comic (see exhibit 1) Twitter is a mixed bag as well and I think unless you have a solid following already, it’s hard to gain traction. What really helped was being on Webtoon’s staff pick for a couple days. I’m not sure how Tapas picked up but it’s reassuring that there’s a couple of followers gained every week when I posted regularly. So it really does sound like the first step is to have a steady update schedule (working on the buffer! Got a month’s work down today). It’s just challenging because while I could upload one page a week but on the vertical scroll sites it seems like a longer episode (6-7 pages) is valued more as a solid update. Love hearing everyone’s thoughts and hope to learn from y’all! (edited)

LadyLazuli (Phantomarine)

Consistency and con attendance were big ones for me, but something I learned worked well (and was really fun to do) was creating really fun, really dumb, non-canon bits of art every now and then. Following meme prompts or funny ideas from other people. If your comic can afford some humor being thrown its way, making people laugh is a great way to get some attention. No one needs to know the details of your story - they just need to relate to the characters/humor somehow. I had more than one person come across my dumb, meme-y ancillary art and go “Welp, I want to read your comic now.”

eli [a winged tale]

Memes to the rescue! What has been your favourite to do? And which one has surprised you in its relatability/popularity?

LadyLazuli (Phantomarine)

Two shots of vodka.

Also that terrible sweater meme. Everyone is required to do the terrible sweater meme. People eat it up.

eli [a winged tale]

Too good

Ahh I can’t wait till I can actually write silly adult characters

keii’ii (Heart of Keol)

Now that you mention it, the nice thing about the terrible sweater meme is it works with a WIDE variety of comics.

eli [a winged tale]

I would love to do a meme with y’all

Tuyetnhi (Only In Your Dreams!)

"Came for the story, staying for the sick memes"

Spring-heeled Jack

I try to post updates every friday when my new pages go up on Patreon. And then I make my big post when my tapas and website update at the end of the month. Between all that, I have little flyers that I carry with me and if I'm ever in a shop that has a little self promotion section, I plan on tacking up a flyer. I do conventions, and this will be my first convention season while actively making a comic, so flyers will be handed out then as well.

keii’ii (Heart of Keol)

My comic isnt very comedy-heavy, and even for the funny scenes, my sense of humor isn't compatible with most people's. So a lot of the memes out there just don't work. But terrible sweater meme doesn't have to be hilarious. It can be just cute, or even weird.

Tuyetnhi (Only In Your Dreams!)

For me, uh lmao. I sometimes make some funny strip panels and it was received well even though it's not polished for my liking lmao

Spring-heeled Jack

Keii, I feel you. I'm not good with comedy and my comic isn't meant to be funny, either, so I don't know how well a comedy meme will help me.

Tuyetnhi (Only In Your Dreams!)

overall, I try to be honest with just self promo and asking when I have a chance "Hey pls check out my comic lol"

eli [a winged tale]

Or maybe just something relatable? Seen a couple caption this on tumblr

keii’ii (Heart of Keol)

I think instead of memes, what I'm gonna do is my characters cosplaying more well known characters from works that have some tonal similarities with my own. This isn't just for advertising purposes; it's something I've been wanting to do for a long time for myself. But I'm realizing it can serve some of the same purposes that memes do.

Spring-heeled Jack

That's extremely cute!

keii’ii (Heart of Keol)

Keyword being "SOME" Tonal similarities... Some of them aren't very similar but have a couple of parallels, etc.

Spring-heeled Jack

Oh for sure. Even if you could find that 'perfect match', it might not be a great cosplay for them, and give too much away

Are "draw the squad" prompts still a thing? I love those

keii’ii (Heart of Keol)

The One White Dude and the Tiger Dude in my comic will definitely cosplay Calvin and Hobbes at some point.

Spring-heeled Jack

LOL

omg please, Keii

eli [a winged tale]

YES

LadyLazuli (Phantomarine)

Yeah, not every comic will have super memeable humor - but whatever you can do to break down that wall between you and a potential reader and go “Hey! Look at this. Is this relatable? Do you get the reference? Etc” Is a very good bet

Also yes squad memes are PERFECT

You can boil down your comic’s relationships so simply.

Spring-heeled Jack

I have four couples in my comic so those "ship dynamic" posts might be fun

keii’ii (Heart of Keol)

What are squad memes?

eli [a winged tale]

I also need to be educated about squad I mean all the memes

Spring-heeled Jack

OH MAN!! They are fun as heck. You can find templates and it's a very simple character design in the template, but the poses are super silly. And then you just draw your characters in place of those simple figures(edited)

If you google "Draw the squad" you will find a bunch

renieplayerone

Oh! Ill have to try that! These squad bases look fun!

LadyLazuli (Phantomarine)

I still have one of those I need to finish Back when I first started sharing my work, I was surprised and delighted at how quickly people shoved it through a meme filter.

Maybe that’s another thing! If marketing opportunities present themselves as a surprise, try running with them and see where they take you Within reason, of course. Never feel forced to follow anything that people respond to in a particular way. Just take it into account and see how you feel about it.

renieplayerone

(Im here to lurk on this week's question, i have no strategy and need ideas haha)

eli [a winged tale]

Omg draw the squad looks

too many to choose

mariah (rainy day dreams)

I love draw the squad poses so much TuT I wish I had more time to draw within more of them. I think I always get a little dishearten about making memes because I feel like I need to make my jokes full illustrations but I never have time for much extra content beyond ballpoint pen sketches :T

Mei

Honestly I don't have a marketing or promotion strategy for my webcomic. I make updates every week, and I post it on my twitter and kinda plug it there. I'm actually god awful at trying to make people read my comic because I'm a little bit nervous about it, to be honest. So I just sort of leave it there and see if people find it, half the time. That being said, I tried to promote it pretty hard at conventions last year. But that didn't go as well as I'd hoped. I'm hoping to make flyers with QR codes so that people can scan it, and it'll take them to the landing page/tapas for the comic. That might be a bit easier than getting them to just search the title, plus having a flyer is a nice bit of promotion if I get the opportunity?! Making memes and drawing characters in different clothes or in squad things sounds like super fun tho and I might look into that in the future

keii’ii (Heart of Keol)

It's nice to hear everyone talk about this topic. TBH I had completely stopped promoting my comic because I got too scared of backlash, being a disappointment, etc. (Initially I'd attracted a number of people who weren't actually my target audience, and that led to some less than ideal results.) But some time last year, it occurred to me that 1) I'm making this comic for my reader self (or my "hypothetical taste twin" as I like to call it)... which means 2) I only have to appeal to people like me. So I started asking myself, "What would I have to say/do to get me to read this comic?" and that made it significantly less intimidating. I haven't actually started doing self promo (though I did start plugging my updates on Twitter at least). But most future self promo I do will be based on that ^ question.

keii’ii (Heart of Keol)

(oh god, I was just checking out the latest update for one of the Korean webcomics I read, and the new episode is about a hikikomori... who says "I want to change, but I can't step outside because... maybe there isn't a single person out there who will understand me." THAT WAS ME but with comic promo. Well, I'm getting better and I also hope this character will, too, though knowing this comic his chances aren't so great lol...)

keii’ii (Heart of Keol)

I hope that wasn't too awkward to share! Tl;dr I really think the "what would I have to say/do to get ME to check out my comic" is a good approach for anyone else feeling intimidated about doing self promos.

In the same vein, but on the opposite side of the coin: I'm curious to know, what were some things that got YOU to read someone else's comic?

