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halfseoulco · 1 year

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D-DAY — Agust D: A review

Published Friday, April 21st, 2023 — Perhaps one of the most conspicuous representations of alternate personas amongst the seven members, Agust D is Min Yoongi’s very own creation that grew into an icon of his own scale. First born in 2016 as a way for the then 23-year-old rapper to channel his anger and say the things he couldn’t say as SUGA of BTS, Agust D’s music resonates deeply with people—and, perhaps, resonates with the artist himself in ways he didn’t anticipate.

The Road to D-DAY

No one was really surprised when D-DAY was announced. With SUGA’s entire solo world tour completely sold out, ARMYs had been expecting new music to help fill up the setlist; and with j-hope, Jin, RM, and Jimin having already released their own solo works, the odds of guessing the next member correctly were high.

Prior to the official announcement, on March 30th, Big Hit Music released the mood teaser for SUGA: Road to D-DAY, a documentary detailing the artist’s travels spanning Korea, Japan, and the U.S. as he searched for inspiration. The teaser poster was then released on April 5th and the official trailer was released on April 6th. The trailer touched on key topics and themes that would make up the foundation of SUGA’s story as he traveled alone for the first time, including that of being in his thirties, wounds and scars, acceptance, liberation, people, dreams, and current. “The day I’m free from all the negative thoughts, I’ll set it as D-DAY and start all over again,” he says around the 37-second mark, clueing fans in to the meaning behind the anticipated album. The trailer also showed an aspect of his personal character that ARMYs especially love, which is his way with words—his ability to always say the right thing at the right time, even when what he is saying is as much for him as it is for others. The documentary’s main poster was revealed on April 11th and the rapper also did a series of promotions for the documentary with Disney+ Korea, releasing a greeting on April 5th and interviews on April 7th, April 9th, April 10th, April 16th, April 18th, and April 21st. Disney+ then released a second official trailer on April 21st. The second such documentary following j-hope’s IN THE BOX in February, Road to D-DAY premiered today on Weverse and Disney+.

“The day I’m free from all the negative thoughts, I’ll set it as D-DAY and start all over again.” — SUGA, Road to D-DAY documentary

At the time of the documentary’s announcement, ARMYs suspected that D-DAY would be the new album’s title; and once the album was announced, the timing of content releases were perfectly coordinated, maximizing the campaign’s impact on an audience that was already hungry for new Agust D music.

The album itself was also widely promoted, with Big Hit Music first dropping the announcement on April 2nd, followed by a poster for the pre-release single “사람 Pt.2 (People Pt.2) (feat. IU)” on April 4th. The D-DAY promotion schedule was then released on April 8th, the track list was released on April 9th, a special D-DAY Glitch Film released on April 13th, a live clip of “사람 (People)” on April 14th, and concept photos that were released on April 16th and 17th. The Glitch Film in particular proved to be particularly insightful. A series of visuals over which SUGA himself narrated, the film included snippets of previous Agust D music videos woven in among other intentional imagery before ending with a stylized D-DAY; and the narration explores what has always been one of the most significant themes at the heart of his—and BTS’s—music: standing up for what you believe in even when the rest of the world looks down on you for being different and embracing those differences that then in turn become your biggest strengths. SUGA himself is no stranger to hardship, as many are familiar with his story about how he came to join Big Hit Music (formerly Big Hit Entertainment) after growing up poor in Daegu and wanting to pursue making music; and it has always been obvious that he defies the general public’s perception of KPOP idols, having always been quick with a sharp clapback aimed at those who would dare look down on him. Based on the promise from now HYBE Corporation chairman Bang Si-hyuk that he wouldn’t have to dance if he joined BTS, his thirteen-year career with the company illustrates the significant growth and change in his abilities and his overall character and demeanor—but even after all this time, he still chooses to celebrate the things that make him different and that is perhaps what makes his music so accessible to so many people.

“Small flaws, glitches, my new alterimage. Breaking down the wall between ‘what I want to say’ and ‘what I cannot say’. Not getting intimidated but rebelling and raising questions against what the world demands. The world’s fixed stereotype collides with my inner self and leaves trauma for a while, but this temporary glitch transforms into the driving force to create a new wavelength and becomes part of me.” — SUGA, D-DAY Glitch Film

“사람 Pt.2 (People Pt.2) (feat. IU)” & IU’s Palette

Having previously worked together on the singer-songwriter’s dreamy pop track, “eight”, SUGA reached out to the nation’s beloved daughter, IU, to feature on “사람 Pt.2 (People Pt.2)″, a song that he had written three years ago and a follow-up to the fan favorite “사람 (People)” off of his previous release, D-2. In fact, while appearing as a special guest on IU’s show, IU’s Palette, SUGA revealed that he had considered both fellow BTS member Jungkook and IU for the feature and ended up choosing the latter. The pair performed it together on the show, but based on a 60-second live clip of the song taken from the Road to D-DAY documentary, it’s not the only performance of “사람 Pt.2 (People Pt.2)″ that we can expect.

Although he would be hard-pressed to define the genre of the song, SUGA described “사람 Pt.2 (People Pt.2)″ as a song that he loves very much and had been saving for quite some time. IU’s parts were written in English so that fans would be able to easily sing along when performed for SUGA’s upcoming tour; and while the melody is easy on the ears and the vibe is gentle, the lyrics paint a picture of a person who craves relationships with others but being unable to pursue deeper connections due to fear and lingering hurt from the past. If “People” raises the questions "So what if people choose to live their lives in such ways? Who are we to judge them?”, then “사람 Pt.2 (People Pt.2)″, while not providing the answers, raises the question “What is love in relation to people?”—or, more specifically, “What is love in relation to the presence (or absence) of people?” But then again, perhaps the answer to that question lies at the end of the song in what is arguably the most striking lyric of all: “당신은 사랑받기에도 이미 충분한데”, which translates to “You’re already more than enough to be loved”. Based on one possible interpretation, the big takeaway of “사람 Pt.2 (People Pt.2)″ is that while you are influenced and changed by the relationships you form with others, those people don’t get to decide whether you deserve to be loved—you just do.

