#very romantic vibes

[beanghostprincess]

I will forever love seeing Luffy and Nami holding Zoro's swords. He's so protective of those three but it's not even because he fears something might happen to them, but because he's scared something might happen to the crew and himself if he doesn't have them with him. They're like extra limbs. The ones he uses to fight and protect and breathe. He feels uneasy whenever his swords aren't around him, and that is just a fact. You can't deny that he feels comfort in having them by his side at all times, knowing that he'll be able to protect the crew from any dangers. They're tied to his heart and soul in a way that if he loses sight of them he might actually lose himself too. So he does not enjoy seeing his swords in somebody else's hands. They can disappear, he will find them. They can run away, he will follow. They can break, he trusts them not to but if they do, he will keep going carrying their bond with him still. But he doesn't like seeing them in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But.

But sometimes Luffy acts like he knows what he's doing and actually asks for permission instead of just taking what he wants. As if crossing Zoro's boundaries would be unforgivable, when he knows Zoro would give him anything he wanted to take from him. But he asks. He asks, with a careful, polite, deep voice Zoro isn't used to hearing. But it always ends with the softest of smiles and the petition reaches a place inside of Zoro's heart that he just knows has also touched his swords. So he lets him, because how could he not, and he runs his fingers through all of them. Amazed. Astonished. Respectfully talking to them as if they could hear him. And they can. Zoro knows they hear and feel and love and crave and long for his captain's touch. He knows, because he does too. Because who wouldn't? Luffy holds them in a way he never holds anything else- Carefully. Like they aren't his. Like befriending somebody he fears might reject him. Like taking hold of Zoro's heart and holding him so gently in case he might break him. He worships them as if he weren't the god in this relationship. He looks handsome, too. Not pretty. Not cute. Handsome. Mature. His hat covers his adventurous gaze but leaves his mischievous grin for the whole world to see. And yet, the swordsman trusts him enough. Without any look or any word. He knows Luffy's face by heart, he realizes, now that he can picture his eyes quite too perfectly under his hat. His skin glistens under the sun and his tender fingers hold the sword with so much clumsiness it looks dumb. He doesn't know how to hold them, yet they don't want to move away from him. It's clumsy but it takes over them. Maybe it's his haki. Maybe it's the effect the future king of the pirates has. Zoro thinks it's just him. Luffy. And his heart stops the second Luffy smiles, as if he had just heard the sword respond to him. He wants to kiss him. Bite him. Let him bite back and draw blood and eat him. Let him hold him the way he holds the swords but tighter. Closer. Maybe he's in love. Zoro. With Luffy. It's not a maybe. Who is he trying to trick? He knows he is in love. With the way he smiles and the way he holds and the way he wants but respects and loves. It's funny like that, the fact that Luffy keeps being so careful when Zoro would let him tear his heart apart and eat it if he so desired. It's funny that the swords love him with such gentleness when they often demand power. Perhaps kindness is the most powerful weapon of all or, at least, Luffy's most powerful skill. Zoro hates it when somebody else holds them because they don't own them. They don't own him. He doesn't even own his swords, anyway. Nobody can. They're his the same way he's theirs, just with a bit more dominance and respect. But Luffy isn't owning them. He's praying to them. Talking to them. Befriending them. Loving them. And they would bow to him if he so desired. Zoro knows they would, as fierce as they are and violent as they seem and as sharp as they cut. They'd bow to him because Zoro would too. The uneasiness does not exist when Luffy is the one to hold them because, if Zoro had to give out his soul for somebody to take care of, that would be Luffy. And if he has to be unprotected. Naked. Bare in front of a thousand soldiers. He will if it's Luffy the one fighting instead.

