#tisaqueen

[iwantthemtostay]

you can usually tell a lot about a person by the type of music they listen to. put your favourite playlist on shuffle and list the first ten songs then tag ten people! no skipping!

Thanks to @calculated2stagger for tagging me in this!

1. I Believe In A Thing Called Love - Branches  2. Happy And Sad - Kacey Musgraves 3. Found It In Silence - HAIM 4. King Of My Heart - Taylor Swift  5. I Can’t Help Myself (Sugar Pie, Honey Bunch) - Four Tops 6. Silk Chiffon -  MUNA, Phoebe Bridgers  7. This Woman’s Work - Kate Bush  8. Schedules - Sigrid 9. Overnight - Maggie Rogers  10. Roses - Carly Rae Jepsen

I’m tagging @idontneedtobeforgiven, @onlyskyaboveme, @carmen-sandiego-fic, @echoesofstardust, @oykamu, @soshedances18, @peacefulboo, @goodthingscomeinthrees @tisaqueen, @lovegodherself and anyone else who would like to do this :) 

#love that HAIM and Maggie popped up when I was organising stuff for going to see both of them live today! #also reminds me I haven't expounded on how EMOTION and the B sides are perfect pop recently and I should go listen

[echoesofstardust]

you can usually tell a lot about a person by the type of music they listen to. put your favourite playlist on shuffle and list the first ten songs then tag ten people! no skipping!

thanks @iwantthemtostay for the tag <3

1. the bed we made - tim mcgraw & faith hill

2. let's stay home tonight - needtobreathe

3. if i could fly - one direction

4. groceries - mallrat

5. home - cover by paravi

6. the lighthouse keeper - sam smith

7. pancakes for dinner - lizzy mcalpine

8. dance with me - morgan evans (feat. kelsea ballerini)

9. maybe we will - noah schnacky

10. my person - spencer crandall

tagging: @october-bird @reignandco @idontneedtobeforgiven @tisaqueen @peacefulboo @purplehazinggirl @falsettodrop @goodthingscomeinthrees @carmen-sandiego-fic @soshedances18 + anyone else who'd like to join <3

#thanks for the tag! #this playlist is dedicated to the idea of falling in love being like the feeling of coming home #which i will find a way to squeeze into whatever i'm writing haha #it's about the domesticity it's about the tenderness

[macaroni-rascal]

Wax poetry about their lifts please

On the very long, long, long list of things that vm do exceptionally well and better than anyone else, their lifts sit easily among the top three. I definitely think it’s part of the reason that they were/are set apart from the rest of the competition. For me, there are a few things that stand out which contribute to why their lifts are so iconic and so far above anyone else’s

Tessa and Scott’s lifts:

Get integrated seamlessly into the program

Are incredibly musical

Acrobatic, yet precise

Explore varying levels, positions, and shapes

Always in the character of the program

Have equal participation

Hardly ever get reused

Are constantly improving and pushing boundaries

In fact, for that second to last bullet point, the wonderful Tina (@bartowskis) made an entire gifset of different lifts that vm only every used once. 

For the purposes of time and gif space, I’m only going to focus on their senior career, because that is when their lifts really began to emerge as something distinct and unique onto them. 

Get integrated seamlessly into the program

One thing that has always bothered me about lifts in ice dance is that they are just used as tricks to make the audience gasp. Far too often I find they also get telegraphed, more pre-Gadbois days/pre-Canton days, it was very much skatingskating – and here’s a lift – and more skatingskatingskating and there was no rhyme or reason for the lift to be placed where it was, it just needed to be in the program. I think Tessa and Scott were really the first team to utilize lifts in a completely new and interesting way – they made their lifts part of the story of their programs, not just an element to be completed, and I think Valse Triste is one of the best examples of this.

I love the lifts in Valse Triste because they help so much to build the program; the music in this free program starts very slow and sweeping with the violin and the entire beginning of the free dance their movements are very purposeful, drawn out, extended, and sweeping, to match that music. When we get to the first lift, its almost the end of that first part and so they have this wonderful little straight line lift that you do not see coming, Tessa’s arm are lovely, the arch in her back, and the strong base from Scott creates such a lovely picture and creates with sort of “swooning” picture that fits the story they are trying to tell. It is just placed so perfectly, as soon as the lift ends, the music changes and it feels like the next part of the story is about to be told.

