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#you can take it back at any time
veronicathegoddess · 1 year
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can we please kill the consent is hot and the consent is so sexy narrative. consent is the bare fucking minimum and it isn't supposed to be glamorized as anything else. anyone that doesn't care about consent is abusive and shouldn't be near anyone, in a sexual context and in a normal social context. end of discussion.
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puppetmaster13u · 3 months
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Prompt 209
Now Jason was planning on, well, a lot of things, when he came back to Gotham. He had a lot of plans, several of which had to do with the old man and even more that had to do with cleaning up Crime Alley, making it safer and all that. 
What he was not planning on was to find some sort of lab in the basement of where he was planning on setting up a safehouse. Nor was he planning on finding several literal children in cages inside said lab. Oh and Lazarus Waters- but children! With muzzles! Being experimented on!
Now he’d like to say he had a plan in what happened next, but if he’s honest everything had gone Green and he didn’t remember what happened next, only that he’s back home with said children and covered in blood. Oh and everything smells of smoke. 
… And apparently there’s more of these things dotted around Crime Alley with the rest of these kids, er, siblings? Family? Fright does mean family? Okay kids, he’s not turning into Bruce but you can stay here while he deals with this… however long that takes. 
He better not be turning into Bruce he swears-
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mattodore · 3 months
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ria, pack leader of three
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aq2003 · 5 months
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really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:
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(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")
this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks
i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:
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(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)
freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama
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ghouljams · 9 months
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*Gasp* Can we get 1870! Cowboy Au Valeria??? What would she be??? How would she meet her partner??? Is it slow burn or do they move fast??? Does she try to kill her partner, like enemies to lovers or maybe it's lovers to enemies to lovers?!?!
I don't know what this is, I just want more Valeria....
Can I please have more of her ಥ⁠╭⁠╮⁠ಥ
🐇
Actually yeah you can because I have ideas for her and Los Vaqueros in the 1870 au, I'll do Alejandro and Rudy later, here's Valeria:
El Sin Nombre is an outlaw that no one has managed to come even close to capturing. Their gang is feared and loved in equal measure, both for the safety they provide and the money they take for providing it. It's a large bounty on El Sin Nombre's head, large enough to draw the most desperate of gunslingers, or the stupidest. A bounty that big is basically a warning. You're not one to get involved in squabbles like that. You think in another life being a gunslinger might be fun, but in this one you're a stable hand. A horse trainer on a good day, a muck shoveler on a bad one.
On the best days you get to see Valeria. She's not in town often, only when she's looking to break in a new horse or collect a shipment of some kind, but when she is it's like the whole world holds its breath. You hold your breath, until she tells you to relax. She always looks over your horses with a critical eye, asks you questions about their health, their speed, whether they spook easy, if they've ever been out in the dust. You don't know what sort of work she does, but you know it wears her horse down fast.
The poor creature is always in need of something when she rides into town. It's a lovely chestnut stallion, that you think might be the proudest horse you've ever had the misfortune of trying to care for. You've been nipped by it more times than you can count. Really you should stop accepting its reins, but every time Valeria holds them out to you, you have to take them. You can't ignore an animal in need anyway. Especially when she thanks you every time you hand him back.
"He's just as good as new," she compliments, petting the horse's neck. The animal preens at her touch.
"I called the ferrier and got him new shoes, gave him a bath, he had a small abscess in his mouth but a little salt water'll clear that up quick," you pat the horse's flank and try not to flinch away from the stamp of its foot.
"Play nice, I like this one," Valeria coos to it in Spanish. You don't think she knows you speak her mother tongue, you're never sure how to bring that up.
"Did your, uh, business go well?" You ask, trying to make conversation. Valeria signals for one of the men she's with to pay you and hooks her foot in her stirrup to swing onto the horse's back.
"What do you think, did it go well?" She asks her group, the Spanish lilts off her tongue in a way that drives you half mad. One of the men laughs.
"As well as a bullet through the brain, and more money in our pockets."
Valeria hums, you pretend you didn't hear or understand that. It makes your blood run cold to think about. You do this a lot around Valeria, pretending you don't have suspicions about her work, fearing and loving her in equal measure. She really looks beautiful from the ground, the sun shining behind her head and casting dark shadows over her face.