Sometimes Nami wants to hold them just to feel what it's like to be in Zoro's shoes. It's a stupid reason. He refuses to let her do it as an instinctive reaction at first. She doesn't seem as interested in following the protocol as Luffy is, but she knows where to stop and she knows what to say to get on Zoro's nerves, anyway. She's equally as fierce. Equally as sharp. He won't let her hold any cursed sword, but it's not like she wants to. She's smarter than that. Careful and respectful but not that interested in the swords and what they mean, more in how they feel. Zoro gets it. Kind of. Somehow. She says something about always letting them eat her precious tangerines, so he should humor her by letting her hold Wado at least. She isn't pushing him. He knows she wouldn't. She's just teasing because she knows. She always knows. She knows he will say yes. Because he always does what she says, although he keeps demanding a bit of respect to not be treated like a dog. But Nami never forces him to do anything. He could refuse. She would give up at some point. But there's just something about her- Stubbornness. Strength. Love. So much love and care and worry and anger. And Zoro likes her. She's selfish, too, like a pirate should be. Stronger than Zoro in the ways that matter. Smarter, too, even if he wouldn't admit it out loud. But she leads the way and he follows, not because that's a dog's job, but because he wants to. He trusts her. Something he never thought he would. But he does. She's smart. She leads the way. She knows where they're going. They somehow are the same and totally different at the same time. Zoro grounds Luffy when he gets lost. Nami leads them both so they won't. So there's something about her curiosity that makes him soften. He never knows exactly why he does what she says. Why he indulges her like that. But it's satisfying, for some reason he refuses to read within himself, the satisfactory and pleased grin on her face when he hands her Wado. She's careful with her. Awful at holding her. Bad posture. Great smile. Horrible movements. Beautiful eyes. It's okay, though, he thinks. Wado likes her because Zoro likes her. Nami loses interest within a minute, complaining about the weight and the sudden realization of "you always have this thing in your mouth" which makes her want to give her back. But she stares at her for a whole minute. It isn't her thing, but her eyes spark when the sword is returned to Zoro. Trust. A smile. Thankfulness. Her bangs are getting a bit longer and one strand of hair gets in the middle of her teasing smirk. She says she prefers her clima-tact, but swords are fine, "I guess". "She's pretty" she says. Zoro thinks she is pretty. Nami. In a way he can't quite describe because he has never really been good at that. But she is. Like a blade. Sharp. But in the right hands this time for her not to cut the ones she loves anymore. She hands him a tangerine next, every time he lets her hold his sword. An exchange. "I give you something that matters. You give me something that matters". Zoro wants to say it's not the same, but the tangerine is sweet. Juicy. His fingers then smell strongly of citrus. Almost as similar as steel. If he can feel Nami's heartbeat in every bite, he wonders if she has been able to hear his in the hilt of his sword. Calm. Peaceful. Safe.

Zoro doesn't like seeing his swords in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But sometimes it does.

#romance dawn trio my beloved #btw it's not meant to be romantic between zoro and nami they're besties and love each other deeply #however it is meant to be extremely romantic between zoro and luffy zoro is very very gay #what is this? idk. why did i write this? idk. #this maybe does not make any sense and i do not care okay #i am just vibing here #as you can see this was supposed to be a short post. it wasn't #i just think there's something about zoro letting nami and luffy hold his swords it makes me soft #this was supposed to be about ALL the crew but the bond these three have is important to me so let's leave it like this #one piece #roronoa zoro #monkey d. luffy #cat burglar nami #nami #romance dawn trio #zolu

[sen-ya]

Still was probably reading early Dressrosa when I did this one. It’s wild looking at these drawings tbh lmao.

#this was when i was almost out of denial that i was gonna ship em #cuz i was very firmly in the camp of aroace luffy #but what can i say i am a bitch for this kind of ship dynamic #and I’m not NOT still aroace luffy tbh #i generally go ‘Demi-romantic ace luffy’ #but also I’m just like idk man they’re queer #which is funny cuz that was my own vibe lmao like i was like I’m ace! I’m biromantic ace! I’m….queer!!! #anyway what kinda tag rambling is this #my art #lawlu #law x luffy #luffy x law #lulaw

[redrobin-detective]

Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.

My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.

I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.

#fionna and cake #fionna and cake spoilers #simon petrikov #betty grof #in the tags its either #'oh they're toxic' or 'owo literal soulmates' #but i think its both more simple and yet more complicated #its struck me from the very start that they were eternally engaged #they never got to be married they're still stuck at this in between milestone #plus the way they act/talk around one another it HAS that new relationship vibe #If i were to guess they were each other's first romantic relationship #they loved so hard but they didnt really understand how it worked (mood) #if tehy'd had time and space like normal people yeah I think they'd have been fine #unfortunately all manner of bs got in the way and they never got to resolve some of these issues #it doesnt make one right over the other it just adds another layer of tragedy to their story #they only had time to get to know each other -to really feel understood- before it was taken away #Artists call betty 'simons wife #but its soooo important to me that they never made it that far #a flower that was plucked before it had a chance to bloom #anyway just my thoughts #petrigrov forever

[snugglebunnies]

WHEN WILL IT BECOME COMMON KNOWLEDGE THAT LUIGI HAS A CANONICAL GAY LOVER!