Incorporating lifts always ties in with musicality, because they are using the music to add little accents to the lifts. The combination lift is so quick in with Tessa just popping up, grabbing her leg and Scott holding that lovely edge before they go into the rotational aspect. Their rotational lift builds speed and momentum just as the music swells, and their final lift fits the theme so perfectly! They gain speed around the corner as the music becomes frenzied, Tessa lifts her arms into the air right when their is a small break in the music, she changes position, and Scott’s arm comes out as Tessa uses her core to balance right when the music stops and they get back on the ice as the music starts up again. So, as the music starts sweeping and simple, their lift matches, and as the music swells into a flurry, their lift matches, which helps to integrate the lifts and make the program seem like one complete movement and story, not a series of starts and stops and vignettes. 

I think Valse Triste was a perfect little appetizer to what they were working towards and what was in store for their skating careers. 

Are incredibly musical 

Umbrellas was a whole different story – and their short dance that year had one of their one off lifts and a reused an old rotational lifts, and every. single. lift. in their free dance that year, was new. New and wonderfully musical. 

The first lift I think especially is so unbelievably gorgeous. I have talked and ranted at length about how boring I find around the shoulder lifts because they always look labored, the man’s posture is terrible, and the lady’s position is awful…then there are these two, hitting this stunning lift right when the music swells triumphantly, they wait until the singer stops singing, and they hit this lift so quickly and so on time, it feels like the music was composed for the lift, not the other way around.

They are so fast into the first position, Tessa’s legs are extended, there is toe point and Scott is so strong to glide on one foot! And that is all only the first part of the lift, the rest of it is just as lovely and just as musical. The shapes they are creating and how seamlessly it is integrated into the program is just beautiful. This was the year they really started working with acrobats and cirque du soleil as well. And it certainly shows.

Once more, with their straight line lift – it comes right at the end of a piece of singing as the music swells so they are not only creating interesting shapes and adding to the story, they are using the music to make the story come alive and make the flow of the program match the flow of the music, as soon as the lift ends, the singing begins again. Just brilliant.

The last two lifts back to back at the end of the program during the din of the music are so wonderfully effective: how after a stunning step sequence where the singer is crooning “je t’aime je t’aime je t’aime” over and over again to have them choreograph to hug desperately, let go of each other then go into the lift that picks up right when the music does creates a wonderful moment that is only then compounded by the serpentine lift of Tessa standing on Scott’s leg and hitting her position right on the boom of the music and hitting her second position right when the music is beginning to soften – so the exultant position of Tessa standing tall fits the music just as the second position of Tessa upside down and lower fits the music just as well. 

It is no wonder this was their breakout year, the lifts just contributed to the overall impression. 

Acrobatic, yet precise

Now the next year, post surgery, Tessa and Scott still decided to put nothing but new lifts in the free dance yet again, like the legends they truly are. Must give a shoutout to the first iteration of the goose with Scott’s arms on his knees, that some honest to god ridiculousness and such a cool moment, such an interesting balance point. Of course the serpentine lift, The Serpentine Lift, is such an amazing moment, with Tessa literally just diving head first towards the ice as Scott catches her, the changes of position without getting messy, and the last part where they create of a sort of guitar looking shape to match their rock anthem free dance. That curve lift as well, is so interesting, the entrance and Tessa’s position along with Scott’s posture make such a wonderful impression on the ice. 

What I especially love is that even though their lifts became more and more acrobatic, they didn’t loose any of their speed or precision, rather they worked to improve is constantly to the lifts would have even more of an impact. 

Explore varying levels, positions, and shapes

What has always bothered me about lifts in ice dance is when they man holds a base and the lady just flips and flies into all these different positions without ever created a nice picture. To me, it points to a lack of core strength or a desire to hide a lack of extension and posture.

Tessa and Scott cannot relate.

I love that they always maintain a position, even in lifts with changes of positions, they are held long enough to create a gorgeous picture and wonderful effect on the ice. Special shout out to the Farrucas lift for being a perfect example of everything they do well in lifts: the quick, interesting, and acrobatic entrance, the gorgeous position and extension, Scott’s posture and strong base, in the character of the program with the Flamenco hands, right on the music and perfectly integrated. It’s just a masterclass in everything lifts can and should be. I love that Tessa has the core strength to get out of the lift by herself, her free leg doesn’t lose the extension and she just drops her leg and glides smoothly back to the ice.