"Things always go well for me," she tells you in english, and you believe her. You think the earth would quit spinning if she asked it to. All the stars in the sky would line up perfectly straight if she commanded.
"That's good," you nod, taking the money offered to you by her subordinate graciously. It's always smart to be gracious when dealing with people you suspect.
"Do you like working here, this-" She grimaces, "-shithole?"
"I like it better when you're here," you tell her honestly, it's good to be honest with people you suspect as well. You never want to be caught in a lie that could cost your life. Better to be honest, especially when it's complimentary.
Valeria laughs, throws her head back and laughs. You think that's a good sign. When she finishes, she pulls her hat from her head and leans to settle it on yours. "You should be careful with your sweet talk," she tips the hat low over your eyes, "next time I might steal you too."
You push her hat back as she snaps her reins to take off down the street. The sun might be getting to you with how warm you feel. You think something might've just happened, you hope it was something good. Because you're starting to think the man with no name might be a woman, and that is a much more dangerous line of thinking.
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frostbite-the-bat · 3 months
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society if literally 80% of rw fandom and especially rw analysis youtubers (who are great, EXCEPT) stopped calling gourmand heckin' chonker chubby diabetic ginormous whatever and paid more mind to their whole character and not just the fact that they're fat
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girlgerard · 6 months
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mommm white people on tumblr are misconstruing my posts again despite the post being entirely about how important wording is + how i don’t feel comfortable posting large statements when i haven’t fully processed them yet.
#if you want to put me on a blocklist for loving netanyahu you can! i don’t! and no matter how many times i get told i do#i still don’t!#i literally said i hope his balls get cut off IN THAT POST#i don’t know how that read as unclear.#perhaps there are no hidden genocidal messages behind the wording of my tumblr posts - who knows!#when i said i cared about every single civilian living in that land i meant it. if you decide that i actually don’t that’s not my problem#if you somehow took my words and decided that what i really meant is that i’m a government bootlicker who loves murder#you can do that all you want. it won’t make it true and it won’t help save any lives#i was in ramallah and jerusalem six months ago. have you gone?#if the answer is no maybe think about that for a second#moreover if you’re viewing this from a purely racial or religious framework you have no idea how to navigate this subject#i don’t view israel and palestine through which government i want to back. why the fuck would i do that#palestinians and jews and everyone else in that land is who i care about. i care about gazans#if that’s not enough of ‘a side’ for you i don’t really think there’s much of a conversation to be had.#do you think i wake up every day NOT thinking about gaza? do you think i wouldn’t feel nauseous every second of every day because of gaza?#do you think that within everything i’m saying that the most logical conclusion would be to post all of my thoughts on tumblr?#because if you think any of that we’re not going to have a productive conversation. i don’t take kindly to being told my own emotions
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natjennie · 4 months
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"thomas got no character development" maybe. or maybe the moral of his story is that it's irresponsible and unhealthy to attempt to completely deprive yourself of your feelings and much more productive to accept them as part of yourself and move on with your life from there. trying to go cold turkey on alison and then randomly picking another person to have a crush on only for it not to work is something we've seen thomas do before, which for some reason people decide to see as boring repetition rather than consistent characterization. but after that. did you miss the part where he stopped talking when she walked away, realized along with everyone else when fanny said "we're as bad as betty" and voted to go through with the proposal for alison to leave? did you miss the part where he happily waved her and her living family goodbye? did you miss the part where alison, old and gray, came back and mirthfully said "thomas, you flatter me" like. his passion for people and obsession with the idea of love wasn't gonna just go away. but he's learning to treat her with more respect, he didn't throw a tantrum or follow her around or go drown himself in the lake. just because he's not a completely different character doesn't mean there wasn't growth. watch season 1 episode 2 thomas say "divorce him, kill yourself, marry me" and then watch the christmas special again and tell me there was no development. come on now.
