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reasoningdaily · 11 months

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My former U.S. Track and Field teammate Tori Bowie, who was found dead in her home in Florida on May 2, of complications related to childbirth at 8 months pregnant, was a beautiful runner. She was effortless. At the Rio Olympics, I ran the second leg of the 4 x 100 relay. Tori was the anchor. When she got the baton, I remember thinking, “it’s over.” She just accelerated. When she crossed the finish line, I couldn’t wait to run over to her to celebrate. It was her first, and only, Olympic gold medal.

She also picked up a silver (in the 100-m) and bronze (200-m) in Brazil. The next year, at the 2017 World Championships in London, Tori won the 100-m title, earning the title of “world’s fastest woman.” Tori started out as a long jumper. So seeing her thrive as a sprinter was a huge deal. She was just such a bright light, and people were getting to see that.

Tori grew up in Mississippi and had this huge Southern accent. She didn’t take herself too seriously. You felt this sense of ease when you were around her. I last saw her in early 2021, in San Diego, where she was training. She gave me the biggest hug; something about her spirit was just very, very sweet. I felt her sweetness come over me that day.

Tori was 32 when she died. According to the autopsy, possible complications contributing to Bowie’s death included respiratory distress and eclampsia—seizures brought on by preeclampsia, a high blood pressure disorder that can occur during pregnancy. I developed preeclampsia during my pregnancy with my daughter Camryn, who was born in November 2018. The doctors sent me to the hospital, where I would deliver Camryn during an emergency C-section, at 32 weeks. I was unsure if I was going to make it. If I was ever going to hold my precious daughter.

Like so many Black women, I was unaware of the risks I faced while pregnant. According to the CDC, in 2021 the maternal mortality rate for Black women was 2.6 times the rate for white women. About five days before I gave birth to Camryn, I was having Thanksgiving dinner with my family. I mentioned that my feet were swollen. As we went around the table, the women shared their experiences during pregnancy. My cousin said she also had swollen feet. My mom didn’t. Not once did someone say, ‘oh, well, that’s one of the indicators of preeclampsia.’ None of us knew. When I became pregnant, my doctor didn’t sit me down and tell me, ‘these are things that you should look for in your pregnancy, because you are at a greater risk to experience these complications.’

That needs to change, now, especially in light of Tori’s tragic passing. Awareness is huge. Serena Williams had near-death complications during her pregnancy. Beyoncé developed preeclampsia. I hate that it takes Tori’s situation to put this back on the map and to get people to pay attention to it. But oftentimes, we need that wake-up call.

The medical community must do its part. There are so many stories of women dying who haven’t been heard. Doctors really need to hear the pain of Black women.

Luckily, there’s hope on several fronts. Congress has introduced the Momnibus Act, a package of 13 bills crafted to eliminate racial disparities in maternal health and improve outcomes across the board. California passed Momnibus legislation back in 2021. These laws make critical investments in areas like housing, nutrition, and transportation for underserved communities. Further, several pharmaceutical companies are making advances on early detection and treatment of preeclampsia.

Three gold medalists from that 4 x 100 relay team in Rio set out to become mothers. All three of us—all Black women—had serious complications. Tianna Madison has shared that she went into labor at 26 weeks and entered the hospital “with my medical advance directive AND my will.” Tori passed away. We’re dealing with a Black Maternal Health crisis. Here you have three Olympic champions, and we’re still at risk.

I would love to have another child. That’s something that I know for sure. But will I be here to raise that child? That’s a very real concern. And that’s a terrifying thing. This is America, in 2023, and Black women are dying while giving birth. It’s absurd.

I’m hopeful that things can get better. I’m hopeful that Tori, who stood on the podium at Rio, gold around her neck and sweetness in her soul, won’t die in vain.