WHEN! WHEN!

WHEN.

#superstar saga #mario #luigi #prince peasley #stolen from my own twitter #but #this is the vibe right now #bcus i feel like bowuigi got popular because of the mario movie #so #it just takes public knowledge #someday #someday... #caps #this doesn't account for also #peasley winking at luigi while attempting to catch him #toadsworth and lady lima being confirmed to have potentially had a romantic subplot in the past #and luigi and peasley very CLEARLY paralleling them in the final scene with their attempted hug #the 4koma manga #peasleys nicknames for luigi #peasley forgetting marios name and making sure to remember luigis #luigi being specifically chosen to do a solo mission to rescue prince peaslsey #luigi breaking down into tears when peasley puts himself in harms way #and MORE! #PEOPLE DO NOT KNOW WHAT THEY BE MISSING #btw the german translates to "he may be foolish #and the spanish says “look at what you're capable of. you're delicious--” #i am ANYTHING but normal about peasley and luigi

[ind1c0lite]

Them <3 (also trying out a new brush and a different lighting style hjklj)

#ace attorney #phoenix wright #miles edgeworth #narumitsu #indys art #there was supposed to be more to this but I really couldnt bring myself to finish it fully so u get the best part instead <3 #also it isnt explicitly romantic or whatever but that is the intended vibe hence the tag #I REALLY like how this came out im SO proud of it #drawing edgeworth smiling is always very nice <3

[otaku553]

The eventual kazuha and sanemi dynamic

#kny crossover #genshin impact #kaedehara kazuha #shinazugawa sanemi #one day I’ll finish writing the first chapter. one day #anyways I love thinking about these two #i think platonic relationships are so fascinating #like you could definitely construe so many different friendships as romantic ships but to me these two as friends has so much potential #sanemi canonically dislikes Giyuu because he gives off a ‘better than everyone else there’ vibe that is purely unintentional #and canonically is friends with Iguro for reasons I still cannot figure out #sanemi’s so interesting because it’s not like he’s a purely chaotic character despite what his first appearance would suggest #the manga and genya’s memories clearly show that he has a lot of respect for oyakata-sama because oyakata-sama is not high and mighty and- #does in fact understand every sacrifice that goes into the battles that they fight that he must sit on the back lines for #sanemi is a very loyal person I think once someone has earned his loyalty even though he owes about showing this in very aggressive ways #I think he goes off against genya especially because genya fighting as a demon slayer goes against everything that sanemi has fought for #since they lost their happy lives sanemi has been fighting for at least one of them to still be able to live normally and he probably thinks #that Genya spat on that sentiment by becoming a demon slayer anyways #anyways I think sanemi and kazuha would have such an interesting dynamic #sanemi has the authoritative upper hand as a pillar but kazuha isn’t even a demon slayer which means sanemi’s position doesn’t do much #beyond acting as an indicator that he is one of the strongest of the corps anyways. #they’ve both lost a lot but sanemi still has someone to fight for whereas kazuha is holding onto the last embers of a corpse’s wishes #and I think them having a talk about their motivations would be very good #because I don’t think at this point that kazuha has very much reason to live beyond carrying on Tomo’s wishes #if the swords are parallels to visions I think Kazuha’s turning point will be when he receives his own nichirin sword #sorry for the long tags lmao

[cottageivy]

ava during her volunteering at a ranch and hooking up with the ranch owners daughter era + the daughter in question

#ts4 #ts4edit #ts4 edit #myedits* #sims 4 #some more lore #this is like after some shit went down with their best friend that they had some sort of romantic relationship with lol #avas like 17/18 and this is the summer before college #its looking a lot different than they expected it to be and the farm was a nice change #the ranch owners daughter does not currently have a name #im very abd at coming up with names but im gonna try later #idk how canon this is i just had the idea last night but its fun!! #also hello i opened sims yesterday #oh!! also i changed avas nose a bit #same like general vibe but not an uninteresting button nose that all my sims had in 2019 bc her mom was made then lol #also changed her skin overlay #ava* #carter*

