the one thing i feel pretty certain about for this episode is that america will not decide the election. a decision will be made, a president will be elected, but america will not be the deciding factor.
succession can’t mimic 2016 or 2020 point blank, that would be boring and have nothing to say. it can’t try to outdo trump because it’ll go too whacky and fall flat like veep’s last season (sorry conheads, no way he’s winning). but what it CAN do is illustrate the immensely corrupt, often arbitrary, and hugely influential nature of news media and conglomerations on political processes. i think probably jimenez will be in the lead, then atn/waystar does something to, i don’t know, discount votes or cast suspicion on jimenez or call the election for mencken early, and the tide will shift, even though the votes are already in. the votes don’t actually matter. the actual result doesn’t actually matter. that’s the power logan (and as an extension, billionaires and CEOs in general) hold. shiv says it herself to logan in s4e2: “just cause you say it’s true doesn’t make it true. everyone just fucking agrees with you and believes you, so it becomes true and then you can turn around and say like, 'oh, you see? see? i was right.'” but it doesn’t matter that logan’s “a human fucking gaslight,” everything he says comes true anyways. not because he was right, but because that’s how it works. he says things and then they happen, regardless of what the truth is or what should actually come to pass. that’s been one of the key throughlines since the very first episode of the entire show when, in response to kendall calling logan out of touch because times are changing and logan isn't changing with them, logan hisses that everyone always says you’re wrong until you do it and prove you were right: “you make your own reality.” you can't miss the bus if you're the one driving it. the election, the votes, the political process? none of that matters. it was always going to come down to the roys and their ilk (allies or enemies, just the top 1%) — that was the whole point of “what it takes” (the mencken episode) last season, after all.
i’ve seen lots of theories about what america will choose and how the candidates will respond and all that and i just don’t think that’s the show’s focus; i think the whole point is to demonstrate the lack of agency, the illusion of democracy. because, i mean, we’ve already seen the fall of democracy via fascist election and fascist election-denial, both in real life and in the countless (usually mid) satires created afterwards. it would be disappointing to see succession use the election to reiterate that same point of 'ohhh alt-right ahhhhh!!!' i don’t think it’ll be about ‘fascism’ at all — at least, not ‘trump-y’ fascism. it’ll be about fascism in the broader sense, the kind that doesn't sport a KKK hood (even when it keeps one tucked away in the attic). it's the fascism that every single roy (very much including shiv and kendall) aid and abet -- the fascism that so many succession fans don't seem to regard as fascism, despite it quite literally being the definition of fascism. trump wasn’t the entrance of fascism into our political process. he wasn’t the lone sign of the failing of american democracy. democracy in america has long been illusory, trump just made it more blatantly evident with his particular brand of hate-speech-ridden masculinist in-your-face fascism.
so i think that’s what this episode will hopefully focus on — america will not decide. corporations, news media, and the roys will. thus, the president will most likely become president not because the country supports his policies the most, but because he’s likely to agree to help block a business deal for a major media empire, and the other candidate is unlikely to. and this will likely come to pass due to said major media empire's interference and influence: they create their own reality. they say it, and everyone agrees with them and believes them, so it becomes true.
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Do you have some sebchal recs? I try to look on ao3 but I barely find any, so I imagine most of their fics are more old
Hello! ❤️
Interestingly, I find myself having the opposite problem. I feel like the fandom - and, by extension, the interest in Seb/Charles as a ship - has grown exponentially since 2020. I think there's like forty pages of published works on ao3 right now. Which might not seem like a lot, especially when compared to other juggernaut ships or fandoms, but considering the fact that there were maybe 3 when I first looked up the tag... 😳 Anyway, over time I've kind of figured out what I like and what I don't like in relation to the ship, so these days I tend to be more selective and pick through to find what really speaks to me, what really knocks my socks off, if that makes sense. 😂 We all have different tastes, both as readers and authors, so different people will gravitate toward different things. Not everything scratches the itch, basically. TL;DR: it really depends on what you're looking for and what you like. 👀
That being said, here are some of the fics that made an impression/that I find myself coming back to:
Canon/Canon Adjacent (aka still set somewhere in the realm of F1):
postcards from places that miss you by streetlightsky
T | 15,108 words
↳ Seb wanted to leave quietly. That was the one thing he had asked above all else. Or, the one where Seb retires, but Charles refuses to let him disappear.
-> I honestly recommend pretty much anything by this author ⭐
immortality on their faces, night at their back by wintrs
E | 16,147 words
↳ Sebastian had always wondered about Charles—but maybe he’d known the truth all along, and he’d just never let himself acknowledge it.
no flowers, no flashbulbs by superoxide
E | 10,736 words
↳ Sebastian frowns, without thinking. They’d both ridiculed the idea of some kind of staged paparazzi friendliness when it had come up. He wonders what has turned Charles around on the idea so suddenly. (Charles has a plan to improve their image; Sebastian is less convinced.)
see you falling by redpaint
E | 3,653 words
↳ “I can’t— There are no words. No words. I just need to get this out of my head, okay? Before you go.”
-> I honestly recommend pretty much anything by this author, especially the 'conflict resolution' series for that 2019 feel⭐
those who miss each other by sionisjaune
E | 8,401 words
↳ Charles’s phone is burning a hole in his pocket. This is something he should be filming, but he doesn’t want to. He thinks he shouldn’t, for some reason. He thinks he can keep this encounter for himself.
