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canary3d-obsessed · 4 years

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Restless Rewatch: The Untamed Episode 11 second part

(Masterpost) (Other Canary Absurdity)

Warning: Spoilers for All 50 Episodes!

Message from the Lan Clan

After dinner the Yunmeng bros go to talk to Jiang Fengmian in his study. They're quiet and respectful here, with no shoulder-shoving or arguing. This scene has such Brady Bunch energy, where Dad's Study is the Man Place where boys come to talk about Serious Things.

The boys tell Dad Jiang about the Yin Iron and he says yeah, I know. This is probably why he let them run off on their road trip without punishing them, but he could have, like, shared data with them so they might have actually achieved something related to the Yin Iron, rather than just wandering around the countryside bonding with Lan Wangji and Nie Huaisang.

He shows them a letter from the Lans that basically says the Lan Clan is in the shit, and he tells them they've got to go to the Wen indoctrination because otherwise they will also be in the shit.

He gives the boys a warning about the Yin Iron, which is that

1. it can be refined and

2. if you refine it carefully, it will not control you.

Awesome tip, will definitely use, thanks pop.

(more behind the cut)

Jiang Cheng wants to argue about going to the Wen party, but Wei Wuxian vocally gets on board, not leaving any opportunity for whining.

Wei Wuxian is only sucking up a little bit in this scene. He obviously has a lot of affection for Jiang Fengmian, but WWX doesn't play up to his favoritism nearly as much as he could. Compare, for example, how he leans into Yanli's preferential treatment of him.

Fight Outside the Cold Cave

Over on the Gusu side of the country province township, the disciples have gathered outside the cold cave that previously none of them knew about, and Su She is freaking out.

Most of the acting in The Untamed is naturalistic, but then there are occasional characters who are portrayed with a much more theatrical, broad style. Su She's villainy is not given a lot of layers; he's playing a type, more than a person.

Many of the villains in The Untamed are played this way, but not all. Wen Zhuliu, for example, is a genuinely horrifying bad guy while also conveying depth and ambivalence--despite having hardly any lines. And JGY is a masterpiece of a performance. For Su She, the directors or the actor have opted for "sniveling backstabber" as a type, which is unfortunate, because it robs his final scenes of emotional impact.

Lan Qiren tells the disciples to get to safety. He rushes forward, gamely getting his ass kicked by human cuisinart Wen Xu. He's not as effective a warrior as either of his nephews but he's a brave S.O.B.

Hanguang Jun to the Rescue

Before things can go completely pear-shaped, Lan Wangji sails in with his guqin.

The Blue Steel technique of the Lan Clan

Like many gifted learners, Lan Wangji's musical abilities are more advanced than his social skills. Here he musically makes the ground literally explode, almost as if it had been specially rigged with incendiary charges.

Lan Wangji is very pretty when he's worried, and his affection and concern for his uncle is touching. He's 100% not interested, as we will see, in Lan Qiren's whole "lets all die for the future of the Lan Clan while my nephews hide" agenda. He's on his own agenda of smiting the wicked and protecting the weak.

Notice how Su She is standing right next to Lan Qiren here, even holding his arm? The next thing that Lan Qiren says is to tell all the disciples to keep up as they run into the cave. Somehow Su She totally does not keep up, and he gets caught outside along with a bunch of other disciples.

Giving Up

Wen Xu and his men kill most of the other caught disciples, and then threaten Su She, asking him how to get into the cave. In fear for his life, he tells them. Not cool, Su She, but possibly forgivable. Although when you voluntarily join a, you know, battle cult, physical courage is kind of an important qualifier.

But this shit here...

They didn't fucking ask about the books, douchebag.

Su She was there in Lan Qiren's house when the two heads of his clan knelt to each other, each claiming the right to be the one to stay behind and die. And he heard Lan Qiren say that the ancient books are the foundation of the clan and that only if LXC and the books survive, will the clan continue. By giving up both men, and pointing out the book situation, Su She has totally earned his expulsion.