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transmascutena · 2 months
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thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder
#akio and utena#m#long ramble in the tags sorry:#the thing about akio is that he's so evil bit he's also so human#he has feelings. i just don't know what they are (if anything) toward his victims#he loves anthy at the very least i'm sure of that. even if he hates her too. just like she loves and hates him. the lines are blurry.#and i just. i have to wonder whether any of that extends to utena at all. we know anthy at times feels similarly about utena and dios#(and akio by extension.) the simultanious love and resentment. so it's not too unlikely i think.#like. even though he never had anything but bad intentions in getting close to her#i'm not sure it's possible to do everything he did and feel nothing#not that he has any meaningful amount of guilt or remorse for it. i don't think that.#and i obviously don't think he “loved” her in any of the ways she might have thought he did#but did he not care at all? did he not feel any kind of fondness or sympathy or just. idk. pity? for her?#whatever the case it wasn't enough to reconsider having her killed so you know. how much does that actually matter anyway#idk. i think about it a lot. how abusers are rarely entirely indifferent toward their victims#the role he's playing in her life is so fucked up but it IS a role he's playing and i wonder how much he you know... internalizes it?#how much does he believe the illusion of family that he invites her into? because akio DOES often buy into his own illusions.#(similarly i think it's possible that akio is fond of touga too. their mentor-protégé relationship is horrible and abusive#but that doesn't make it less real. you know? maybe real is the wrong word.)#when he talks in episode 25 about wanting utena and anthy closer that's obviously so he can continue to groom her#but is there something genuine there too? i don't know.#again. it obviously does not make anything he does better or even different. but it is interesting to think about to me.#on the other side of that coin does seeing his own past youth and naivete and desire to do good that he (maybe) once had#reflected back at him through her mean anything?#is there resentment there? that she is what he couldn't be? or more likely he just thinks that idealism is stupid.#either way it's something he wants to take from her. anyway ramble over.#i talk a lot about utena's feelings toward akio (familial vs romantic love and the way the two are intertwined in fucked up ways)#but not much the other way around. probably because utena is actually a sympathetic character whose feelings the show very clearly#wants you to analyze and think about.#which is... less true for akio i think. though he's still a complex character with complex motives. he's just harder to get a grasp on.
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jakeperalta · 18 days
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hitting "not interested" on these posts isn't enough I need a gun
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abirddogmoment · 3 months
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i hope i never stop being amazed at the power of latent learning, like wow how cool is it to practice something a little bit, take a long break so it can sink in, and then return and do it beautifully??? amazing phenomenal and so so cool
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lunaticus · 4 months
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yeah zoro and luffy knew usopp would come around and apologize post-w7, but the agony leading usopp to apologize bc his friends - the friends he had just fought with against the world government, and for some minutes he had taken off his mask and been part of the crew again as himself - those friends now really set sail with their new ship and their new shipwright, two better replacements for merry and him, and they ignored him, they didn't listen to him, they didn't want him back, they didn't need a liar, a burden, a weakling, a coward, and there's shame and other emotions with anger being the easiest one to handle, they leave him they leave him they leave him, and no matter what he can't let it end like this, not after everything they went through, he had to be honest at least in the end, but honesty was hard and they were leaving without him, they didn't need him, they had a new ship, they had an excellent shipwright that would take care of their new ship, so much better than he ever could, and franky was such a great guy, they wouldn't even notice him gone, and even though there were things he could do that he others couldn't, it didn't matter in that moment bc they were leaving, without him, sick of his lies and cowardice and him, they were being attacked and finally nobody had to watch out for him, protect him, save him, he would have been no help there on the ship at all, so there was really only one thing left to do before he was all alone, alone like he had never been since his mother died and that nearly broke him but he didn't have time for that right now bc *his crew* was leaving and he had to say sorry, he had to-
and suddenly he is on the ship, with the crew, with everyone and he's crying and luffy's crying and there are a lot more other tears than anyone would have expected while fleeing from the marines attack together together together, they didn't leave him, they didn't not want him back, they wanted him-
...
