Cinder is jealous. She's jealous of her step-sisters. They have pretty clothes and soft hands and a doting mother. She has none of which. Her sister Peony is her only human friend and even seeing her in a ballgown sparks "envy" in Cinder, because Peony gets a dress and can go to the ball. Cinder can't.
She doesn't believe she could be pretty. She's too clunky, she's not curvy. She pins it down to being cyborg or just naturally inadequate. Cinder doesn't have nice clothes or fancy things. Kai gives her gloves and they are "the most beautiful thing she had ever owned." And then they are ruined, like all the pretty things in her life. She has to survive, endure, and with that she doesn't have time for prettiness.
But Kai's first impression of her is that she's "cute" and "pretty." He calls her pretty in public, and he calls her pretty in his private thoughts. "Your pretty new mechanic in the lobby", "the pretty young mechanic at the market." He finds her gorgeous with her glamour, and his "knees threatened to buckle" in her beauty. Everyone else thought she was gorgeous, but no one was swooning the way he was. The glamour had amplified the attraction he'd already had towards her.
Thorne, upon seeing a cyborg stumble into his jail cell, has the first instinct to flirt with her. Not recoil, because of her metal and skin, but flirt because she's a girl and that's his favourite pastime. And what distinguished her from the many other pretty girls he normally flirted with? To him, "her irritation made her prettier". Her disgruntled personality, who she is, is her prettiness.
Adri tells Cinder that if she can't cry, she can't feel love. She does love, she loves so much, but she doesn't have time to grieve her sister or her anonymity or her freedom when she has a revolution to start. She has to tough it out.
When she's bound up in Kai's arms she feels safe, delicate, "almost like a princess."
Cinder pretends she doesn't have a crush on Kai because having a crush on a celebrity is "preadolescent," the trademark of immature, lovesick teenage girls. How can she be girly when she's a grimy mechanic? She "doesn't know the first thing about makeup", because do you think Adri would have ever let her buy some to try? Would Cinder have even bothered, believing nothing could improve a cyborg?
She dreams of "going to the ball and dancing with the prince." And when Iko teases her, Cinder says, "we all have our weaknesses". It is a weakness to be in love, because someone like Kai couldn't love her. She imagines being at the ball, "jealous of the girls who swooned to catch Prince Kai's attention." Jealous that they can be open with their attraction, jealous that he would pick them over her.
But he loves her. And when he does, she can't process the feeling "of being desired". She wants to carve 'C + K' into a wall, then berates herself for such "whimsy." Because deep down, she's always wanted to be wanted, and that truth is her weakness. But war doesn't last forever, and soon, she has no reason to hide that. There's no reason it would be a weakness.
Cinder is comfortable in baggy cargo pants and messy hair but she also dreams of wearing a beautiful ballgown. She loves her coronation dress. She calls the empress crown 'stunning.'
She never becomes obsessed with frills or glitter, but she slowly leans into soft, pretty things. She has a necklace from Kai and her engagement ring. It's sparkly and yet, Cinder, the so-called 'tough, aloof tomboy' thinks it makes her metal hand look "elegant". Maybe she starts wearing bracelets and earrings because they don't bother her when she isn't working on something mechanical. She doesn't even notice until Thorne jokes that she wears more metal in jewellery than the whole metal of her hand.
Maybe she buys herself a new set of tools with pink and blue iridescent handles simply because finds them pretty. Maybe when her friends tease her about how in love she is, she starts to acknowledge it.
Cinder is not some stereotype of a leading female character who is strong and as such cannot be feminine or soft or emotional. Was she given the chance to be?
Let her be soft. Let her be delicate. Let her pretty.
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At the top of his file was a three-dimensional holograph scanned in from his military graduation. Cress preferred it to the infamous prison photo that had become so popular, the one in which he was winking at the camera, because in the holograph he was wearing a freshly pressed uniform with shiny silver buttons and a confident, one-sided grin.
Seeing that smile, Cress melted.
Every. Time.
"Hello again, Mr. Thorne," she whispered to the holograph.
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Had the folks on Instagram vote on their preferred iteration of Cress’ Butterfly Dress. Majority flipped between 2 and 5, but I ultimately decided that between the two, 2 felt more extravagantly Lunar. Made some changes and here we are~ Ready for a coronation infiltration
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A small detail that I appreciate about tlc is that in all of the ships, each character started out at the same social level as their partner.
Kai and Cinder both born into royalty, until Cinder was sent to Earth and became an ostracised cyborg.
Thorne born into the American elite, Cress born to two of Luna's top scientists before she was declared a shell and stolen.
Jacin and Winter both children of lowly guards before her father was forced to marry Levana.
Scarlet and Wolf both average citizens before Wolf was subscripted into the wolfen army.
I think the conclusion to be drawn from this is that all the couples started off on even footing but for one reason or another were flung into opposite social realms. Yet none of them let prejudice get in the way of them being together.
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