Some of my own answers to that aren't very relevant to what we can do for our own comics: e.g. I'm Korean and when Naver has a new comic in their pro comic lineup, I may check it out. I'm also a member of SpiderForest and I check out the applicants' comics during the app season. Stuff like that aren't really good promo options that we can take. But things that may be relevant: - 'Evocative scenery shot that doesn't show the face/ doesn't focus on the face.' MY WEAKNESS. That kinda pictures feel subtle and kind of lonely to me, even if it's a group shot. And I like stories with those vibes. -Promo includes an evocative quote. Could be from the comic itself, or from something else like a classical literature or whatever. The creator of Ark (https://www.arkcomic.com/) does this sometimes and even though I'm already following Ark, those promos get my attention.

eli [a winged tale]

Definitely the art promo now that I think of it! Merch, posters, banners etc. If the art intrigues me, I definitely take a look at the site/blurb/first chapter

keii’ii (Heart of Keol)

I wonder if we can semi-workshop promo art at some point? Not really intensive like "change xyz" because that's not always feasible with art, but just impression feedback like, "this pictures gives me these vibes, and makes me expect this kinda story"

I would be curious to see everyone's even if we don't workshop

eli [a winged tale]

YES

Tuyetnhi (Only In Your Dreams!)

Yesssss

chalcara [Nyx+Nyssa]

Yes please. I don‘t promo besides update notices simply because I have no clue to start.

Mei

Sometimes I get really attracted by the style of the story? I immediately started reading Wolfsbane because the art was cool and different from a lot of whta I'd seen on Webtoon up until that point. And then the story was perfect for me. What keii said about writing for yourself is right. Patrick Ness once said you should write the stories your younger self would have loved to pick up on a shelf

and I think that's a pretty evocative thing. At the end of the day, you should be enjoying what you're writing (hopefully). And if you enjoy it and you're having fun making it, that can rub off on the people reading it, or you find the people who like that similar vein of story?

keii’ii (Heart of Keol)

(It's also 100% legit to write stories for your current self )

Mei

(oh yes 100% that's what i'm doing HEHE)

Tolkein wrote LOTR because he was like

in love with worldbuilding

was there a market for such a strange type of novel at the time? No. Definitely not. Did he write it anyway? YEAH HE DID

Deo101 [Millennium]

I really wanna do an art workshop yes.

keii’ii (Heart of Keol)

Aight, anyone who wants an impression feedback from me, post your promo art in #art_help

Warning, my impressions may be totally off lol

Deo101 [Millennium]

Also I don't do much marketing. Mostly I try to get in with communities and learn about making comics, I just want to improve my craft. All I really do is make my updated every week, and share whatever art Ive made on my Twitter or whatever

Okay! I think I only have my cover on my phone, but on my computer I also have my banners and icon. So I'll share all those in a bit when I'm at my computer

keii’ii (Heart of Keol)

(off topic but I'm sick, and when I'm sick or very tired I constantly misread words. I read "my banners" as "my bananas" and I was very confused for a couple seconds.)

Deo101 [Millennium]

My bananers

Feather J. Fern

I am terrible at marketing my own work, but I am very good at marketing other people's work. I use the "you would like it for this reason" to grab people. Unfortunately I can't do it for my comic because I am bad at seeing the good in my own work oof. I am getting better at it though.

keii’ii (Heart of Keol)

That's a really good way to do it!

And I can relate. My own hangup is a little different, but it can be extremely difficult to be brave for sure, whether in front of other people, or just in front of your own brain that constantly judges you.

Feather J. Fern

Yeah I was talking about a friend's comic and then the person I was talking to was like "Don't you write comics" and I was like "ahfoofjw yeah but don't look at them"

keii’ii (Heart of Keol)

I was thinking a lot about the whole "it's like [well known work] meets [another well known work]" approach that was discussed earlier. And I think that could be relevant here. Like, think of something that has either influenced your comic significantly, or just happens to have some core similarities. How would you market that thing? Could you market your own thing using a similar approach -- since there are similarities?

I'd thought of a really good example to compare HoK to. Then I got sad because the said example is extremely obscure outside of Korea. But now I'm like, hey, people don't have to KNOW that work. I can do this differently. I can talk about HoK the way I could talk about it.

('it' as in the other work that's obscure outside of Korea)

Feather J. Fern

I do think that's a good fast shortcut but I don't like using it becuase the shortcut sometimes makes people angry when they don't get what they like out of those two things

keii’ii (Heart of Keol)

That's why I said to NOT actually bring up the comparison work

Don't name it

Just list the traits that are shared in common

Feather J. Fern

Oh sorry

I miss read

(And my name changed colours all the sudden?)

keii’ii (Heart of Keol)

It's a confusing topic, so no worries

It means you leveled up

Feather J. Fern

OWO!

keii’ii (Heart of Keol)

Say you want to compare your work to... I dunno, DBZ, because it's got super strong aliens duking it out barehanded, blasting ki-like energy attacks, etc. Don't name DBZ. Talk about your work the way you'd talk about your favorite aspects of DBZ. "My comic has super strong aliens duking it out hand-to-hand! YEEEAH!"

OH MY GOD I NEED TO DO THIS NOW.

Feather J. Fern

Yeah! That's what I would do. (But it also helps for me that my comic has no hard reference points) but for my new comic, people are gonna compare it to Zach Bell, and Angelic Layer i think

keii’ii (Heart of Keol)

I'm gonna write up some drafts that I will revise and tweet at a later time

Feather J. Fern

So I jsut got to you know, not promo it as such XD

Cronaj (Whispers of the Past)

I want to do this too for a quick pitch

keii’ii (Heart of Keol)

Do it (shop talk or story help maybe?)

I'm writing a vomit draft for mine

Cronaj (Whispers of the Past)

Yee

Feather J. Fern

I think I will do it for Story help

(Also so I can help flesh out my new project lol lol)

eli [a winged tale]

Kei I might be suuuuper off since I read only the beginning but I sort of thought inuyasha but Korea and handsome boys

LadyLazuli (Phantomarine)

Sometimes you don't even realize your story can be marketed as "blah meets blah" until much later down the line - I've only started realizing the number of existing properties I've absorbed unintentionally into my comic. It's not how I'd market it on a serious front, but to a friend for story help, heck yes.

But a lot of people on Twitter seem to do that strategy for PitMAD and it works great for them, so... shrug

I guess it still belongs in a "pitch arsenal," as it were

keii’ii (Heart of Keol)

Yeah, the one "blah" I just thought of is something I hadn't realized for all these years. But it makes so much sense now that I look at it.

eli [a winged tale]

See that’s where I got confused but I think this is what I’m gonna aim to do: - pitch to readers: inspiration but this awesome unique thing in the comic - pitch to other comic makers: the Logline - pitch to agents: comparison works if requested and longer pitch depending on their format - pitch to family: just read it plzthanksbye

renieplayerone

or alternative pitch to family: Please dear god never read this

keii’ii (Heart of Keol)

That's me

Oof... Writing the 'promote your comic by talking about the traits it shares with Another Person's Work,' I made myself cry, and that is definitely a sign I'm on the right track.

eli [a winged tale]

Right track is good!

Cap’n Lee (Flowerlark Studios)

It took me years to even think of an 'other more popular work' comparison for Children of Shadow. XD But at the same time, it's really different from the works I compare it to, so it's hard to say 'Read this if you like X or X because it has a few similarities in theme and tone, but is still very much its own thing'.

keii’ii (Heart of Keol)

Yeah which is why I'm not even gonna namedrop my X.

I'm just straight up gonna talk about 'My comic has [this trait]' (and X shares that trait, but no one needs to know for the purpose of that pitch)

Cap’n Lee (Flowerlark Studios)

To answer the weekly question... I really don't have a marketing strategy. Marketing is my achilles heel, so I generally just throw pages up and hope someone sees them. I don't really understand social media nor do I have the energy to sink tonnes of time into it, which seems to be one of the biggest requirements for being picked up by algorithms. So my marketing strategy is just.., keep making comics and talking to other creators and hope for the best

eli [a winged tale]

I think that’s still solid Capn

Ultimately you need a product to promote

keii’ii (Heart of Keol)

It's something that helps me, because while I can talk about my favorite works done by others, I feel stuck when trying to do the same with my own. So it's basically telling my brain, 'hey, you already know how to do it with other stories. Do the same thing with your own.'

eli [a winged tale]

So true Kei

renieplayerone

thats my strategy too. best case you market it great, worst case you've made a new friend so win win :3

Cap’n Lee (Flowerlark Studios)

My incredibly low numbers after 14 years of making webcomics beg to differ but... maybe someday I can hire someone to help me market.

eli [a winged tale]

I’m using the comic platforms rather than my own site so... sort of relying on their algorithms. I imagine it can be harder if you just post on your own website?

keii’ii (Heart of Keol)

Sometimes the platforms don't help much if their audience isn't into the type of comics you make

Cap’n Lee (Flowerlark Studios)

I post on both my own website and on platforms, but the algorithms for WT and Tapas don’t seem to like me, haha.(edited)

renieplayerone

yeah same

keii’ii (Heart of Keol)

One of my top favorite webcomics got a front page feature on Tapas once, but it wasn't the kind of a story that gets a lot of traction there, so it still didn't get very popular. And that was in no way a measure of its quality. It is an excellent comic, just not a good fit for that particular place.

renieplayerone

I get far more views on my site, but I get way more engagement on Tapas and WT

I actually treat those two mirrors AS marketing for the main site(edited)

eli [a winged tale]

Exactly renie! Good perspective!