—as told to Sean Gregory

#Tori Bowie #Black Lives Matter #Black Mothers Health #Black Maternal Health #Allyson Felix: Tori Bowie Can't Die In Vain #Black Lives of Children Matter #Black Health Matters

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thesunsethour · 8 months

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little bits of irish history for curious hozier fans: street signs edition

Do you love the song Butchered Tongue? Pay attention to these lines here:

So, may I draw your attention to the The Official Languages Act 2003 (Section 9) Regulations 2008 (S.I. No. 391 of 2008).

ok stay with me

In 2008, the Irish government passed legislation that made it mandatory for road signs in Ireland to have both Irish (Gaeilge) AND English names on them (or, in Gaeltacht areas where Gaeilge is still the first language, only in Irish). Here’s an example:

The Irish, or Gaeilge, is always above the English and italicised. This is because that while Gaeilge and English are both official languages of Ireland, Gaeilge is the ‘first’ official language

However, while it was technically only legislated in 2008, bilingual road sings in Ireland had been extremely common for decades prior to it officially being made law. In fact, the first bilingual signs date back to the early 20th century - before our independence from Britain!

In Tom Spalding’s book Layers: The Design, History and Meaning of Public Street Signage in Cork and Other Irish Cities, he found that the first recorded bilingual street sign was in Blackrock, Dublin (An Charraig Dhubh, Baile Átha Cliath). Their local council in 1901 rolled out yellow and black bilingual road sings as part of the Gaelic Revival.

The Gaeilc Revical was a period of time in Irish history that saw a huge resurgence of Gaelic art, sport, and language. Literature was written by Irish people about Irish history, current affairs, and folklore. Traditional Irish music was learned and played again. Gaelic games (Gaelic football and Hurling) spread across the country. And Gaeilge, our language, was to experience an incredible revival.

Despite Ireland’s long colonial history, Gaeilge actually remained the majority tongue until the early 19th century. However, a combination of teachers beating children for speaking it at school, the genocide of the famine wiping out mainly poorer communities more likely to speak Gaeilge, and the knowledge that speaking English unfortunately provided more opportunities than Gaeilge, the language was almost killed off. (This is shown most clearly after the 1800 Act of Union that meant Ireland was ruled directly from London, with no parliament in Dublin).

Although these maps make for grim viewing, Irish is so very far from dead. Our children learn it from the ages of 4-18 in school (though I believe it can and should be taught better, but I digress). Gaeltacht communities are still going strong particularly in the west of the country. There are more Irish-language schools (gaelscoileanna) than ever before.

And every day as we pass by road signs that display Gaeilge proudly, it is as a result of decades, centuries of people refusing to stop speaking our mother tongue despite incredible violence.

I am far from a fluent Irish speaker, despite my 14 years of learning the language in school. But what Gaeilge I have, I have proudly.

(The work isn’t over, however. I do not feel knowledgeable enough to speak on Northern Irish efforts to implement more widespread bilingual signage but anyone who wishes to share some info please do!!)

#hozier #history #ireland #i’m SORRRY this is so long

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estro-boi · 2 years

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On Monday night in South London, armed police trapped a black man named Chris Kaba inside a car and executed him through the windshield. He was 24 years old. Today, a protest march demanding justice for his murder was broadcast on Sky News, who reframed it as a moving tribute to the queen by thousands of grieving subjects.

Some of the lowest, most despicable shit I've ever seen from the British media and believe me when I say I've seen some depraved stuff in the past.

#hate it here :)#fuck this country and fuck that dead hag too

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danielhowell · 2 months

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DOOMED MERCH HAS DROPPED!

No this is not a drill - after touring the world (that is ending), probably the coolest merch I will ever release is finally here - we have scoured the corners of the earth to pull together a collection of WE'RE ALL DOOMED! merch to celebrate the recent show (and slit) and bring it online for you.

From the tour date t-shirt, to the iconic DOOMED ambigram hoodie, the black metal longsleeve and ..the 'DanHub tee' - choose what your apocalyptic aesthetic is.

WORLDWIDE: shop.danielhowell.com USA: us.shop.danielhowell.com EUROPE: eu.shop.danielhowell.com AUSTRALIA: au.shop.danielhowell.com

As a SPECIAL (wow) online-only offer - every order of the super limited quantity Vegan Leather Jacket (with rapture art on the reverse) will also ship with a totally unique Polaroid selfie that I took while thinking about death!

I make no promises what I will be doing - it could be a cute smile, or a middle-finger. It's just whatever the vibe was in the moment. Who knows what someone will trade for the rare under-chin angle that some lucky person will get? (I am so sorry)

And it's not just garments - we've also got rare collectors items to snatch including the interval playlist cassette tape, and the 'Tears of My Enemies' water bottle, that I drink out of myself everyday while manifesting people's downfall.