Lan Wangji Takes a Stand

Lan Wangji decides, for the first but not last time, to openly defy his uncle...and it's got nothing to do with Wei Wuxian. Lan Wangji is a hero, who follows the dictates of his conscience. His conscience is extremely filial and extremely orthodox, but he’s got a growing open-minded streak. This is going to cause a whole lot of conflicts for him over the next few years.

This time, however, he manages to skate out from under the whole disobedient, unfilial thing by citing Lan Yi's directive, which means Lan Qiren has to accept it because she's his predecessor and elder relative (She is probably not a literal ancestor, since she spent her life in a cave putting fucking headbands on fucking rabbits which probably didn’t leave time for having babies).

This is a pretty extraordinary moment for Lan Wangji and for Lan Qiren, because Lan Wangji just asserted his own form of authority to do the exact opposite of what Lan Qiren wanted, and Lan Qiren just sucked it up and let him.

It's also very different from western stories involving a holy McGuffin such as the Yin Iron. Lan Wangji's solution of "fuck it, just let the bad guys have it, it's not worth so many people dying for" is refreshing and surprising to me, a westerner raised on The One Ring, the Grail, the Death Star Plans, etc.

Lan Wangji steps out of the cave and uses a sword blast to save Su She, the ungrateful bastard, from getting stabbed by Wen Xu. Then he surrenders, and they break his leg to slow him down. This does not actually incapacitate him, because he is Lan Fucking Wangji, already a BAMF at like 17 years old. When they whack his leg, his chunk of Yin Iron falls out onto the ground.

That thing was in a magic bag of holding before. So...it just falls out when you whack him? If they whack him again will his guqin fall on the ground? What about candy?

Archery Practice at Lotus Pier

Meanwhile, back at Lotus Pier, the brothers are enjoying some quality time together before they head to the hostage-taking indoctrination.

Wei Wuxian is such a great cultivator that he can hit a distant target even when he jerks his bow upwards as he releases the arrow.

Jiang Cheng seems fairly pleased, and proud of his brother. He's competitive and fundamentally grumpy but not, at least here, a sore loser.

Club Ruohan

We go over to Da Club, where Wen Ruohan is yelling at Wen Qing for letting Lan Wangji and Wei Wuxian go. He names them both, so they're becoming more and more known to their enemies. Which is not a good thing.

He menaces her with the zombie mosh crew, having them kill a dude in front of her and then saying her baby brother will be next in the circle of zombies if she tries any more stunts. Neither of them can imagine how much zombie ass her baby brother is going to kick, later in his (un)life.

Side note: What is up with WRH’s hair? Why bother pulling your hair up over your ears if you're going to leave an enormous curtain of it over your face? It's because he knows there's a wind machine next to his throne, isn’t it?

Leaving Lotus Pier

Jiang Cheng: when I ran off earlier in the year on my road trip you didn't pack a goddamn thing.

Wen Indoctrination

Is it even possible to stand next to this much active volcanic shit and not, uh, die? I live in the tornado part of the US so I don't know much about lava (yet. 2020 still has 2 months to go). But it seems like it would be hard to breathe the air. Also they appear to build houses on lava piles, which seems imprudent. I say that even as someone who plays The Elder Scrolls Online, which is full of lava towns and nonsense like “ash farming.”

Nie Huaisang is adorable at all times, but particularly here, when he's so happy to see his friend who *didn't* fuck his gege and then abandon him without an explanation.

Nie Huaisang: I'm so glad I can count on Wei-Xiong to be consistent and not vanish for months, or become a traumatized shell of his former self, or, like, horribly die.

Jin Zixuan isn't quite as happy to see Wei Wuxian.

Wen Chao enjoys the sound of his own voice way too much, and is malevolent and boring. On the plus side, he likes to stand with his hand stuck out in the air, which is fun for your resident photoshopper.

