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#eien no kinou
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Aside from hands, what are your other favorite body language indicators?
I love this question, but I am afraid my answer might be quite boring because the body language indicators that I love vary from actor to actor. Singto, for example, has a lot of little ear movements that I found really incredible to watch in Shadow even if that show ended up fumbling at the end. I really loved the way Furuya Robin tensed his jaw when Sugimoto said some bullshit to him in his office in Episode 4. I love the way View uses her eyes as an emotion and thought indicator for Aylin in 23.5.
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Some actors are eye actors, some are mouth actors, some are forehead, or eyebrow, or full face actors. Sometimes it’s the way an actor sets their shoulders. How they play with tension in their own body, how they hold their breath and release it. How they fight to hold back tears. How Off was breathing during Ten’s panic attack. It’s the way Chris bit his lip when Qian is on the phone with Yuan in Unknown. It’s the way Nanon sets his jaw before Pran goes in for a deeper kiss in Episode 5 of Bad Buddy. 
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I love contrast and conflict, it’s why I’m so obsessed with characters like Kaz Brekker in Six of Crows and Crooked Kingdom, for example, because he loves Inej so deeply but he can’t touch her. So I love when a character says one thing but has a body response that tells me another.
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When their masks crack for just a second before slipping back on. I watched Philadelphia last night, and was struck so deeply when Andy’s voice broke and Tom Hanks was delivering lines with his voice was thick from holding back a deep and agonizing sob while trying to translate lines about life and living. It’s the way in Black Sails that Toby Stephens’ face falls in realization when Flint kills someone to stop them from shooting Silver, because he knows he’s just shown Silver his weakness. It’s the way light enters and leaves in Komiya Rio’s eyes and smile and posture in Eien no Kinou. 
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gif by @wanderlust-in-my-soul
TL;DR The body language indicators I enjoy are highly dependent on the actors on my screen.
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ginpotts · 5 months
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@userdramas event 12: loss ↳ eien no kinou (eternal yesterday)
no one remembers him as a living corpse. i cried so much, i felt like i was turning into a puddle of tears. in the end, my sadness never went away... and it probably never will.
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hokkienmee · 2 months
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Drama: Eien No Kinou 永遠の昨日 Lyrics: DISH// - あたりまえ (translated by sevenmoonstory)
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waitmyturtles · 6 months
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WELL???? HOW AM I SUPPOSED TO LIVE THE REST OF MY DAY AFTER THAT????
I Feel You Linger in the Air, episode 11:
I didn't write about episode 10 last week due to life circumstances; I know my dear friends @lurkingshan and @neuroticbookworm took issue with the ways in which pieces of the narrative from episode 9 were left on the ground. I was feeling basic last week and enjoyed the soapy drama arcs, but I do agree with Shan and NBW that last week's episode was a touch watery and wanting.
NOT THIS ONE.
THIS EPISODE? Y'all know I've been mostly watching older series this year. Of NEW series that I've watched this year? With the caveat that I haven't watched La Pluie yet, this episode 11 of IFYLITA may be the single best episode of a new series I've seen this year. WHY?
Tee Bundit let this story tell itself. No interference. He let Nonkul and Bright take the lift, and tell the script TO US. THEY ARE CIPHERS. They let the emotion of this moment, the MOMENT THEY ARE HOLDING ON TO AS YAI AND JOM, TELL THIS STORY.
MY GOD. THE ROOM WE HAD TO EXPLORE ALL OF THE EMOTIONS.
Oh god! Every time they met together, the controlled intensity, the KNOWING of the time they had left, and still! Yai flirting with Jom in the bed as Jom is drawing his portrait! We coulda had tears! No, Yai just jumped him instead!
Jom sees Yai standing in the garden! Back hug, chin snuggle! These two are ENJOYING ALL OF THEIR EMOTIONS TOGETHER, knowing what little time they have left. They are not leaving ANYTHING on the table in terms of their interactions. They're not gonna sit in the corner and sob! THEY WILL LIVE AND LOVE THE REST OF THEIR DAYS TOGETHER.