Lastly, look out for the signed Ally Pally London show posters commemorating the final performances, which may come with fingerprints allowing you to perfectly fraud my identity, due to my left-handed sharpie smudging.

I want to say thank you to the tens of thousands of people that tuned into the stream to celebrate my show - without you it wouldn't have been possible to capture for posterity and now the message can live on. I'm going to begin my quest to determine where DOOMED will live forever, and who knows if we'll manage to wrangle any of the other rare itemz🐝 along with it in the future. I appreciate you all and I can't wait to see you all looking gnarly as fuck scaring the normies in this merch. Thanks 🖤 - Dan

#danielhowell #wad #doomedtour

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festus-eats-tabasco · 9 months

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Let’s talk more about accents in the Riordanverse!

• Percy with rounded New York vowels and that quick run-together way of saying his sentences. Percy with an accent you can’t quite place until he orders some coffee or water.

• Annabeth with a Virginia drawl and long vowels that don’t quite go away, even after years on Long Island Sound. Annabeth, who will randomly spit out phrases like “nervous as a long-tailed cat in a room full of rocking chairs”, whose cup always fills with sweet tea in the mess hall/

• Carter with a fairly standard American accent until he pronounces a word so bizarrely it’s clear he must have learned it halfway across the globe. Carter, who gets slightly antsy in the same place for too long and goes to language classes at night just for an excuse to practice.

• Sadie with a London accent that’s begun to fade after years in Brooklyn House, who accidentally says “cheers” when people hold the door for her. Sadie, who skips over her t’s and who drops consonants and, like Carter, isn’t exactly sure where her home is.

• Magnus and Alex with strong Boston accents and nasally a’s that Hearth is glad he can’t hear. Magnus, whose accent gets stronger in battle, who intentionally leans into it when he’s on the West Coast. Alex, who makes people guess where she’s from and tells them something different every time, who argues with Magnus over whose accent is stronger.

• Jason Grace with languid California vowels, who drops the end of every word when he’s relaxed and over-enunciates when he’s in charge. Jason, whose accent is only present when he’s comfortable.

• Leo Valdez with a Texan accent to boot and quick clipping consonants, whose accent sounds nearly the same as Annabeth’s to the untrained ear, but insists that they’re completely different every time someone brings it up.

• Hazel Levesque with a thick New Orleans accent, whose vocabulary is peppered with French and old-fashioned phrases and the occasional Southern saying. Hazel, who sticks to Deep South manners (and passive-aggression, when necessary), who orders in French when she goes to a bakery and watched old black-and-white movies when she feels homesick.

• Frank, who sounds American except for when he says “sorry”, who speaks a bit of Canadian French (which Hazel hates, because she can’t understand it), and gets teased every time he says “about”.

• Piper with a slight valley-girl sound that she’s worked hard to get rid of, but tends to slip into when she’s tired or angry. Piper, whose voice becomes sweet and soothing in charmspeak, who understands every fluctuation and intonation and how to use them to her advantage.

• Nico di Angelo with a seemingly standard American accent, until you pick up on the odd transatlantic pronunciation or Italian rolled “r”. Nico with an arsenal of phrases so jumbled and eclectic that people do a double take when he talks.

Just. Yeah. Riordanverse accents.

#percy jackson #pjo #rick riordan #heroes of olympus #riordanverse #Annabeth chase #Carter Kane #Sadie Kane #Magnus chase #Alex fierro #jason grace #leo Valdez #hazel levesque #Frank zhang #piper mclean #nico di angelo

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fuckyeahgoodomens · 1 year

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The Season 2 Poster Details

From top to bottom :)

This is a Buddy Holly song Everyday which was originally supposed to be the Good Omens theme :)

Neil talks about it in the Introduction to the Script Book: “In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.”

And there is also the Buddy Holly Everyday record! :)

Book The Crow Road by Iain Banks. The novel describes Prentice McHoan's preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape

Book Lord Jim by Joseph Conrad. An early and primary event in the story is the abandonment of a passenger ship in distress by its crew, including a young British seaman named Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past and seeking redemption and acceptance.

Important themes in Lord Jim include the consequences of a single, poor decision, the indifference of the universe, and the inability to know oneself or others.

