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#you are loved and you are valued and you are also allowed i think to hit at least one person who is rude to you with a fire hose this month
psychotrenny · 2 days
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Lancer is a funny because of how much it insists that Union is this flawed but ultimately benevolent institution that's well on the path to improvement, a "utopia in progress" as they love to say, when like they casually reveal so many things about it that show Union as rotten to the fucking core. Like as much as Lancer fans like to go on and on about how it's an imperfect society that needs to make compromises, there's so much awful shit about Union that just seems pointless or easily avoidable.
And like part of this is the creator's politics; they're social democrats so it's not surprising that Space Sweden is their idea of a society that, if not the best we could possibly achieve, is at least the best we can do for the foreseeable future. As a Marxist-Leninist it's only natural that I'd have a condemnatory view of such a society just as I do for real Social Democracies; my idea of an achievably "good" society is just fundamentally different from that of the creators But like Lancer is also full of little details that just seem fucked up and awful even from the values and viewpoint of Social Democracy. Like stuff that's just as bad, if not worse, than a lot of sci-fi Dystopias. Like why the fuck does Union have a CIA that's run by a group of super-computers with the actual elected legislature having an advisory role but no actual jurisdiction and this fact being kept secret from the vast majority of the populace? Not much of a democracy if one of the most powerful institutions in the entire political body is free from any kind of democratic or even fucking human oversight while most people aren't even allowed to have an opinion on this because they aren't allowed to know about it. Or what about the caste of Janissary diplomats (like was it really necessary to take children and train them like they're the jedi of interplanetary relations) who come with customised computer slaves. Like yeah don't forget about the fucking SCP computer slavery thing, which is completely fine (except for the times it isn't I guess). Like it's basically the weirdest and most uncomfortable part of Star War's setting imported near whole-cloth only like the regular mindwipes are justified because otherwise they'll full Durandal and you don't want that do you? Look how happy and content they are being forced to think like humans while acting as loyal servants. Btw Union is somehow even less denazified than West Germany. Significantly so. They literally gave Hitler Corp. (a fucking weapons manufacturer so powerful they call it a "corpro-state"!) a seat at the UN. While allowing their Blue Helmets to keep using those Nazi-made weapons. And like Third Comm is repeatedly described as doing basically the same shit that Second Comm did but with more "Care" or whatever so don't worry it's fine now.
Like I can just keep going on and on like I'm not making this up this isn't some like weird expansion this is all from the core rulebook. I get that there has to be conflict and tension but like why did they need to make their ostensible good guys so fucking awful like these are the people you're meant to feel good about fighting for why did you need to fill them with the sort of details you'd see in some cautionary dystopia? And like why do actual people keep defending these guys? Like once you get down to it Union manages to be less Space Sweden and more* "The Ottoman Empire with Pronouns"
*to borrow a phrase coined by a mate while we were talking about this
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midnight-moth · 2 days
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For the Zeph/Ifrit maybe just some look ins on how they take care of each other? How to do relax after shows, are they a cuddly pair? Do they have any cute things like how Raindrops is the strawberry waffles. Maybe some of their spicy headcanons, who leans more to dominate, who leans more into submissive, any specific kinks they adore? <3
Hellooooo
Okay, I’ll do my best…. I realize I have a lot of ideas about them that I’ve never really put down so it’s like trying to turn an impressionist painting into a word doc. Rambles below the cut
I do think that Ifrit requires as much care as Zeph does, maybe in a different way? In my mind, Ifrit has lots of very BIG feelings. About everything. He has a massive heart, and he cares A LOT. Sometimes to his own detriment. Worrying about everyone else’s needs and wants and desires, whilst sacrificing his own well-being. (Kilonova readers - yes, the same way). I think Ifrit is mischaracterized. I think people view him as a bit simple, a bit of a himbo if you will. I think he thought for a long time, well, if the shoe fits. I think maybe he’s allowed himself to be taken for granted, or used. Because at least he’s still useful.
Zeph who is never looking for anything fast or easy, takes the time to know him. To refuse the initial invitation to Ifrit’s bed. It’s one of the first things he offers because he assumes that’s what people want from him. Ifrit is definitely confused when he is only partially rejected. Zeph wants his time, not his body. (He will eventually, but gray-ace Zeph for the win). Ifrit starts to doubt his own self-perception, that he is some highly sexual being, when he is actually just sexualized.