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

#victoriocity #clara entwhistle #inspector fleet #archibald fleet #high vaultage #I'm not really trying to persuade anyone who doesn't already vibe with Fleet & Clara QPR as a concept #I just enjoy digging into that interpretation #I don't have any lived experience of QPRs myself #I'm just an aro who occasionally yearns #which tbf is probably the demographic most likely to obsessively interpret fictional duos as QPRs #I tried to avoid straying into anything like ‘they are too important to each other to be *just* friends’ #when writing this #because I deeply dislike that outlook #That's not what I'm getting at here #Friends can be that important to each other without being in a QPR #I just think Fleet and Clara are important to each other in a particular way that can easily be read as a QPR or QPR-adjacent #Ngl for me personally I was very happy that there was no explicitly romantic Fleet and Clara moments #in S3 or High Vaultage #I’m sure I would still love their dynamic if they did explicitly take it down that route #I’m sure it would be done well #But the fact that Fleet and Clara are platonic (or at least ambiguous) means a lot to me personally #A related thought to that bit on romantic assumptions is that under amatonormativity #even the denial of romance/attraction is so often treated as evidence for it #which can mean that there's no way to escape that implication #so that's another reason why I enjoy taking characters at their word #when they express discomfort over a dynamic being interpreted as romantic #I finished writing this on Wednesday and I've been so impatient about waiting until S3 is fully out to post it lol

[riacte]

so hey guys i finished dungeon meshi yesterday and i'm still thinking about it

#ria.txt #i spoiled myself so at first i was like 'this is bonkers wtf are they doing in those last few chapters?????' #but then it was like. yeah. i see #love those ch when it's just clearly putting the squad into Situations #also. izutsumi #what i really liked was how tightly the protagonist and the deuteragonist were wound up in the overall themes #the plot the themes the conflict the characters it was very neatly connected #hence i am also now accidentally invested in whatever going on between laios and marcille #not just platonic not romantic not enemies i just think they work well tgt and deeply care for each other its great watching them develop #it's the leader + most trusted advisor / anxious girlfailure + the annoying freak she's somehow attached to vibes #haha that rabbit chapter with marcille. hahha i was like what the fuck man. it was funny and then boom whump [tears streaming down my face] #those shapeshifter chs were sooo much fun esp seeing other chara's perceptions of each other. stealing that #the changeling ones were great too elf senshi is the fucking funniest he looks sooooooo unserious #marcille's evolving perception with death starting with saving falin and saving the squad and her nightmares of outliving everyone- #-and her dad and her 'temper tantrum' and UGH when at the end she said she was fine with falin not coming back.... WAAA. OUGH. #i think dunmeshi handled the trope of 'prophecy of chosen one becoming king' pretty well and it makes sense why laios is the protag #the worldbuilding is so thoughtful as well i liked seeing different characters with different worldviews interact #very solid and well rounded series wooo #the main 4 has such a fun dynamic together #anyways. dunmeshi au..... #more like borrowing the worldbuilding bc charas are too nuanced for a one to one comparison #ren is like some prince of his own species but he's like 34th in line and no one cares about him so he fucks off to eat monsters #which is why he's both snobbish AND a total freak when it comes to his food taste #false is originally in for the money from ren and plans to scam him but unfortunately the cringefail swag captures her #martyn is Obnoxiously Clueless and thinks he's smart but he's not. he's resourceful but also pathetic and crazy #stress cant cook but she thinks she does so everyone goes (≖_≖ ) when she picks up a pot. they delegate her to killing and chopping duty #the mvp is iskall who keeps on saving everyone's asses and somehow has resources for everyone #i think ren is actually aware false is going to scam him but he has too much money to spend anyway and he thinks shes cool so he lets her?? #and somehow she doesnt take the money and run. and goes back to eating monsters w/ the party. everyone is crazy

[wolfythewitch]

Sean bean as Odysseus felt a little bit too heroic but I enjoyed his vibes very much

But alas I am biased, I am swayed by any bearded man with a disarming smile

#not even in a romantic way too #it tickles something in my artist brain #i want to draw it one day #that exact vibes #a dangerous smile #sean bean didn't look dangerous he just looked like it's a hot summer day and he threw out all the ice #but it's okay he was still very silly

[gomacave]

Draw req..... seph braiding her hair like aeriths.......

(she has too much hair to put in one braid) what a good request my god anyways. time to feel unwell about sephagain.

THANKS 4 DA ASK!