There is book The Body Snatcher by Robert Louis Stevenson. Its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Neil said: Oddly enough, episode 3 will take us to a little stint of body snatching in the era.

There is Catch-22 book by Joseph Heller that coined the term Catch-22: situation from which an individual cannot escape because of contradictory rules or limitations.

Is there only one hand or are there two? :) EIther 6 ;), or 6:30 :).

Through the window we can see the coffeeshop Give Me Coffe or Give Me Death where Nina works! :)

Azi is wearing his nifty glasses :).

Crowley is wearing his new glasses, they are RIGARDS X UMA WANG - THE STONE ECLIPSE (VINTAGE BLACK/BLACK STONES) - $435

There is the Holy Bible Aziraphale used in Season 1 :)

There seems to be a broken phone :).

The cakes behind Aziraphale are Eccles cakes :).

Azi is reading A Tale of Two Cities by Charles Dickens published in 1859, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror.

Another book there is Pride and Prejudice by Jane Austen - Neil said said that we will learn a lot about Jane Austin we didn’t know before.

And finally the Treasure Island book by - again :) - Robert Louis Stevenson, an adventure novel with pirates.

There are three geckos cuties. Who are they? Pets? Is Ligur haunting the bookshop? Who knows :).

A mysterious pamphlet, 'The Resurrectionists’ leaflet. (unofficial spoiler :)).

Also there is an old camera... mmm 🤔 Did Azi made some photos (of what? Him and Crowley, ducks? :)) Will we see them? :)

Their positions is an homage to the book covers! :)(x)

Will update this as fandom discovers new things! :)❤

#good omens #gos2 #season 2 #posters #s2 poster details #fun fact #robert louis stevenson #jane austen #joseph heller #charles dickens #can't waiiiit #wahoo!

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rafeandonlyrafe · 3 months

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flashing lights

words: 2.4k

warnings: 18+ only, brief smut, p in v sex, model!reader (a bit of influencer too but primarily a model), soft rafe, marriage, pregnancy

“so thats your new girl?” topper asks, eyes on you as you twirl to the music, long legs on show in the simple black dress.

“yeah, shes here for a month on vacation.” rafes also looking at you, unable to let his gaze stray, in case a man comes up and attempts to dance with you. you may not be an official item yet, considering you only met a couple days ago, but rafe is determined to spend the entire month that you’re here with you, and not let any other men pull your focus away.

“she looks so familiar.” the voice rings out before rafe even realizes that there's other people now sat in the circle of chairs and couches, too wrapped up in you.

the girl, who rafe recognizes from high school, begins to tap on her phone. “wait, shes a model.” “yeah, she told me.” rafe shrugs it off. he could have guessed your profession anyways, with how naturally stunning you are, and your height almost rivaling his, only a few inches shorter.

“no, like really famous model.” the girl turns her phone towards rafe, and he hates having to drag his eyes away from you to look at the screen, pulled open to a google search of your name.

“holy shit!” topper says for rafe, taking the phone from the girl as he clicks the first link to open up your instagram. “she has 20 MILLION followers, rafe.”

rafe glances from the phone to you as you turn to smile at him, still dancing to the music, glad to be free of all the attention and camera flashes. its why you chose the outer banks in the first place, somewhere more tucked away to take a month away from the spotlight.

“why are you so surprised, look at her.” rafe states before standing up, tired of letting you dance alone as he joins you on the makeshift dance floor, his hands coming to your waist as you give him a dazzling smile.

-- two years later --

camera lights flash and shouts ring out, but rafe is used to it now.

he smiles and waves, shocked that anyone would care about him, a nobody from north carolina, his only claim to fame is being your boyfriend, for a little over two years now.

rafe walks inside, having enough of the screaming and crowds as he takes in the area, chairs set up along a runway, a large prada sign on the white wall. your prestige has only grown since rafe began to date you, despite coming back to the outer banks several times to take a break and visit him. since rafe began to travel with you, you’ve gone from paris to milan to new york to london, gracing the covers of magazines and walking runways.

he tries to attend every show, taking on a pseudo-management role himself. your favorite part is dressing rafe in the mornings, having received clothing from so many brands, both mens and womens fit. rafe lets you choose, knowing you have the eye for fashion, and he loves to see how happy you get when he wears your outfit.