Nie Huaisang is so miserable every time he's holding a sword, or blade, or whichever we're supposed to call this. He's got his fan tucked into his belt, which is sweet. He is happy to give up his sword but don't you dare try to take his fan.

Meanwhile Wei Wuxian is worried about Lan Wangji, and Jiang Cheng isn't.

Lan Wangji shows up under guard, and takes his position at the front of the line, but without any extra disciples. The Wens let him change into snowy white robes after breaking his leg which will go well with arterial blood spray. He's focused and is determined not to interact with Wei Wuxian in this public context.

When I was little, I would sit near my best friend at church on Sunday, but not be allowed to talk to her until church was over, and it was exactly like this. She was good at churching and I was hyper and hated church. We are still best friends and these things are still true.

This interaction is like a thumbnail for the whole dynamic of these three boys: Lan Wangji outwardly ignoring Wei Wuxian while having many interior feelings about him; Wei Wuxian demanding attention and creating a bit of a scene, due to his very genuine caring; Jiang Cheng telling him to leave that boy alone for fuck's sake.

Lan Wangji: Stop trying to talk to me Wei Ying, I’m busy composing a song in my head about the two of us and our love for each other.

#fytheuntamed #the untamed #the untamed gifs #the untamed meta #wei wuxian #lan wangji #jiang cheng #lan qiren #su she #jiang fengmian #restless rewatch the untamed #canary3d-original #my gifs #the untamed spoilers

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why-this-kolaveri-machi · 4 years

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Hey, i binged the first 14 episodes of Supernatural just last week and enjoyed it so far. But have struggled to hype myself up to finish the series. I found out the last episodes are coming out in October and think it would be cool to catch up by then so i can watch the last ones as soon as they come out. Could you give a (as spoiler free as possible?) list of what about the show make it great to you overall? Things to look forward to, cool plot development, favorite characters, whichever...

hi, anon!

i don’t know, anon, when i first heard i have these nightmares--and sometimes they come true in early s1 and as long as I’m there nothing bad’s gonna happen to you at the end of 1.14 back in the day, i was pretty hyped af to find out what happened next. but to be fair, 2006 was a different era altogether and some vaguely defined potential Special Ability that doesn’t even work unless Certain People are involved isn’t too exciting when every show these days with two pennies to scrape together for a VFX budget has its characters move things with their mind while shooting blue lightning out their ass.

sorry, i digress. i don’t really know how to sell this unwieldy chimera of a show to you--or if i even should--but let me give it the old college try:

1. for such a long-running show, spn has a tiny list of dramatis personae. on one hand, this means that it can feel intimate and its emotional beats deeply resonant, with long and complicated character arcs and interpersonal dynamics; but on the other hand, if you don’t find them interesting or they’re just, you know, actively annoying, you’re fucked, because there are only ever three or four main characters at any point on the show and two of them never. change.

1.5. spn has also demonstrated--inadvertently perhaps--that having fewer characters to divide fannish devotion means more stans per character and more friction between these large groups of character stans. somewhere along the way the terms samgirl and deangirl have come to symbolise more than just a mere preference for one character over the other; it’s become a fandom shorthand for personality much in the way of astrological signs or MBTI types: utterly meaningless, but people insist on defining their identity that way anyway.

(i say this not just as a card-carrying samgirl, but a bitter samgirl).

2. it’s also quite claustrophobic at times. sam and dean are ostensibly driving all around small-town america, but what we usually see is One Possibly Canadian Town indistinguishable from the other. as i mentioned before, the characters are few and spn rarely attempts to relate to current events or make any kind of subtle/meaningful social or political commentary (tho others may disagree with me on this). but this also means that the stories that it deals with have a timeless quality to them: family and trauma and existential angst and the Power of Love and the ways all of them can fuck you up. spn is at its absolute best when it’s dealing with stories on a deeply personal level, sometimes literally burrowing into their characters’ heads and having the entire universe mirror the dynamics of its central relationship.