I couldn’t make a waxing poetic post about their lifts without mentioning The Lift, the VM Lift: the Goose. I’m trying to think of any other team that has an official name of their lift, you have elements in singles named after skaters: the (brian boi)tano, the (adam) rippon, the (nancy) kerrigan spiral, etc. etc. But what other team has a lift so iconic, so recognizable, so unbelievable, as vm?

No one, that’s who.

As an aside, the fact that they learned the most iconic lift in ice dance post Tessa’s first surgery, when they weren’t on the best terms, and then continued to improve it constantly and consistently up until the olympics, makes me feel very soft and tender towards two young Canadian ice dancers. I remember reading, I think it was from their book, that they only started to really get back on terms and work together when they had to figure out a new exit of this lift, because lets not forget, originally, Tessa does a motherfucking half loop jump off of Scott’s thigh to land one footed on the ice, only to change it to maybe the only equally difficult and dangerous exit of Tessa just falling forward into Scott’s arms. I also love the little music lick that happens right when Tessa gets into and holds position, its just radiant ice dance.

The position they create is gorgeous, the parallel arms, the view for the judges where Tessa’s leg is hidden and she looks like she’s floating magically above Scott. Not the mention the exit itself creates a gorgeous position even though it lasts a half a second. I wish I had the words for the emotion this program gives me, but its completely ineffable. 

Across all the lifts vm do in this free dance, they create wonderful shapes and move into varying levels perfectly. Whether Tessa is reaching her hands up to the heavens only to go upside down and right side up again in the rotational lift, or the expansive nature of the goose, the shapes are just gorgeous. 

I especially love the stationary lift! This was during a time when stationary lifts were far more rare in ice dance than they are now, and this lift doesn’t even look like a lift, it just looks like a stunning and interesting transition until you realize the balance point. They get into it so seamlessly, Tessa’s extension and toe point is beautiful, her arm reaching up only to come down and wrap around Scott’s neck as if they aren’t defying gravity and physics, but are just in their own little world. 

Always in the character of the program 

Then we have the second surgery, and vm come back with, you guessed, all new lifts(-ish) in both their short dance (a one off lift) and their free dance – their straight line had the same position as the curve in Farrucas, but a different entry. I love the curve lift in Hip Hip Chin Chin, how it lasts for the entirety of the singer singing “temptaa-a-tion”, the lift itself fits the dance and the music change so well – Scott holds an amazing edge as Tessa winds herself around his body. The debut of the rotational lift that would serve them well in the olympics also appears here and the baby twist Tessa does into the lift is right out of Latin ballroom.

Shout out to Funny Face for having the most in character lifts, each one feels like it came out of an old movie. I especially love the curve lift and the combination lift, the curve lift is so in character, Scott is giving Fred Astaire face and Tessa’s positions are so interesting. The rotational lift, the entrance and the arch in Tessa’s back with her arms thrown out backwards is so triumphant and glorious. Not only are the lift positions in character, but vm stay in character during the lift itself. It’s always awkward to see ice dancers thinking in the middle of a lift, it takes you right out of the program. I love that Scott pulls Fred face in the middle of a lift, it makes the program come alive. 

I also love that they will change and workshop lifts if they aren’t working, during the 2011-2012 season, they changed their short dance lift a couple times before settling, they don’t let a program or a lift become stagnant or rote, rather the lifts stay alive and engaging as the skaters themselves.

Have equal participation

 Chaotic shoutout to Carmen for having the most sexual and gravity defying lifts. I’ve mentioned it before but I’m always annoyed by lifts that are clearly just the lady being dragged and thrown into different positions while she either hangs on for dear life or does the absolute least. With Tessa’s ballerina training and dancing experience, she knows how to hold herself, she is getting herself into position before Scott puts her there. 

To be totally honest Scott and Tessa’s lifts are not really lifts because Tessa isn’t getting lifted, she is just already there. Their lifts would not be possible if were not for Tessa and her core. It supports her, it supports me, it supports us all.

(tiny shoutout to the seasons for being both their most underwhelming program with the most underwhelming lifts – underwhelming for vm, that is to say amazing for any other team, the first part of the rotational lift is stunning and the curve lift at the end is gorgeous, but they had the same exit for multiple lifts and because of the music cuts in the music the program didn’t feel harmonious and that feeling bled into their lifts as well)

Hardly ever get reused

Tessa Virtue and Scott Moir said if we are going to do a comeback, we are going to comeback with new lifts.