you ever think normally about w7? :)))
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set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda
#not that i imagine anything w/mordecai's Rare so much as: diluted range of possibilities lol. probably someones on that mordecai/virgil life#when it turns out it takes several tries to start to get more solid footing at drawing characters for the first time: What The?????#i actually don't think i ever tried drawing lackadaisy before; against all odds....if i had i would've had a head start lol#lackadaisy#corned beef#any collectively used pairing name here? mordenico? nicodecai? in absence of otherwise Knowing:#nicodeme savoy#mordecai heller#me in '07 going oh my GOD this ART!!!! me in '23 going oh my GOD this ART!!!! & guess how i've always felt years in between#goddd perusing the gallery bonus art afresh recently just like WOWWW i'm SOOO#the collages of full-body drawings for book purchases i think like my GOD i love to see it. plus that the Extra Stuff gallery means there's#such a variety like. stuff that's clearly noncanon; stuff that could be / kinda is; jokes; portraits; story / characters insight....waaughh#also shoutout to everyone behind all the mordecais in KS Backer Art 1 & 2 like ''sexy mordecai please'' apparently lmao. hell yeah#anyways my Marigold Bowling Team headcanons are simple and straightforward: nicodeme w/the muscle can get a strike from the force of having#hit one pin that smashes into all the others; but don't underestimate his versatility. mordecai with the precision / method & absolutely#who you want trying to hit the only pin left on the lane. serafine's got like serpentine curveballs changing velocity halfway down the lane#and they've All got pointing a gun at the people setting pins / returning balls b/c that wasn't automated back in the twenties#back when everyone had customized printed tees....oh fun fact. a real live kitty cat crinkled that first pic's paper by jumping on it#or really; ricocheting off of it. classic#also the ''i want people to seriously consider nicodeme/mordecai. but also sillily'' purposes have me using Close Contact as a shorthand#it's earnest and can sure be [longhand] too but you go ''You Could Never HC Datingly Affection ft. An Always Touch Averse Character'' & i?#well i scoff derisively and slowly swivel my chair around to face you; arms crossed; smhing....hah. how greatly you underestimate my power.#you're throwing [hcs for a romance ft. an autistic character] & [that ft. an asexual character] & i'm grabbing them midair & Sips Them#ha ha why these replenish my health And experience bars....#Never Be Afraid To Forget To Draw Mordecai's Glasses Or That You Also Put Your Thumb In A Bowling Ball....he's warming up. or w/e.#nicodeme w/the boxing experience shoulders massage trope. giving that pep talk#or you can go ''get a strike or we kill you'' b/c you never have to find out if he's joking or not#mordecai unfazed b/c that's the stakes in this business (bowling) & he's autistic so always having to ignore Everyone being weird/confusing#haven't come up with a lackadaisy's team bowling pun name lol.#still feel free to go in my lackadaisy tag and help me brainstorm mitzi n mordecai's murder mystery ;w; enrichment
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jahiera · 6 months
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speaking strictly from a plot & writing perspective here, not a commentary on characters or who or who is not my favorite blorbo (they all are). it's gale time and I wanted to get down everything I thought about this go around with his romance & the writing before it escapes me.
so I once again had a ton of fun of course, the game is still a blast, and several arcs were way more satisfying this time around simply because I ... did not skip the creche, unlike my very first run (I was an idiot) (I didnt think it would be that important) (it really really was). love it 10/10. I cannot WAIT to do my gith run & really focus in on that because the lore there is just, so cool, and that subplot was really rich & rewarding this time around since I had someone who was not orpheus become a mindflayer instead.
as for Gale, Thank Fuck I started before they bugged him up again too much. but let's deep dive into The Material.
shoutout to Tim first of all, he's a legend, dreamboat, superstar. there are so many lines delivered so effortlessly when they would sound ridiculous in anyone else's mouth. he gives gale so much soulful intensity and subtle, nuanced gravitas befitting someone like gale; with enough of Gale's own moments of silliness, cheekiness, wry wit & understated sarcasm, to outright flabbergasted at times, I was Giggling every conversation fr. I'm not usually prone to the "I LOVE YOU" Romances that come earlier rather than later, but ohhhhhhh tim gives each line with all the weight & agony that you can feel inside Gale when it comes (the looming death; not knowing what the end may bring; not wanting to leave any regrets behind) so like. MWAH to him. MWAH MWAH. all the kisses in the world.
okay mandatory compliments to the actor aside. I came out of the whole thing with breadth of new appreciation for Gale as a character in terms of the... concepts, threads, that make him up, and act 2 is where he REALLY shines overall.