That dance scene. The leaning in. The emotion of foreheads touching. The achievement of Jom to get a moment of equality for the house servants, to not work, to be friends all together in one room, to transcend caste and wealth, to be accepting of Yai and Jom's love, Jom coordinating for Yai a moment where Yai can be out and safe, as Jom was in his future life, around people that love them together.
FUCK FUCK FUCK FUCK FUCK.
Also, god. The Eaung Paeng storyline. As a mom, I am gritting my teeth and hoping for the DAMN best for EP, because she deserves the best. I do not want anything happening to EP. 1928 -- not necessarily a year I think of as a high point for women's healthcare. Carrying the baby of a man you hate? Probably the worst-case life scenario I could possibly think of.
Shit, y'all, this episode took me OUT. @slayerkitty! I don't easily cry at shows, but I SOBBED.
I'm just blubbering. Best work I've ever seen by Tee Bundit, and I've seen almost all of it this year. Episode 12 will be hard to top; if it doesn't top this episode, I can't exactly blame Tee, because this was an artistic HEIGHT.
P.S. @lurkingshan IS RIGHT. This will TAKE YOU OUT if you're an Eternal Yesterday/Eien no Kinou girlie like me.
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chickenstrangers · 9 months
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Time and Grief in Eternal Yesterday
Eternal Yesterday (Eien no Kinou) is an astonishing show. It is one of the most visceral explorations of grief, letting the audience sit with the feeling of it, that I have seen on screen for a long time. I especially loved how it explored the experience of time while grieving.
Grief alters time. It changes your internal sense of time. It takes you out of equilibrium with everyone who is not experiencing grief with you. The world moves on. People move on. People forget. The clocks don't stop despite our pleas. Grief bisects time; events become labeled Before and After. Everything reorients around it.
This disorientation of time is what Eternal Yesterday conveys so powerfully, both in its magical realism conceit and in its technical structure and pacing.
First, I would also like to talk about a poem. @bengiyo also shared a phenomenal poem by Shane Koyczan in this wonderful post about this show which I have been thinking about and listening to again and again (reading by the poet here, transcript here). While I was watching, I had another poem ringing in my head. I think there is something about grief that is often best captured in the sparseness of poetry for me personally, and in that way Eternal Yesterday feels a bit like a poem, and echoes these poems.
Recently, I have been reading Victoria Chang's poetry book Obit, which frames her grief over her mother's death and her father's illness as deconstructed obituaries.
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The difference is called grieving. I think this is the space that Eternal Yesterday occupies. It uses magical realism to forcibly extend the period before reality and grief can fully set in. Mitsuru is desperately clinging to the moment of before, when Koichi hasn't actually died yet, because once he leaves that moment he can't go back.
In the moments before the truck driver comes and sees the body, Mitsuru is in a state of denial, an impossible version of events in which Koichi survived the impact and being thrown in the air for meters, even though all the evidence points to his death. He calls his name, expecting him to just wake up. The truck driver's reaction cements the truth of his death that Mitsuru could not even let himself imagine in those first few moments. There's a moment where we can see the flicker of horrific recognition on Mitsuru's face. But then Koichi starts moving again, and Mitsuru is once again in an impossible reality where Koichi can survive as the living dead, a miracle. Eternal Yesterday effectively resets the timeline to the moments before the death becomes real for Mitsuru.
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The rest of the story takes place within that moment, but elongates the stage of denial. It takes place outside of time. Koichi's body has disregarded time, the doctor tells them. It is staving off all actual evidence of decay, but it doesn't erase the damage that has already been done and the bruises and cuts remain as a terrible reminder. This really effective element of body horror forces the audience and the characters to sit in a very specific moment in time; this is not a ghost who has cast earthly wounds aside, nor a zombie who continues to decay. Koichi and Mitsuru are trapped in the moment of death, the eternal yesterday. Mitsuru isn't ready to let go yet, and neither is Koichi.