rafe walks through the seats until he finds the one with his name on it, front row. he sits down, scrolling on his phone as people begin to file in until the room is packed full.

he waits as the show begins, models walking down the runway. they don’t shine to him, not like you do when you step out, your face blank in the typical model expression as you strut down the runway, dressed in all denim with a pair of chunky sunglasses on your nose.

rafe is in awe every time he sees you work, whether its watching your fluid poses during a photoshoot or your long legs stomping down a runway.

he waits with bated breath for your second outfit, changing into a slouchy menswear-esque ensemble, only pulled in at your waist as the fabric swishes around your ankles.

he claps when everyone steps out for the final walk, but he doesn’t cheer for the designer, even if it is prada, as he makes eye contact with you, only ever a brief glance while you're walking the runway, knowing if you look for too long you will become entranced with his handsomeness.

rafe waits for you after the show along with some of the other family members or partners of the models, long after all the celebrities have gone, either to an afterparty or on to a different show.

“hey baby.” rafe smiles when you step out, hair still slicked up in a ponytail, face caked with makeup, but now in a pair of loose jeans and a plain white crop top.

“hi handsome.” you coo, pressing your lips against rafes. “did you like the show?” “i liked you in the show.” rafe says pointedly, making you blush. “are we going to the afterparty?” “nah.” you shake your head. “i have that carolina herrera show in the morning, and i want to spend some time with you.”

“i’ll never argue against spending alone time with you.” rafe says, slotting his arm around your waist as you exit the building, surprised when photographers are still waiting outside. you wave briefly before rushing towards the car, knowing the picture of you and rafe are bound to be spread all over instagram and pinterest before you even make it back to your hotel room.

“rafe, i’ve got a question.” you hum, stepping out onto the balcony, eyes looking to the ocean. you’re on a paid for vacation by a makeup brand, simply wanting a couple instagram story posts using their products in a get ready with me. you are supposed to be relaxing the rest of the time, but you crept onto your phone to read the latest email from your agent.

“what is it babe?” rafe asks as he pulls you down onto his lap, scantily dressed in only his swimsuit, not that you have worn much other than a bikini this whole trip.

“what would you think about me doing a lingerie photoshoot?” you haven’t accepted any jobs that would call for you to show off a lot of skin or be paired with a male model since you started dating rafe, lucky to be in a place to reject jobs.

“who is it for?” rafe asks.

“calvin klein. i wouldn’t ask if it wasn’t them.” you admit. you find their style of black and white classic photos far more tasteful than traditional lingerie pictures.

“as long as i can be there during the shoot.” rafe says. he’s taken the role of your advocate and protector during photoshoots, easily able to read your face and speak up for you if needed, considering sometimes the models voice gets drowned out.

“of course.” you nod.

“then absolutely.” rafe pulls you in closer to his body. “i need a new lockscreen anyways.”

you roll your eyes but can’t help the laugh that bursts out of you as you turn towards the ocean, watching the waves roll onto the sand.

you step out behind the curtain, a tight fitting sports bra contrasting the loose jeans, slung open and zipper undone to show off your underwear as well as the calvin klein jeans.

you look over to rafe, who has his bottom lip pulled between his teeth as his eyes skate down your bare torso.

you most over to the white backdrop as the photographer begins to test the lighting, taking occasional snaps as things are adjusted.

the photoshoot is run just like any other and you’re finished faster than expected considering they’re solo shots and no change in location or background.

you keep the underwear and jeans on, simply throwing on a sweatshirt before getting into the taxi home with rafe, this time to your new york city apartment, having collected various homes and apartments around the world, depending on wherever you were doing business at the time. you consider the outer banks home though, returning every extended break with rafe.

“did you like the shoot?” you ask when you get home, rafe laying on bed while you tug the sweatshirt and jeans off, leaving you in just the calvin klein bra and panties.

“get over here.” rafe says, not caring about your question. he’s been desperate for you since you appeared from behind the curtain, not even trying to hide it as he watched the photoshoot, your eyes occasionally moving to him, giving him reassurance you were still good.

rafe makes you keep the underwear on, simply pulling it to the side once he’s got your back against the mattress to slide his cock deep inside of you. you push the sports bra up to let your breasts free, rafes palm instantly coming to cover your tit as he thrusts into you.