I never know what different platforms tailor to...

Cap’n Lee (Flowerlark Studios)

Yeah, what Keiiii said. I make dark fantasy comics and both WT and Tapas favour romance, especially comics geared towards a female audience and drawn anime style. My comics aren’t particularly feminine and romance isn’t much of a focus, so they’re just not what that demographic is into.

eli [a winged tale]

I’ve been trying to remember how I came across my favourite comics and usually it’s through the art (interesting characters, unique dynamic style that I enjoy) and the first chapter holding promise (able to see what the character wants/will have to change into)

Romance has always been the best seller in the story world I think

Oh and most recently hiveworks and other web publishers have great recommendations too per genre

And comic conventions are always fun to meet creators. Sometimes If I feel I jive with someone I’m an instant fan

renieplayerone

I absolutely need to get better at having confidence enough to make friends at conventions x_x

Cap’n Lee (Flowerlark Studios)

I have noticed my audience grow a bit since joining Spiderforest. They’ve helped me get a bit better at promotion, though marketing just isn’t my talent, lol.

renieplayerone

im always terrified haha

eli [a winged tale]

It’s a big step for sure renie! It took me like... three years going to VanCAF as an attendee before actually exhibiting and making friends(edited)

Mei

I know i'm late but i personally detest the 'this book is X meets Y!!', even though I get why people do it. I just wish they'd describe it to me like what if I'd never read either of those books......

Cap’n Lee (Flowerlark Studios)

I would really love to get out to cons, they sound like a great opportunity for connecting with other creators. One of these years I’ll be able to get to one!(edited)

Deo101 [Millennium]

yeah im usually kinda like "okay, well are you doing anything new or are you just doing those things :/"

renieplayerone

I exhibit with the Boston Comics Roundtable and I still havent gotten the courage XD

Mei

yeah, cons are really fun even to attend or to make friends! I find it really tough though, I'm so intimidated;;

yeah Deo... same... it's like

sure, I could pitch a story as two things. Like I don't know "The Walking Dead meets Shaun of the Dead" which is semi redundant anyway

Cap’n Lee (Flowerlark Studios)

I only use it to give people a framework for the kinds of tones and themes they can expect from my work when I have to keep my explanation short and sweet.

renieplayerone

they should have badges that say "Hi i want to make friends but you are all so awesome its intimidating be kind"

Mei

or you know... use those words to just describe the story? It may be a personal preference, some agents LOVE comparisons

Yes renie, yes!

i'd love a badge like that like

pls talk to me i'm scare

Cap’n Lee (Flowerlark Studios)

Sometimes a few words can’t fully describe a story as well as saying: ‘It’s a little bit like X meets X but if you add [insert unique thing your story does]’

Mei

I personally find that it depends a bit too much on people having read those books or stories before. BUT if you're pitching to an agent, they've usually read those books

so then they get a sense or vibe of like, what the genre is

Cap’n Lee (Flowerlark Studios)

It’s all down to preference, really. Your own and the person you’re pitching to. If you don’t want to use comparisons to describe your own work, that’s valid, but try not to dismiss people who do.

Mei

so I get it, I just don't like it personally xD I think a lot of the times it takes away from your own voice and story

keii’ii (Heart of Keol)

That too is part of the reason why I'm not namedropping the works

Just having my self-promo self learn from my 'promo other people's stuff' self

Mei

yeah for sure, it adds that level of excitement to your own work that you'd give to others?

eli [a winged tale]

I think a cool exercise might be to check out someone’s work here and see how you would promote it

It’s always good to see from someone else’s perspective

LadyLazuli (Phantomarine)

yessssss, all of my friends have been much better at promoting than I am

mostly because they have no shame regarding it but they also just... know what sounds cool

Mei

Oh i'm very good at promoting my friends' work

I sold his DnD book to a kpop stan who doesn't like DnD and doesn't play, and it was a crowning achievement

eli [a winged tale]

Like for yours I’d probably say... Manta Ray princess finds herself very much dead but is given a second chance to revive her friends and save her kingdom... just need to find someone very much living and very much not afraid of the seaghosts they have become

LadyLazuli (Phantomarine)

SOLID

though now I imagine Phaedra as a Manta Ray in a dress which is... not entirely untrue

eli [a winged tale]

LOL omg I haven’t even thought of that! Just thought manta Princess is a hook

Mei

Me, pointing at Cheth "I mean look at him, LOOK AT HIM and tell me you don't want to read this"

LadyLazuli (Phantomarine)

I guess for my work I market it from four potential angles: 1) The princess is cool and has a sword, 2) The villain is the best character, 3) The environments ain't bad, and 4) THERE'S A DOG

again, you gotta know who you're talking to and what they already like

eli [a winged tale]

In a world where a fallen god became trapped in the sea, a dead princess is given a second chance to fight for her life with a mysterious sea-bitten boy and undo the sea ghost curse that plagues the world.

Dammit I repeated world

Mei

hey... the environments are GREAT

eli [a winged tale]

Yeah Lady your environment shots are

LadyLazuli (Phantomarine)

ok I do try BUT BACK TO MARKETING

The number of times I see someone marketing their comic with very epic-sounding descriptors or broad generalizations... then that one day where they're finally like "oh, I have a character who turns into a hamster at nighttime" and people are like 'I'M SOLD'

And then they go ".... THAT'S WHAT YOU ALL WANTED???"

often it's those little weird details that get people interested

Deo101 [Millennium]

I wanna read about the were hamster please

Mei

sometimes I think the simplest and maybe slightly silly lines are what grabs people?

when things sound TOO epic i feel a bit intimidated

eli [a winged tale]

takes notes

Mei

but if someone were to sell me a big adventure epic as "it's hamsters and they fight the forces of evil" i'd read it

LadyLazuli (Phantomarine)

god yes

"Four small creatures band together to defeat a great darkness overwhelming their homeland."

No.

"Hamsters fight evil."

YES

Cap’n Lee (Flowerlark Studios)

I.... I have no idea how to snappily describe my comics. XD

eli [a winged tale]

Same... I got to kids with wings for hair then my brain short circuits

Mei

i'd say it's the way you'd tell the story to a close friend

Cap’n Lee (Flowerlark Studios)

The best I came up with was 'Teenagers with supernatural powers team up with woodland critters to defeat monsters' but it sounds more adventure-y and doesn't really get at the fact that it's a dark story with horror elements and everyone's mentally ill.

Mei

like they come up to you and go "what's your comic about" "oh you know, my stupid comic's about mutant hamsters that take over the world" or something

(don't call your comics stupid none of your comics are stupid they are great)

Deo101 [Millennium]

"plant man and his goth boyfriend babysitting a ton of bozos" would probably be mine then

Mei

BEAUTIFUL

i'm sold

Deo101 [Millennium]

ghsakgjhgkhkgahgk my target audience...

Mei

i do think tho like this form of comedic one-lining may not work for something dark?

Unless you go "Spooky horror about cats that become humans at night!"

would need experimentation

eli [a winged tale]

It’s a balance I think.