The drawn out nature of this undeath contrasts with how suddenly Koichi dies. Instantaneous (I think again of Koyczan's poem). There is no way for the characters to anticipate this death. Compare this to Mitsuru's mother, who was chronically ill, dying in a hospital away from her son in an attempt to insulate him from grief. But despite her prolonged illness and her distance from Mitsuru, it doesn't seem like Mitsuru was really able to process his loss, just creating a wall around it to protect himself. With Koichi's undeath, they get that extra time together, and maybe that helps in some ways. As @waitmyturtles writes, they get to spend those final moments together, knowingly, intentionally, in a way that Mitsuru only got with his mom after her death when he saw her ghost. The magic gives them back these moments.
At the beginning, it seems as if time has stopped for everyone around them as well, but slowly people start to not be able to see Koichi. They begin to move on, and forget. Koichi seems to have reconciled with this fact: "If you die, you're slowly forgotten. It's normal. The living are busy thinking of other living people." Mitsuru is angry at the thought that anyone could forget about Koichi, and that the signs of their forgetfulness are proof that Koichi is getting closer and closer to disappearing.
This is such a beautiful metaphor for how it feels to grieve someone when the rest of the world keeps spinning. Time has stopped for Mitsuru, but not for all his classmates, even though they cared for Koichi too. It's a cruel truth. Time starts to speed up again as Koichi begins to disappear in front of others, but Mitsuru is still clinging to him.
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Mitsuru holds onto Koichi with both fists. There's anger behind his denial of Koichi's death. He repeatedly tries to remind Koichi that he's still alive, gets angry when he's referred to as dead, and when people can't see Koichi any more.
But it is Mitsuru's love that sustains Koichi for this long, and his unwillingness to let go of his memory. It seems like love itself is what keeps Koichi here. Even when he disappears for most people, Mitsuru and Koichi's family still see him. Even after Koichi truly dies, when he stops being a living corpse, we see that his memory does live on in Mitsuru, and in the lives of the other people who loved him. The teacher who sent Mitsuru a photograph that shouldn't exist. Koichi's friends and family continuing to honor and remember him, and staying in contact with Mitsuru.
@gillianthecat writes beautifully about Japanese dramas and the use of place and space. There's a quietness and a stillness often. Eternal Yesterday echoes this, and in some ways turns time into a place, anchoring the drama to a liminal threshold, the pause that allows Mitsuru and Koichi to process what has happened.
Koichi and Mitsuru's story takes place outside of time. The editing and structure of the show also interrupts the linearity of time. Multiple times we are shown the end of a scene, and then shown its beginning scenes or even episodes later. The show revisits scenes, recontextualizes them, like when they get back from the hospital and Koichi admits he's scared that he's a corpse; the teachers in the stairwell we later learn were found in the aftermath of their breakup. Koichi is hit by the truck in the very opening of the show, but we don't see all of it until the end of the episode and the beginning of the next. Through this editing, the show destabilizes time, and calls into question our perception of events.
It also does this with the opening and closing credits. Each episode grounds the audience at the start in a joyful past that the characters can never return to, and at the end in an impossible future that they will never see ("If we were adults, would we be making a toast and drinking beer?"). The show oscillates between these two endpoints, and they put the viewer off balance for what to expect. But at the close of the show, we see the camping scene recontextualized. Mitsuru is alone, but he still has pieces of Koichi with him. The false insinuation of a happy ending is replaced with bittersweet reality.
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How long does it take to grieve someone? Does it ever stop? Their teacher is still mourning his boyfriend's death 20 years later. Mitsuru is shown grieving 5 years after Koichi's death. He tells us his sadness never went away. The experience of grief is different with that distance, but it doesn't disappear. The show invites us to sit in a specific moment of that grief, but it shows us also how it continues afterwards.
