Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
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On the topic of secrets, your person that you tell everything to is entitled to YOUR secrets, not anyone else’s. If I tell my best friend something in confidence, I know she won’t tell her husband. He gets to know everything about her, not everything about me.
Dan and Phil definitely understand that distinction and don’t share other’s secrets with each other.
THANK you you get it!!!! i've been losing my fucking mind at the attitude on my dash like... pretty much everyone is out here proving dan's point. by interpreting what he said to mean the exact opposite of what he told us. are people incapable of taking dnp at their word????
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Between commissions I finally managed to finish this OC set of parent characters! If the looks aren't enough to show you who their kid is, the background colors match them ^_^ but of course more details below!
Name: Thuban
Name origin: The former pole star, before the north star (Polaris), it's name means "Large snake" and is referred to as the “Dragon's tail”
Pronouns: He/him
Age: N/A
Relation: Raised Polaris, though they're not related by blood and have a somewhat distant relationship, until he suddenly went MIA
Weapon: Spear (Same as Polaris's)
Ethos (Power): N/A
Flaw power is based on: N/A
Notes: Make no phallic jokes about the large snake thing and you'll be rewarded
Name: Ananke
Name origin: A moon of Jupiter, named for the mythological spirit of necessity, inevitably, and compulsion
Pronouns: She/her
Age: -
Relation: Bella's mother, she raised her to be a warrior
Weapon: Bardiche
Ethos (Power): Indomination (The ability to freeze the movement of objects and people, and lock them in place)
Flaw power is based on: Her strict enforcement of obedience through authoritarianism, and a lack of concern for the wishes of others
Notes: She believes in tough love. It's better in the long run to give your kid strength rather than affection.
Name: Rhea
Name origin: A moon of Saturn named after the Titan known as the mother of the gods
Pronouns: She/her
Age: 38
Relation: Saiph's mother, though she gave him up to the guild when he was very young
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: Was unable to take care of a baby at the time, and gave Saiph to the guild. She wishes she'd visited beyond that but it's probably too late now...
Name: Arche
Name origin: One of Jupiter's moons, it's name comes from the muse of new beginnings and is associated with springtime
Pronouns: He/him
Age: 7
Relation: Saiph's half-brother. Neither currently knows the other exists
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: He's just a little guy. He likes flowers and playing with toys. He wants to be a cool hero like his dad
Name: Poerava
Name origin: A star in Tucana, the Maori word for a black pearl of mystical beauty and perfection
Pronouns: She/her
Age: -
Relation: Al's mom. She mostly raised him on her own while her husband was with the knights.
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: Probably the best parent of the bunch if we're being real.
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krypton is a gaping hole in kal-el.
clark kent is, according to his driver’s license and his about me blurb that prints increasingly smaller on his corner of the new dailyplanet.com, a classic sweetheart from western kansas with a bachelors in journalism and a one bedroom half bath three streets and a bus ride away from the daily planet in the heart of downtown metropolis. clark kent is celebrating his recent win - getting the printer to work without the hinge suffering a sheer fracture - with an extra sugar packet in his second cup of joe for the day and humoring his next desk neighbor’s heckling over it.
kal-el — superman — is the man receiving the mayor’s accolades with the world and the laser focused glare of the police chief weighing on his shoulders. according to, kal-el is,
clark kent is the well-meaning dork who never quite grew into his size and was bullied in high school, when asked he recounts being too sickly to join the football team and too unpopular to get over it. clark kent arrives early and works late to work off his four and a half years of student loan debt. clark kent has childhood friends, and an ex-girlfriend, and a budding romance with the abrasive, dyslexic, isn’t-she-just-lovely lois lane at the desk next to him who’s recently recruited him as her partner-in-foiling-crime.
superman — kal-el — has a baby blanket wrapped around his shoulders, a hunk of metal in a barn a couple thousand miles away, and a name with syllables even his mother can’t pronounce. a logo on his chest that he does not know and a dedication to love and truth and saving that is deeply, entirely human.
krypton is an aching absence in kal-el. krypton is the word he carries in his mind for when he fumbles his keys and almost breaks the doorknob, for when he hunches and smears his glasses. krypton is the lack of an explanation. krypton is, simply put, not. krypton is to kal-el not what kansas is to clark kent. kansas excuses the overfriendliness and the impromptu vacation days “to care for his ailing mother” and the handiness with a tractor. krypton is the torch they carry alongside their pitchforks when the bludgeoning begins. krypton is the response when the tragedy is unpreventable, when the wariness pitches into fear.
krypton is the world he holds in his heart when he can’t help but wonder. krypton is the sword his enemies hold over his head — a condemnation, a promise, a hope — and lord over him. the world is trapped in memories not his own, preserved in the perverted motives of those who would trade lives for tradition.
krypton is, later, eventually, a bridge. kal-el, an ambassador from a culture he’s borrowed to the one he was fated. clark kent, a haven. krypton is a girl in a spaceship of her own, fleeing from a krypton that was.