Kids stranded on an island with weapons explore the darkness in human nature - Lord of the Flies

Mei

ooh yeah that's a good one!

LadyLazuli (Phantomarine)

A space explorer stranded on a foreign planet must join forces with the indigenous population and save his ship before his life support runs out.

Alternately

Small man goes to war with small carrot people

Pikmin

keii’ii (Heart of Keol)

@Cap’n Lee (Flowerlark Studios) I wonder if one could describe CoS the way how people might describe Evangelion, but with magical powers instead of mechs.

Teens, monsters, mental illnesses

Cap’n Lee (Flowerlark Studios)

Probably. Though I've never seen Evangelion, but those three words work very well.

keii’ii (Heart of Keol)

The relationship dynamics are way different, but yeah, those three things...

Cap’n Lee (Flowerlark Studios)

Also add trauma and cute lil animals and you have Children of Shadow. XD

keii’ii (Heart of Keol)

Evangelion also has trauma (though I don't know if you'd like it; this isn't a rec, just a promo discussion!) and it was refreshing to see at the time

A teen trying to fight huge monsters, even if he was doing it inside an equally huge mech, could lead to traumatizing experiences, and it was the first time I saw that seriously explored

Hmm, so I guess "teens, talking animals, monsters, mental illnesses feat. trauma" ?

Cap’n Lee (Flowerlark Studios)

I don't know if it's similar at all, but that description reminds me strongly of Eureka 7. Wow, was that series intense,

🌈ERROR404 🌈

I really liked how the end happened - it was a nice solution to the lack of budget issue and told the story of his psyche reall well

Cap’n Lee (Flowerlark Studios)

Though Eureka 7 was intense in a good way. I found the ending kind of unsatisfying, but admittedly I find the endings of 90% of animes unsatisfying (probably a cultural clash). But I enjoy them for the journey more than the ending.

keii’ii (Heart of Keol)

I haven't watched Eureka 7, but the storyboard artist (one of the storyboard artists maybe?) for that anime is one of my favorite artists.

DanitheCarutor

Ah, a little late, but regarding the snappy promos I'm in the same boat as Cap'n with not knowing how to make one. At least one that would be ridiculous and totally not fitting the darker themes. I agree with all the people who have a generally hard time coming up with a pitch for their work, while having an easier time promoting other people's comics. Honestly my comic can be super boring to people who don't like pretentious, non-fantastical, angsty, character study types of stories. So it's really hard to think of a way to make it sound interesting without spoiling anything. Man! That thing when people come up to you, asking what your comic is about! Me: "Oh! Ah, it's uh, kinda sad and it has uh mental illness" -trails off with uncomfortable laughter- Them: Oh cool. -has a look of complete disinterest- Someone was actually extremely enthusiastic about the vague description of my comic, which somehow made me a mix of uncomfortable and excited.

Eightfish (Puppeteer)

I saw the conversation about blurbs and I just thought of one for a comic I'm working on! "An ecologist and a bird have a conversation about ethics"

I haven't started the comic yet so please send your critiques(edited)

and first impressions

(of the blurb)

keii’ii (Heart of Keol)

"Angsty character study with a heavy dose of mental illness" <--- Could this descriptor work? @DanitheCarutor

Eightfish (Puppeteer)

kei said exactly what I was just typing

keii’ii (Heart of Keol)

Great minds

Eightfish (Puppeteer)

oh, i just realized i've read dani's comic

I think your description is fine?

The artsy, angsty comics I follow all have kind of short, tongue in cheek descriptions

it's hard to capture the tone of an emotional comic in one sentence so they either joke about it or make it intentionally misleading

for example Drop Out's description is something like "two friends go on a road trip" and Fritz Fargo's description is "a human dumpster fire in the 90s"

keii’ii (Heart of Keol)

The dumpster fire one is insta-effective

Eightfish (Puppeteer)

Dani, maybe make your description shorter if anything?

Something like, "An emotionally stunted alcoholic attempts to make amends"

and then follow it up with kei's line about it being an angsty character study

RebelVampire

Im not gonna stop the convo cause it is on topic. However, i do want to remind ppl these #creator_babble chats are permanently archived. So thats something to keep in mind if youre gonna workshop.

Eightfish (Puppeteer)

I asked before in this discord about making my own blurb better. The main critique I got was that I included too many things that I thought were interesting and unique that a new reader probably wouldn't care about. Like how the mc's powers work. But though it's unique and important to the story, it's not going to be a main reason someone reads the comic. I revised the blurb to remove extraneous info and make the tone of the comic more apparent, and I think now I didn't lose anything and made it more concise.

I think maybe agtahr could also be summarized a bit more succinctly

DanitheCarutor

Yup, you did once upon a time but said you stopped reading it a while ago. (which is totally fine, the reason is understandable.) The mix of yours and Keii's descriptions do sound a lot better than mine. Lol Thank you Fish and @keii’ii (Heart of Keol)! I've noticed people really like the word 'angst' when you describe heavy stuff. At least when I was a teenager everyone found it appealing. I'll tinker with it a bit and use Drop_Out and Fritz Fargo as a reference. Anyways, I'm going to stop talking now, don't want to bog down the main topic.

keii’ii (Heart of Keol)

That's a good point; 'the best things about this story' and 'things that should go in its blurb' have an overlap, but they aren't always the same.

Eightfish (Puppeteer)

Yeah, I did but I'll probably pick it up again eventually. I remember enjoying it. If you do want to keep talking, we can move to shop talk?

mirandalorian

babbling I have the first three episodes of my webtoon ready to post tomorrow and I’m really excited and feel kinda proud that I made it this far...even though it’s not very far. It’s far for me without posting immediately end babbling

Feather J. Fern

I forgot to ask, but if people are tabling at cons, do you guys have promo stuff at your con tables for your comics?

Cronaj (Whispers of the Past)

Mostly a business card, but yes

carcarchu

i never did but my table partner one year had free postcards she gave out with purchase / to passerbys with her comic info and an illustration on it

kayotics

I always keep free postcards to advertise my comic on the table right next to my business cards.

LadyLazuli (Phantomarine)

Yep, the free postcards did wonders for me last year. They disappeared quickly!

Tuyetnhi (Only In Your Dreams!)

Buisness cards and postcards~

Feather J. Fern

Seems like Business and Postcards are the way to go.

Mei

business cards!!

i might be making flyers/postcards for my comic next time though! :D

sagaholmgaard

I haven't done much to promote my comic but I've gotten some good ideas reading through this, thanks! I currently plug my updates in twitter and instagram with a cool/fun panel from the new page. I do also share WIPS and try to engage through my instagram stories (Asking things like, 'what type of benders would the Reclaim squad be in an avatar au' and making doodles for the answers), but that only reaches those who follow my IG. its good fun tho. I've done memes with the characters a few times but I didn't get much attention, LOL. But it's fun so maybe worth trying again

Spring-heeled Jack

Today I went into a locally owned comic shop and went to the guy that owns it and said "I'm a local artist and I'm writing a comic. Could I give you some small flyers to let people take?" And he said yes, and then asked if I have any physical copies. I don't yet but told him I'll bring some by when I have them. He then let me know he carries other local artists! Something cool to think about if you have a local comic shop.

Tuyetnhi (Only In Your Dreams!)

ooo that's good to know

I droped off my zines at my local comic shop but maybe I'll drop flyers of my webcomic too lmaooo

Spring-heeled Jack

I also just ordered a business card carrier so I can tote some around with ease. I carry my flyers in my sketchbook. You should totally ask, it never hurts! Carry a few extra just in case you find yourself in a new area and find another cafe or comic shop.

I ran mine off on my at home printer on some nice quality but regular weight paper. I might need to get some more professionally done.

Erin Ptah (BICP | Leif & Thorn)

I keep a handful of business cards in my wallet -- that way, any time someone says "hey, that looks cool, what are you drawing?" they get a card with the title and URL. Slowly but steadily burns through the supply.

DanitheCarutor

Seeing if my local book shops will carry copies of my comic when I print them eventually is something I'm kind of excited about! My town is hardcore into supporting local artists and writers, so that'll be something neat to try out. Although I'm a little nervous that the rating might be a little too mature for what the vendors want on their shelves.