Koichi's death is drawn out, the stage of denial extended, but eventually time catches up with both of them. Koichi knows it ("My time is almost up"). Mitsuru begins to understand it ("Isn't it just a matter of time?"). The day Mitsuru's home sick, "the time felt too long." The dissonance between this piece of time that they have carved out for themselves and the reality of time's continual passage becomes impossible to ignore.
Koichi lingering as a living corpse gives both him and Mitsuru a bit more time together. Even if it's just a few days, there's beauty in that. Because of that time, Koichi gets to hold his newborn sister. He gets to be a part of that moment with his family. Koichi and Mitsuru get to love each other for just a little longer. They get to say goodbye.
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This is a sad show. But it's okay to be sad sometimes. It's okay to explore this sadness is art, in queer art. It can be healing to sit in these emotions for a little while, like Mitsuru and Koichi do in the show. To take the time to process it and connect with these stories.
Thank you to @bengiyo's post and the podcast for putting a new favorite show on my radar, and @lurkingshan and @waitmyturtles for sharing their thoughts and love for the show.
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atsukunaritai · 6 months
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「つうか、みっちゃんが一番好きだ。」
「俺が死ぬまで一番。」
— Actually, you're number one for me, Micchan.
— You're number one until the day I die.
永遠の昨日 第3・8話       |       Eternal Yesterday ep. 3&8
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blmpff · 10 months
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26.06.2023
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xnoel · 1 year
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i'm thankful that i understand enough japanese to know that they said 愛してる (aishiteru) to each other in the screenshots above, instead of the usual 大好き (daisuki) (though it also made me cry even harder while watching the finale)
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(link to the article)
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wanderlust-in-my-soul · 9 months
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Do you know any thai/korean/all BL dramas with sad ending?
Thai/Korean/All BL Dramas With Sad Endings
Okay, let me get started. BL in general is not really created for sad endings. It is a phantasy land where all kinds of dreams come true. And originally it adressed a specific audience. So, some of the dramas I am listing here are more queer media in general and not specifically BL. And some of those dramas have an open ending, that does not mean it is not a sad ending, and some might have a beautiful ending, which was kind of sad. There are so many ways of reading those endings.
Two of the shows I haven’t watched yet, but I know that those have sad endings… And please be aware, there will be spoilers after the read-more-dash.
Let’s get started!
Egoist – based on a true story, this Japanese movie is heartbreaking. It is a beautiful story about the love between two people and how they manage their life together until, yeah well, until fate f*ed everything up.
Eien No Kinou (Eternal Yesterday) – another Japanese title. From the start of this series, you just know that this won’t end well. It just can’t. And at the same time, it is so beautiful, you can’t stop watching it. So good!
History 3: Make Our Days Count – I guess people would come after me, if I don’t mention this Taiwanese bl. Yeah…I wasn’t that impacted by the ending, but most of the people who watched it were devastated. I understand why, so have fun 😊
Kissable lips – the first Korean one. This series wasn’t my cup of tea, but that wasn’t the question. For a sad ending, this is your series!
The Miracle of Teddy Bear – this is such a complex thai series as is the ending. Many didn’t watch it because of some weird elements of the series and the episodes are long, but BUT it is so worth a watch! The ending? I kind of liked it? But it was very bittersweet and considering the use of the Little Prince source it is really good...but sad... I am confused... still...
Dark Blue And Moonlight – a Taiwanese series…I wouldn’t recommend it. I can’t really remember the ending… I know it was bad sad.
180 Degree Longitude Passes Through Us – a thai masterpiece. I love this one so much and I analysed the sh*t out of it! It is so good and I was devastated in the end! Such a great storytelling and cinematography and story and the characters...perfection.
Dear Doctor, I’m Coming For Soul – this is a thai series, which got very little attention when it aired (I don’t know why, I really liked it) and the ending was just a sobbing fest for me. I mean I liked it and it was just logical, but I was very sad!
