tgwdlm is soooo funny bc even before the Evil Musical Hivemind lands everyone (except Paul ofc) is already a theater kid. Like okay you’ve got Hidgins which is self explanatory. But then Ted ends up really invested in working boys. Emma (and Zoey/Nora) did/do theater. Bill at least is invested in seeing a musical along with like a few other important side characters. It’s funny bc this is like Not how often theater is normally brought up. It’s like starkid went hmmm the average person consumes what… like a musical a week? been in a few performances throughout their life? Yeah that sounds about right. Like guys Paul’s defining character trait is fucking hating musicals and HE MENTIONS SEEING LIKE THREE OF THEM.
2K notes
·
View notes
I’m so obsessed with Drink With Me you guys don’t understand - the resignation, the acceptance of what will inevitably come in the morning, the choice they made to stay and see it all through to the end, despite everything.
Then Grantaire says:
“Can it mean you fear to die?”
“Can it mean your death means nothing at all?”
Which are such strong and beautiful lines, but also the voice of all their fears. Maybe it was all for nothing. Maybe they died for a belief that could never be.
And yet the next verse is happy and hopeful and dedicated to camaraderie. They don’t want to die, but they will. And they chose to spend their last night with their friends.
“Here’s to you, and here’s to me.”
213 notes
·
View notes
I think tlovm is super impressive just for the fact it’s an adaptation. While it isn’t perfect, the show has to adapt a fucking gargantuan amount of highly detailed content. Literally hundreds of hours of story and tiny character interactions and lore and NPCs and move for move combats and every other thing, have to be turned into 12 or so ~20 minute episodes per season. That is a truly absurd amount of stuff to condense, and the show does so pretty damn successfully. Adaptations with far less ground to cover do a whole lot worse. Especially given that, while every switch between mediums is hard and requires some changes to the story, a story told through dnd has the game system woven into every aspect of the characters and the world, and that has to be mostly taken out in the show. Core metaphysics of the universe have to be changed, concepts on which huge story elements are built have to be fully replaced. It is an absolute beast of a thing to adapt. Just the fact that the show exists at all is incredible to me.
2K notes
·
View notes
yea i very much agree with ur take on sollux in his relation to older technology, u get it
please id love if youd share some more of ur analysis on his character (as well as ur art bc that shit is 👌👌👌)
either way, thanks for feeding my brain worms
im glad it resonated!! :') always happy to explore his character, he contains multitudes!!!
i think i may be out of sollux analysis for now, in the sense where i don't have anything new to add that hasn't already been covered in these posts? (please add if there's more...)
why i like sollux (lackadaisicallexicon, 2014)
comprehensive sollux status guide (syblatortue, 2016)
bioware machine (lime-bloods, 2016)
fridgestuck (LaureledEevees, 2017)
mary sue (3d-gla22e2, 2019)
favorite sollux trait (3d-gla22e2, 2020)
doom-bound static (gendertrickster, 2023)
however i will say there's another thing i really like abt him:
his Range!
he has a v flexible face.. even with his neutral expression, you cant help but read a tinge of melancholy/pensiveness to it.
he deters people from getting too comfortable with him by acting crude, but no matter how unapproachable he looks you can't help but wonder if he's ok. seems like he's never content with himself.
just like karkat, anger gives him purpose = something to care about & react to. without it he can appear aimless/uncertain.
it's especially interesting when you compare him to aradia, who despite having endured a lot of shit, ends up enjoying the freedom of expanding her worldview, riding the unpredictable tide of the narrative and observing the changes. sollux... doesn't.
he doesn't like watching major things progress in a way he can't predict. the lack of certainty actually overwhelms him.
and it's pretty clear why; imagine the only reassurance you get after unknowingly killing ur gf is that "it needed to happen". the only way to appease that sort of emotional turmoil is by intellectualizing those events as inevitable and out of your control.
(hs, A6I5)
when you’re just a tool for the author, trying to sit out is just feeble self-preservation until you’re needed again. if you’re not called on stage to help/assist in some way, it feels like your presence spells doom (either you or someone else will get hurt). so you avoid Events as best you can.
210 notes
·
View notes
what is that dnp video that you always come back to, the most random video that cheers you up. for me it’s ‘dyeing my hair blue’ and way more recently ‘trunk dexting’
68 notes
·
View notes