2.5. this can be a liiiitle hard to reconcile with how the show keeps raising its stakes with every season, but again, when spn is really on its game, it keeps finding new and creative ways to explore the personal with the universal, and when it’s not, you have supposedly cosmic entities reduced to the most boring metaphor imaginable for modern-day capitalist culture.

3. there’s something that spn does that i love which is turn really absurd premises into a thin veneer over a dark abyss of existential trauma which is something it doesn’t do nearly enough in the latter seasons, which is a great pity.

4. a quick rundown of the seasons:

1 - looks pretty and ends very strongly but also suffers from a case of early 00s uninspired-genre-television-itis

2 - Now This Is Where Things Get Interesting; sets up themes that are explored repeatedly for the next 13 years; please look out for ava wilson, an actual Queen

3 - a reminder that this show has been around long enough to actually have a season that was truncated by the 08 writers’ strike; plus, it contains my favourite episode of the whole show and possibly my favourite episode of television ever

4 - A MAGNIFICENT SEASON that gets better with every rewatch. the closest to flawless this show has ever gotten

5 - contains a number of the show’s best and most iconic episodes, but also sets up a lot of the show’s more... problematic motifs

6 - a HUGELY underrated season depicting some of the most delightfully creative explorations of the aftermath of deep and unusual trauma that i’ve seen, dark and thorny and uncomfortable but so goddamned sharp

7 - kind of gave up on itself halfway through; the last time this show ever took any risks/bold choices with respect to its world-building

8 - you know how these days even the most hotshot, rebellious, high-spirited, come-out-of-nowhere-with-nothing-but-heart-and-ill-advised-amounts-of-courage hero is revealed to have actually descended from some important Hero Bloodline and whoops did you think even fiction was going to indulge in the fantasy that just anybody could change the world? yeah.

9 - should’ve been this show’s turning point, except it turned a whole 360 degrees. still has some really iconic episodes, tho.

10 - eh. skippable after the first few episodes.

11 - the point where i stopped watching regularly. still horrifying but more bleak and despairing than jump-scare-and-gore

12 - this season is a black hole for me. for the life of me i can’t remember what happened in s12 - did it exist? or did spn just skip that number like some hotels skip a floor number entirely? huh.

13 + 14 - Listen It’s A Very Competitive Market And The Only Strong Thing Going For Us Is Our Large And Devoted Fandom So Let’s Obliterate The Fourth Wall Altogether And Go Full Meta, Who Gives A Shit? it’s spn back to being absurd to cover up a pit of howling, abyssal horror, and frankly it’s delightful.

5. the fandom, man. i’ve been spoiled rotten. there is nothing that can’t be found in spn fandom, no matter how brilliant or terrible or eye-searingly horrifying, and this is something i’ve chased in other fandoms with no success.

In conclusion: watch it if you like, it can be a cool show. But That’s Just My Opinion, Bro.

#supernatural #anon ask #if this was not supposed to be spoiler-free i could've gone on forever

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cutesilyo · 7 years

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On Love: Anxiety (A Yuuri Katsuki Analysis)

The thing about Yuuri is that he's such a relatable character to me. Even more so now that he's in a relationship with Victor, so I can honestly say that YOI is the anime that I've always needed.

Because:

Yuuri has anxiety.

Yuuri is in a relationship.

Yuuri is in a relationship with someone he thinks is too good for him.

Yuuri has a low opinion of himself.

Yuuri is an unreliable narrator.

Yuuri hates losing.

...and etc.

These are all things that I can relate to! So, forgive me, but I absolutely hate how this anime ended. And although I loathed Episode 12 to death, the ending of Episode 11 was something I didn't expect and yet it was something I didn't know I needed — mainly because Yuuri’s anxiety reared its ugly head in a way that I am all too familiar with.