I know of using postcards to advertise, but never heard of fliers. Maybe I'll give that a try.(edited)

Cronaj (Whispers of the Past)

I use double sided business cards, so on one side, it showcases some of my art, and the other side has contact info, a link to my comic website, and a QR code. It's been pretty helpful so far at conventions.

Nutty (Court of Roses)

You guys have all these sophisticated answers to this and my answer is just "scream on every social media platform I can reach and every person I meet about my comic."

Though I may not scream at people irl,,,

snuffysam (Super Galaxy Knights)

Let's see... I have a twitter where I repost my comic pages, and a couple mirrors that help reach different audiences. I've also carried around business cards that have my comic's URL on it. One fun strategy I've used is doing review-exchange things, in an I-critique-your-comic-if-you-critique-mine way (with the assumption that most people who read all the way through Super Galaxy Knights end up liking it). Though, that isn't really viable anymore now that the comic is 600+ pages, cuz nobody would ever agree to that trade lol. And... that's pretty much it? Though, I should note that my goal with Super Galaxy Knights isn't to make the most popular comic I can so that I can make a living off ads or patreon or print sales or whatever. If I ever do manage to make money off the comic, it'll be in "spinoff tech" (basically, video games or other media based off it). (it's the reason why a bunch of early Starstuff Stories fleshed out the abilities of the characters they focused on) I would like people to read the story because I think people would like the story, but it's not like my future depends on its popularity.

Holmeaa - working on WAYFINDERS

We (me and Q) are gonna (hopefully) tabeling at cons this year! I thought about doing free non permenant tattoos with our comic things. Also we have beautiful zines of the first chapter to sell. but a free postcard is also good

Desnik

promotional strategies...ah...the biggest thing I did for my first webcomic, RAWR! Dinosaur Friends, was simply update on a general platform (tumblr), using a consistent schedule and the same tags every time. That allowed some of the bigger biology/humor/critter blogs on tumblr to find me and I got a lot of people reading from their generous reblogs. I found some more niche crossover from sci-comm blog comments and dinosaur toy collector forums, because sometimes I'd have a comic that would coincide with paleontology news. It was mainly about finding my niche and bringing my stuff to that niche. To those struggling with finding readers, I would recommend distilling the contents of your comic and then reaching out to people who buy/read things like your comic. I've definitely made friends from general 'webcomic' forums and discords, but in terms of building a readership it's all about finding the niche and catering to it in a human way

In general I highly recommend shopping around for stuff like hobby blogs/forums/groups/discords that have some relation to the content of your webcomic. Those people DO want new content related to their hobby, but they don't really deal well with salesy pitches. Just be human and also a nerd for that hobby, too (nerdy enough to make webcomics about it)

keii’ii (Heart of Keol)

Yeah, it's like fan comic for an existing IP with an existing fandom, except it's a fan comic of a 'thing' rather than an IP (e.g. you make a pirate comic? Great! Nobody owns pirates, but there are lots of pirate fans out there!).

LadyLazuli (Phantomarine)

The very first customer I had at the first con I tabled at, came over and said "I like ghosts! I like the ocean! I'll take it!" And wrote me later saying it was exactly what they were looking for.

And honestly it's all because I make sure every cover has something spooky and something watery, and the genres are in the title I make it very easy for people to understand what it might be like.

Eightfish (Puppeteer)

omg the genres are in the title

that's genius

LadyLazuli (Phantomarine)

Definitely not planned But it helps so much!

I think if authors have a rule on certain symbols/motifs they MUST make sure come across on covers/posters/etc, that can be a good marketing strategy. With some wiggle room, of course.

Cap’n Lee (Flowerlark Studios)

I... I feel like I can barely even describe what my comic is, which makes it so hard to market. 'Do you like comics with cute animals and eldritch horrors and angsty teens that have superpowers and hidden religious symbolism everywhere?!? Then my comic is for you!' What even is that demographic, because I sure don't know.(edited)

keii’ii (Heart of Keol)

@Cap’n Lee (Flowerlark Studios) If you take away the cute animals part, that actually sounds like stuff a lot of teens are into/ a lot of people were into when they were teens. And most people love cute animals, so adding that to the mix, in theory, shouldn't reduce the accessibility too much. Buuuuut CoS has its unique flavor that's decidedly different from all the "angsty teens, eldritch horrors, religious symbolism" stuff I consumed when I was younger. I don't know how to describe that flavor, nor how to utilize it for marketing. But yeah, maybe some food for thought?

Eightfish (Puppeteer)

I've used short phrases that are sort of representative to describe my comic. Examples include "consensual mind control" "a guy whose ideal life is not being entirely alive" "friendship" and "anticlimactic conversations"

I have no idea how effective any of those are

someone tell me pls

LadyLazuli (Phantomarine)

As someone who just started reading your comic last night I think consensual mind control is a really cool descriptor. I haven't heard that too much before.

Eightfish (Puppeteer)

!

that makes me happy

Cap’n Lee (Flowerlark Studios)

@keii’ii (Heart of Keol) Heh, I'm not sure what that unique flavour is, either, but it might have something to do with me avoiding the typical 'chosen one' structure that most teen fantasy literature has. The characters are all (except Fawna) a part of the hidden world already rather than discovering it, and everyone's pretty much running around like chickens with their heads cut off rather than having any power over their situation (which is kind of a huge part of the theme of the comic). It's definitely different than the typical urban fantasy, so it's been really hard to find which audience that appeals to. From what I've gathered based on the people who comment on my website, it's mostly academics in college or beyond, for whatever reason. XD

Eightfish (Puppeteer)

Honestly I think for almost all comics their first pages were what convinced me to keep reading. Even with Phantomarine I was ambivalent about the description but then I saw the first page, and though, yeah, I'm into this.

Maybe my own comic can be the same way

LadyLazuli (Phantomarine)

Exactly the same with me and your comic - I was also all about that first page It's a powerful thing! I think for anyone about to delve into a comic - which is, by nature, a very visual thing - it's going to be that visual that ultimately pushes them over the edge.

Eightfish (Puppeteer)

maybe my description should just be ascii art of my main character O-O | -(edited)

keii’ii (Heart of Keol)

^ It's why I tinkered with the first page of HoK soooo many times even after it went live. But it wasn't enough; it still gave off the wrong impression as to what kind of a story one should expect. Finally, more than a year after I started posting it, I redid like 1/4 to 1/3 of chapter one from scratch. Even though it will never be perfect, I can live with it now. chapter 2 on the other hand... It's an imperfect intro to the right story, rather than an intro (good or not) to the wrong story.

Cap’n Lee (Flowerlark Studios)

To be honest, my intro probably doesn't hit the right notes to explain what my comic is about, which may be part of my problem. It starts out seeming more like an anthropomorphic fantasy than a dark urban fantasy / horror story. That's just something I think I'm going to have to live with, because I'm tired of reworking old pages (I already do it far too much). I think my best solution is drawing a new cover that showcases the tone and subject matter better than the one I'm using now.

Eightfish (Puppeteer)

oh god, you reminded me of the 3 cover pages I spent hours on only to later scrap. Then my current cover page I did in one hour after it came to me at 4am(edited)

and it was perfect

keii’ii (Heart of Keol)

XD

and my page redoings were after the reboot.

Eightfish (Puppeteer)

Cap, I don't know how representative it is of the story but I looked up the Ashes cover page and it's very impressive

Cap’n Lee (Flowerlark Studios)

Yeah, I already redrew my intro once.... and this is the third iteration of this comic. And I'm currently redrawing the first two chapters of my other comic. I'm so sick to death of starting over. -_-

@Eightfish (Puppeteer) Oh, thank you!! I like to go all-out on covers, heh.