I didn't necessarily come away from it with the same... weepy...... done-no-wrong? interpretation of Gale that I've seen floating about. he's lovely. he's intense. he's got soul-crushing devotion on his mind, no doubt. but for every fracture of tenderness, raw sincerity, & off the cuff soliloquy, he's got a lot of interesting flaws/characteristics I'd love to unpick with a fine-toothed comb on some replays or rewatches. Still trying to turn over in my brain exactly what that is, but it's there, and I love it. will say I'm really glad I played it mostly in a vacuum rather than getting too into others' thoughts on him, because What I Had Seen on the Webbed Site had near put me off entire (seeing someone say he's not prideful or pompous at all... when he self-describes as pompous?) -- maybe it's my tendency to focus in on what makes a character tick, when are they sharper, or harder, or meaner, and I enjoy watching that play out a lot, but? yeah. I didn't come away thinking him a super soft mushy mwahmwah -- ROMANTIC, yes, but overall as a character not nearly so lovesick and in desperate need of some protector. in fact when you tell him you don't want to be his crutch, he says as much too -- you've helped him, but you're not the sole focus of his person or the only thing keeping him alive.
there's enough of the humanity in his cheekier moments (stop licking the damn thing!!) and plenty of tear-jerking aside all of that. gale my canon-depressive-episode, mildly suicidal, chronic pained up, still-kind-of-full-of-yourself king. I adore you I love you I cradle you softly in my arms. he charmed me entire! I think that the themes hey were trying to tackle are really interesting and nuanced and I do have some thoughts on the success of the game in actually tackling those, what is there is really wonderful. some gorgeous writing in act 2, especially, and it was sold so well by the voice acting & sincerity in the writing I was just like. PERFECT. 10/10. NEED TO WRITE 98 FLUFF PIECES RN. which does not happen often, to me, as a person.
with. some exceptions, going back to critiquing act 3 as a whole.
act 1 & 2 are both strong, really nice. however this romance definitely needed at least one or two more scenes in act 2 to pad out the space between awkward flirting at the party to "I like it when you're sweaty and bloody-- sorry who said that" to "I LOVE YOU. I LOVE YOU." -- these scenes should've elaborated on Gale's personal feelings; of mystra, of what's been asked of him, of Tav. they should've set in threads of Gale's anger earlier, rather than the jarring shift from late act 2 "yeah I'll kill myself" to "actually... mystra fucking sucks! lol!" in act 3 at sorcerer sundries. yeah babygirl, mystra DOES fucking suck, wish I could've listened to you as you arrived to these conclusions rather than connecting empty character lines between act 2 and 3. and act 3 desperately needed more space to talk gale in or out of the crown. because by the time we get to the end, if he's really into the crown, he's into it beyond the focus of all else. but in the scenes where you talk him off that particular ledge, it doesn't even take very long to do so, and leaves kind of a weird... gap of intention.
I feel like they wrote themselves into a bit of a corner, honestly. because Gale's personal quest literally cannot be resolved until 5 minutes before the end, any climax wouldn't have much space afterward to pad the aftermath. so the solution to that would've been more character focus scenes, more flavor text depending on how you've influenced gale, something that actually makes the choices feel rewarding -- some hurdles to cross too, checks of some kind. but there really isn't any of that, and so the conflict is almost nonexistent. you squirt gale with a water bottle and he gives up the crown with no real additional dialogue. or you tell him "ma...maybe???" and he's suddenly a power obsessed little freak (complimentary) with no recourse, and in either case, we never got much dialogue to get some insight into his personal thoughts on it. this doesn't make Gale a bad character, but it does leave the narrative to be lacking in some regard.
like, for example. Astarion gets dialogue changes depending on the quest outside of character-specific moments (such as a spawn Astarion changing his dialogue after you help Aylin with Lorroakan), post-quest conversations, PRE-quest conversations with his siblings, moments where he reveals more of what he thinks (such as "You're... you. no one is like that.") etc., Gale gets None of that. the only other characters who really do are Lae'zel and Shadowheart; everyone else is either shafted or resolved in the last few minutes too. I came out of this most satisfied as a player overall with LAE'ZEL'S conclusion (also at the end of the game!!) because we had gotten a few more moments where her focus is obvious and her motivations are clear.