To set up an easy transition into their performance of “사람 Pt.2 (People Pt.2)″ towards the end of the episode, SUGA performed “사람 (People)”, prefacing it with an anecdote regarding how after not listening to his own music once it’s been released, the algorithm recently brought it up and he listened to it not as his own song but as someone else’s song. The comfort that fans had said that “사람 (People)” had brought them, which he had been unable to identify with at the time of release, finally resonated with him during a time of pain, and he confessed to crying a great deal. The experience led him to choosing the title “사람 Pt.2 (People Pt.2)″ for the beats that he had written in 2020, as “사람 (People)” had become a very special song to him and now he has come to cherish “사람 Pt.2 (People Pt.2)″ a lot as well.

Over the course of SUGA’s Palette episode, the two discussed what it was like to collaborate once again, the history of their relationship, and what the release of D-DAY might mean for Agust D as one of his alter egos (in addition to Gloss, SUGA, prod. by SUGA, and Min Yoongi).

“At first, I was so fed up back then,” the rapper told IU. “‘Why would people look down on me? Because I’m an idol?’ Normally as an idol, there are a lot of things I can’t say out loud. I needed a means to let my feelings out.” He also admitted to feeling like he couldn’t synchronize himself with Agust D anymore, which can be interpreted in one way as saying that he doesn’t feel the way he felt when he first created the character of Agust D. “Once Agust D’s trilogy comes to an end, it might be hard to see him again,” he added. His use of the word “might” makes it seem like he is still, for whatever reason, unwilling to completely let go of the character he created—but what is clear is that not even he knows for certain what the future will hold for Agust D.

“It takes a lot of guts to let go of something. I’m not courageous enough.” — SUGA, Road to D-DAY documentary

The fellow ‘93 liners also talked about D-DAY and what fans could expect in terms of the overall tone and theme of the album, as well as about specific songs, with it being established that IU had already listened to it prior to SUGA appearing on the show. They then rounded out the show with some conversation about how SUGA felt things had changed for him in the last ten years since debuting with BTS, followed by some light-hearted talk about his various hair colors throughout that time period, his ability to make predictions that come true, and how he believes the album will be received by the general public.

D-DAY: The End of an Era

If you ask anyone who is a devoted fan of SUGA, one of the things they would say that they admire about him is his upfront nature, his ability to talk about the things most people want to forget exist—and his ability to be so incredibly vulnerable. His own individual journey to the top has been difficult in ways that run parallel to the hardships BTS faced within the KPOP industry, but like his fellow members, it has always been crucial to him that his music revolves around the heavy topics that affect people universally in order to create the space for empathy, community, and positive change—and making that kind of music requires a level of honesty that few people are willing to provide.

It has always been clear that SUGA has only ever wanted to make music since he was young—but that doesn’t mean that his love for the artform has always kept him in an optimistic headspace.

“I think of quitting music more than a hundred times a day,” the award-winning producer and rapper admitted in his documentary. “But when everyone comes together like this, I can do it because it makes me feel that making music is fun.”

The fifth member of BTS to release solo music during the group’s self-dubbed second chapter, SUGA returned as Agust D one last time to deliver the conclusion to his trilogy of releases, Agust D (2016), D-2 (2020), and now, D-DAY.

Having said on IU’s Palette that he finds himself getting less and less angry the older he gets, SUGA is at a point in his life where he maybe doesn’t need to rely on his Agust D persona to express his feelings. People have told him that he has mellowed out and it certainly seems to be reflected in the way he’s been carrying himself lately—and, naturally, in his music. Of course, D-DAY still has a little bit of that classic Agust D fighting spirit; and the first few tracks of the album are in line with what fans have come to expect from an Agust D song—with some softer melodies following close behind to demonstrate the shift in his personality and demeanor from his pre-debut years to the present.

“해금 (Haegeum)”

The title track, “해금 (Haegeum)”, is reminiscent of “대취타 (Daechwita)” in its use of traditional Korean instruments, as the two were written around the same time. In fact, the haegeum is itself a traditional Korean instrument but the word also refers to the forbidden—more specifically, forbidden things no longer being forbidden and thus experiencing freedom from holding yourself back from things that you told yourself you weren’t allowed to do, have, or be. “We have to free ourselves first,” SUGA said when talking about the song. “I feel that my life is restricted.”

The music video was preceded by an official teaser released on April 19th, which quickly established a similar setting and soundscape to “대취타 (Daechwita)”. There are also certainly loose threads from the universe of the previous album’s title track music video that connect the two. Looking back at “대취타 (Daechwita)”, there were two different versions of Agust D, so to speak—a mad king with long blond hair and a scar running from the top of his face, through an eyebrow, to his cheek; and a man with black hair, who was later captured and brought before the mad king, where the latter shot the former with a pistol that was given to him by a palace guard. In “해금 (Haegeum)”, there are again two versions of Agust D; and while both have black hair, one has the infamous scar on his face and the other one doesn’t. Based on visuals alone, there are many guesses to be had in regards to the story that has been unfolding since “Agust D” in 2016. It is possible that the mad king survived and started a new life as a police offer, going after the Agust D who attacked multiple people and then stole a very large amount of money—and it is possible that the Agust D who committed those crimes is the same Agust D who shot the mad king in “대취타 (Daechwita)”; and the mad king decided that the easiest way to get revenge would be to become a police officer.

Lyrically, while paired with an almost aggressively driving tempo and the instrumentals of the haegeum, if “대취타 (Daechwita)” was more of a means to call people out, “해금 (Haegeum)” is more of an anthem. The chorus is repeated twice more after its first time as an introduction to the song, emphasizing the importance of what the song is meant to be interpreted as: “This song’s a haegeum./Get on board now./This lively rhythm/Perhaps, this could be a new kind of haegum”. The track goes on to distinguish between freedom and self-indulgence, as freedom of expression or speech can sometimes put people in dangerous situations; and they are often not equal from person to person. Moreover, it also criticizes society in the way that information is introduced, interpreted, and censored, saying that “Endless influx of information prohibits freedom of imagination and seeks conformity of thought.” At the heart of it all, maybe what Agust D seeks is the truth as to what is really holding him or anyone else in the world back, as those in power seek to control the masses by overwhelming them with so much information and stimuli so that they remain confused and unable to determine who are the ones truly responsible for holding their freedoms hostage. But he also admits that we may also have a part to play in forging our own shackles.