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Me: So, I have these dizzy spells that take me when I am walking and I almost fall bc of them. I also have trouble standing for any period of time because of my poor balance, which is made worse by the above mentioned dizzy spells.
My doctor: have you considered sitting down when this happens?
Me: Gee, thank you Sherlock! I really never thought that sitting down could solve my problem with standing up. But did you hear the part where I told you I kind of like walking and the point is for me to still be able to go out of the house for more than 1 hour at a time?
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hmm
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txf30 day 4: favorite dynamic (besides the obvious): scully/mulder/skinner
y’all mind if i ramble for a second?? there are so many connections that are so important to this story, but i always come back to these three. i think everything does.
i say that memento mori is the most loving episode of the series, but when i think about that one, it’s not even the kiss in the hallway that stays with me. it’s skinner coming in to work, the first time scully was in the hospital, and finding mulder sitting in his office. and he’s just been sitting there. bypassed the secretary (lol), and just sat and waited. he doesn’t have anywhere else to go.
and the way that skinner tells him, no. don’t do it to yourself under any circumstances. that he is not to risk himself to try to save scully. ultimately, it’s not mulder that made the deal with the devil, it’s skinner who didn’t follow his own advice. (gave up everything he has, to save them both).
and these are just two weirdos who work for him in the basement!! he doesn’t owe them anything. but he’s the one there, at the end, no matter what. he’s the one who comes to get them when they’re hurt, or lost, or need help. they’re his emergency contacts, the people who show up, the people who advocate for him. the people who know him. (the bigfoot division are a.d. skinner’s silly rabbits etc etc etc)
in iwtb, after six years away, it’s skinner who comes to get scully, on the side of the road, next to mulder’s flipped car. tells her that they will find him, that he’s okay, to breathe. it’s skinner that holds mulder on the ground, in the end.
when mulder went back to bellefleur, it's skinner that scully sent with him. that girl has never trusted a single soul to so much as breathe mulder's air, but "i won't let you go alone," is immediately followed by skinner packing the car.
like trish said last night:
i think telling scully he "lost" mulder was the hardest thing he ever did. skinner loves mulder too, but mulder is scully's entire world. and this time around, he won't let scully be alone the way mulder was.
(and the kindest thing scully ever did: squeezing his hand, saying "i already heard.")
(skinner returns the favor: he tells mulder about william, so that scully doesn't have to.)
my favorite moment in requiem is the final scene, the two of them crying together. the only two people. the only two people who know.
when she tells him that she's pregnant, he's the first to know. the only person to know, for most of her pregnancy. 18 years later, he's still the first person thinking of their baby, looking out for him.
honestly, it always comes back to sein und zeit for me. when after 7 years, after 27 years, mulder says that it's just too much, and he wants to go home. he wants time away from work. the sequence in the car: mulder in the backseat, skinner behind the wheel, scully on the passenger's side. for so many years, mulder had to be searching, so that he wouldn't be alone. but now he stands in front of two people who love him, and admits to needing a break. to wanting it to stop. he's guided, he's guarded.
skinner is a hardass. it's not easy to manage their madness. it's not easy to write the footnotes, to be the person waiting, in this particular story. but like he tells mulder, 14 years after they last worked together: not a day goes by where he doesn't just wish they were there, trying to make things better.
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I have never, ever, had an October/birthday month this good ever before. It's surreal
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i do want to say that i appreciate the friendships i've made on this website enormously. i'm bad at answering messages but if we're mutuals i genuinely consider you my friend.
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you know what? appreciation time.
i love editing my little videos, writing my little fanfics, making my little tumblr posts. i love my little community of 6 people who always like everything i make and i recognize their usernames and it makes me smile when i see it in my notifications. i love this place where i'm totally anonymous and yet at the same time really vulnerable and authentic, especially when i write. i love that i get to do this. i love that what i do gets to mean something to someone.
i grew up surrounded by fandom culture and though it has its ups and downs i really do love this little corner of the internet where we all get to be kids on a playground, showing each other our favorite toys and playing make-believe.
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@ramix-the-red;
Right!? Considering who she was married to, just the fact that they were together brings up a whole mystery. Like you, I find it extremely hard to believe that it was just a normal relationship- I don't see Relius as someone who just falls in love and marries. Some villains do lend themselves to this image of "they're a crazy villain most of the time but have an exceedingly normal personal life," but that's just... not Relius.
For my own personal theory/read on the situation, I definitely think you're on to something with the idea that it was some kind of strategic 'marriage of convenience.' Looking at who Ada and Carl became, and looking at what Relius values, I imagine Ignis must have had an incredibly 'notable soul.' Whether that meant she had a very strong soul, or just a very interesting one (think Relius' interest in Meifang) that Relius felt would be 'good material' for him to work with Relius Trying To Propose: "I would love to study you" or what, I don't know. Perhaps, as you mentioned, he was already looking for a soul to use as a core for his Detonator project- or perhaps he just found her fascinating, and having her as a research specimen and an available resource was part of what pushed him into creating the Detonator line.
