prompt 02: tim’s birthday present
Tim sat in his empty house at the empty dining table. The table was actually quite large; it had enough seats to sit at least 15 people. But there was just Tim there.
His parents had promised and sworn up and down that they would come back in time for his birthday. He had everything planned out. He picked out the birthday cake, put on the candles, decorated, ordered his parents' favorite foods, his parents' favorite movie for movie night, popcorn the likes. But that morning, just when Tim was double checking to make sure everything was ready for the most perfect birthday ever, his parents had called to tell him that something really important had come up, and they wouldn’t be able to make it. Tim figured it was better than last year, at least they called this time.
Tim stared down at the cake, the candles lit. He had heard online that people would make wishes on their birthday cake and blow it out. Tim thought that was a weird thing to do, but it wouldn’t hurt to try.
What should he wish for? It would have to be something special that he doesn’t already have. Tim thought for a long moment, the candles bleeding into the frosting of the cake.
A brother.
Tim closed his eyes and put his hands together like he’s seen the other children to do in the cartoons. And Tim wished for a big brother. When he finally wished hard enough (whatever that meant) he opened his eyes and blew out what was left of the candles.
Tim waited. What exactly was he supposed to do now? In the cartoons, everyone would celebrate and cheer and the birthday boy would open his presents. There wasn’t anyone to cheer for Tim, or any presents for him to open.
Suddenly the house shook, and the loud sound of a crash sound came from the backyard. Quickly, Tim did the sensible thing and go check out what the noise was. That's what the characters always did in horror movies.
In Tim’s backyard, there was what looked like a weird space ship that had crashed into his backyard. There wasn’t any fire or anything, but the spaceship looked pretty wrecked. Getting closer, Tim could vaguely make out that someone was inside the spaceship. Looking around, he saw what looked like maybe the handle. Tim couldn’t really tell.
When Tim put his hand on it and tried to open it, something poked out mechanically and pricked his finger. He flinched back instinctively, caressing his finger tip.
“Recognized: Danny Fenton. System Override.” A robotic lady spoke. Who is Danny Fenton? As if to answer him, the space ship opened its hatch, and inside was an unconscious black haired teenager. “System Malfunctioning. Please Assis-” The robotic voice spoke again, before getting cut off as if the power had died.
Suddenly, Tim remembered his wish. A big brother.
This was Danny Fenton, and he was supposed to be Tim’s big brother
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When Danny woke up, he found himself in a very soft plush something. Something that definitely wasn’t the Spector Speeder. Alarmed, he sat up quickly to find that he didn’t recognize where he was at all. He also didn’t recognize the weird kid that was staging at him from two feet away.
“Hi, I’m Tim. Timothy Drake.” The boy introduced himself almost business like.
“Uh, hi Tim.” Danny responded awkwardly. “You got any idea where I am?” Danny sat up properly, moving the blanket (?) off of him and turned to face the weird and kinda creepy kid.
“You’re in Drake Manor. Which is where I live.” He answered again.
“Ok…ay” Danny nodded thoughtfully. “Any idea how I got here?” Truthfully, Danny hadn’t really been expecting an answer, but he still got one.
“Because I made a birthday wish to have a big brother.” He answered in the same way he had answered the other question, very matter-of-factly.
“Ok- Wait. What?” Danny asked, doing a double take at Tim.
“You’re supposed to be my big brother, right?” Tim was starting to look a little hesitant, and as weirded out as Danny felt he couldn’t help but feel bad about the whole situation.
“Where are your parents, Tim?”
“There not home, because they had really important things to do for work.”
Danny nodded. “Do you know when they’ll be back?”
Tim shook his head. “They were supposed to come back today, because it’s my birthday. But they said they couldn’t make it.”
Well, shit. Didn’t that sound awfully like Danny’s birthdays before he had given up on his parents showing up. At least he had Jazz. This kid looked like he was alone.
Not liking the silence, Tim started fidgeting again. “So, are you gonna be my brother, then?”
And what was Danny supposed to say, No? Besides, if he was really causing problems being in this random universe, then Clockwork would figure it out.
Bonus:
Danny sat at Tim’s dinner table, the kid looking at him radiating in excitement, each with a plate of stupid expensive pasta in front of them. “You said your name was Tim, right?” Danny started thoughtfully. Tim nodded, drinking up everything Danny said. “Well, first course of action as you, big brother. I need to give you a nickname.”
Tim’s eyes sparkled at the prospect. “Like what?”
Danny tapped his chin exaggeratedly, “Hm… Tim, Tim.” Turing the name around while he absentmindedly twirled his fork between his fingers, Danny wondered what he should come up with. Suddenly, in a misplaced strength, Danny’s fork flew out of his hand.
Before Danny could even say anything, “I’ll get you a new one!” Tim offered quickly. Getting up from his chair, his foot got tangled behind the leg of the chair and Tim fell quietly on the floor with an oof.
Danny laughed at him. “You okay, Timbers?” He asked, getting up to check on the boy.
“Yeah, I like Timbers.” Tim said, a bright smile on his face despite the blossoming bruise on his arm.
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So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.
What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.
She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.
The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.
Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.
The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.
What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.
Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.
It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.
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my birthday’s comin up in less then a week here, which is making me reflect on the nature of luck a little bit. am i lucky? in a lotta ways i could say i am.
i have steady income that gives me spending money i never thought i’d ever have, despite it coming from a job i don’t like very much. i’m relatively healthy, despite some chronic pain issues. i got a creative brain, despite having a mental illness that makes it very difficult to commit. i’ve made it this far along in life, despite a lot of close calls i wouldn’t recognize except in hindsight.
i guess i could say i have a simple, unobtrusive kind of luck.
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