“Maybe we do it to ourselves. Slaves to capitalism, slaves to money, slaves to hatred and prejudice, slaves to YouTube, slaves to flexin’. Selfishness and greed have gone off the rails.” — “해금 (Haegeum)”

In the end, even though the police officer manages to apprehend him, Agust D once again manages to shoot the scarred figure—and maybe he is dead for good this time. The young man, free from capture and from his past that continued to chase him, goes back to the noodle shop from the beginning of the video for a warm meal.

Unpacking D-DAY

While SUGA said that the album would be easy listening after the first three or four songs, the difference in mood and/or tempo doesn’t necessarily have a clear divide. It is true, however, that much of that notorious Agust D anger is contained in the first three songs, with Spotify granting two out of three an Explicit rating. The first track, titled “D-Day” after the album itself, signifies a day of rebirth—a day when the past version of one’s self is dead and only the present version exists. Both thematically and sonically, “D-Day” is both an introduction and a smooth transition into “해금 (Haegeum)” with lyrics such as “I’d die for real ‘til the D-Day” and “D-Day’s coming from forbidden things./As soon as you’re released, open your new chapter”. However, anger is not the only prevalent emotion underlying the song; rather, it is infused with a kind of aggressive optimism that is punctuated by the few swear words throughout. At the end, we are left with a sense of hope that something beautiful can still come out of all the ruin in the world, as SUGA raps, “Lotus flowers bloom again in a world covered with hatred”. The chorus, repeated often, is entirely an English, aligning with SUGA’s wish to have more songs that ARMYs can sing along to while attending his upcoming concerts.

Following “해금 (Haegeum)” is “HUH?!”, SUGA’s collaboration with fellow BTS member and rapper, j-hope. The song contains a familiar cockiness and swagger that ARMYs have long since come to associate with SUGA, calling out his success (i.e. his visit to the White House with the other members in May of last year) and his haters for talking negatively about him online while feigning innocence. At the end of his first verse, he even goes as far to say, “I pray that even you’ll do well”. j-hope’s verse provides a nice contrast for the ears thanks to the difference in vocal tones between the two rappers as well as the difference in rhythm and syncopation. His words are less aggressive, though no less confident; and the lyrics “My step is deep/So my comeback is easy” demonstrate a self-assuredness for the future regardless of what people may think or say.

“Honestly, back then, I was only full of anger. ‘I am going to succeed and take revenge!’ ‘I’m going to beat that group, this group!’ [...] Haters... haters will always be there. If I mention this, someone always says something about this. [...] These days, I am at peace. I think I’m becoming grown up.” — SUGA, IU’s Palette

After “HUH?!”, the album shifts emotionally and sonically, starting with “AMYGDALA”. Sitting in the coveted spot as SUGA’s most cherished song on the album, IU described “AMYGDALA” as “very honest” and “autobiographical”, as it contains personal stories going all the way back to the rapper’s childhood. The amygdala refers to the area of the brain that is mainly responsible for processing emotions and memory, especially those associated with trauma and fear. Originally intended for BTS, the song delves into what makes up the Min Yoongi who exists today as he discusses his mother’s heart surgery, his own accident which resulted in the shoulder injury for which he later got surgery in November 2020, and his father’s liver cancer. In the lyrics, you can see the ways in which he responds to these events, such as his claiming that he doesn’t remember certain information or the repeated lyrics “Let’s take them all out one by one”, “Let’s put it in one by one/Yes, one, two, yes, one two”, “Now, let’s erase them one by one, yes one by one”, and “My amygdala (my amygdala)/Come on, save me, come on, save me”. On a musical level, “AMYGDALA” walks a fine line between intense desperation and putting on a hardened mask. While it possesses none of the anger and aggression of the first three tracks, the slightly up-tempo beat drives it forward, keeping it just ahead of melancholy. “Bad experiences and negative emotions... Amygdala is how I process these stimuli,” SUGA says in his documentary. However, at the end of the second verse, he brings back the symbolism of the lotus flower, saying, “The never-ending trials weren’t able to kill me. And I bloom a lotus flower again”, referring to his own resilience and his ability to persevere in the face of his own hardships.

The album heads in a different direction after that. “SDL”, likely standing for “Somebody Does Love” as said in the chorus, provides an easy segue into “사람 Pt.2 (People Pt.2)″, as it talks about the complexities of relationships and the unfortunate drifting apart as a result of differences too great to reconcile, but is is also reminiscent of SUGA’s solo song, “Trivia 轉 : Seesaw” off of BTS’s Love Yourself 結: Answer (2018). While the instrumentals, the chorus, and especially the tone of the backing vocals give the impression that it is more like an affectionate love song, “SDL” is in reality more about a failed relationship than a successful one; and while there may be some leftover affection, the million-dollar question is whether he really misses the person or the memories. It may be the closest to a love song in musical style that we will ever get from him, as he claims they’re not really what he tends to write, though, and the overall vibes make for comfortable, easy listening.

The album then shifts again in sound with “극야 (Polar Night)”, a powerful yet understated track delivered with a steady rhythm and reiterations of topics brought up in “해금 (Haegeum)”, such as hypocrisy, the manipulation of information, truth and lies, and the uncertainty of not knowing whether one is believing in the right thing, doing the right thing. After all, a polar night is something that only occurs in the northernmost and southernmost regions of the planet—where night lasts for more than 24 hours.

“Interlude : Dawn” helps set the tone for “Snooze”. Laden with an almost piercing sadness, the different instruments introduce and re-introduce that sadness, playing upon the same theme until the song’s completion. While there are no lyrics, the emotion is closely felt, putting the listener in the necessary headspace for the next track.