Don’t Say No – also a thai series and I don’t focus on the main couple… I couldn’t care less about them… but the side couple! Oh the heartbreak I felt and the betrayel!
He She It – To this day I still ask myself what I have watched here. All I know is, it is confusing and kind of sad…the whole story, not just the ending.
The Best Story – it is Thai and it is YinWar… so it is good. Nevertheless, it has a very bittersweet ending, and I didn’t feel good after finishing this miniseries. I was very sad!
Once Again – one of my favorite series of 2022. This Korean series deals with a lot of trauma. It has some supernatural element and is really really good! And I was sobbing for the whole f*cking last episode!
When The Waves Rise – in this Korean short film, it is all about the feeling you get from it. It left me devastated. I was really not doing well after finishing it. It touched a part of my soul and it left a sore spot there.
Your Name Engraved Herein – I haven’t seen this one, because I know it will break my heart and I am still not ready for that. It is a Taiwanese movie and I know that I will love it, but I also know that I will cry my little eyes out.
Grey Rainbow – haven‘t seen this one either. This is a Thai miniseries and it is said to have a very sad ending.
The Untamed – the king, the queen, the emperor of sadness. I love this 50 episodes long Chinese masterpiece of a series to death! It doesn’t have a bad ending imo and it is quite open, but the amount of tears I shed during watching this fantasy epos was not funny anymore. I was ugly crying for like 15 minutes straight at one point. And I felt empty after I finished it. I miss it so much! I wish I could watch it again with all the emotions I had during my first watch!
But yeah…this is my little list 😊
If anyone wants to add more dramas, please feel free to do so 💜
Anon, I hope I could help a little bit and this list is useful 🌼
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lately all the BL OSTs have been absolute slams
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wen-kexing-apologist · 4 months
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Late top 5 ask because I just thought of it: 5 shows that you are always down to rewatch
What a great question that is also such a mean and incredibly evil thing to ask me, wen-kexing-apologist, Chronic Rewatcher lmfao
So fun fact I have seen KinnPorsche 14 times, Our Flag Means Death 11 times, The Old Guard 11 times, Heartstopper 11 times, The Eclipse probably 6 times, Bad Buddy and ITSAY 4 times, etc, etc, etc. And those are counting all the times I have watched a show all the way through. This is not counting the number of times I have actively gone back to watch specific episodes or specific scenes.
See the problem is sometimes I hyperfixate and then I just have to watch it until it is out of my system, sometimes an OST pops in to my head and then I get the urge to watch the show again, and sometimes I agree to edit the transcripts for the backlog of @the-conversation-pod and @bengiyo and @shortpplfedup start talking about a show and I'm like "ahhh good times! I should rewatch that!"
So you can imagine the stress I am under. I'll have to do this by category
Show I Am Constantly Rewatching: Bed Friend
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I know what you may be thinking, and yes you are correct I am in this rewatch for Uea's emotional journey. Uea is my sweet summer child, I love him, I have adopted him in to my family, his happiness is my happiness and I love love love watching him go from a quiet, reserved, unhappy character who keeps getting put in unfair situations through no fault of his own in to this confident, vibrant, happy person who is on his way towards healing. Often times it can be hard for me to pick A Favorite thing; a favorite character, a favorite scene because there are so. many. good. ones. But I am constantly, and I mean constantly rewatching the scene in Episode 8 where Uea tells King about his past. I have lost count of how many times I've seen it, no even kidding I watched that scene before I went to bed just last week. I will always always be down to watch that show because I love seeing how far my boy is able to grow with just a little bit of love, care, and therapy.