[Pictured: Yuuri Katsuki clenching his fists in an attempt to gather up the courage to ruin his own life for Victor's sake]

i.e. Cutting your own losses before you lose them.

So from the perspective of someone who also has low self-esteem and is in a relationship with someone who I think deserves much better, here's why I believe Episode 11 was necessary in a way that Episode 12 did not give justice to. Here we go!

You see, I have this tiny theory here about what Yuuri was thinking when he said those words that ultimately broke everybody's hearts. Everybody's been talking about it since the episode aired. But here I am, regardless, because I need to deposit these two cents of mine even though the account is already positively overflowing.

There's this belief I have, and I have no idea if this is just something that I have because I've been raised with an Oriental mindset or something specific to just me, but I'm afraid of being too happy. I believe I can only achieve a particular level of happiness; if I experience more happiness that I deserve, bad things happen. If I have too much, you bet your ass at least some of that will get taken away.

There needs to be balance in this world, or so I and many others believe — there is no shadow without light, and the moon has no meaning if she is not opposite the sun. Suffering and happiness? They go hand in hand. And in the same vein, there is no success without strife — and that's widely preached. But the opposite is also true; because there is no strife without success, and I'm willing to bet my non-existent balls that Yuuri and Victor are kind of the epitome of the latter.

[Pictured: Victor Nikiforov before he met Yuuri Katsuki, i.e. incredibly lonely and trusting only a dog for providing him constant companionship]

And while Victor's end of the spectrum — his gold medals were the fruits of labor that his loss to life and love bore — were given their high-key focus in Episode 10, Yuuri's end of the spectrum was a low-key theme throughout the entire series. Yuuri's talents were paid with leaving his hometown and family to pursue an incredibly unconventional career choice, having the press hound him for every anxiety attack that he can't control, and bearing that enormous pressure of representing his entire nation on his shoulders — and his poor anxiety-ridden heart can't deal with that most of the time.

[Pictured: Yuuri Katsuki's mouth giving an involuntary wobble before he forces himself to smile for his parents' sake, also known as a frame that deserves more attention]

There's a stereotype for Asian parents: that if their child gets less than an A, it's a failure. It's a joke most of the time; for Yuuri, he applies that to his entire career as a competitive figure skater. Add the fact that he's representing the whole of Japan for one of the highest titles a figure skater can get, and the anxiety he's developed over the years, and you get a bundle of nerves on the best days — complete breakdowns at the worst.

Plus his dog died just days before, or maybe even during, one of the most important competitions in his life.

Oh, and he is an unbelievably sore loser.

[Pictured: Yuuri Katsuki in that infamous shot of him breaking down in the bathroom; note that he only lets himself cry when he thinks that there is nobody around to see him]

And he's probably thinking i could have done better and he's probably thinking i guess i really should retire, but I propose that he's also thinking this is payment for all the other competitions i've won, isn't it? That he's thinking, this is payment for all the hardships i've put on everyone else. That he's thinking, oh well, i guess i deserve this after all.

It's like all the little bad things he's done over the years have finally come back to haunt him in one big smack of karmic retribution, right after the cruelties of fate have already given him a taste of what it felt like to be part of the winning team. Because don't tell me that Yuuri didn't feel this sense of pride, of fulfillment, of complete and utter joy when he was assigned to the GP Series and qualified for the Finals. That he didn't feel happy when he got the chance to train, abroad, with an actual coach and an actual rink despite just coming from small, seaside Hasetsu. That he didn't arrive at Detroit, wide-eyed and nervous but so young and hopeful, knowing that he was the JSF's certified top skater.

Then he lost at the GPF and he probably felt like all of that went moot. That all of a sudden, all his medals and trophies and successes didn't mean anything anymore. There's a reason why Minami was introduced, after all: to bring home the point that while Yuuri thinks he's an average skater, it doesn't mean that it's necessarily true.

It's further cemented by the fact that, when Minami says that his costume was inspired by one of Yuuri's older ones, he's mortified as he shrieks, "That's a costume from my dark past!"