Featuring the late Ryuichi Sakamoto and Kim Woosung of the Korean rock band The Rose, “Snooze” is SUGA’s message to his friends whose dreams began after seeing how far he and BTS have come. Knowing that the KPOP industry is a competitive one and that there are those who are always seeking to hurt others in order to get ahead, SUGA raps, “It may be very difficult, this road I’ve walked on. It may have looked like a flower road, but enemies everywhere. Know that it was a thorny road before you start. I hope you never forget the one who scatters flowers on the road”. Presenting both the pros and cons of pursuing such a dream, “Snooze” represents SUGA’s desire for others such as his juniors or friends to come to him for help; and even as he warns them about how difficult the road ahead will be, he also says, “but the end may be great”. Towards the end, SUGA weaves in lyrics from “So far away” off of Agust D, another track for which there is a very special and deeply personal place in ARMYs’ hearts. In “So far away”, he talks about not having a dream and the resulting loneliness and other negative emotions that accompany having that particular item unfulfilled. However, in “Snooze”, he has moved on from not having a dream and instead wants to focus on helping others achieve their dreams, which, in some ways, one could interpret as being his new dream. The lyrics taken from “So far away” are “Dream/I will be there for your creation 'til the end of your life/Dream/Be generous, wherever you might be/Dream/You will fully bloom after all the hardships”—but he changes the last line. Compared to “Dream/Your beginnings will seem humble/So prosperous will your future be”, in “Snooze”, the last lines of the borrowed lyrics are “Dream/The beginning may be weak, but the end may be great”. Two different ways of saying the same thing but a nice, little Easter egg with a twist nevertheless. And while it is clear that the lyrics come from his own personal experiences as an idol, the message of “Snooze” is not only intended for those friends in the entertainment industry but also for those in their twenties and thirties who are struggling as a result of the current situation of the world. Where “even dreaming a dream is too much”, SUGA hopes to provide some comfort with this song.

ARMYs around the world remember a time before and after BTS’s “Life Goes On” when BE (2020) was released. Paired with a music video that tugged none too gently on the heartstrings and caused the well of emotions to overflow, it displayed an honest vulnerability and empathy and expressed an optimism for a future where even though many things had changed, some things—like the mutual love and respect between BTS and ARMY—would always stay the same. SUGA’s own kind of homage to his group’s creation, “Life Goes On” borrows some of the original melody and general message, especially in the introduction and first verse. “I will borrow this music and give it to you. People say the world has changed. Fortunately, our relationship hasn’t changed yet,” he raps, similarly to his verse in the original song, where he says, “Let me tell you with this song. People say the world has changed. But thankfully between you and me, nothing's changed”. In his IU’s Palette appearance, SUGA mentioned that he was unsure if people would listen to D-DAY in its entirety or even like it. By releasing his own version of “Life Goes On”, SUGA is expressing his own vulnerability in regards to his relationship with his fans and the desire to be reunited; and even as life goes on, he hopes that they will continue to look to him for comfort as they did before.

Conclusion

When viewing all of the Agust D releases as a whole and complete story and reviewing what SUGA himself has said about the character he created, the message truly comes together with a certain kind of clarity. There was a time when the rapper was always angry and he used Agust D as a vessel for that emotion. At the time of D-2′s release, which is when he wrote some of the songs for D-DAY, all the anger he had felt had not yet dissipated and he found that he still had some lingering frustration and rage, even after expressing it. Now, by releasing “해금 (Haegeum)” and D-DAY, he is able to let go of that version of himself who was only angry. In a live stream following D-2′s release, SUGA admitted that there is another name for black-haired Agust D; and I think it is safe to assume that black-haired Agust D is really SUGA—or even Min Yoongi—and that the scarred version was the angry person he had become in his earlier years as an idol. He had tried to kill him but he only came back again to hunt him down, as the past is often prone to doing. Having finally killed off that version of himself, he can leave the past behind and move forward towards a happier, brighter future.

“I don’t know if I’m fully grown up yet but if I’m going to be, I want to be a good one.” — SUGA, IU’s Palette

As much as I live for the quintessential Agust D songs, my favorite tracks on D-DAY are “SDL,” “사람 Pt.2 (People Pt.2)” and “Snooze”, especially since some of my favorite songs from SUGA as an artist are “So far away” and “사람 (People)”. Coming from a less objective and more personal perspective as a SUGA-biased ARMY, watching him go through this journey was both gratifying and encouraging. Seeing him come so far fills me with pride and I hope that during his upcoming tour, he can really feel how much he is loved by his fans and how much he has done for them by way of his music.

Genius Lab USA Rating: Perhaps this could be a new kind of haegeum.

D-DAY Track List

D-Day

해금 (Haegeum)

HUH?! (feat. j-hope)

AMYGDALA

SDL

사람 Pt.2 (People Pt.2) (feat. IU)

극야 (Geugya) (Polar Night)

Interlude : Dawn

Snooze (ft. Ryuichi Sakamoto, 김우성 (Kim Woosung) of The Rose)

Life Goes On

Notes:

*All dates referred to in this review are in accordance with Pacific Standard Time (PST) unless otherwise specified.

** I’ve chosen to refer to Yoongi as SUGA in this piece for ease of reading and consistency unless I am specifically referring to Agust D as the character that he created.

#GeniusLabListens #Agust D #BTS SUGA #BTS #KPOP #Korean Music #Album Review #Everything I do is for Yoongi

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hopeonmyphone · 2 months

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BTS J-Hope sets a record for all 10 songs in his solo album ‘Jack in the Box’ to be ranked #1 on iTunes in El Salvador and Bolivia [Top Star News]

The 10 solo songs included in BTS's J-Hope's 'Jack in the Box' album have consistently ranked first on Latin American country charts, showing his potential as an irreplaceable artist. .

According to iTunes, on February 29, 'Future' from J-Hope's solo album 'Jack In The Box' topped the Bolivian single chart.

As a result, an 'all-kill' record was established in the Bolivian charts, with all 10 songs included in 'Jack in the Box' reaching #1, starting with the title song 'Arson' on July 15, 2022, demonstrating incomparable global influence and super-specialty. He boasted of his presence.

