Sorry, I couldn’t resist. ; )
(Epilepsy Warning Ahead)
So, after completing CrossCode: A New Home a few months ago (which I meant to do a review of, but didn’t get around to it, sadly), I was thoroughly delighted by the continuation of the game’s story and the extra challenges included in it, both story-related and optional. That being said, I still think even Masahiro Sakurai would start crying after attempting some of those puzzles.
But putting all that to the side, I especially loved the fact that Lea and her “people,” shall we say, now had their own place to live, work, play, and (ahem) talk with one another. Searching for the hidden treasure chests in it was also a fun challenge -- one that turned out to be pretty easy after some exploration, in fact, which is one of my favorite things to find in any adventure game.
There was one thing I found strange about Lea’s new house, however. On the second floor is a big screen TV with a game console and stereo system (a gamer’s dream, in other words):
When you interact with the TV, you’ll discover that it only has one available setting, which I like to call “Super Rave Mode,” with music blaring from the speakers and color-changing lights flashing everywhere.
I couldn’t help but wonder what the reason for this could be. Is that how the stereo system was designed, is that just how Lea likes it, or is it something else? We’ll probably never know, but...I do have a theory.
It’s at least a possibility, wouldn’t you say? You know someone’s a true friend when they take the opportunity to punk you every now and then. X D
You’ll probably notice a few artistic flaws if you’ve studied drawing (if not, feel free to skip this part). For one thing, Lea appears to be much taller than the TV in the first two panels, so the next three panels make no sense unless her legs suddenly got a lot shorter. For another, her head seems a bit smaller in the third panel than in the others. Proportions are still not my strong suit, apparently, but hey, at least I was able to notice it, right?
The miniature panel inside the fourth panel a little hard to notice, too, but it was still worth doing anyway, I think. I always love it when comic artists get creative with their panels instead of making them the same every time, so I thought I’d try it out.
And strangely enough, those are all the flaws I can think of at the moment. How about that? X ) The tree in the sixth panel might have looked a little better if I hadn’t tried to draw its texture with the colored pencils, but...eh, why sweat the details?
Speaking of the sixth panel, you may notice one of my OCs hidden in it if you look closely enough.
He looks like a bubble with eyes, for reference.
There were a lot of details to figure out for this drawing (especially that last panel, which took me a few days to finish), but I had fun trying to get all of them right. I used the above snapshot of the second floor of Lea’s house for the first five panels, while Lea herself was made after the picture of her found on the game’s pause screen:
Her facial expression in the first panel came from her “awed” sprite,
the one in the third panel is a variation on her “happy” sprite,
and the on in the fifth panel is based on her “annoyed” sprite (which I’ve only seen when she talks to a very loud Shad).
I also used the picture of her seen on the file menu during the epilogue as a reference for her profile in the fourth panel.
And of course, good old Emilie was made after her “grinning” sprite, with a few wrinkles added to her forehead.
I just have to say, nobody grins like that girl. It’s not as adorable as Natsuki’s grin, maybe, but it’s still quite lovely.
And finally, the sixth panel was based on the area outside Lea’s house. Duplicating it was a pretty fun (if time-consuming) challenge.
I have since reached that silver chest on her roof in case you’re wondering. After a lot of exploring around, that is.
One more thing I should add: Much as I enjoyed drawing this and so many other things with pencils and paper, I’ve lately been considering making a transition to digital art from now on. It’s not that I’ve stopped enjoying traditional drawing (in fact, I’ll probably continue making it to some degree), but I’ve started noticing of how much time can be saved by choosing digital drawing instead -- no smudges, easily undoing mistakes, easy rotation, zooming, etc., so...I’m beginning to think that may just be the better option for me. That’s not a final decision, though, so I guess we’ll see how it plays out. If I can’t decide, maybe I’ll let you all take a vote on it. You’re my audience, after all, so you may as well have a say in it. ; )
In any case, farewell for now and thank you for indulging in my love and appreciation for CrossCode. Or as Lea would say, “Bye! Thanks!” She’s very good at being succinct like that. X )
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