Kabocha

Promotion... ... is that a thing you can eat? ... A few things I've tried is business cards -- tweeting about it -- posting about it on dA... I try to stay away from services like Tapas and Webtoon because I'm not formatted for those sorts of things, and I fear I'll probably just frustrate myself. It's a delicate balance right now between remaining happy with my work and getting it seen, but overall, I guess I'm not too stressed about it since it's not a source of income for me... I just... like making comics. I've also done conventions -- Conventions are fun, don't get me wrong, but nowadays they're a really low return on interest for many shows for original stuff (except slice of life and "oh no I did a bad" types of zines -- people seem to really enjoy things like that since it's often pretty easy to relate to). They feel like they used to be easier for selling original work, but the market's gotten rougher because there's so much competition and only so many dollars. if I ever print, I'm probably going to have to lean on some marketing-savvy friends for help... Hopefully things haven't changed too much by then. I think the tool that's worked best for me in the past few years has been doing guest comics here and there, as well as using topwebcomics, oddly enough. TWC was pretty good for referrals when I started doing comics way back in 2006~2007...

sagaholmgaard

Since the topic is about promotion... Do yall know if there are any twitter hashtag events for webcomic creators? My friends in the indie game industry have certain hashtags that people can post in during specific times every week - do we have anything similar?

Kabocha

#Webcomicchat!

https://webcomicchat.com/for-creators You may also find this page helpful

keii’ii (Heart of Keol)

#webcomicchat is great because you get to talk shop while talking about your own work! It's not just "look at my comic"

sagaholmgaard

Ahh!! Thank you!

LadyLazuli (Phantomarine)

I know some people do #WebcomicWednesday - not sure how official it is, but it gets some attention!

sagaholmgaard

I'll check that one out as well!

Tuyetnhi (Only In Your Dreams!)

There's also #comicartistsunite too

chalcara [Nyx+Nyssa]

webcomicchat always looked like fun, but I definitively am on the wrong side of the globe for the times it's going on

mirandalorian

Promotion is difficult. I always feel like I'm being too pushy, even for something that's free. I also feel like I built up a following that had nothing to do with comics or art and so when I switched directions to head that way, i don't get the response I would like. Reading all the thoughts here has been really helpful tho. Just got to put them into practice

Feather J. Fern

I think my current attempt for promotion is at least being more willing to promote. I have to force my fear of "I shouldn't tell people because it's not as good as (blank)" and just shove my comic into a spotlight

LadyLazuli (Phantomarine)

If anyone is worried about bothering people, putting variety into your promotions will make things more palatable for people for sure. I have one person on my timeline spamming the same exact post over and over again, almost daily, and it doesn't seem to be doing them any favors There's no need for a promotion every day. The people I see that do a more-obvious promotion tweet, like, weekly, or every two weeks, seem to get good results from that Sometimes less is more

mirandalorian

I need to get to that point Feathery. And ya, daily is a bit extreme imo. But I have to figure out the good balance

Feather J. Fern

Even weekly I don't do it because I feel like I am spamming and I feel awkward

Oh! Speaking of promotions, one way I found I got my comic promoted was by doing guest comics for other people! I got lots of viewers after each guest comic I did

keii’ii (Heart of Keol)

Yeah, for social media promo, e.g. on Twitter, you want to make your actual tweets have value -- not just things being linked off the tweets. (This is where gag-a-day kinda comics have an advantage, because each strip has entertainment value and you can just post the whole strip in a tweet.) Obviously this doesn't apply to every promo tweet; so like, weekly promo tweet that's solely about the links, as mentioned by others, is fine. But yeah, aside from those, you wanna make your promo tweets fun to read.

Feather J. Fern

Also cameos! Cameos are a great promo

keii’ii (Heart of Keol)

Not gonna lie, I am lowkey paranoid about doing cameos. Someone I know had to remove their cameo of someone else's character, because that other person objected to their character being in the print version of the comic.

chalcara [Nyx+Nyssa]

Uff

Tuyetnhi (Only In Your Dreams!)

oh rip

Feather J. Fern

Oh man, that's rough.

keii’ii (Heart of Keol)

I'll never even print HoK but I can still imagine someone being all "NOPE, I CHANGED MY MIND" at a later time

Feather J. Fern

I am planning to do some cameos for other people, not that Go Figure will ever be in print but I can see that problem. I think what I would say is that if you want a cameo you have to be 100% certain

keii’ii (Heart of Keol)

Might be a good idea to have a very simple agreement thing you can have them sign

Feather J. Fern

Yeah I was going to have a written consent form

keii’ii (Heart of Keol)

"I agree to let you do a cameo of my character, and to not be a jerk about it at a later time. Signed"

Feather J. Fern

Signed and dated by both parties XD

Tantz Aerine (Without Moonlight)

There's also the broad hashtags like #webcomics and even things more geared to genres like #drama and #fantasy and so on. Doing art memes helps sometimes, too.

mirandalorian

What do you think the best hashtags to use are? Is webcomics too saturdated?

keii’ii (Heart of Keol)

I'm not sure about the best hashtags, but my biggest thing about hashtags on Twitter : don't use a bunch of hashtags in a single tweet!

For broad hashtags like #webcomics or #fantasy, I gotta wonder if anyone's actually checking those out...

mariah (rainy day dreams)

Yeah, I usually tag my update posts with #webcomic and my comic's name, but honestly I have no idea if #webcomic has ever helped out my post ¯\_(ツ)_/¯

mirandalorian

Ya, I typically keep it to two or less, but i always wonder if webcomic is actually useful lol

Cap’n Lee (Flowerlark Studios)

takes note to use something more specific than #webcomic in my next update tweet

keii’ii (Heart of Keol)

I think it may potentially be useful as a label for someone who's just found you on that platform, and is not sure what you're promoting. But beyond that...

Tantz Aerine (Without Moonlight)

I usually use #historicalfiction and #webcomic. Not sure which one helps more, but well, there it is.

mirandalorian

Ya, I should use the genre tag too.

keii’ii (Heart of Keol)

Do people even search genre tags for that matter lol (a bit pessimistic, but still a genuine question)

like, I'll be the first to admit, I don't hashtag search to look for new comics to read. I don't think I ever hashtag search ANYTHING, unless it's like..... a very active trend that I am interested in (e.g. an upcoming video game that I'm looking forward to)

Tantz Aerine (Without Moonlight)

Well, the tags are popular enough to be suggested by twitter so I'd think some use them, probably likeminded folk.

mariah (rainy day dreams)

Same keii. I mostly use hashtags to look for fan art, exclusively on Instagram.

Tantz Aerine (Without Moonlight)

There's also a trend of "art sharing" tweets. I have found a couple of artists and webcomics through that kind of event, but again, the turnover isn't anything to write home about.

Cap’n Lee (Flowerlark Studios)

I wonder if readers make use of the search more than us creators do?

keii’ii (Heart of Keol)

I doubt it, Lee

Cap’n Lee (Flowerlark Studios)

:/

keii’ii (Heart of Keol)

I never use it as a reader, at any rate, though I don't know if others are like that.

mariah (rainy day dreams)

Though, actually that's not true, I have used hashtags to look at more things being posted within art events. So inktober, mermay, hourly comic day, etc.

keii’ii (Heart of Keol)

But art event hashtags are useful, because -- like I mentioned before -- those tweets provide entertainment value without anyone having to click on offsite links. e.g. the #StartToFinish tag that's hot right now.

mariah (rainy day dreams)

I have followed new artists from those tags though and then checked out their off-site stuff. It's definitely a more round about way than someone specifically looking for comics to read via hashtag

keii’ii (Heart of Keol)

From my limited observation, when people are looking for comics to read, they tend to ask for recs rather than do hashtag search?

"Anyone know of some good magical girl webcomics?" etc

which is a bit of a bummer for us creators, because that is completely outside of our control. Nothing we can do about it.

Tantz Aerine (Without Moonlight)

here's the popularity for the #webcomics tag

So SOME people use it.

keii’ii (Heart of Keol)

@Tantz Aerine (Without Moonlight) I'm gonna guess it's mostly creators using them to promote, rather than readers using them to search.

Tantz Aerine (Without Moonlight)

Also it seems to be peak in popularity in the USA

@keii’ii (Heart of Keol) the graph implies interaction, really.

keii’ii (Heart of Keol)

What counts as interaction?