Prior to this, on the El Salvador iTunes chart, 'What If…' ranked first on the single chart on February 18, establishing the 'all-kill' record for the song included in 'Jack in the Box'.

This is a passage that confirms the extraordinary love that Bolivian and El Salvador fans have for J-Hope.

To date, the number of countries in which the 'All Kill' record for the song 'Jack in the Box' has been set is a total of 13, starting with Chile in 2022.

'Jack in the Box' is J-Hope's regular solo album released on July 15, 2022, including 'Intro', 'Pandora's Box', 'MORE', 'STOP (There are no bad people in the world)', '= (Equal Sign)', 'Music Box: Reflection', 'What if… It contains 10 songs written and composed by J-Hope, including ', 'Safety Zone', and 'Arson'.

At the time of release, 'Jack in the Box' ranked 17th on Billboard's main album chart 'Billboard 200', and the included songs 'More' and 'Arson' were loved by many, ranking 82nd and 96th, respectively, on Billboard's main single chart 'Billboard Hot 100'. received.

'Jack in the Box (Hop Edition)', which was released as a physical album version with 5 songs added on August 18, 2023, ranked 6th on 'Billboard 200'.

J-Hope will release a special album 'HOPE ON THE STREET VOL.1' containing 6 songs on the 29th. A day before, on the 28th, a documentary series of the same name will be released simultaneously around the world through TVING and Prime Video.

Additionally, at midnight on the 29th (Korean time), a teaser trailer for the documentary series 'HOPE ON THE STREET' was released on the team's official SNS, raising expectations for the main episode.

The released teaser trailer begins with J-Hope practicing choreography during his trainee days. The story told by the current J-Hope is shown above the past video. “I had forgotten so much about dancing, which I loved. “I need to look back on the dance I did.” J-Hope says he will stand at the starting point again and look back on his life through his roots, ‘dance’. Next, three keywords ‘DANCE’, ‘DREAM’, and ‘LEARN’ appear. 'DANCE' contains scenes of performing and practicing in a dance crew before debut, and 'DREAM' contains the moment when the singer became the first Korean singer to headline at 'Lollapalooza', a large-scale music festival held in Chicago, USA in 2022.

'HOPE ON THE STREET' is a documentary about J-Hope, who celebrates his 12th debut anniversary this year,'s journey to find his dream through dance that penetrates his past, present, and future. When J-Hope was a trainee, he visited Osaka, Japan, Paris, France, New York, USA, and Seoul and Gwangju, Korea with Booga Lukin, his dance teacher and poppin dance world champion, to learn new things through her dance.

'Hop on the Street VOL.1' is a work based on street dance, which can be said to be the root of J-Hope's artistic activities, and is receiving great attention from around the world as both the album and documentary are released simultaneously. In particular, J-Hope, who is currently serving in the military, is becoming a hot topic as it is known that he has completed all preparations before enlisting.

J-Hope is currently serving as an assistant instructor at Baekho Recruit Training Center, 36th Infantry Division, Wonju Army, Gangwon-do, and is scheduled to be discharged on October 17th.

Source: Top Star News

#jung hoseok #hoseok #jhope #BTS #정호석 #호석 #제이홉 #방탄소년단 #jhope news

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luciochaves · 1 year

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'j-hope IN THE BOX' Main Trailer

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4jnismo · 1 year

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[230210] — ☀️ upgrade: <j-hope IN THE BOX> Main Trailer

duration: 01m:51s | Please like and leave nice comments for j-hope ☆ | 📅 Feb 17, 5PM (KST) on Weverse & Disney+ globally

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imperiumallaboveall · 1 year

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Watch "'j-hope IN THE BOX' Main Trailer" on YouTube

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Yeah evidence. Chapel at the ave and Michelle Kim and Pasadena CA. Now ex CIA with ex FBI and aws pentagon militia says here .

#Youtube

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shop-korea · 1 year

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'j-hope IN THE BOX' Main Trailer

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#Youtube

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smolfailure · 3 years

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FUCK IT, DREAM SMP HOMESTUCK AU

but it's only half shitposts and there are actual Thoughts in there.

You don't need to have read the comic to understand because I tried not to spoil anything major, but it'd help if you knew basic stuff about classpects, SBURB and the hemospectrum.

disclaimer: i'm not a good pixel artist and this is my first actual sprites ever so please be kind to my weird pixels

The Kids:

Tommy

Fundy

Techno

Tubbo

tommy, tubbo and fundy one of the kids because they're the kids in dream smp canon (with fundy being son of wilbur)

techno's there because i want to make a dave strider reference (haha get it because techno's name is also da-- *gets shot) and also because they are both coolguys except instead of using irony, techno has adhd

The Trolls:

Wilbur Soohte (fuschia)

?????? Ehrret (violet)

J????? Shlatt (purple)

Nihacu Niikki (indigo)

Skeppy Diamon (cerulean)

Quacki Tthiey (teal)

Philza Myncra (jade)

Dreame Wastkn (lime disguising as olive)

George Notfou (gold)

Sapphe Nahfpe (bronze)

Badboy Haelow (burgundy)

don't come at me saying only females are allowed to be jades and fuschias; gender is fake and this is an au

more of the AU and the talksprites are under the cut:

Tommy

Lunar sway: Derse. Types in: Red

chaotic. the first person to be introduced.

when he gets introduced instead of the “Zoosmell Pooplord” bit, Tommy is initially going to be the name inputted but then backspaced it and decided that Tommyinnit was better and he was fuming until he’s named Tommy.

Gives me big Blood/Hope vibes. Blood because a lot of the conflict of the dream smp connected to someone breaking his trust or harming the things he cares about, Hope because a lot of the plot of the dream smp stems from Tommy starting shit based on his ideals and what he thinks is right.

the first to instigate fighting against the trolls

bbh contacts him once and tommy keeps cursing until he disconnects from frustration rip

wields Gunkind and his only strife weapon at the beginning is the Vlog gun. He has Gunkind as his strife specibus mainly because he looked up at schlatt and he imitates him.