I think the first time they’re together Ifrit doesn’t even know what to do with himself. He doesn’t need to perform, but he does have to be present. Zephyr’s white-blue eyes bore right into him. He realizes for the first time, he doesn’t even know what he likes. His MO has always been to try to figure out what will be expected of him, or perhaps it’s outright demanded. He is a people pleaser, and maybe once it was necessary for survival but not anymore.
So to answer the question, of spicy headcanons, I do think for these two they’re pretty damn vanilla. Because once Ifrit knows how truly valued and cherished he is, how loved, he can’t really imagine anything hotter than that. He’ll happily settle for missionary sex just so he can see the way Zephyr looks at him. To know that his pleasure is of equal importance, what he likes and what he does not actually matters (prefers a hand job over head because he’d rather be kissing Zeph than staring at the top of his head). Sorry if that is a boring answer, I really don’t see them being all that kink-driven. I think Ifrit has been there and done that and circled back to wanting mushy gross sappy sex.
Also, I think Zephyr tries so hard to be independent for the above reasons. He doesn’t want Ifrit to feel like he has to take care of him. I think it takes time and trust before he allows Ifrit to care for him. He has to be worn down. Maybe he’s a little bit proud too. (Stubborn AF)
I think Ifrit collects all of the feathers that end up in his bed. Likes to fan them out sometimes, run them over his fingers and appreciate what it’s like to miss someone and know they miss you too. Maybe Zeph plucks a flight feather to leave on his pillow because they’re the biggest and the prettiest. Maybe he leaves them in his shoe, in his pocket, in his guitar case.
I do think Ifrit sometimes doesn’t know how to accept all of this, to feel worthy of it. Reminds me of someone coughwheezehackdewdrop.
As far as food goes, I think Ifrit’s palette is little on the simple side. Whereas Zeph is more adventurous but where they meet in the middle is pasta. Zeph teaches him to make a very simple pasta dough from scratch and it’s the most magical thing to him. I think a simple bolognese is their fav but they’re down for some cacio e pepe too. Once Zeph braised some beef for like 12 hours to make ragu and Ifrit maybe cried a little when he tasted it. Mostly knowing someone would bother to do that for him.
Also 11/10 very cuddly always being cute and finding ways to stay connected. Even if it’s Zeph’s feet pushed against Ifrit’s thigh while they read, or the backs of their hands resting against each other at the dinner table. I think they’re subtle about it. (Most of the time)
Okay I think I’ve rambled enough…
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QUARTER-FINALS MATCH 3
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Claude propaganda:
"To say Claude has trust issues is an understatement—you have to spend half the game earning his. (Claude isn't even his real name!) Once you have it, though, he's absolutely ride or die for you until the stars go out. He is so full of heart and ambition: He wants both sides of his heritage to get along, he wants to open borders and eliminate xenophobia and promote equality between commonfolk, and deep down, I think he craves a partner to stand with him at that new dawn, or an equal who sees his vision for the future and will fight for it just as hard. Nobody believed in him when he was a kid, but if you put your faith in him, he'll return it tenfold. Some people don't like that he's calculating, or has to leave the player character at the end of the game to go back to his homeland, but both are necessary elements for his goals to change things. He will always come back, and everyone who bets against him and his love for his companions is wrong with a big fat W. #KhalidForMostDatablePrez"
"Claude is a fun little onion of facades. He calls himself the embodiment of distrust, he acts like he's carefree and without worries, an unscrupulous schemer--and so many in universe buy into that hook line and sinker. He's used to others viewing him with suspicion and uses it as armor to obscure his not-so-dark truth: that he cares immensely, that he values minimizing the loss of life, and that above all he has so much hope that people will fundamentally choose to do better given the choice.
His front guards a center that his conflict filled world would be happy to tear apart. As the child of people from two nations in constant conflict--one of which is explicitly isolationist and dehumanizes those outside its church's reach--he hasn't really had a place where he can be without his facade. As a child he thought he could run, but when confronted with the fact that this hatred existed no matter where he ran, he chose to instead try to create a more just and kind world.