I don't believe Relius was actively looking for a wife to produce offspring. Some 'evil scientist' characters do actively spouse-hunt for the purpose of creating a certain kind of offspring, a little dalliance in eugenics, but I don't interpret Relius as the type to be interested in that. I think his 'scientific curiosity' is a lot more impulsive. He finds something that catches his eye, he obsesses over it, pokes it with a few sticks, and sees what he can make it into.
But back to Ignis. I imagine her as someone with some kind of notable soul to capture Relius' interest, and if I'm allowed to get a little creative given we have nothing to go off of, possibly a personality type that he favored too. We see that he doesn't like the 'bleeding heart' type like Litchi, but he gets very fixated on women with strong convictions, like Makoto. I could see also see her having a high Ars Magus Aptitude that contributed to her children's abilities, alongside Relius' talents with magic.
I'm also inclined to believe that she was from a noble family. Rereading Pupeteers, we see that the Clover family lived in a sizable estate, and there seems to be implication that they may have had at least some level of staffing in their house. That kind of status could easily come from Relius' position in the NOL, but for the sake of Trying To Find Clues About Ignis, I'm inclined to attribute at least some of that to her. Also, if Relius went directly into the NOL upon reaching this time period, it would make be reasonable for the people he meets to be mostly other NOL affiliates- he's already very antisocial, it's not like he's going out to parties to meet people. For anyone to catch Relius' eye, they'd have to come to him first.
(tangent) Though in the same short story, we also get to meet Ignis' sibling and their spouse. Francis notably answers the door himself and Rosanne prepares Carl's room personally, suggesting that if they have any staff, it's a small enough amount that they wouldn't be working at night. Although they are noted to have a big enough house that a whole extra bedroom is present to be given to Carl in the first place despite the couple having no kids of their own, and it's possible they have more than one extra room, as when they try to separate Nirvana from Carl, they tell him she'll sleep in a different room- if there wasn't another extra bedroom to give her, I would expect Carl to argue against her 'sleeping' in the living room or something.
I... could very easily go off on another tangent, theorizing the size of the household, positions employed, and where in a social hierarchy that would place the family- but I'll save that for another post maybe. I'm already all over the place.
Back to my point, that I believe Ignis was a member of the nobility. Considering what we know about the culture of the BlazBlue world at this point in time, the people most likely to be highly skilled or to have talents with Ars Magus/Seithr/Magic/Etc are the nobility, where we see a lot of focused training from a young age and political/eugenics-esque marriages.
This is further supported by the way Carl and Ada act in their youth. We see them dressed well but modest, acting polite, and we see them being educated under a set of standards that match up with high society values- chess, manners, violin, etc. I can't imagine Relius alone was making all the choices about what direction to go in with raising them, or we would see a more hands-off approach and a lot more stress on engineering, combat, and his scientific interests. I find it more believable that Ignis was raised in a similar environment as part of the nobility, and intended to raise her children in line with those ideals.
I don't think Ignis' family would be from the high nobility like the Duodecim, their branch families, or anything in their circle. They have a much more rigid and notably distinct (often Japanese) culture. I would place Ignis' familial status more in line with the Vermillions, though a few rungs higher up the ladder as her family hasn't been disgraced. If anything, marrying Relius, a prominent military figure, would have raised her status a little. The Vermillions also seem to have a similar aesthetic- compare Ada's clothing to what Noel wears as a child. This could further support the idea that Ignis was a low-ranking noble.
I'll wrap this up here because, wow, I did not intend to go on and on that much. Thanks for commenting and inspiring me to write this out in the first place- these are some Ignis Characterization thoughts I've had for a while, but I haven't put them into words until now.
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Holy shit holy shit holy shit!!
You answered my hypnovember ask!! Thanks so much!! Your work is genuinely so liberating and sweet and kinky and my trans ass will be first in line for stepford wife recruitment when the full video comes out!!!
(ps: your fashion sense is literally what I aspire to in so many ways and it's so gratifying to see other women, cis and trans, who engage in kink like this. Makes me feel way less alone.)
sincerely, a girl who's over the moon ;-;
Oh gosh, thank you for your enthusiasm and kindness, you've made my day!! ✨🌻
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“The child is claiming what is after all a genuine right of his - attention, love and companionship” Nagera (1969) on reasons why children may form an imaginary companion
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this month is setting up to be a very challenging but hopefully rewarding one!! a rarity for november. usually its all challenge and no pay-off.
ive been put forward for a course (that i start today) to explore my options for self employment. and i have been accepted in returning to my voluntary role at the animal shelter beginning next week! i have also signed up for a yoga class beginning next week, weekly session!
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Embracing my soft girl era 🪷
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