And we are going to come back in style.

And did they ever.

God bless this curve lift, Scott’s strong squat and amazing edge quality giving them an amazing lean, Tessa’s core and strength letting her abandon herself into the lift, her arms gesturing expansively and expressively with the swell of the music and the tension in Prince’s voice during Purple Rain…I love the entrance because they get into it quick, Tessa’s leg kicks up SO high, the position and speed are wonderful, then the exit, so ridiculous if you realize the millisecond Tessa is in the air and completely flipping her body, Scott gets out of the squat and has to catch her, while she turns again and exits in a cool and amazing lunge right into their end pose.

Iconic. 

Latch, just like with several others of their programs, they came in with all new lifts. The first position in the stationary lift is similar to the mahler stationary lift but Tessa’s leg is bent underneath her and her arms are around Scott’s neck, and the other positions create such amazing shapes, and they’ve done a similar position in the second part of the rotational lift as well, though they altered it. Let’s take a moment to appreciate that vm book ended Latch with similar yet different lifts, because I love it and it makes me happy inside.

I love the rotational lift so much, I love how musical it is, how Scott does a small jump right before the entrance, how quickly Tessa flips up into position, then she slides down Scott’s body just as the music cascades to match her. It’s just a lovely moment.

My favourite lift in Latch is without a doubt the straight line lift, for a few reasons: I love that they changed it from what it was originally, a lift that worked better in theory than in practice. So rather than keeping the lift they did at ACI and SC, they came up with a completely new lift between their first and second grand prix. 

I love the entrance (similar to the entrance into the choreo lift from carmen, but so different as well). Tessa’s free leg does a complete circle from the entrance into the position she holds all while Scott changes direction and gets into a squat. The position she hits is so stunning, I see her make a full moon with her free leg then holding the position of a half moon during the lift. The arch in her back, her arms, her posture is gorgeous. The exit is just breathtaking, Tessa glides down Scott’s body so effortlessly she looks weightless, and to top it all off, Scott changes position again, turns on one foot (!!) and sets Tessa back on the ice.

It is just perfection.

Are constantly improving and pushing boundaries

Just as with everything else in their skating, they never remain stagnant and are always working to improve and sharpen their craft, which I appreciate so much. There is no complacency here. 

Watching The Rotational lift from Carmen versus Moulin Rouge is so amazing, how much more speed they have into the lift, how much faster Tessa gets up and into position and the much more difficult position change. It is truly such a mark of greatness to be constantly and consistently wanting to grow and learn and improve. Let’s also not forget that they changed this lift for the team event only to change it back for the free dance. Just because they could. In the same vein, going from the rotational lift in 2011 Hip Hip Chin Chin to 2018 Sympathy for the Devil, the lift improved so much! The entrance was quicker, the position is better, they are much faster, and the exit is far more seamless. It’s wonderful and fascinating. 

I love that for their curve lift, as they changed the music they also changed the lift in certain specific ways, Tessa’s arm movements changed to her powerful thrust up into the air and the exit became far more intense with Tessa jumping and twisting into Scott’s arms rather than gliding down his body, they shifted and improved the lift when they changed the program. 

Like, let us never forget that this is what is happening mid lift: she is flying.

Tessa Virtue and Scott Moir invented stationary lifts.

As this gif set shows, one of these things is not like the others.

No one has entrances and exits like that, Tessa vaulting herself backwards blindly knowing Scott will stop at the right time in the right spot, going from a full stop to the momentum to turn, switch positions twice, all the while maintaining speed, staying centered, holding positions and even holding eye contact. It was the perfect beginning of the free dance and set the tone for the next four minutes.

Lifts can so easily be just an element to check off where ice dancers look into their repertoire and chose what fits best, I appreciate so much that Tessa and Scott refused to be complacent when it came to their lifts, that at the beginning of their senior career they were completely committed to making their lifts more difficult, more interesting, just more more more.

Their lifts go above and beyond what we think is possible, literally and figuratively. 