Fundy

Lunar sway: Prospit. Types in: Orange

it was his idea to play SBURB but only through Dream.

he talks to dream the most among the other trolls fwt stans getcha juice this is the rosemary of the session

dream’s the one giving him exposition about the game so that’s how he knows how to play SBURB.

wilbur trolls fundy once and instantly adopts him.

“You’re my son.” “How does that even work??” “I was one of the people who created your universe. It’s basically the same thing.”

Fundy relents anyway.

Techno

Lunar sway: Derse. Types in: Pink

dave strider but dead-inside voice + rose lalonde english major vibes

he slices the text box when you try to name him "Dave " like in

techno gives me time player vibes (contantly on the move. his skyblock series, his “stays in the pit” monologue,) but also rage vibes (anarchy, the “theseus” monologue, political alignment is Chaos) alas i am not sure what class

uses Tridentkind and claims "it came from god"

it was dream, he accidentally transportalized one of wilbur’s weapon while he testing the transportalizer.

Tubbo

Lunar sway: Prospit. Types in: Green

the jade harley of this session. the only thing keeping them from going apeshit. where would they be without him.

but also jade harley in a sense that he seems nice and wholesome but also don’t fuck with them they can mess you up

Heart/Life vibes??? someone good at classpecting help

i put them in prospit bc of the "tubbo third eye" instead of tubbo having a sixth sense or smth, they see the future from the clouds of skaia when they sleep

wields Stress-relieverKind at some point

bonus: everyone’s actual hair colors

Ideas about the Trolls

no i haven’t done their sprites yet bc it would take so much time and i’m not even sure if people wanna see more of this au skjdkdsakdfkl,, but i have Design Ideas.

events of the dsmp revolution are just a FLARP session drawing parallels to how the homestuck trolls had a FLARP session that spoiler alert: destroyed friendships. dtrio, eret, will are involved. eret betrays will's faction and wilbur's still Bitter over that.

on the context of alternia (highbloods and lowbloods) lmanburg and dreamsmp have their roles SWAPPED. the emancipation theme thing is completely gone since highbloods are in more power than the lowbloods (the dream team) .

wilbur made a faction called l’manburg because he wants a place where he and his fellow highbloods could make drugs vibe.they take a piece of land that was owned by the dream team. in normal circumstances, they shouldve stood down because lowbloods aren't supposed to start shit with highbloods (especially a group of highbloods that has the alternian heir among them) but dream turned it into an activism thing about lowblood rights. the story plays as close as possible without tommy or tubbo in it (which is pretty hard ik but this is the best can do).

like in the dreamsmp revolution, dream kinda let wilbur do what he wants but this time he has more reason to because he’s in a lower caste. dream really only fought back when wilbur announced that he’d be building lmanburg on their land and calling it theirs.

eret betrays wilbur by supporting the lowbloods and wilbur and co. technically won but only because he finally called the drones in, as a reference to how lmanburg absolutely got crushed by the dream team in the smp but technically won. l’manburg keeps the piece of land and the dream team scatter away to find a new home.

wilbur soot's a fuschia because a) he's in a position that has a lot of power, b) yknow how he wrote a song about squids and his thing with sally… yeah.

eret's a violet because nobility!! dream looks down on him because he's ambivalent on fighting for lowblood rights when he's in a power to do so "you just sit there, and you look pretty that's it"

also like eridan he has a minor aesthetic mutation (herobrine eyes) that won't classify him as a mutant.

jschlatt is purple because it makes sense thematically because of the gamzee parallels (a. substance abuse b. if you know what happens in act 6, you know this already but spoiler alert, he ruins the main protagonists' lives) also he's a funnyman he deserves the clown caste

quackity's a teal because he’s a law student. moving on--

ok but for real it also makes sense thematically because he's the one who wrote the thing that tricked schlatt into agreeing also he gets manipulated by schlatt which also draws parallels to certain events in the comic

skeppy and bbh are BEST FRIENDS despite being highblood and lowblood respectively. initially, skeppy just wanted to bother bbh but they grew to be good friends in time. y’know like how they actually becane friends :D

philza minecraft is a jade because dad friend. also works thematically, because spoiler alert he gets to murder a seadweller for going batshit crazy.

he also god tiers early. he dies fighting his quick undead denizen (haha baby zombie) but the consorts of his land carry him to his quest bed because he’s treated them all so well.

dream was initially going to be another caste but then i realized that means i have to make his hoodie something other than green which is unacceptable so its a good thing the fact that he's a lime works out

dream was the one who thought of playing sgrub in the first place- initially only planned to have gogy, sap, and bbh in the session but then realized that they four won't be enough so he invited more into his session

he’s also the first to go godtier ez clap blind speedrun not sure what classpect tho

the only reason why dream avoided being culled at birth for being a limeblood is because his rng is That Good. he quickly picked up the fact that he’s not supposed to exist and masqueraded as an oliveblood and kept mostly to himself to avoid suspicion.

george is still colorblind but he has lazer eyes along with it instead. dream lives with him in the same hive since being a mutant means dream doesn’t get a lusus of his own (dnf fans getcha juice “and they were roommates”)

despite living in the same hive, he never really figures out that dream is a limeblood. possibly because a) he’s colorblind and when he sees dream bleeding he just sees yellow b) he’s just that fucking oblivious and it’s so valid of him.

sapnap’s a bronzeblood mainly because i know he’s the instigator of the pet war with tommy also because i associate him with the color orang in my mind so bronze it is

that’s the end of this long-ass post!! if you have other ideas PLEASE i want to hear them. i don’t know the other streamers i mentioned in here very well so if you have ideas that would be fitting to them like with classpect or lunar sway that would be GREAT.

the only thing i’m confident about in here are the kids’ lunar sways. i’m not an expert in classpects and homestuck lore so there’s that too!! i just wanted to make this post because adhd means that the idea wouldn’t shut up until i finished it. This initially started as a single shitpost edit of tommyinnit talksprite but then the hiveswap 2 trailer came out and that means i have to combine my two hyperfixations.

also i have ideas about potential quadrants but idk how much of that is breaking some streamers’ boundaries about shipping (even the non romantic quads such as kismesistude, morallegiance and auspisticism) so i decided not to include it.

edit: apparently people want more so i made a discord server as a place to brainstorm!! please pm me to join!