His inability to let others in beyond his facade at first may lead to a sense of distance, but isn't it then all the more satisfying when you're allowed in? All he wants is a little trust, a little faith, and--like what he wants to give everyone--a chance to be better.
And like that you got a charming young lad with a fun personality that your grandma would be thrilled to have stay forever."
Milo propaganda:
“they were in the last contest sure but i feel like they could get farther. like they're literally a nonbinary grim reaper that's also an influencer and sure sometimes the influencer stuff can get kinda overwhelming i feel like it's very clear that they care about you and want to be around you. you guys go on a reaping date. their eyes and nail colour change based on their mood too and i think it's a really cute detail!! also SLIGHT SPOILERS but they even reference rocky horror in their special ending. they are perfect to me and i love them and i believe they deserve a second chance <3”
"Vote for Milo because they deserve it
They're literally so attractive
- They are a social media influencer
- They are obsessed with an adorable little kitty and will do everything in their power to make this cat the most beloved creature in existence
- They love makeovers and helping their friends rebrand (this includes working with Damien and the PC to help Jerry the Murderer rebrand so that they really has a brand identity)
- They are a grim reaper and even help the PC plan the PC's own funeral (special ending) and they give a great speech and it's super sweet
- They will sometimes take the PC on reaping jobs with them and shenanigans ensues
So in summation, vote for Milo because, as I repeat, they deserve it"
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yuri-is-online · 2 days
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Do you have any thoughts on Jabberwock and the ghouls there?
I really enjoyed it! It makes me wonder why the house doesn't allow general students, maybe a risk factor? But if it was a risk factor, why would the school allow general students at all?
Haru's a treat, I really enjoyed meeting him, he seems to also push himself too hard. Do you think his gloved hand is a prosthetic or something similar?
I also ended up warming up to Ren at the end. I can understand why someone would be annoyed with his attitude and general asocial behavior, but I do see things from his perspective, he's like a more moody Kaito in that aspect of "I might be a ghoul, but I'm still just a normal guy. I didn't ask for any of this, I'm not built to go through this kind of stuff" way of thinking. But I also appreciate that he will do something when the going gets tough, as long as he's allowed to complain about it, lol. He has a different way of showing that he actually does care and I do really like that about him.
I also want to see him and his relationship with Towa evolve. I kind of already had a feeling that Towa wasn't a big Ren fan towards the beginning, neither person understands the other it seems, and it makes me want to see what Ren's thoughts are about Towa. Towa calls Ren an interloper, so it's obvious that he doesn't think that Ren belongs there, and Ren would probably agree, but then I remember what Kaito said in the prologue about Jabberwock needed someone grounded, someone to tell them when one of their ideas are kinda dumb or they're doing too much. That's why I also believe that when Ren does become a second year, he won't actually want to transfer houses anymore. I think he'll warm up to the house, Haru and Towa.
My apologies, my plan was to discuss all of Jabberwock but it turned into a Ren rave session!
I also really like Ren, so no worries. If you have more thoughts about all of Jabberwock you can send them my way, you aren't limited in your asks.
A couple things of note~
Jabberwock did have general admission students at one point, Kaito tells us at the school administration only stopped this recently. This makes me think that something occurred during the clash that made them deem the house unsafe, perhaps something to do with Towa since the school feels the need to be "careful with him."
Actually while I am talking about Towa, I have this thought... crack conspiracy theory if you will since I have next to no evidence for it but just hear me out- What if he wasn't always human? Animals becoming human is a common theme in myths, he could have wished on his demon to become human, and if he was maybe some sort of powerful anomalous creature it would explain his ability to "control" them... and why it's different from his stigma which appears to be controlling weather. And why he loves Haru so much! All the anomalous creatures do! And why he eats flowers and why his blood type is unknown and his obsession with romance because he probably finds it a bit silly and why he hugs MC after she says she thinks anomalous animals aren't so different than people and-
Anyway I got Jabberwock in my little dorm test at the beginning (they were always going to be my boys, for better or worse) and during that sorting Hyde specifically says "Interesting, so you value trust, huh? You're caring and loyal in all your endeavors." So when I saw Ren get sorted into Jabberwock that's what I immediately thought about. Ren appears to be filling our gamer/otaku trope in the roster, so seeing him as someone who values trust isn't really hard for me. He probably was thinking about how he wanted people he could be himself with, and while Haru and Towa are certainly out there that's not beyond them to do. If anything they seem like the most accepting people in the whole school, their little group really does feel like a family. It's nice.