“i think you should do more shoots like that.” rafe says with a moan, cock pulsing inside of you.

“its nice to be back home.” you sigh, quickly applying some makeup, mostly just mascara and a glowy primer.

“agreed.” rafe kisses your shoulder, watching over your shoulder as you finish and then adjust your white dress, having decided to take a couple pictures on the beach for you to post as well as just enjoy a walk on the sand.

“alright, i’m ready.” you hum as you slip on your sandals. you lace your fingers with rafes before stepping out the back door. “you look handsome by the way.”

the suns golden light illuminates his skin. his outfit is simple, closer to what he wore before the fame. a simple white button down, loose fitting and you are sure would look delicious unbuttoned, showing off his muscles.

“thank you baby.” rafe presses a kiss to your cheek, leading you down the beach until you come across a picnic set up. you glance around before realizing its for you.

“oh my god, its just like our first date!” you gush, stepping away from rafe to look at the spread.

“before we eat, i have a question to ask you.” you turn around to realize that rafe is on one knee, a velvet jewelry box in his hand.

“oh, rafe.” you press your hand to your mouth, tears already coming to your eyes as he opens the box, revealing a sparkling diamond ring. “will you marry me?”

“how am i supposed to look good next to a literal model?” rafe asks as he looks towards the camera, looking almost nervous for once in his life.

“we’ve taken pictures together before rafe.” you roll your eyes, adjusting your wedding dress. it’s actually four weeks after your wedding, but you wanted to get professional photos done with your new husband and asked one of your photographer friends who was more than willing to let you into their studio if they could post some of the photos on their instagram and website.

“mirror selfies and shit, this is more serious.” rafe says as you tug him over to the backdrop.

“you look so handsome, babe. don’t worry.” you smooth your hands over his shoulders. “just think back to our wedding day, we took so many pictures then.”

“i was too distracted by how excited i was to marry you.” rafe says, pressing a kiss to your bare shoulder, the oscar de larenta dress you ended up deciding on being off the shoulder. it was a simple dress, but the closer you got you realized how intricate the lace detail is. “you look just like you did on our wedding day though, baby. the makeup artists did a great job.”

“just tanner.” you joke, having gone on your honeymoon already.

you look as the photographer begins to set up their lens, before you turn to whisper to rafe. “you can’t tell?” you question, pressing your hand to your stomach. you know there’s no way you’d already begin to show, considering your baby is no bigger than a seed, but that doesn’t stop you from getting worried about your pregnancy being discovered early.

“not at all.” rafe shakes his head, but can’t hide the smirk that comes to his face, knowing your tummy will soon swell with his child, having made sure of it many times on the honeymoon.

“i was thinking about how we could announce the baby.” you tell rafe as you pad into the kitchen. he’s still making the decaf coffee you were absolutely craving, more syrup and milk than coffee.

“how?” he hums, glancing over at you as you lean against the counter, rubbing your stomach, bump now obvious as you’re over 6 months along. you have managed to keep it a secret so far, saying you were taking a break from modeling to focus on your new marriage. there is of course a lot of speculation that you are pregnant, but it is to be expected.

“calvin klein shoot. like before, except i’ve got a big ol’ bump.” you laugh as rafe finishes you coffee off with some whip cream before sliding the mug to you. “and you can be in it too.”

rafe rolls his eyes as you giggle. “come on! the girls love you, you’re so handsome.”

“i’m not a model.” rafe argues back, but he already knows he’s going to agree, he’d do anything for you, his pregnant wife.

“yeah, but you’re hot like a model.” you shrug, taking a sip of coffee.

“i think this is just an excuse to get me shirtless and in underwear.” rafe laughs, pressing a kiss to your upper lip, cleaning off the whip cream that sat on your cupids bow.

“yeah, and what about it?”

“you know theres some hormone to make women forget the pain of birth?” you hum to rafe, keeping your voice soft. “because if you remembered then no one would never do it again.”

“really?” rafe whispers, his voice also hushed as to not wake the sleeping newborn cuddled up in his arms, wrapped in a soft hospital banket.

“yeah.” you nod. “but i don’t wanna forget a moment of this.”