+ bonus: (yes I'm sharing my own fic shhhh)
been a long year by ssilverarrowss
M | 7,123 words
↳ The days stubbornly march forward. Sometimes it feels agonisingly slow, and sometimes it feels like everything is moving too quickly, like Charles is going to blink and all the time he’s spent with Sebastian will be in the rearview, gone forever.
Alternate Universe:
scenes from an american artist by tetrapod
M | 9,389 words
↳ Excerpt from an interview with Charles Leclerc. August 1974. Q: How did it all end? CL: The way all relationships end, I suppose. Inevitably.
flesh of my flesh by charlotte_stant
E | 4,749 words
↳ Sebastian, still smiling, tilts his head and looks at Charles speculatively. “Can I take you for a drive, Father?" he asks. "To continue our conversation. I find myself in need of… spiritual direction.” Charles ought to say no, but he doesn’t even consider it, not really. Sometimes falling is like that: as easy as opening your mouth and saying “Yes.”
the language of another world by redpaint
G | 2,568 words
↳ Charles is sent down from Oxford (drunkenness, absenteeism, behavior unbecoming of a Balliol man) and becomes the research assistant to a botanist who is doing fieldwork in the Shetland Islands.
and VASI to guide you in by anonymous
T | 1,375 words
↳ Nobody at the tiny Aeroporto di Maranello Enzo Ferrari can figure out why and how the runway lights manage to stay on through the night—long after curfew and long after the last worker has left the premises, taking the main ops key with them. However, newly promoted Captain Charles Leclerc of floundering charter airline Ferrari Air knows the answer to that question. He just won’t tell it to anyone. Ever.
the tools to rebuild by astronomical_light
T | 22,645 words
↳ After months of stagnating in his recovery following a high-speed crash, Charles gets referred to a specialist clinic tucked away in the Swiss mountainside that feels as much like a high-end wellness retreat as it does a physical rehabilitation program. He doesn’t have many expectations going into it, but he knows one thing for sure—he definitely wasn’t expecting Sebastian.
Seb/Charles feat. other pairings:
stringe il cuore della stella morente by partywitharichzombie
E | 14,634 words
↳ The announcement is almost poetic in its sweet simplicity: a photo of Daniel, aged three, the cavallino rampante a stark contrast against the white of his oversized t-shirt, radiant grin as disarming then as it is now. No caption. None necessary. (Daniel signs with Ferrari for 2021 and beyond. He hopes he and Charles can avoid ending up in a scenario of assured mutual destruction.)
high speed weekend survivor by babypapaya
T | 18,608 words
↳ Formula Student is a student engineering competition held annually in the UK. Student teams from around the world design, build, test, and race a small-scale formula style racing car.
(in) clover by tetrapod
T | 5,895 words
↳ “I was thinking we could take the boat out,” Charles said.
spacetime invariants by distressedgremlin
M | 6,615 words
↳ Lewis arrived midway through the season of dust storms. Sebastian met him on a shabby starport that barely clung to the atmosphere of a frozen-over planet, the only one within forty light-days’ distance that the dust did not reach.
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i'm rewatching that show you're taking a poll on and taking notes and you know it's deeper than i thought it was, which is a nice surprise? like. oh, there's real substance there. despite the fact that i have to blush my way through the entire thing, haha
Oh my dear anon. Hello. I put that poll under a read more and I said "don't ask questions you don't want the answer to" twice for this very reason.
I stopped watching only about 2 weeks ago so I haven't missed out on that much so far and you've kind of hit on the main reason I dropped it in the first place: the show is not as deep as it thinks it is.
I'm very glad that you found depth and substance in that show. But what I see when I watch it is a puddle disguising itself as a lake.
(I thought about writing every single reason why I think that but decided to spare you the dissertation because I don't want to ruin anyone's enjoyment of the show. I am happy to expand if asked but I will reiterate not to ask questions you don't want the answer to. If you're super curious, I did also already write a tiny bit about my problems with the show here.)
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Legitimately confusing to still see artists and ppl recommending glaze/nightshade and acting like it's the end all be all when how effective both are is still kind of eeeeeh?
Glaze also tends to chew up and compress your images to the point ppl have to go back in and put filters over it. There also seems to be a really large misunderstanding on how Glaze functions, especially on this site.
Glaze changes a specific range of the art ran through it to be read by diffusion as a different style. Generally it's changing pixels and code within the image so ultimately it does end up changing the image, often adding visual noise in the form of swirls or giving it a crunchy compressed look. Depending on how far you run the art through Glaze it can come out looking like a badly compressed jpeg. Glaze does this using the same sort of AI tech. The end result occasionally needs to be run through filters to get it too not look shit. The ultimate goal of Glaze is if someone is training directly from your art, and it's all been ran through Glaze the person won't be able to get a solid style from it, so the images trained off of it will be off from your specific style and not able to replicate it believably. It does not prevent img2img.
Generally Glaze's adversal noise is now robust enough to not be easily edited or taken out by the ai bros, this definitely was not the case on its release. So definitely use it but just keep in mind how it functions and weigh the pros and cons of like it crunching art, and any art posted on the web has a chance of being scraped.
I've seen some arguments basically being like well its the equivalent of crunching you art down into shitty jpegs, no one is going to train off of something that looks like shit which is I think definitely like yeah art has the downside of ot having to be visually vlear and good looking g for it to function so you can ultimately only change it so much before it deviates too much from the artists original intent and vision.
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