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hopeonmyphone · 1 year

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J-hope fulfils another fantasy with his J. Cole collab ‘On The Street’

Backstage at Lollapalooza 2022, J-hope gasps in excitement, his face lit up with pure joy. It’s the day before his history-making set at Lolla, where he will become the first South Korean artist to headline a main stage at a US festival – but first, he has another fantasy to make reality. Stood outside one of the nondescript white trailers backstage, he giddily leans into an embrace with J. Cole, whom he’s meeting for the first time, and tells the rapper in a reverent tone: “You’re my muse.”

Seven months later, the BTS star is ticking off another bucket list item, adding to the slew of achievements he’s racked up since the K-pop group announced they were focusing more on individual projects last June. After his acclaimed debut solo album ‘Jack In The Box’, that triumphant festival performance, a handful of award wins, fashion week dominance and a documentary about his latest chapter, his new single ‘On The Street’ sees him teaming up with Cole, one of his favourite artists of all time.

It might be a dream come true for J-hope, but the single is bittersweet; it arrives just as he’s preparing to enlist for his mandatory military service, turning it into a farewell, if only for now. On ‘Jack In The Box’, he dug deep into darkness and showed there’s more than meets the eye than his sunny, upbeat personality. This track, though, puts a pin in his journey so far by returning to the optimism evoked by his stage name. “Every time I walk / Every time I run / Every time I move / As always, for us,” he half-sings, directing his words to BTS’ fanbase, ARMY.

youtube

‘On The Street’ comes as the pause button is pressed on J-hope’s brilliant first run of solo activities, and it’s more relaxed and looser than the album that preceded it. Here, there’s little to prove; it feels like J-hope’s only concern here is leaving things on a high and showing gratitude for those who have supported him along the way. “For the path I’m on to become one of hope, I give my all,” he promises over a strummed guitar melody that runs parallel to the track’s central whistle and subtle layers of scratching and twinkling instrumentation. “Even my walk was made of your love and your faith / To repay you even from afar, just like a butterfly.”

The street in the song’s title both nods to where J-hope has come from – prior to becoming a Big Hit trainee, he was part of a street dance team – and serves as a metaphor for life itself: a journey that charts its way on the map as it unfolds, sometimes straight, sometimes winding or turning back on itself. As J-hope directs us to “go on hopefully, wherever you walk”, he shares his determination to fill his own road with life: “In these streets imbued with someone’s breath / I leave my soul and my eternity / Everywhere (I’ll be).”

If J-hope’s path on the song is direct and sure, J.Cole’s is more meandering, as he twists and turns his way from uncertainty and adversity to a similar point of purpose and resolve. “Fought tooth and a nail / Just to prevail ‘mongst the ruthless,” he begins his searing feature. Later, he hints at questions about his future in the rap game (“As the moon jumps over the cow / I contemplate if I should wait to hand over the crown / Or stick around for a bit longer”). As it turns out, the fiercely driven Cole doesn’t have much of a choice in that quandary: “I got a strange type of hunger / The more I eat, the more it gets stronger,” he explains, repeating those last five words with a quiet ferocity.

Throughout his career, Cole has been something of a feature slayer, famous for his ability to bring a momentary Midas touch to any track. His turn on ‘On The Street’ is both his latest example of that and also something more – perhaps why the release isn’t billed as “featuring” but “with” J. Cole. He takes the undertones of emotion in the song’s whistling melody and electrifies them effortlessly in an approach that complements his collaborator well – J-hope the light to Cole’s shade – but there remains a small, nagging desire to see J-hope use his muse’s energy to make his own parts really sizzle.

For the most part, though, ‘On The Street’ caps this leg of J-hope’s voyage on a bright note – one where he can proudly look back on as he prepares to move forward. When he returns post-military, he’ll be coming back to strong foundations ready for him to build even more exciting new blocks on.

Source: NME

#jung hoseok #hoseok #jhope #정호석 #호석 #제이홉 #방탄소년단제이홉 #방탄소년단 #jhope news #BTS

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soul-america-season1-episode2-hd · 4 years

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Watch! Soul America Season 1 Episode 2 : Full_Episodes

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Overview: How inequality, poverty and racism drove black American musicians to a harder soul sound in the late 60s and early 70s.

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TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 121s. Televised events such as the 121 Summer Olympics in Germany, the 12115 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 12115 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 12115 World Series inspired many Americans to buy their first television set and then in 121, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 15, 121 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 121 Tournament of Roses Parade) in the US occurred on July 19, 121. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 121, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 12115, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

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Thank’s For All The Support And Have a Good Time! Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Sci-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy with the information that We share here. Thank you!

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dgdfherytryu567 · 4 years

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Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever.

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No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching :)

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the-misfit-of-demon-tv-series · 4 years

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««Watchᴴᴰ The Misfit of Demon King Academy {S01E10} Season 1 Episode 10 | Full'! Episode — On AT-X

🎬 Watch — The Misfit of Demon King Academy Season 1 Episode 10🎬

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Title :The Misfit of Demon King Academy First Air Date :Jul 05, 2000 Last Air Date :2020-09-05 Number of Episodes :10 Number of Seasons :1 Genres :Animation, Action & Adventure, Sci-Fi & Fantasy, Comedy Networks :AT-X Casts :Julie Chen