#tisaqueen #konner talks skating #konner waxes poetic #okay #did i not say this ended up long #a bitch busted out the thesaurus for this okay? #djhfkasjdf #maria i hope you enjoy #im not gonna put anything under the cut #its just gonna be a long fucking psot #<3 #anywho #:D #this was fun #there may be typos but i cant look at it anymore so im posting #i rewrote and reworked it like 3 times #hahahahah

[twizzleenthusiast]

Frost, cowed and kilt!

frost - if you could give some advice to your younger self, what would you say?

Chill out, things don’t have to be perfect all the time. Also people spend a lot less time dissecting what you say and do than you think they do. Just have fun and don’t worry so much what everyone thinks of you. Please quit it with the blue eyeshadow and throw out your crocs asap.

I think the other two autocorrected from cobweb and quilt?

cobweb - (if you’ve graduated) do you miss high school?

Lol no. Maybe just the fact that I could devote myself semi-seriously to dance and music and theatre, most of which wasn’t actually at school. I was in my high school building for the first time since graduation recently for a play my cousin was in and I though I was going to jump out of my skin walking in there. I do miss undergrad a lot though, mostly because of the people I met there.

quilt - how do you take your tea (or coffee)?

Coffee with a bit of milk. If it’s iced, I like oat milk. If it’s a cappucino, I also put in a bit of brown sugar. Sometime I just drink it black if there are no lactose-free milk options available that I like. 

Tea just as is, unless it’s black tea, and then I sometimes put in some lemon and/or honey. Definitely no milk ever.

#Thank you! #tisaqueen

[anewbeginningagain]

35,36,37 and 59 ❤️

35. favourite subject

Like in school? In life? LOL. Well I love figure skating but I also really love politics and science, during this pandemic I read tons of articles and studies about the coronavirus and almost as many political pieces from both my country and the US. I do it because it interests me a lot but I also do it because I feel like we can’t trust many of the information sources we come across and I want to make up my own informed opinion based on credible and reliable sources. It’s a much bigger issue that I can elaborate on here but it’s for sure one that both interests me and scares me regarding its impact on our future. 

36. 3 dreams you want to fulfill?

Own my own dream house

Leave abroad for at least a year.

Have a child (though I’m undecided on this one tbh).

And a smaller one but current one - find a new job that makes me happy and I’m excited about and not compromise on something familiar and safe.

37. favourite actor/actress

Probably Sandrah Oh from Killing Eve and Jeremy Strong from Succession, both are phenomenal. 

59. why i joined Tumblr

Tessa and Scott, I didn’t know Tumblr existed before I found som TS tumbled back in the day LOL.

#tisaqueen

[papciz-gram]

Which one is your favorite program of them?

hmm it’s a tie between oblivion and moonlight sonata

#honourable mention goes to fame sad sigh that we didn't get to see it one more time #tisaqueen #ask

[medicisource]

This might be too much but can you gif Clarice’s “abduction” and Lorenzo’s reaction to it?

We apologise for the delay, here it is :)

#tisaqueen #answered #medici spoilers

[thatonekimgirl]

Has SOI 2018 aired on Canada already?

Yep! Though from what I’ve heard they condensed it into a one hour show? I haven’t seen much of it pop up online.

#if any canadians want to clarify feel free to jump in! #tisaqueen

[kithmet]

Silver moon is yours?

That fic is rated G. I don’t think I’ve ever written anything rated G in my life, hahahahahaha. But I’ll take this as a compliment because it’s a really lovely fic!

#tisaqueen #replies #this is really funny lol

[iwantthemtostay]

Louise and Tessa’s first meeting ? (I have to keep my brand as number one vampire AU fan 😎)

 Oh! That is a good question as it has been a while, haha.

I definitely think it was always an aim that T come off really well to Louise (which she would, because she’s lovely) so that from the beginning when S tells her about his past with T Louise maybe can see that the way he sees things might not actually be the case and how he’s describing her actions might not fit with who she appears to be. 

The delicate gold chain and T tugging it when she realises S is living there is key and will come up again. 

They’re both blindsided by seeing one another but T is a lot more conciliatory both because of where their relationship is and just that she’s aware that she still cares for him and he isn’t or doesn’t want to be when it comes to his feelings for her. She wants to try and make a connection with him when she talks about his hair and then kind of gives up but tells him she didn’t know he’d be there because she doesn’t want to intrude on him. He tries to make it seem like things are more serious with Louise than they really are when he tells T that Louise knows everything because she thinks that it was an active choice he made to tell her rather than Louise literally catching him red-handed (and she doesn’t know everything seeing as he left out the whole marriage thing). 