#incorporating into my hcverse that seph has/had a habit of braiding her hair when she was alone just as like. an idle motion #id like to think that one of the very few scraps of choice/agency they gave her was hair length and it was sort of a rebellion- #- +gender thing to let her hair grow so long #also because i think theres something (maybe this is because im jp) sort of... unsettling? about really long hair bc in jp tradition you #believe that luck/curses/energy can be stored in the hair so u cut ur hair if u want a fresh start etc it just gives a very 'shes dragging #something dead and heavy forward with her' vibe #btw this is not my reading of canon this is just smt i MADEUP i dont thinkt he creators intended that w her hair lmfao #cave mail #ff7 #ffvii #sephiroth #fanart #transfemiroth #mine #also i have an aerith/seph hair braiding comic(?) lying around almost finished but idk if i should post it cuz i dont want ppl to think its #completely intended to be romantic or whatever when its more ab aerith

[cuubism]

hello friends. despite my 9 million existing dreamling wips i'm feeling the need to branch out a bit for the sake of my mental variety. what pairing other than dreamling should i write a little something for? could be romantic or platonic

other way of phrasing i guess: any pairings you really want to see more fics for in the fandom?

#i actually do have one someone asked me for ages ago i've been meaning to get to so i'll try to do that too #bonus points if it still involves dream bc you know i love dream XD #probably wont do any romantic pairings /between/ the endless because well yeah #but open to exploring pretty much anything else... feel free to send whatever if you want. dont worry about if i'll like it #if i can't vibe with it or find it uncomfy i just won't write it no harm no foul #not me soliciting little prompts fully knowing that motivation is a fickle beast and who knows if i would get to writing them XD i want #to though! or like. idk. if anyone wants to share headcanons about their favorite pairings i am happy to receive them #the sandman #a couple that are bouncing around my head already: #rose meeting desire. this could be really interesting i think (they are of course her grandparent) #calliope and lucienne post-calliope's imprisonment: i think their dynamic could be interesting since they both have/had close relationships #with dream. but of course calliope's relationship with him fell apart. i think lucienne with whatever context of it she had would probably #be sympathetic to calliope's perspective but still staunchly On Dream's Side so the speak bc she is ultimately very loyal to him... could b #an interesting convo. #additionally - calliope and johanna. both suffered things recently. both had curious interactions with dream where they recently saw both #his vicious side AND a kinder more understanding side of him... [dream gave rachel a peaceful death at johanna's request etc] #but they've come out of their suffering really differently (granted it was different types of suffering. but) #wow here i am asking for people's ideas and then just coming up with my own XD #anyway #wait two others: i'm fascinated by the potential dynamic of lucienne and the corinthian they only had like one short scene together in the #show but can you imagine. spending eons being loyal to dream and then going opposite directions with that loyalty. being among dream's inne #circle so to speak except lucienne is her own entity while corinthian was /created/ by dream. they have the most fascinating venn diagram o #personality traits and narrative positions... #secondly. and this is kind of crack. but like. imagine johanna and corinthian in the same room XD 'hi i'm an exorcist and this is my pet #serial killer' 'yeah my lord gave me a vacation to go kill some demons' why doesn't he try to kill johanna? bc she tried to destroy him #first time they met and he can't help but respect it XD

[hotluncheddie]

t4t chubby autistic steddie GO

i have been thinking about this (nsfw from twitter!!) art lately so i am here with u <3

even tho i get nervous to write trans characters, idk why, i just don't wanna mess it up i think

but im doing my best!! bc autistic and gender exploration are very lovely wonderful cozy subjects so i'm gonna focus on that

this is such a string of ideas but - 4 u <3 :3c

Stevie leaves with Eddie and Robin, taking their trust fund and leaving their parents to it - too the rest of their lives - without her. Like the Harringtons always hoped, really.

Stevie doesn't need them, the money is useful but they offer nothing more to her.

She's able to buy an apartment. In Chicago. With her loves. They learn how to live. How to live together. How to be at peace.

There's big bright widows in the main space, with light and air and the sunset. The two bedrooms are cozy and warm and it's a place for them all to grow.

'There's chips here.' Eddie says. They have a matching day off and she's trying to practice what it is to do nothing, to truly rest. Eddie helps, by being there, keeping her still with his hands and his love.