“im sure you wont baby.” rafe kisses your head as your tiny daughter squirms in his arms, letting out a yawn in her slumber. “i suppose i need to use a different name for you now that we’ve got an actual baby.”

you giggle, resting your head against rafes shoulder as you look down on your perfect little girl, already an adorable mixture of you and rafe.

taglist: @drewstarkeyslut @rafecamerongirl @f4ll-for-you @dilvcv @drudyslut @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @jjmaybankisbae @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @kamninaries @buckyswhxre @rafeinterlude @bellbottombaby @deeaardiary @rubixgsworld

#rafe smut #rafe cameron smut #obx smut #outer banks smut #rafe cameron imagine #rafe cameron fic #rafe fic #rafe cameron fanfic #rafe cameron x reader #rafe x reader #rafe cameron fanfiction #rafe fanfic #obx fic #outer banksoute

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tybaltsjuliet · 1 year

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here's the thing about charles dickens. [discussion of his antisemitism, misogyny, and racism ahead.]

his last, unfinished novel, the mystery of edwin drood, features helena and neville landless, heroic and sympathetic south asian (sri lankan, specifically) characters, and the racism they endure in an english town is relevant to the plot to the point where neville ends up falsely accused of murder. in the wake of the indian rebellion of 1857, dickens applauded the english brutality against "that oriental race," and called for genocide.

fagin is called "the jew" 274 times in the first half of oliver twist. an article in the jewish chronicle asked why "jews alone should be excluded from the 'sympathizing heart' of this great author and powerful friend of the oppressed." at first, dickens dismissed this, and claimed he was just being accurate about london's criminal makeup. but he was moved enough by eliza davis's letters to him on the matter that he halted the printing of the latter half of oliver twist so he could change the text and remove the antisemitic language therein.

dickens was an abolitionist who despised chattel slavery in the united states, and called emancipation a "moral duty." dickens didn't think black americans were intelligent enough to vote, and he wrote an entire character in bleak house who is a joke to be disliked and mocked because she'd rather oversee charity missions to help children in africa than be a proper mother and tend to her own family at home in england.

speaking of one's own family at home in england, dickens smeared his wife, catherine hogarth, publicly so he could justify separating from her and taking up with a younger woman. catherine hogarth was likely mentally ill, likely living with postpartum depression. she was also an author in her own right and loved her family dearly. her reputation never recovered in her lifetime from the claims he made about her. in dickens's novels, time and time again, from nicholas nickleby to david copperfield to our mutual friend to the mystery of edwin drood, men who menace and take advantage of vulnerable women are portrayed as the worst kind of villains, deserving of whatever grisly ends come to them.

charles dickens was both privately and publicly a raging asshole in many ways and the world would be worse off without him, because he wrote for bourgeois, comfortable victorians, the very people who so often failed to "think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys." in the same breath that he calls agnes fleming, who opens oliver twist as an unwed mother dying in a workhouse, "weak and erring," he dares to add that "i do believe that the shade of that poor girl often hovers about that solemn nook-ay, though it is a church." he calculated jo's death to the page in bleak house for maximum effect. but when he wrote of the orphaned crossing-sweeper, "dead, your majesty. dead, my lords and gentlemen. dead, right reverends and wrong reverends of every order. dead, men and women, born with heavenly compassion in your hearts. and dying thus around us every day," people listened.

i dedicated years of my life to reading him and studying him and thinking about him and writing about him and his novels. now, i turn to condemn him; now, i turn to justify him. i wish i had a time machine so i could shake his hand. i wish i had a time machine so i could publicly debate him. i wish i had a time machine so i could break his nose.

charles dickens gives me courage and hope. charles dickens makes me want to tear my goddamn hair out. he is everything i despise and everything i love about the victorian age in one; the term "a man of his time" ought to have been invented for him. the leaps and bounds the victorians made for progress in the public good are only matched in greatness by the extremity of their atrocities against their "fellow-passengers" on this earth. the way we think about nearly every modern social ill can be traced back to the 19th century; the way we think about nearly every modern idea of social justice can be traced back to the 19th century. every last one is writ large and small in dickens's novels. he and his age are the greatest contradictions in human history and that's why i can't shut up about them, ever, even when i am exhausted by them, even when i am inspired by them, even when it was two centuries ago and it shouldn't matter anymore, but it does. it always will.

#filthy victorians; they made me what i'm made of.#;swan has a word.#;the long nineteenth century.#;they who call the whole world brother.

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