Show I Would Rewatch for an Instant Mood Boost: If It's With You
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I have a difficult time understanding/feeling emotion in my body unless I abstract it in to fiction. So when I experience strong emotions it is typically when something super happy or super tragic happens on screen, in a book, during my D&D game, etc. One of my absolute favorite things is when something makes me so happy that my body is no longer able to contain it and I have to do the Neurodivergent Hand Flappies(TM). I think I spent 80% of this show grinning so hard it hurt my face and doing the Neurodivergent Hand Flappies because it just...they made me so happy. Amane is so sweet, and he deserves happiness, and he is getting his happiness and he's just full of sunshine and I already rewatched this show like immediately after it finished. This show joins my This Could Fix Me list.
Show I Would Be Down to Rewatch for Emotional Catharsis: Eternal Yesterday
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I have not rewatched this show...yet. But I want to, and I know that I will eventually. I can only imagine that it is sadder and more evil the second time around. I cried soooo hard over this show. But it is beautiful, and it is healing, and the pain is a good type of aching pain that comes with coming to terms with grief. With acknowledging grief. With finding where the beauty and peace lie within death and memory, and the way its claws dig in to you and leave you changed forever. Ghosts can be warm, and this show makes me warm despite it all.
Show I Would Be Down to Rewatch for Content: I Told Sunset About You/I Promised You the Moon
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I think I am in @shortpplfedup's camp about how you find new things to think about every time you watch this show. I actually desperately, desperately own I Promised You the Moon several rewatches because I have seen ITSAY four times at this point and IPYTM once. I am currently rewatching IPYTM with a friend who is seeing it for the first time, so that should help. But the first time I watched this show I was unable to function to notice anything, and it wasn't until the third time I'd watched ITSAY when I was rewatching it to prepare for the podcast panel, that I finally was able to form any level of coherent analytical thought to it. So I would rewatch this at any point just to see what more I could pull out of it.
Show I Would Be Down to Rewatch But Haven't Yet: 180 Degree Longitude Passes Through Us
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Bold, based on how intense of a reaction I had to this show, I know. But this was one of my favorites, I never wrote anything about it because I was too busy having a literal mental breakdown over it, one that was so bad I almost had to bail on the entire show with like...20 minutes left of it, and I originally nixed my plan to show it to a friend. BUT I have watched the specific scene that did me in (and only that scene) and it went over fine once I knew to expect it so I do want to watch the whole thing again. I have a friend who I have been forcing to watch BL shows I liked and I watch them with her, and this is on the list. However, I am currently running her through I Promised You The Moon and What Did You Eat Yesterday? Season 2 so this show is still quite a ways out from a rewatch because I am not a total monster and want to give her some modicum of emotional break between those two shows and 180 Degree.
Bonus:
Show I Would Never Rewatch: Enchante
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I hate this show truly an unreasonable amount. I hate Theo so much oh my fucking god. I refuse to watch this again and I'm mad that I finished it.
ASK ME MY TOP 5 OF ANYTHING BL
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ginpotts · 10 months
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@userdramas event 08: heat [ insp 1 | 2 | 3 ] ↳ an assortment of ❤️‍🔥 jbl moments (✿◠‿◠)
fumiya & ritsu -- jack o' frost (2023) koichi & mitsuru -- eien no kino (2022) hira & kiyoi -- utsukushii kare (2021) togawa & nozue -- old fashioned cupcake (2022)
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scarefox · 6 months
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"One Room Angel" has such "Eternal Yesterday" vibes
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littleragondin · 1 month
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15 Day BL Challenge
The full challenge can be found here!
☆*:.。. Day 14: Top 5 most sad boys .。.:*☆
I love a tragedy, I really do (sometimes you just need to have a good cry) so I was reaaaaally excited about this list.
- Korn from Until We Meet Again. I'll kickstart the list with probably my favorite of all the sad boys BL gave me. It's the tragedy of him knowing it can't end well, the weight he carries all the time, and despite all that, the love he has for his brothers, the love he has for In. I just love him beyond words.