But Stevie tenses up, she was snacking, has been snacking, trying to learn her hunger signals better - what they feel like to her. It was always a rule not to east in her room, not to eat between meals. But she was hungry, she had a snack.

'I'm not judging, I'm saying so we remember to take it out next time one of us goes to the kitchen.' Eddie says, coming back from changing the tape, kissing her. Kissing her and kissing her.

Stevie relaxes.

'You've gained a little weight.' Robin says, laying on Stevies thighs on the couch, crocheting while Stevie watches sports and rubs her knuckles agains her teeth, twirling a strand of Robins hair in her fingers.

She looks down at her best friend. Robin looks back at her.

Robin smiles.

'It's good. You look more like you than you ever have before.'

Stevie smiles back. Tries not to cry.

Stevie letting herself change, relax. Unlearn those eating habits that helped her feel in control. Instead allowing herself to enjoy, and eat the things she wants to, the things she likes.

Eats pasta every night for a month and doesn’t feel bad about it. Doesn’t force herself to eat kale because she hates it, spinach is good enough. She is good enough.

Eddie gets little chubbier, in this new life. After recovering from nearly dying. Explains to Stevie in his long lilting way that he likes it, feels more protected, like his skin isn’t so fragile now.

He’s never liked his body but now he truly knows how short life is, and, maybe he can learn to like this new one. In this new place, in the love that surrounds him.

Plus, the bats destroyed his chest. So without that in the way, no longer lurking and potentially ruining his day. He realises he can shed that background fixation he always seemed to have with thinness. The idea that it would make him look more masculine or more androgynous. Curves were for girls and Eddie was not. That.

But now, now, who fucking cares. He’s alive. He needs to eat.

Steve feels a finger trailing over her hip, dipping into the band of her underwear, skimming over her crack and the the ridges of stretch marks that lead up to her waist.

'So so pretty' Eddie whispers, and it's filled with so much awe, so much grace, so much reverence and love.

Stevie shivers, feeling endless and grounded and like her body is here and hers and everything she ever dreamed of because it exists now.

She puts her hand under her loose shirt, cupping her belly. Skin still sleep warm and the energy of her palm seems to cover her whole body in warmth, in light and softness. Tinging and bright. Still being traced lightly by the love of her life. But being loves by her own hands, now, too.

She exists. And finally, everything is beautiful.

#i had a dream and i was on holiday and fell in love with a girl #and it was very romantic #and also cathartic in the way she loved me #so im trying to get that vibe here lol #and also give them paradise to exist in #so lets all hide here together - fill ourselves with love #hotlunch #steddie #ask #chubby steve harrington #chubby eddie munson #trans steve harrington #trans eddie munson #autistic steve harrington #autistic eddie munson #:)

[nellasbookplanet]

No but I have thoughts on the reception of socially awkward characters like Keyleth and Yasha, and how many fans will only accept them if they appeal to their brand of 'acceptable' social awkwardness.

Keyleth took up space in her awkwardness. It wasn't cutesy and attractive, couldn’t be romanticized. She stumbled and fumbled and never stopped letting her voice be heard, even if she sometimes was wrong. And people hated that. How dare this female character be loud and daring in her flaws! How dare the narrative not punish her for it but rather let her grow powerful in her self!

Yasha, meanwhile, didn’t take up space. She was quiet. Shy. Disappeared in the group. And for the longest time, her character was largely left alone. Then she, too, dared to take up space; she started to heal, express herself in ways that were no longer quiet or threatening but still equally as awkward. And suddenly, there was the Yasha hate. I've seen claims that she has no personality simply because she's quiet, that her goofier moments are out of character, that her awkwardness in conversations is cringy, that she's only a good character when she sticks to the strong quiet type.

Keyleth isn’t cutesy in her flaws the way her character archetype often is. Yasha isn't the strong quiet type you would expect when first meeting her. Why would you want them to be? They shouldn’t have to adhere to these stereotypes to be appreciated as characters.