anyways, those are just general writing issues. Act 3 overall is the weakest, most agree, and that's still true here. Sadly it kind of takes some of Gale down with it in this case, because his personal quest is both so removed from the overall plot (despite him being a literal fixture as the only character who knows anything about the crown & was decreed by a literal god to take out the absolute).
however none of this is related to Gale as a guy. as a guy I'm Fucking Obsessed With Him. taking him with me everywhere was so rewarding especially in act 1 / 2. his commentary & insights, when they were there, ranged from funny as fuck to genuinely insightful & interesting for the overall plot. the ideas behind him, the glimpses we get of the life he led before, and the life he wants to lead after with Tav -- or what he alludes to wanting to lead with Tav, thinking that he'll still probably die at the end of this -- are lovely, interesting, TOUCHED MY SPIRIT. he's such a neat version of how to do a character that is as endearing as he can be foot-in-mouth, and as intelligent as he can be a little belligerent. I looooved every moment I could talk with him about magic in act 1, see his passions (beyond mystra), argue with him about how to do something (I'M the magical wonder here actually and I get to make the shadowlantern), all of that really MADE the romance for me in the lulls where his Silence or the gaps in his writing were more clear. 10/10 would kiss that fucking wizard again and cry a little bit thinking about exploding with him aboard a giant alien brain while one of those "ITS YOUUU I LIE WITH" songs plays in the bg
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I dunno man I feel like most statements along the lines of ‘Batman isn’t REALLY x, he’s y’ don’t hold much water because usually, there’s a pretty good chance a number of writers over the years have written him as x, you just didn’t like it or think it doesn’t count for some reason.
For example ‘Batman isn’t REALLY a good parent, he’s actually a bad parent’, when Batman has been written as a good parent by a number of writers, and has, in addition, been written as realizing that he’s screwed up with his children and resolved to fix it by even more. At the same time, stating ‘Batman isn’t REALLY a bad parent, he’s actually a good parent’ is also incorrect, because Batman has been written as a bad parent by a number of writers, either intentionally or not; in addition, the pattern presented by the tug-of-war between writers who believe he should be a good parent and writers who don’t has, over the years, created an unintentional pattern that strongly resembles that of an abusive relationship. So, stating he is a good parent is inaccurate and dismisses a bunch of his canon writing, but stating he is a bad parent also dismisses a bunch of his canon writing and the intentions of the authors that wrote him.
The secret here is realizing that Batman has had so many writers over the years that it’s practically impossible to find a universal truth about him beyond the basic premise and maybe very, very basic characterization keystones. Writers with different beliefs about both the character and the world at large have written him in accordance to their worldview, and sometimes that worldview will align with yours, and sometimes it won’t.
Like, at this point, Batman is more an idea than he is a character. He is the bare-knuckled fight against injustice, but what ‘injustice’ is depends heavily on your worldview, as does what ‘bare-knuckled’ and ‘fight’ mean. Batman has been interpreted in dozens of different ways over the years, and singling out a few of those as the True Batman is largely arbitrary and dependent on your personal taste and belief in what the character should be. The only ‘objective’ measurement you could apply here are the old Golden Age comics, and I think most fans can agree that measuring modern Batman comics by how faithful they are to the Golden Age comics is, more often than not, a little ridiculous.
For the record, I do think that arguing about what Batman should be matters; if right-wing assholes use the character as a mouthpiece for their worldview we can and should critique that, but not because it’s ‘OOC’, but because the worldview espoused by those right-wing assholes is harmful and shitty. Batman should be a good parent, not because it’s ‘OOC’ for him to be a bad parent, but because having your paragon of justice be a child abuser is pretty shitty. Etc.
I don’t really have anywhere specific to go with this, I just think it’s a little strange when people try to view Batman as a character with a clear-cut characterization, rather than a concept that many people have approached in different ways over the years. Can that concept be mishandled? Sure. But it’s usually mishandled for reasons a bit more substantial than ‘a previous writer wrote it differently’.
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anthenasikes · 18 days
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summertime ☀️ !!!
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