I hadn't actually thought much about Haru's gloved hand since one glove on and one glove off isn't exactly uncommon (Ace Trappola Twisted Wonderland only wears one in his school uniform cards) but I went back and checked the available card art in the game just in case I had missed something. Haru always wears two gloves unless he's in his casual outfit, where he has just the one or his sprite after being injured where he has his gloved hand and then his bandaged one. I don't have an sr or ssr of him so I can't set him to my homescreen to check what his Nightmare Raid sprite would be, but since Tohma is still wearing his monocole for that idk if I would say that counts as evidence. It could be that he has a prosthetic of some sort, he is always over working himself so I could see him injuring his hand to the point where he needs one? But I am uncertain if he has one now.
I think a lot of my opinion about Ren and his social aversions sort of comes from my own thinking about my anxiety disorder... simply put it is not healthy for humans to spend as much time alone as Ren is trying to and even if it drains you, you need to push yourself to interact with people face to face. Not just online. It's work, ugly hard work but you have to do it so seeing him interact with Haru and the animals and just try. It makes me so proud of him I really want to see where he goes from here.
I don't think anyone's pointed it out yet, but I think he might know Sho. He refers to him in his thoughts as "that burn out" and constantly hides from interacting with him. He is also VERY AFRAID of the water, specifically sea water, which makes his efforts to save Calamari just that much more admirable. Sure, he complained the whole time, but he fought his own fears to save the life of an animal because he is caring and loyal and god I was so proud of him!!!! Go Ren!!!! I agree that I don't think he'll leave in his second year, he's a lot more "normal" than Haru and Towa are but still just crazy enough to fit in to their little group. They really do need him, and I'm sure he will realize that he needs them too after a while.
Towa has difficulty communicating in general due to his non verbal nature (as a side note, this seems to be tied to time of day. he's been chilling on my homescreen and he stays non verbal until around sometime between 3-5 est??? Which according to my brief google search is around 4-6 am jst... I need to pay closer attention) he seems to try and give flowers to communicate? Of the flowers he has given out, wolfsbane symbolizes misanthropy? "A dislike of human kind" so I think he is using that to say "I don't like you D:<" to Haru when he is chilling injured on the couch. He both calls and gives MC a dandelion, which symbolizes "hope, healing, and resilience" and you could also point out how some people see it as a weed despite it being a very useful plant. And in his homescreen lines he gives MC a five leafed clover (good luck) and cherry blossom petals (death, beauty, and violence). He says he keeps some petals in his memory box? And seems to expect you to eat them so it could be nothing but the idea of him with an angry pout collecting plants just to say "harumph. i don't like you right now ୧(๑•̀ᗝ•́)૭" is just too cute.
Back to his and Ren's relationship though, I think he probably sees Ren as annoying in the same way a particularly bratty child does a new younger sibling. It used to just be him and Haru but now there's this new kid that Haru is putting a bunch of time into and that means less time with him! Also it probably doesn't help that he slacks on his chores around the dorm. The book 3 mission seems to have helped bring them together a little bit, so I am looking forward to when we hear from them again.
Because we had better do you hear me game, we had fucking better!!!
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friedunicornstudio · 2 years
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Happy Pride Month! I know things are rough out there, but we have each other, and we have each other’s backs.
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kelpiemomma · 9 months
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forgive the random idea, but I was thinking about how much I love stories about people with power and in power, able to destroy lives and countries without a thought, being immeasurably strong and deadly... Being so soft and gentle towards their child.
Ingo being a god, a god who's been around for millenia. He's seen nations rise and fall, people come into and out of power. He's been revered and feared and forgotten and renamed. He's lived inthe heavens and on the earth. He's been mortal as an immortal, living a human life before dying and returning to godhood. He is old and tired and powerful. He has caused forest fires and destroyed mountains. He has provided bountiful harvests and life saving rains.
And then one day a child is left on the floor of his temple. A pair of wanderers stayed the night, and with nothing else to their names they left their infant behind. Ingo has no idea who they were, barely noticed that they had lingered, but the disturbance of the child left behind - a taste of innocence that lingers on his tongue, like the breeze over a wheat field and the cleanliness of a newborn - has him going to see what was left.