#critical role #cr2 #cr1 #yasha nydoorin #keyleth #every time i see someone claim yasha is cringy or lacking in personality i wonder how they deal with socially awkward people irl #do they think shy people only have the personality trait of quiet? #anyway. yasha and keyleth aren’t the only characters to get this kind of hate #keyleth is awkward but not cutesy or apologetic. dudes hate that #vex is 'strong and sexy female character' but has actual agency and flaws. dudes hate that #jester is a romantic ideal until she has an opinion of who she likes. shippers hate that #anyway (again). rambling apropos of nothing i just wanted to talk about my girls #bc it will never cease to horrify me how weird people get about socially awkward characters #very strong 'just be normal' vibes #nella talks cr

[girlnextvore]

If you crawl back, You can come back

#my art #vampire the masquerade #I can not stop making very romantic and scary symbolic art for my vtm character who has a ....INTERESTING relationship with her sire #vtm #Rosa #Tremere #also thank you “Story writes it self” by Hail the sun for the vibe

[robyn-i-guess]

gerrymichael enjoyers and writers i want your opinion 🎤

ok so i have this au fic for gerrymichael where it's college au, and it's a like the whole bad boy/good girl (minus the fact they're both boys, and even that's questionable)

basically, gerry is stereotyped due to his more alternative looks and everyone assumes he's probably doing illegal things or just sleeps around a lot

meanwhile michael is the head of student council "goody two shoes" type, who most are sort of aware of but don't know anything about

gerry thinks about michael. a lot. he sees them in the halls for only a few seconds a day but thinks about him for a lot longer. hallway crush vibes. and when they get put into a painting class together, suddenly they have an opportunity to meet, and gerry is freaking out a usual amount. (there's more to the whole plot but that's just the beginning bit)

putting a short lil concept thing under the cut

Gerard Keay does not know Michael Shelley.

The only reason he knows their name is because they're in the student council, meaning it's not uncommon for their name to be said during school events.

He has only seen them in hallways, passing by in a rush while holding papers or books that always seem like they're going to fall out of their hands. Even in those moments, most of what Gerard is able to catch is a blur of golden curls and eyes that are ridden with exhaustion.

So, it is safe to say that he does not know Michael.

That fact only caused confusion to him whenever Gerard realized his strange excitement once learning that Michael would be in one of his classes for the semester.

It was an art class, one that he had picked due to him already being practiced is painting and drawing. He assumed it would be a fun class, or at least one that wouldn't be too stressful. However, when he had first walked into that classroom and saw Michael Shelley sitting at an area in the back, Gerard had assumed the emotion he was feeling was stress. He couldn't pinpoint why, it wasn't like he was intimidated by their status, but he couldn't shake the feeling of nervousness he felt when he accidentally locked eyes with them. He turned his head quickly in that moment, deciding to sit in the front of the room despite that not being where he'd usually prefer to be. Something about Michael sitting there made Gerard think twice about sitting in the back as he normally would.

The lecture went smoothly, it mostly being an introduction to the professor and what would be happening throughout the classes. So did the next, and then the next one after that. That didn't get rid of the feeling he felt, however, every time that Gerard walked into that room and attempted to avoid looking at the one with golden curls in the back. He knew he'd have to talk to them at some point, it was inevitable, but there was something about them that meant he was more nervous to talk to them than he usually would be. And he very much denied the idea that it could be caused by any... feelings he may have. Gerard ruled it as impossible, as he had never spoken to them, and he wasn't that much of an idiot to fall for someone he'd only mostly seen in hallways.

Michael wasn't one to speak up in class, and instead they'd work silently on any research on the history of art they may have been doing, only giving simple responses or nods when the professor would come around and ask how their work was coming along. When Gerard thought about it, he didn't really know what their voice sounded like because it was always quiet or unintelligible from their distance. That only made him more interested in talking to them.

That day never came, though, much to Gerard's disappointment.

They both went through that class without talking to each other once, and when Gerard left that room for the last time he couldn't help but feel like he had failed at some kind of goal. A failure that had meant he would be left with only seeing the elusive Michael Shelley in hallway rushes again, which annoyed him in a way he didn't understand.

He did talk to them one day, though.

(note this is old as heck lmao i've gotten better at writing since i wrote this)

anyways yeah. should i continue it or is it too basic idk, i want to write it for me but it would also be multiple chapters long and my "1k-words-is-rare-for-me" self probably won't bother to write it unless someone else is interested

#just want a consensus idk #if anyone has suggestions i will also take those #or if anyone wants to write it with me maybe.... :3c #(please i want to write a fic with someone it's fun) #anyways #yeah #very stereotypical. very american highschool vibes #realistically would be better as hs au but i don't feel right writing romantic interactions between minors for Clear Reasons #gerrymichael #gerry keay #gerard keay #michael shelley #doorkeay #robyn-i-guess