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- Mitsuru from Eien no Kinou. Even before everything happens, Mitsuru is sad, and alone. This show is such a beautiful and gentle story about grief and I love both Mitsuru and Koichi so very dearly.
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- Nut from The Miracle of Teddy Bear. I guess you could argue he is more angry, but imo he does fall under the Sad Boy umbrella. He is desperately fighting through grieving a father who never loved him and a mother not yet gone but clearly not fully there anymore, through his whole family history and his own heartache. He is carrying such sadness all the time.
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- Nekoyashiki from Kabe Koji who qualifies perfectly. He is so entrenched in self doubt, self isolation in a way, he is sad in different ways from the others in this list but still. Still.
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- Shi Jaewoo from Once Again (yes Moon Jiyong again don't look at me). He is such a sad, burdened young man stuck in a grey world, and the entire tragedy of his story in this broke my heart ngl. He is so sad, and so good, he deserves his place here.
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bengiyo · 1 year
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Eternal Yesterday Ep 8 (Finale) Stray Thoughts
It's time to say goodbye to a show about letting go. I'm getting in my feelings and I haven't even pressed play yet. This show is a prime example of what I love most about Japan. If anyone is going to handle difficult topics well, I trust them to do it. This show has such a surreal premise, but it's been one of the mostly thematically cogent show I've watched all year.
We left at Koichi hiding from Mitsuru, but now they're back and about to have their first time together. I am prepared for my typical Japanese disappointment.
"It's getting hot in here, so take off all your clothes."
Oh no. Have the hoses spraying in the intro been about how these two have their major intimate moments in the rain?
I've been a fan of boys talking before their first time since Four Moons (2014).
It is so poignant, and so much like Japan, to layer the first real bed scene MBS has attempted (and I think the only one from Japan this year) with the grief that in so many ways this is a goodbye. Koichi gets to break down in the shelter from the rain again and lament that he can't stay with Mitsuru anymore. They finally explicitly share deeper physical intimacy with each other, but it only affirms how much they meant to each other in the past tense, because Koichi can't stay. I'm feeling an intense melancholy coming on.
Though, props to Kamiya Rio and Sora Inoue for doing the best job with kissing from MBS this year. It pales in comparison to what Taiwan and Thailand are willing to do, but I respect it from two Japanese actors.
Emotionally overwhelmed by the table talk with the dad.
I was not prepared for the reveal that the mother lost her own battle with ideation, and then hung around as a walking corpse. That's so messed up.
I like the gentle way the dad acknowledged that he knew that Mitsuru and Koichi were more than friends, and crossed the boundary that separates them to offer his son some physical and emotional comfort. "You don't need to force yourself to heal," is such a gentle thing to say to someone grieving the loss of a loved one.
And now we're on a camping trip alone five years later.
I am actually okay with hand waiving the discovery of Koichi and everyone forgetting the supernatural. We don't need to revel in the grotesque there.
I am deeply saddened by the realization that Mitsuru may never find a way to reconcile his feelings for Koichi and experience another close connection. That is unfortunately a very familiar experience for me.
Oh no, we're getting the story from Koichi's perspective. I'm going to cry.
JFC the reveals in this finale. Koichi was adopted by his uncle because his mom abandoned him.
We're going to need to have a real reckoning with Japan about how the couple I've believed the most this year were genuinely mutually attracted to each other had one of them dead the whole time. I am aching.
This was such an emotionally gut-wrenching experience. I haven't unpacked feelings this show yanked out in fourteen years.
Final Verdict: 10, Recommended for fans of poignant queer cinema. I suspect many others will DNF or rate this show poorly for its themes about sadness. However, I assert that this show never tricked us about that at all. This entire show was a meditation on grief and how certain losses stay with us. This is not unlike 180 Degree Longitude Passes Through Us for me. Few BLs have made me feel as intensely as this show has, and I will be thinking about it for a long time.
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Episodes Final Frame.
Eien no Kinou aka Eternal Yesterday (2022)
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