He's never had a child left as an offering, as payment. Sacrifices? Yes. But this one is still alive. She is so small, her eyes so big, and she looks at him without fear. He can't remember the last time he was looked at without fear, without blind devotion. He hesitates to touch her, not sure how to be gentle, and she reaches out first. She grabs his finger and begins to chew on it.
And Ingo is lost.
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roobylavender · 7 months
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had talia not been character assassinated do you think she and bruce should have gotten back together?
no. i hate to use the word "phase" bc that would seem to diminish the importance of what's between them, which is something that will always persist esp as their continued dedication to the same causes and their respect for each other remains. but i do think realistically bruce should be a phase in talia's life. at least in terms of consummated romances specifically. i do love the idea of them remaining allies, close friends, and co-parents, but i think allowing talia to walk away from ra's and bruce in the first place has to stand for something in the long term. before talia went her own way i think it was easier to imagine a potential future where she ended up with bruce bc it felt like the desirable option. she was in this very debilitating position where she had little to no freedom to act on her own desires and goals, the embodiment of which was none other than bruce. so when you frame her situation pre-tower of babel, obv wanting to be with bruce was appealing. he was as much the love of her life as he was a means of escape and freedom and talia having the scope to then act on her own desires. i think that's what subsequently makes dc #750 (or is it #570. i never get the numbers straight and i'm too lazy to check) a really clever issue, actually, bc it acknowledges that and the fact that bruce once again setting her free bc of his love for her actually gives her the courage to step out on her own where she never has before. the fact that she has the option to go back to gotham with bruce and presumably have everything she's ever wanted with him, but she leaves it anyway, is a really huge deal. it's a statement. she loves him, but not more than she loves herself. and sure, what talia puts herself through during lex corp era certainly begs the question of whether her version of loving herself is really viable or in any way healthy, and i would love to see bruce help her recognize that she's not alone and that she doesn't have to do it alone to prove that she's capable. all of this i agree with. but i don't think that really means she and bruce have to fall back on their once-imagined dream of playing house. even if talia did find methods of going about her work that were mentally healthier i don't really know what'd be in it for her to play house with bruce in gotham. bc that is what it would have to be, for their relationship to work in any way. bruce will never leave gotham and son of the demon didn't need to explore that issue bc it was never going to get there but trust that corny as the line about naming the baby thomas or martha was it was reflective of a reality: gotham is bruce's entire life. no matter where he goes, no matter what he does, no matter who he works with, in the end he will always belong to gotham. and i simply do not think that would ever work for talia bc there is so much more she is capable of. while her vision is aligned with bruce's her scope of access and ability is entirely distinct of his own and there is so much more that she can do aside from relegate herself to gotham (hence why lex corp as an arc makes so much sense, bc it capitalizes on that scope). and yeah every superhero couple is kinda crazy and they have teleportation and shit but idk i don't think it's really a relationship for each party to go on long missions with ill-defined parameters that give them the worst sleep schedules known to man and occasionally they share a bed. it really isn't. and that's something that bruce and talia have to live with. their duty is always going to come first even though they both have a passion for civilian life. for talia to be in a relationship again she would have to stop having the liberty of being able to go wherever the work carries her and for bruce to be in a relationship again he would have to have the equivalent of a robin-wife. neither of these things is ever going to happen. so
#outbox#i realize this sounds somewhat hypocritical bc then it's like. but what about damian! wouldn't the same apply to him!#and idk i don't think it would. your kid is different from your lover#obv i imagine talia would try to be around for damian as much as possible#but as i've discussed a lot of times even that i think would be tricky for her. she was willing to say she lost her baby#bc she thought if she didn't the world would lose batman#she's like. craaaaazy dedicated to her work so yeah i do think she'd try to coparent with whatever capacity she could#and her love would be genuine and overflowing etc etc#but at the end of the day she's not going to settle in gotham solely for the purpose of raising him#or for the purpose of appeasing bruce's notions of pathetic puppy dog romance#her liberty is too impt to her#ironically enough this is funny to talk about in context of that batman & robin panel from yesterday bc like#had they not character