Tantz Aerine (Without Moonlight)

tweeting it and searching it

what I'm saying is we can't know.

Cap’n Lee (Flowerlark Studios)

I don’t so much in Twitter, but I personally DO search hashtags on Insta to find new art.

keii’ii (Heart of Keol)

It's true, we can't know. I just personally can't imagine anyone searching for #webcomics to find stuff to read

mariah (rainy day dreams)

Insta is definitely hashtag game city.

keii’ii (Heart of Keol)

Yeah, IG is a different beast

Cap’n Lee (Flowerlark Studios)

Comics don’t generally gel so well with Insta’s format, though, so I’m usually seeking art and not comics.

Tantz Aerine (Without Moonlight)

just to be safe, occasionally use it

To be honest, I'm probably more likely to find and become a fan of webcomics here on this server than any social media

keii’ii (Heart of Keol)

Yeah, I wouldn't say "don't use #webcomics" -- use it if you have no other, more specific tags to put. But on Twitter, you don't want too many hashtags, so if you got more specific ones... use those instead!

Tantz Aerine (Without Moonlight)

I feel somewhat self conscious in getting an instagram. But I'll get one most likely.

Cap’n Lee (Flowerlark Studios)

It might be a good idea to switch up your tags regularly? Choose two or three from a relevant list each update and see if any of those tweets get a noticeable boost in engagement.

Tantz Aerine (Without Moonlight)

Yeah that sounds a good strategy

speaking of, any other creators into historical webcomics?

keii’ii (Heart of Keol)

I don't seek them out, but there's some that I read.

Tantz Aerine (Without Moonlight)

yours is touching upon the historical keii with the joseon-style elements.

keii’ii (Heart of Keol)

It's definitely not historical but yeah, got the aesthetics going for it!

Tantz Aerine (Without Moonlight)

Yeah!

I must admit, I'm a bit starved for like-minded creators. I mean people that create historical webcomics. I know and follow a few but that's not nearly enough.

(if I'm babbling too much for creator babble please tell me!)

keii’ii (Heart of Keol)

Babbling is fine! But this might be better for #general or possibly shop talk as it's not related to this week's topic?

Tantz Aerine (Without Moonlight)

oh sorry, there's a specific topic here too?

keii’ii (Heart of Keol)

Yeah, all the channels under CTP Activities have a... topic thingie that changes weekly

Tantz Aerine (Without Moonlight)

okay got it. I'll take it there. Sorry :/

keii’ii (Heart of Keol)

Don't be sorry, be glad to chat about this stuff in another channel

chalcara [Nyx+Nyssa]

With insta please be mindful that if you‘ll always post with the same hashtags, their algorythmn likely will assume you‘re a bot.

mirandalorian

Oh really?

I definitely did not know that.

chalcara [Nyx+Nyssa]

Yup, it‘s a big annoyance. At least it was that way half a year ago, how is the algorythm now? Nobody knows.

I kinda hate insta, but it‘s the platform with the most interactions for me, although I don‘t know if it goes beyound liking my panel cutout.

chalcara [Nyx+Nyssa]

Instagram does it‘s darnest to lock the user into theor own ecosystem.

mariah (rainy day dreams)

Yeah, hard same. I definitely get the most likes there, but I get very few referrals from insta.

chalcara [Nyx+Nyssa]

Funnily, the only social media where I KNOW I got at least one reader from is pillowfort and their teeny-tiny webcomic comunity!

mariah (rainy day dreams)

I keep wanting to hop over there, but also starting a new social media sounds exhausting TuT one day.

keii’ii (Heart of Keol)

I need to start using PF

chalcara [Nyx+Nyssa]

It‘s pretty chill, reminds me of the hey-day of livejournal, with great filtering - more intended to create many small communities than one giant pot like twitter.

Cap’n Lee (Flowerlark Studios)

I don’t think any platform’s algorithms like me. I get very low engagement no matter where I post. I’m just not good at figuring out what these platforms pick up.(edited)

chalcara [Nyx+Nyssa]

I still have three invites left for this week.

Tantz Aerine (Without Moonlight)

Does cross promotion work for you guys at all?

Cap’n Lee (Flowerlark Studios)

A little bit? But I think my comics are a hard sell, so I generally don’t get a lot of referrals when I cross-promote with other creators.

chalcara [Nyx+Nyssa]

It‘s how I found this community; but otherwise, nope.

Tantz Aerine (Without Moonlight)

Now I need to check out your comics Lee. I'm intrigued!

Cap’n Lee (Flowerlark Studios)

Haha, if you want to! If they’re not your cup of tea that’s a-okay.

mariah (rainy day dreams)

I still have three invites left for this week.

@chalcara [Nyx+Nyssa] if you don't have plans for those invites, I would definitely take one and follow you first

Cronaj (Whispers of the Past)

About the hashtag thing on Twitter..... I have found the hashtags #webtoon #webtooncanvas and #celebrateCANVASday to be particularly useful for those of us publishing on Webtoon Canvas. I have gained a few new readers from this, and the official Webtoon Canvas page often retweets when these hashtags are used.

mariah (rainy day dreams)

That's good to know. I'm planning to start mirroring on Webtoon so I'll have to be sure to remember to use those tags.

keii’ii (Heart of Keol)

I need to fix my series on WT first. But I'll give those hashtags a try once that's been done

Cap’n Lee (Flowerlark Studios)

I tried using webtoon hashtags a few times, but their page never retweeted me. It seems either random, or there’s some hidden requirement for getting a rt.

Tuyetnhi (Only In Your Dreams!)

i use the tag sometimes but I found it more responsive if you have a vertical scrolling format comic

then they're more likely to respond to you

Cap’n Lee (Flowerlark Studios)

Oh, yeah.... I use a traditional page format.

Tuyetnhi (Only In Your Dreams!)

same rip

Cap’n Lee (Flowerlark Studios)

I do combine all my pages into long episodes at the ends of chapters, so it’s kinda scrolling, but they’re just traditional pages stacked on top of each other, lol. WT definitely doesn’t like that, but I don’t have the time to reformat hundreds of pages.

Feather J. Fern

Also promo thought, I randomly joined people's streams before and then got hooked on their comics after seeing them draw on twitch or something like that

Pistashi

I struggle a bit with promo stuff, because I get too self-conscious about self-promoting and I'm the type of person that ends up doing too much of it or none of it

at the moment I'm working on making a press kit and sharing it with some blogs and networks about comics

but still, what I usually do is join groups and try to talk with people that works with art and comics

this is kind of more inclined to networking and meeting new people to talk about what we like than promoting my work to potential readers

nothing wrong with that, but looking with a more critical eye I still have a lot to learn about building an audience and reaching people who could become future readers

chalcara [Nyx+Nyssa]

I wonder HOW much a large social media following is worth. Insta‘s shown me that it isn‘t necessarily translating into readers.

carcarchu

in my experience followings on different platforms are non-transferable. same goes with having a large following on your comic itself, doesn't necessarily mean having a lot of followers on your art accounts. that's why they say "don't build your sandcastle in someone else's sandbox"

Pistashi

that makes a lot of sense

kayotics

If you’re building your following around your own content (original art, comic updates, etc) then the likelihood that the following is transferable is higher, but it’s still not 100%. You’re competing with everything else on their timeline too.

RebelVampire

i think a thing to consider with webcomics especially when it comes to social media is that a good portion of people who follow comic creators on social media are other comic creators, not people who are just readers. and the good majority of comic creators do not have a lot of time to read other webcomics. While there are certainly exceptions, I see those very few and far in between. So the conversion rates for social media right now are super low until the dynamic of the communities on the platforms changes.

kayotics

I’d agree with that, but also having a social media presence has definitely opened up some doors to being seen by other creators, many of whom are professionals. It’s good for networking, might not be the best for gaining and retaining readers.