Even though S isn’t aware of how he cares for T, I still wanted it to be there when he immediately agrees to help out with keeping Eleanor safe and is about to get protective and tell T she shouldn’t try and deal with things alone when Eleanor drops the big reveal which has S wincing because of the bombshell and T wincing because it hurts for all the could have beens. 

DVD Commentary Meme

#tisaqueen #thank you! #t&s fic #there are more asks for this fic so you may have competition :P

[echoesofstardust]

FIRST! For the current project ask

FIRST — the first two sentences of my current project

(this is still wedding planners AU, but I kinda leant into my love of imagery for the opening sentences)

It’s like when you wake up and you’re just in time to see the sunrise, and as pinks and violets and golds and oranges unfurl and streak across the sky, something settles in your chest, something that you don’t yet have a name for. That, that’s what it feels like.

no excuses writing meme, askbox version

#thanks for the ask! #tisaqueen #i'm hoping that this will be a motif throughout the fic #the phrase 'it's like when...' plus a source of light #that matches where the characters are in their emotional journey #here's hoping i can execute it #asks

[macaroni-rascal]

54, 59 and 46

46: What my last text message says:

54: Something thats worrying me at the moment :

*gestures vaguely at everything*

59: Why I joined tumblr

Teenage boredom, I think?

#tisaqueen #thanks baaaaabe #☺️✌️🥰

[ecoamerica]

Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared

The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!

#ACLA24 #ACLA24Leaders #youtube #youtube video #climate leaders #climate solutions #climate action #climate and environment #climate #climate change #climate and health #climate blog #climate justice #climate news #weather and climate #environmental news #environment #environmental awareness #environment and health #environmental #environmental issues #environmental justice #environment protection #environmental health #Youtube

[swiftbejeweled]

🎵🎵 Good night girl!

(You sent two music notes so I’m gonna do two haha)

I Don’t Want To Know - Charlie Brennan

But if we don’t understand what we are, / How can we let each other know what’s wrong?

Carry You - Jimmy Eat World

I could never be the one that you want, don’t ask / Well, here’s to living in the moment ‘cause it passed

#that jimmy lyric has fucked me up for well over a decade lol #genuinely it once was in my msn name #(fuck me i'm old) #tisaqueen

[anewbeginningagain]

Sui/Han making a repetition of last year’s worlds. G/P surprising everyone and getting on the podium. Watching Disco Brits again... And H/D potential changes!

I agree with all of the above!

#let's talk about figure skating #tisaqueen

[sinkingsidewalks]

Dedication, Pulitzer and back story

Thank you so much!!

dedication: if you were to publish a book or multiple, who would you dedicate the book(s) to? my mom probably, because she’s the actual greatest parent in history. Or my best friend since she’s my biggest fan atm 😂

pulitzer: tell about/link a piece where you felt your writing was the best. I’m in such a funk about my writing rn so this is really hard. but I’m proud of a bunch of the metaphors in the miscarriage series and I really love the whole kitchen scene in compete against the stars (the pseudo anaphora, the tie in with Romeo and Juliet) even if there are some lines in that fic I’d change

backstory: how did you come to love writing? I honestly don’t even know the answer to this. I’ve loved books and writing ever since I was a little kid. in second grade we had ‘writers club’ in school where we wrote stories and our teacher typed them up and ‘published’ them and we’d read them to the class so I guess that’s where it started

ask me writer asks!

#asks #tisaqueen

[medicisource]

Hello! I've been looking but haven't have much luck. Do you guys know of any account that writes medici fanfiction?

Our mod Samia @swanlaurences writes fic ^-^, you can find them here on Tumblr or head to AO3

Other authors I know of:

@markantonys: Tumblr | AO3

@otg2012: Tumblr | AO3

- mod Markie

#tisaqueen #answered #fanfiction

[ecoamerica]

Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc

The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!

#ACLA24 #ACLA24HighSchoolStudents #youtube #youtube video #climate leaders #climate solutions #climate action #climate and environment #climate #climate change #climate and health #climate blog #climate justice #climate news #weather and climate #environmental news #environment #environmental awareness #environment and health #environmental #environmental issues #environmental education #environmental justice #environmental protection #environmental health #high school students #high school #youth #youth of america #school