assassinated her that's really how it might've gone. at least imo#like it's a shame they had to resort to all of these racist and orientalist tropes about her being an abusive mother#to somehow justify why bruce should be the resident parent instead#when you literally could've just followed the thread of talia valuing her independence#versus bruce being desperate for any remaining semblance of normal civilian life like it's an oxygen tank and he's losing air#not only would that have been realistic it would also have carried nuance and allowed insight into bruce and talia's psyches#and more than anything. it would have been funny#but i DIGRESS. tldr yes talia would coparent but even that would be with certain limitations#i think she's the kind of person / mom who like. leaves her love everywhere but can't necessarily stand where she leaves it. yknow#like i could even bring jason into this#i really do think she'd do everything in her power to try to get jason to break from the red hood persona and heal etc#and she'd have immense affection for him#but she's not going to sit and play house and babysit him once she's free and once she knows he's free too#she's very big on personal accountability#so she'd check up on him and the love would be there but like. the bigger picture would always interfere#anywayyyy. thank you for the question i love to ramble about this stuff LOL
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exhausted-archivist · 4 months
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In regards to my last reblog on the scale of Thedas, latitude and stuff. I’ve been thinking about how much thought I give all this. Especially because this topic is one I’ve been talking with a lot of people about lately. It crops up a lot with people who, like me enjoy natural world building or are fanfic writers. Or really anyone who sits down and reads the lore at length. More times then not the question of Thedas’s scale comes up.
So, I want to establish I am very well aware that I’m likely giving it more thought than the devs. I have that luxury as a fan and consumer of the series. It is extremely relevant for me because I like making maps for the series, plotting out travel paths, and scaling things for da ttrpg campaigns I write.
So because I think about it a lot, I notice all the many different scales of Thedas in terms of travel time. How the scale they gave the ttrpg doesn’t match up with any scale they established in the main games or books. I think if the devs sat down and thought about establishing a standard scale and also considering just basic stuff we also wouldn’t have the Deep Roads be 2-4 miles / 3.21-6.43 km below sea level and display a lack of geothermal qualities. I think they’d consider how they built a world with at least 9.1 million people and tons of mega fauna such as giants and dragons and 14’/4.26 m tall bears that hunt dragons, all squished into roughly 1/4 of Europe and how much that isn’t really sustainable. How there would be much more impact if nature encroachment in civilization and how common things like that would be in places. Which they do consider it to a degree, I’m not saying they don’t. But I think if they thought about it just to make the world something that holds up a little better to idle musings, it wouldn’t be a bad thing. That the world would feel more real and alive and also narratively give them more to work with.
The contradictions and lack of consideration for the natural world has always been one of my critiques of Dragon Age, among other things. The reason why that is, is mostly because of a noticeable trend the lack of natural world building in fantasy. It’s a topic that has been discussed elsewhere and at length by other people, but to summarize nature is slowly having less and less impact in fantasy even in an ambient quality. Obviously this isn’t a universal statement, nor a universally required thing for a story to explore and have. That there are things that do focus on and explore it, but speaking in general terms, it is a trend in the majority of media.
Which for me is a bummer as it is an aspect of writing and world building I enjoy. I really like themes of man vs nature and to have that you need to have a basic level of natural world building. Which BioWare doesn’t really explore in Dragon Age despite having elements of it - such as how regular raw lyrium is explosive, mages get sick around all lyrium unless it is diluted to a safe amount for mages, and raw lyrium straight up kills them if they’re in the same room.
So then you have questions of how do mages go/handle being underground with such a risk? Dwarves have stone sense but would mages be able to tell when they’re getting close to large lyrium deposits because they’re getting sick? Does this impact grey warden mages? Darkspawn mages?
Things that don’t get fully acknowledged or explored despite being mentioned casually in codices most people don’t read. And they don’t for a couple of reasons such as potential coding issues but also all the questions you’d have to ask:
How would you implement that as a mechanic? Would you lock mage players out of entire areas featuring raw lyrium? Would they take environmental damage if you wanted the players to explore it regardless? Would it be a mechanic only applied by in harder difficulty modes? Do you acknowledge it in banter but not in any other way? Create a way to explain why the pc mage and their mage companions aren’t dropping dead?