RebelVampire

Oh yeah for sure. My point was about conversion factor

its factor in networking is a whole other matter entirely

and is indespensible

kayotics

One thing that I didn’t mention for myself is that networking has helped a LOT with getting new readers. Word of mouth, is always the best way to advertise, and other webcomic people giving you a plug can see some really strong results

#ctparchive #comics #webcomics #indie comics #comic chat #comic discussion #comic tea party #ctp #creator interview #comic creator interview #creator babble

[mst3kproject]

524: Twelve to the Moon

There are 50's sci-fi movies with wonderful titles like The Monster that Challenged the World and IT! The Terror from Beyond Space. I poke fun at how irrelevant or misleading some of them are, but I actually love them: there's nothing better to entice me to see a silly movie than a deliriously hyperbolic title!  Then there's this film, Twelve to the Moon, which is about twelve people going to the moon.  No points for the title guy.

Despite that, I rather like Twelve to the Moon.  It's not my favourite of the MST3K Moon movies – that would be Moon Zero Two – but it's a hell of a lot less annoying than either Rocketship XM or Project Moon Base.  There's some earnest effort that seems to have gone into this film, even when the effects budget was not equal to the filmmakers' ambitions.  The result is not a good movie but it is a functional one, and in the land of MST3K fodder that ain't half bad.

So let's start with the stuff that works.  There's a few places where Twelve to the Moon really did get something right, or at least, where its heart was clearly in the right place even if the follow-through didn't work out.  For one thing, they don't spend half the movie hanging around in space talking about stuff.  They have to dodge a meteor shower, but I'm pretty sure that was mandated by the Space Movie Union rules in the 50's.  Other than that, there is some flight time with dialogue, but unlike the pointless bullshit that consumed significant parts of Fire Maidens of Outer Space and almost all of Rocketship XM, in Twelve to the Moon this actually sets up some honest-to-gosh plot points.

We get a brief sketch of some of the characters, of their attitude towards the trip and their area of expertise.  We meet the animals they're bringing with them, and see the technology that makes the trip possible – some of this, like the sonic shower and the invention of the screenshot, is filler, but some, like the mentions of nuclear power and foreshadowing of Heinrich's heart attack, is important.  It's actually kind of neat that they included some irrelevancies, since it means we don't know which parts will turn out to be vital later.  And we get a setup of the film's main human conflict, Heinrich's distancing from his father's war crimes and what it means for his relationship with his protege David.

The movie also makes quite an earnest attempt to portray people who are different getting along for the sake of the common good.  The characters clearly disagree about a lot of things but when fights break out they're usually quieted pretty quickly.  Somebody put at least a little thought into where each member of the crew came from and how that would be reflected in their personalities, though the results are not especially nuanced.  Furthermore, even when they argue the characters mostly treat each other with respect. The women are allowed to be useful instead of just being there so the men will have girls to kiss.  The black guy is not treated badly on account of either his race or his faith.  Twelve to the Moon really, really wants to be progressive and whatever you think of the result there's certainly less of the Unfortunate Implications that plagued Women of the Prehistoric Planet.

The surface of the Moon as presented in this movie is actually pretty cool.  The backdrops are suitably craggy and desolate, and the black and white film actually adds to the effectiveness of it.  Even when we get stuff like the geysers, the quicksand, and the corals, that enrage Tom Servo by clearly not belonging on the moon, they look pretty neat.  This is obviously where the production spent most of its money and I have to say, good call.  If you’re only going to show us one really cool thing in your trip-to-the-moon movie, best make sure that’s the moon itself!

A related good decision was how the movie never actually shows us the Moon People.  Anything they could have put together on their budget would have been disappointing at best and laughable at worst. By keeping the Moon People off-camera, they are made an ominous presence in the movie, unknowable, unpredictable, and with powers we cannot comprehend.  This is far scarier than people in silly 'moon men' costumes would have been!

Finally, to my grateful astonishment, the movie does not have a love triangle in it!  With ten men and two women on the Lunar Eagle, they could easily have gone that way, but they didn't! Hideko has no love interest at all, and so little time is spent on the romance between the two physicians that when they pull off their helmets and kiss it comes as a complete surprise.  Instead, the movie derives its human drama from the differing political views of the characters.  It's still kind of beside the point of the main 'moon adventure' plot but it's not nearly so tired and cliché as the romantic angle would have been.

Of course, a lot went wrong in this movie, too.  For starters, there are far too many characters.  We simply don't have time to get to know the entire cast: there are too many names and faces to remember, and while we do get an outline of each person, we get no more than that.  Some of the irrelevant stuff that added colour to the first half of the film could have been cut to make room for setting up Dr. Martel's dislike of Americans, or at least to give a brief setup to the romance.  The cast could have been cut down by half, while the film told the same story in a much tighter and more engaging fashion.

Then there are the effects.  I mentioned that the movie spent most of its effects budget on the moonscapes. This means there was not much left for anything else and... yeah. You can tell.  Whether we're watching model spacecraft on sticks, or the cast getting bombarded by cartoon meteors, or the kleig lights intruding into the top of a shot, you can certainly see the cheapness on the screen. The worst moment of all is when we see two men who are supposed to be flying a smaller rocket ship, sitting in front of a blank wall with the shot framed to crop out an instrument panel that does not actually exist.

Perhaps the lack of budget is why they went with the 'invisible force field helmet' thing... maybe they couldn't afford twelve custom-made glass or plastic face plates, plus extras in case of breakage.  Or maybe they worried that reflections on the material would make it hard to see the actors' faces and tell who was who. Either way, they probably would have done better to just pretend there were helmets there, rather than draw attention to their absence – though actor Richard Weber delivers the line with admirable conviction.

A lack of budget is the studio's fault, not the film-makers', but where the movie really stops making sense is when the Moon People decide to make actual contact with the human crew.  They do this by transmitting a series of symbols that pop up on the Lunar Eagle's computer, and which more than anything else remind me of the 'hieroglyphics' supposedly found on the Roswell UFO wreckage.  I don't know if this was intentional on the part of the film-makers... Roswell was mostly forgotten after it happened and didn't become big news until conspiracy types started looking into it in 1978.  What's really weird about the symbols is not what might have inspired them, but the fact that Hideko can translate them.

What?  The picture-writing we're shown doesn't look anything like Japanese, or any other logographic language I can think of.  Just because Hideko can read one type of pictogram doesn't mean she can necessarily read others – I can read the Roman and Greek alphabets, but that sure as hell wouldn’t help me with Sanskrit or Inuktitut!  Is this one of those things where the aliens came to Earth thousands of years ago and left their language behind, and Hideko just happens to have studied it? Because that would be awfully convenient.

The other possibility that occurs is that the aliens deliberately chose to communicate in a language they knew their guests would understand... but if that's the case, it seems more likely that they would have just done it in one of the languages spoken by their two captives, which would give them a choice of Turkish, Swedish, or English.  The Moon People clearly understand at least one of those languages, since they mention that the hostages “say they are in love”, so why bother with the pictograms at all?

The later actions of the Moon People don't really make any sense, either.  'Leave the cats and go home' seems like a fairly reasonable request (given the option of two cats or twelve humans, I know which I would choose to keep), but then they freeze the Earth so that the Lunar Eagle cannot land.  A later communication makes it sound like this was a test of the crew's willingness to support each other and sacrifice themselves to the greater good of humanity, but was it really necessary to freeze the planet in order to do that?  They'd surely already seen that these squabbling primates worked together well enough to get themselves to the moon, and tried to save their colleagues who were in danger.  It really just seems like the Moon People want to make the point that they can snuff humanity's candle out any time they like... which doesn't make them seem that much more peaceful or enlightened than us, honestly.

So yeah, there's a lot of stuff that sucks here, too, and between that and the good bits the movie balances out somewhere in the vicinity of 'tragically mediocre'.  Despite all that, I really do kind of like this one.  Twelve to the Moon wants to be not just an entertaining movie but an important one, one with an optimistic vision of the future and a message for all mankind.  It fails, but it fails in such ways that I really would like to give it points for trying.

Except for the title guy.  He didn't try at all.

#mst3k #reviews #twelve to the moon #60s