the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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Penny stardewvalley makes me so sad because she's SO sensitive to, like, basically everything you tell her (telling her that you can't stand children while two children are nearby is a pretty lousy move but -1500 friendship?? being a jerk to other characters' faces typically loses you about 50 points, and if you choose the option labeled "creepy" and ask Leah for a kiss in her 2 heart event she physically hits you and kicks you out of her house but that's only -100 friendship…) and so if you want to befriend her it's a whole lot of lying and tiptoeing around her feelings (2 hearts: George was right but saying that makes her feel bad. 6 hearts: her food sucks but even if you try to be polite about it she feels like a failure; only a bald-faced lie pleases her. 8 hearts: saying you don't want to be tied down with a family loses you a little bit of friendship and she's only happy if you say you want kids) and I can't help but think she's a product of her environment. She lives in a trailer with only her mother, who gets drunk every night and has something of a temper. Penny's like a skittish rescue animal who won’t even come out from hiding under something unless you leave her lots of treats
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The first thing I noticed was the bodies of Spider-people the Spot has either killed or exhausted. You can even see Spider-Plushie in the left-hand corner was a casualty.
Then we see a few frames of Miles fighting the Spot, which I feel is self-explanatory.
But then we get into the interesting part of the vision with Inspector Singh saving the little girl in the red dress, and while we're told these events are of the future. What we see with Jefferson saving the child wouldn't be the first time the Spot's visions show past events, i.e. when he reveals his origins.
I say this because I don't think the vision of Jefferson saving the little boy who is also wearing a red (Spider-man) top - the only time we see colour besides black and white in this scene - is foreshadowing the future.
Because this is the past. And what we're seeing is E-42 Jefferson saving Miles G Morales as a child.
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huge shoutout to rejection sensitive dysphoria and the attorney who mentioned that I'd misspelled "forfeiture" in my notes, ensuring that I will literally never misspell that word ever again. Thanks, it's just what I needed. I would have rather been shot, but this works also.
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grief is an interesting concept. when things happen that are out of your control and youre forced to grieve, there is no right way to do it. you’ll have people who tell you the “best ways” to grieve, or even the usual “top ten ways to grieve”. but, in reality, nobody can tell you how to, because this grief is your own. you are human, you are allowed to grieve and nobody can tell you the right way to. an analogy i like to use is the ball button grief analogy, which is the one where you imagine a little ball that is hitting against a button. that button is your grief. when the grief begins, when its first happened, the ball is big and is constantly just hitting that button because it has nowhere else to go. however, as time goes on, the ball gets smaller, but the button is still there. the button never leaves, despite how much you can try to get rid of it, the button will always be there. as time goes on, the ball starts to hit the button less as it gets smaller, but less doesn’t mean its gone forever. there may be a day where the ball hasn't hit the button in a long while, and you even may think its strange how you dont feel as affected as you used to years ago, but then on a random tuesday years after the grief happened, the ball hits the button and you feel it as intensely as you did in the first place, because grief never really goes away. however, its managing with the grief and living through it instead of trying to “get over it” is what matters the most. thats what dealing with grief is for me
grief is always with you, and it can be beautiful too. take care of yourselves <3
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I find it so SO interesting that as soon as Kazui's breaking their marriage vows and revealing his true feelings (literally tearing apart the dove), the wife is already falling off the balcony
Her hair is fluttering in the wind. The apple fucking splatters on the ground this whole sequence is so visceral I'm spinning it around in my mind. Kazui views his truth telling as a violent act, the killing blow.
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