BioWare’s answer seems to seemingly just ignore it because it would make gameplay too challenging/punishing and likely might not be fun for a player to deal with. But they compromise by keeping the lore active in the canon through codices and low impact additions. Which is a completely okay solutions, not my preferred but I get why they do it.
When I approach this lore, I do so without expecting them to fully flesh out each nation or know which city has the most resources and the geologically rich lands in said country. Dragon Age, and BioWare in general, relies on semi-soft world building. The world was after all designed for a game. They only need to build out what they need and what hopefully won’t paint them into a corner with future installments.
Additionally, the writing style for Dragon Age doesn’t suit the hard world building that I prefer, I’m quite aware of that but also know that when it comes to talk about world building in any media, there is always the issue of people (like me) who world build for fun and consider all these small aspects but ultimately they aren’t always needed and necessary for the story a game like Dragon Age is telling.
Dragon Age is told with the intention of things being given from an unreliable narrator. Built on the concept of: there’s three sides to the truth, what x thinks happens, what y thinks happens, and then what actually happened. Which works and I love the premise.
That said, I think that it also impacts lore that shouldn’t be subjected to the unreliable narrator. Foundation or anchor lore points to be specific. Which, as we know, BioWare has always struggled with consistency in their lore, particularly with Dragon Age.
Distance is one of those foundational points that shouldn’t change, and it’s also one of those points that you don’t have to give exact travel times. You can leave it vague and stick to the official statements like the ones we have of Ferelden being the size of England (or Ireland depending on the source you use). If you’re going to be giving specifics, then I think being consistent with how long it travels to get to point a to b and not changing it multiple times in one game should be a basic expectation that is met.
Other ones the series has and is pretty consistent with is how we know Thedas has 24 hours a day, they have seasons like we expect, and are in the southern hemisphere.
Do they sometimes slip up because editing doesn’t catch they’ve made a reference that applies only to the northern hemisphere? Yeah, and that’s not bad. There are a lot of people working on the project and things slip through.
I know I have the luxury to think about Thedas in a capacity that allows for the hard world building that I like. I also know I focus on and enjoy aspects of lore that are not exactly popular for their main audience and are pretty niche.
I don’t expect BioWare to world build how I do because I’m not world building for a massive and varied audience. Not even when I do world building for my tabletop games, because I’m catering to a smaller and more specific audience.
Still I think it’s valid and worth pondering these little elements of the world building. For fun, appreciation, and to nurture one’s own creativity and understanding of media, the world, and what they think makes a believable world.
Devs might not have time to consider it but we sure do and that’s half the fun of enjoying media I think.
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obstinatecondolement · 7 months
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Not to be all "this is an Only Murders in the Building blog now" but apparently since yesterday I have reached a point of no longer being satisfied with being part of a two-person fandom irl with my sister and I need to Discuss things with you all.
Anyway. Currently thinking about how Theo Dimas is a) Greek and b) Deaf—both cultures that are very physically demonstrative—and that he is. Like that.
#I love Theo Dimas so fucking much#the poorest and littlest of meow meows#haven't we all committed accidental manslaughter and allowed someone else to go to prison for it?#have we not all in our time robbed valuables from dead people's bodies?#and consider this: he was very sad about it#and he is so sweet and has such a delightfully quiet and affectionate friendship with mabel#who he kidnapped that one time and who wrongly accused him of murder on a podcast that lead to his arrest#neither of which they hold against each other because they are fellow traumatised disaster millennials who haven't got their shit together#also I think maybe they should kiss about it???#because he has stuck around a lot longer than any of her canon love interests#and! she is learning asl so clearly values the relationship and wants to make it easier to communicate on his terms#and mabel is famously guarded and slow to trust#(but also a real 'once my walls are down I will love you forever' type)#so her being like 'I want to talk to you and I want that enough and to do it often enough that I want to meet you half way#and not just expect you to always lip-read and write things down for me#because I don't want understanding me and being understood by me to be as much work as it would be if I didn't make any effort to sign'#is like... a very significant indication of how she feels about having theo in her life imo#also they are both very cute and ping bi4bi to me and honestly that would have been more than enough for me#only murders in the building#omitb#omitb spoilers#only murders in the building spoilers
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moonbittern · 1 year
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in network effect murderbot is starting to get the hang of talking about its feelings for mensah (with mensah herself but also with amena!! love that) but not in a human ritualized way, just like. using its own words to describe its own feelings instead of using someone else’s words to approximate them. it’s good
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musical-chick-13 · 5 months
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I know SO many people who hated The Sound of Music back when I was still trying to make a living as a Stage Performer, but I don't think I can EVER articulate just how much the line, "Just because you love this man doesn't mean you love God any less" did for me in regard to starting the process of unlearning all of the self-destructive things I had begun to internalize from the Catholic church.