Minami, bless him, talks back and says that Yuuri doesn't have a dark past to speak of. He's the actual cinnamon roll of YOI, guys. Imagine how happy he was when he cheered for Yuuri in the GPF in Yuuri's own house and saw, in person, all the trophies that Yuuri had been keeping in the background — and the fact that Yuuri even keeps them in the background speaks so much of his lack of self-worth that it deserves its own meta.

[Pictured: Kenjiro Minami, tears in his eyes as he screams out at his idol: You don't have a dark past! Don't make fun of me for looking up to you for so long and trying to catch up with you! — breaking our hearts in the process]

So, basically: if Yuuri had given all he had with skating, was rewarded with triumphs and successes only to feel like that had all been taken away when he was dead last at the GPF (and not to mention, he probably feels like all of this was justified); why wouldn't he feel that way about Victor?

Because Victor makes him happy. So happy, in fact, that his skating and confidence levels have reinvented themselves as a response to Victor's presence in Yuuri's personal life. Why wouldn't he think that Victor was too good to be true? Why wouldn't he be scared that the cruelties of fate would, once again, take away his source of happiness in a twisted form of giving balance to the world?

So he comes up with defense mechanisms. He blabbers in metaphor and dabbles in double-meanings (Episodes 1-3) and he feels so relieved that Victor seems to accept that it's just the way he prefers to express himself (Episode 4). But then he keeps falling and falling and he gathers up the courage to be more accepting of his past because of Victor (Episode 5), to be more bold for Victor (Episode 6), to be more couple-y with Victor. (Episode 8)

And ordinarily, that would be a good thing right? He's growing up! There's character development! He has more confidence now!

But YOI, god bless YOI, shows that anxiety doesn't just go away. It comes back to haunt you and when you're at your weakest, it strikes. This is best exemplified in Episodes 7 and 9, where it's glaringly obvious — but in Episode 11, it takes some understanding of the previous episodes to know that the entirety of the drama comes from Yuuri simply being an unreliable narrator again than from any actual basis.

[Pictured: Two similar shots of Yuuri Katsuki from Episode 4 and Episode 11 respectively — the former, a happy blush as he prays give me Victor's time, if only just for now; the latter, horror dawns as Yuuri comes to the conclusion that Victor wants to go back to the ice and that their time together is ending]

Because Yuuri is the epitome of unreliable narrator, and Episode 10 was the ultimate peak of the mountain that YOI has been building from the very first episode — in an anime that opens with the self-deprecating protagonist reading articles about his loss, which is intentionally and deliberately set up to overshadow the fact that despite his loss he's still competing in one of the biggest competitions in the figure skating world.

The other thing that YOI has chosen to keep from us until Episode 10 was that despite the entire world being clamorous for him to go back to the ice, Victor actually . . . doesn't want to do that at all. He literally calls it a shackle on his neck. He waxes poetic about the life and love that Yuuri has given him, that he has neglected for so long. He gets kicked in the back and declared as dead by Yurio, and the most he does is mockingly crouch down and ask, did you want to compete against me?

Having Episode 10 come right before the massive fuck-up in Episode 11 was both an explanation and a warning: yeah, yuuri did all that and victor fell in love with him first. now remember how different things looked back in episode 1. because we're gonna go back to that in the next episode and y'all need to know what's real and what's just what yuuri assumes.

And the thing about Episode 10 is that it triggers this impulse to rewatch the entire series from Victor's perspective and contrast that to how different we saw it when it was just Yuuri's perspective we knew about. Doing that brings more impact to Episode 11, I think — which also highlights that despite Yurio found a friend, he still has some humility to learn and his arc isn't finished yet just because he managed to perfect Agape. While I do think he was being too mean (to a point that I considered it OOC, after Episodes 9 and 10), that's a different post altogether.