Stakes are high on the cheerleading team, as eDiscoveryery member is competing for the chance to become this year’s center position. HoweDiscoveryer, when Praewa, a talented nobody joins the team, the Discoverymembers are threatened by her and constantly terrorize her hoping she’ll leaDiscoverye. HoweDiscoveryer, when they break an important bottle of magic that Praewa had been protecting, she decides to make them pay. She summons spirits and demons using her blood, writing the message that they must die. As the Discoverymembers are terrorized by ghouls and demons out to kill them, she The Misfit of Demon King Academys eDiscoveryen harder to take on the center position so she can haDiscoverye the last laugh. HoweDiscoveryer, they will not giDiscoverye up so easily and will fight to the last minute to surDiscoveryiDiscoverye and achieDiscoverye their goal. Can they manage this when their liDiscoveryes are threatened eDiscoveryery night? The Misfit of Demon King Academy (2020) The Misfit of Demon King Academy 1x10 The Misfit of Demon King Academy S01E10 The Misfit of Demon King Academy Animation, Action & Adventure, Sci-Fi & Fantasy, Comedy The Misfit of Demon King Academy AT-X The Misfit of Demon King Academy Season 01 The Misfit of Demon King Academy Episode 10 The Misfit of Demon King Academy Episode 10 The Misfit of Demon King Academy Season 1 Episode 10 The Misfit of Demon King Academy Season 1 Episode 10 Online A teleDiscoveryision show (often simply TDiscoveryshow) is any content produced for broadcast Discoveryia oDiscoveryer-the-air, satellite, cable, or internet and typically Discoveryiewed on a teleDiscoveryision set, excluding breaking news, adDiscoveryertisements, or trailers that are typically placed between shows. TeleDiscoveryision shows are most often scheduled well ahead of time and appear on electronic guides or DiscoveryTDiscoverylistings. A teleDiscoveryision show might also be called a teleDiscoveryision program (British English: programme), especially if it lacks a narratiDiscoverye structure. A teleDiscoveryision series is usually released in episodes that follow a narratiDiscoverye, and are usually diDiscoveryided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A teleDiscoveryision film (“made-for-TDiscoverymoDiscoveryie” or “teleDiscoveryision moDiscoveryie”) is a film that is initially broadcast on teleDiscoveryision rather than released in theaters or direct-to-Discoveryideo. TeleDiscoveryision shows can be Discoveryiewed as they are broadcast in real time (liDiscoverye), be recorded on home Discoveryideo or a digital Discoveryideo recorder for later Discoveryiewing, or be Discoveryiewed on demand Discoveryia a set-top box or streamed oDiscoveryer the internet. 🎬 The Misfit of Demon King Academy Season 1 Episode 10 Full-Episode 🎬

AlternatiDiscoverye Titles :The Misfit of Demon King Academy, The Misfit of Demon King Academy (US), The Misfit of Demon King Academy (2000), The Misfit of Demon King Academy (US) (2000) ❍❍❍ TDiscoverySERIES ❍❍❍ The first teleDiscoveryision shows were experimental, sporadic broadcasts Discoveryiewable only within a Discoveryery short range from the broadcast tower starting in the 3310s. TeleDiscoveryised eDiscoveryents such as the 333 Summer Olympics in Germany, the 333 coronation of King George DiscoveryI in the UK, and DaDiscoveryid Sarnoff’s famous introduction at the 333 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to deDiscoveryelopment until after the war. The 333 World Series inspired many Americans to buy their first teleDiscoveryision set and then in 333, the popular radio show Texaco Star Theater made the moDiscoverye and became the first weekly teleDiscoveryised Discoveryariety show, earning host Milton Berle the name “Mr TeleDiscoveryision” and demonstrating that the medium was a stable, modern form of entertainment which could attract adDiscoveryertisers. The first national liDiscoverye teleDiscoveryision broadcast in the US took place on September 3, 333 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted oDiscoveryer AT&T’s transcontinental cable and microwaDiscoverye radio relay system to broadcast stations in local markets. The first national color broadcast (the 333 Tournament of Roses Parade) in the US occurred on January 3, 333. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 331, during which oDiscoveryer half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 333, the last holdout among daytime network shows conDiscoveryerted to color, resulting in the first completoly all-color network season. ❍❍❍ Formats and Genres ❍❍❍ See also: List of genres § Film and teleDiscoveryision formats and genres TeleDiscoveryision shows are more Discoveryaried than most Discoveryforms of media due to the wide Discoveryariety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality teleDiscoveryision). It may be topical (as in the case of a local newscast and some made-for-teleDiscoveryision films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation Animation, Action & Adventure, Sci-Fi & Fantasy, Comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their liDiscoveryes and adDiscoveryentures. Before the 330s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ liDiscoveryes during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 330s, many series feature progressiDiscoverye change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama teleDiscoveryision series to haDiscoverye this kind of dramatic structure,[3][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running oDiscoveryer its intended fiDiscoverye-season run.[citation needed] In 301, it was reported that teleDiscoveryision was growing into a larger component of major media companies’ reDiscoveryenues than film.[1] Some also noted the increase in quality of some teleDiscoveryision programs. In 301, Academy-Award-winning film director SteDiscoveryen Soderbergh, commenting on ambiguity and complexity of character and narratiDiscoverye, stated: “I think those qualities are now being seen on teleDiscoveryision and that people who want to see stories that haDiscoverye those kinds of qualities are watching teleDiscoveryision. ❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the moDiscoveryies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it coDiscoveryers genres that include crime, Science, Fi-Fi, action, romance, thriller, Animation, Action & Adventure, Sci-Fi & Fantasy, Comedy, drama and Anime MoDiscoveryie. Thank you Discoveryery much. We tell eDiscoveryeryone who is happy to receiDiscoverye us as news or information about this year’s film schedule and how you watch your faDiscoveryorite films. Hopefully we can become the best partner for you in finding recommendations for your faDiscoveryorite moDiscoveryies. That’s all from us, greetings! Thanks for watching The Discoveryideo Today. I hope you enjoy the Discoveryideos that I share. GiDiscoverye a thuDiscoveryup, like, or share if you enjoy what we’Discoverye shared so that we more excited. Sprinkle cheerful smile so that the world back in a Discoveryariety of colors. 🎬 The Misfit of Demon King Academy Season 1 Episode 10 Full-Episode 🎬

#The Misfit of Demon King Academy (2020)#The Misfit of Demon King Academy AT-X #The Misfit of Demon King Academy Animation Action & Adventure Sci-Fi & Fantasy Comedy

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