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Accumulation as activism, as theatre, as mourning, as protest. Accumulation as collaboration; as collective grief. Accumulation as the tension between overpopulation, the excesses of capitalism, and mass extinction.
Puppet Back Up At God’s House Tower, Southampton; Extinction Rebellion’s Funeral for Nature, Bath.
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Accumulation as digital occupation; as religious expression; as Muybridgean aesthetics (the conflation of the aesthetic and the technological); as somatic; as dance.
Lisa Jamhoury, L’entrée, 2024. Multimedia installation at Glow, Kings College London.
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Accumulation as public health action. Display of flags standing in for people with colorectal cancer, on the Mall, Washington, D.C.
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Accumulation as averted gaze, as memorial, as paradox of memory without experience. Anton Kusters at the United States Holocaust Memorial Museum: https://www.ushmm.org/information/exhibitions/museum-exhibitions/blue-skies
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Accumulation as resistance, recuperation, recovery, restoration. The Potlatch collection at the U’mista Cultural Centre, Alert Bay.
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Accumulation as collaboration, community-building, survivance, feminism, matrimony, softness, and monumentality.
Marie Watt, Blanket Stories: Three Sisters, Cousin Rose, Four Pelts and Sky Woman, 2005. 160×20×20 in. Folded and stacked wool blankets, salvaged cedar. Installation view, Hoffman Gallery, Lewis & Clark College, Portland, OR
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Accumulation as handwork, sustainability, and the passage of time. Elizabeth Day’s darned socks at Winchester School of Art Green Week.
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Accumulation as collective action and collective optimism; accumulation as art-school education.
Peter Driver, March for Optimism, Winchester High Street, May 2014
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Accumulation as self-assessment and self-critique, but also self-celebration self-described as self-mockery.
Barbara Iweins, Katalog (delpire & co, 2022).
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24 hours in the life and a year in the making: accumulation as belated social media trending. (Hello, world.)
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Accumulation as an interrogation of the complex effects of consumer capitalism, technological innovation, colonialism, and the drive to create.
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Wastemakers on Cornucopia Street, curated by Ian Dawson, Newhaven Art Space, Newhaven UK, 3rd-19th February 2022
Contributing Artists: John Walter, Donna Mitchell, Jasone Miranda Bilbao, Compound 13 Lab, Ian Dawson, Aqui Thami, Louisa Minkin, Sharmila Samant, Migueltzinta Solis, Andrea Mason, Ben Parry, Amanda Jobson
See also Dawson’s follow-up exhibition “Wastework,” at the Winchester Gallery 9 March-15 April 2023. Wastework extended the idea of accumulation by inviting artists to add to the exhibition over the course of its run.
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Accumulation as discipline, as meditation, as sustained wonder, as optimism, as action.
Bugsy Sailor’s thousands of consecutive sunrise photographs: https://yearofthesunrise.com/gallery
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Sammy Baloji, Untitled, 2018/2023. 50 mortar shell casings, interior plants. Music played intermittently through a single-channel speaker: Chanteurs à la croix de cuivre d’Elisabethville Chants religieux classiques et folkloriques (1948).
Exhibited as part of ‘The Accursed Share’, Talbot Rice Gallery, University of Edinburgh.
Accumulation as transformative, memorialising protest.
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Accumulation as humanizing conflict and embodying the natural world. Cannupa Hanksa Luger at Standing Rock, 2016.
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Accumulation as memorial -- a necessary follow-up to my previous post. Maya Lin, Vietnam Veterans Memorial.
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Accumulation as revising and decolonizing narratives of war; as memorial and as rebuke; as a reminder of the blank spaces in our historical knowledge. The labeled stack represents the number of Americans killed in Vietnam; the other, unlabeled stacks, represent the number of Vietnamese killed. “Remembering Others,” by Teo Nguyen at the Minneapolis Institute of Art.
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Accumulation as global branding as community engagement. Yayoi Kusama at Tate: https://www.tate.org.uk/art/artists/yayoi-kusama-8094/yayoi-kusamas-obliteration-room
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