[Pictured: Celestino Cialdini comforts a sullen Yuuri Katsuki during the Sochi GPF; comes with Yuuri's monologue of I could never openly say that I'd win gold, but I never skated with the thought in my mind that I'd lose anyway]

I think that the way that Yuuri reflects to himself during his FS in Episode 9 echoes how he feels toward Victor. That despite never really admitting out loud that he wanted a gold, he never actually believed he would ever lose either — Yuuri let himself stay stagnant while tiptoeing between having the potential to be a winner and actually being one. In the same vein, Yuuri found himself walking that same fine line between being Victor's future and being Victor's has-been; someone between everything and something, but never actually nothing.

Yuuri let his anxiety get the better of him and he decided that being Victor's past would be best outcome he could ever hope to get. The events of Episode 11 have led him to believe that he would never be Victor's future; or at least, he would never be the future that Victor actually wants. And in Yuuri's twisted justifications, it would be a good thing that they would end their relationship after the GPF; it gives Victor the freedom to do whatever he wants and it gives the Yuuri the relief of not having delved deeper into the idea of them being an actual concrete relationship.

[Pictured: Victor Nikiforov, part of a newly discovered evolved species of humans called homo superior]

Except Victor, unlike Yuuri, has already considered the prospects of having a relationship without a time stamp and jumped right into it. Victor has already established in Episode 10 that he wants Yuuri, and that he would definitely choose a life without competitive skating specifically because it meant getting the love of a lifetime. Screw the consequences, he's getting what he wants and he will put every fiber of his being into nurturing this relationship that gives him all of the happiness that he never thought he could have.

He just never verbalized it. So while Victor gets the concrete proof that Yuuri wants him in the form of giving him the rings (although he does so in a way that implies he doesn't want to admit it), Yuuri doesn't.

[Pictured: Yuuri Katsuki, in doubt of where Victor's happiness truly lies: in a life with skating or a life without it]

Yuuri gets soft and sweet and cuddly Victor and it's enough to make Yuuri hope but it's not enough to help Yuuri understand that Victor truly wants him — how much Yuuri changed him. He knows the Victor that is, as Minako says in Episode 1, free with his charms and winks at the cameras and is touchy-feely with a man he just met; a Victor who was bored and had an impulse decision to coach him and ended up liking him. But the viewers get more insight into who Victor really was before he met Yuuri, who was sad and lonely and hollow — a Victor that fell in love with the boy with the drunken flamenco dance and was looking for an excuse to meet him again.

Victor, like anyone, wants happiness. Winning doesn't give him that anymore, but Yuuri does . . . even though he doesn't even grasp the true gravitas of the love they share.

[Pictured: Yuuri Katsuki, in tears after an amazing Free Skate and the subsequent roar of triumph thereafter; a perfect representation of what we all felt in this scene]

Ultimately, what pissed me off about Episode 12 was that it seemed to betray its own protagonist. We had all the build-up to Yuuri winning gold and finally getting the concrete proof that Victor loves him back and that he is an incredible skater in his own right — because I wholeheartedly believe that the perfect ending to Yuri On Ice would be Yuuri getting gold and realizing that it doesn't matter. And for one moment he would look at all the people who have supported him endlessly and, instead of pushing them away in shame like he would have at the beginning of the show, he would thank them with a happy smile.

How Yuuri would learn not to equate his worth by his losses or wins was always a theme that I wanted the show to address in the Season 2 that I wanted to have, but for that to happen he had to win first in the S1 finale.

But he didn't, and the finale for one of the most popular animes of 2016 was done so cheap that it actually does render the entire anime into moot. So to say I'm disappointed? Yeah, well, that's kind of an understatement.

[Pictured: Yuuri Katsuki with the wrong medal]

#yoi #yuri on ice #meta #yoi meta #yuuri katsuki #i havent posted in tumblr for two years whoops #anyway have a meta about my precious boy because i love him dearly thank you #im having trouble uploading the screenshots hnggg what a shame #mine

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