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pissfizz · 7 months
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Very frustrated!!!
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gayvampcentral · 1 year
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Has anyone made a post about how the memes making fun of the german language sounding stupid/funny actually (I assume unknowingly) perpetuate (post) WWII US propaganda yet or is that up to me?
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cyrsed · 8 months
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you ever think about how mainstream gaming is the way it is bc it evolved from arcade games?
#like the focus on Skill(tm) that values reflexes/reaction time/competition/speed#obvs there's other influences too tho#like rpgs#and then there's a sorta parallel thing going on with early computer games (remember when Computer Games and Video Games were different?)#w people like cyan wanting to make 'video games for adults' lol like myst#and there's always been artsy games and stuff but mainstream-wise i just think sometimes about how like#strange (neutral) it is that you have this medium that's debatably art but also like. not always considered by players or devs to be art?#in a way that books and movies aren't /exactly/ altho there's comparisons to like blockbuster movies for sure#esp bc i think about how the people making a lot of mainstream games were guys who grew up in the 80s/90s and loved 80s action movies#and got to make worlds where you play as those action dudes#like obviously snake who's not even trying to not be snake plissken ghlskdjf#resident evil also obvs#or isaac being inspired by whatshisname in die hard#ther's an implicit power fantasy#but also it opens up interesting artistic/storytelling paths that other mediums can't explore as easily?#isaac is an interesting example of it imo bc of the tension between his ultra-masculine voice/hyper-competence/cool suit#and 1. the survival horror setting but also 2. the fact that he's actually incredibly brittle & the impression#of him we get is based on assumptions when really his independence/determination is a flaw & his 'togetherness' was a facade the whole time#ofc the way it gets expressed in ds2/3 feels like it's still limited by sexist ideas about what emotions men are allowed to express#and how imo#but idk i think it's interesting to play with that#and in an interactive setting you get to do that in a way that other media can't#but back to my original point lol#those are (imo) really interesting things that do get explored sometimes#but like gaming culture at large sometimes feels like it#explicitly rejects reading anything deeper into a game than 'hero shoot bad guy'?#and i feel like in part that comes from what players value and gaming culture puts Skill really high and can sometiems treat story/characte#like set dressing#(obvs there are exceptions)#(and it makes sense i mean. it's a Game it's supposed to be Fun To Play
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hamletthedane · 3 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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kazoologist · 8 months
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now listen i know i really need to spend more time with durkheim before im any good at actually talking about the man. but as ive inched ever closer and closer towards more silly sociology stuff and reading ive really come to appreciate how totally value-neutral all the stuff i've ever read on collective effervescence was.
#well ok value neutral might be imprecise and not optimal wording on my part#kazoo noises#the captain goes down with his scholarship#like okay. im a person who finds ritual and togetherness very interesting and lowkey a really fun part of being alive. right#so like my friend who was explaining this to me years ago used the examples of collective effervescence as 1) watching a sports game/match#together#or watching a public execution#like idk i know im a sap so i tend to probably lean towards the more happy side of things but that allowance of both things most people#regard as good and like. moral i guess. but also understand that like. public executions via vigilante justice are commonplace in us histor#idk i just really like that so much is allowed to be contained in a single thing being studied. i like that everyone ive ever met#whos into sociology and social science and shit is always so kind and fond of being alive even though theyre full of rage and spend their#lives studying some of the things that make being alive and people so so so difficult#like. every sociology prof ive ever spoken too has just been. so kind. so very full of love. just endlessly. like it costs them nothing to#give so much to the world around them. but they spend their life studying just. some of the worst outcomes you can have. its wild.#i should probably read and see if theres a way they can do that. i burn out emotionally way too fast for someone in library science.#anyway. this is my rant as i do my readings for class.#idk man im thinking about human elements and shit today
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