#its just gonna be a long fucking psot

[bazooka-overkill]

MR SANDMAN BRAINROT EUEUUUGGHHH

okay yay brainrot won the poll. also i might psot dragon chan headcanons requested by wallet becuz yaaaaaayyy

uhhh also i dont really gaf about timelines. so if something doesnt line up time wise. ignore it. shh

ermmm cw for child fighting!! mr sandman didnt have the best middle school experience

BAZOOKA'S THOUGHTS:

i need this man so badly PLS MR. SANDMAN ONE CHAAAAANCEEEE

who typed that omg…

GENERAL SANDMAN INFO (canon + headcanon)

full name: isaiah joseph banks

birthday: april 12th

age: 31

height: 6’5” (197 cm)

weight: 284 lbs (129 kg)

origin: philadelphia, PA, USA

gender: cis male

sexuality: bisexual (might be in denial lmao. men say theyre fighting demons and the demons r bisexuality LMFAO)

family:

victoria banks, mother, alive

george banks, father, alive

no siblings

HEAD CANON TIME:

- insomniac. goes between sleeping for 11 hrs during the day and not sleeping at ALL, also explains the eyebags in his TD

- incredibly horrible sleep schedule. stems from his childhood

- also stems from his childhood but not exactly the best at socializing w other people

- somehow is friends w glass joe. don't ask me how it works they just ARE (and they may be a little. fruity.)

- has one of those light up squishy things that u hit to change the color. yeah he either fucking SLAMS that thing or gently pats it when he wants to change it. it’s a bunny for anyone curious

- goes thru the 5 min nap to the 5 hour nap pipeline. “oh im just gonna take a small nap,” then wakes up w the blankets all over the fucking room, the god damn windows r open, he’s somehow upside down, etc etc

- him and the ref have beef after his TD victory animation

- was one of those kids that would be on his knees near some mulch playing w the roly polies on the playground. he'd have like 20 in his palms in 5 minutes

- if u catch him right when he wakes up (like. RIGHT right when he wakes up) he accidentally calls people “baby.” it’s a habit he picked up from his mom and he’s pushed it back into his mind, but it slips when he isn’t exactly thinking (totally not projecting my own habits onto him guys)

- adding to the above that the person who originally found this out was glass joe. take that as you will

- he sends some of his boxing money to his parents to support them (he’s a mamas boy LEAVE ME ALONEEEEE)

- doesn’t exactly search for a relationship, believes that when he decides he’s ready for one the right person will find him

- gets dragged into world circuit outings by either super macho man or aran ryan. on the rare occasion it’ll be soda. one time they all went bowling and sandman watched aran ryan throw a bowling ball like a fucking baseball and it broke the ceiling

- knows how to make a MEAN philly cheese steak. will be mentally freak out (positively) if someone mentions they’ve never had one before. if he wasn’t so stoic he would be jumping up and down and going “YAAAAAYYYYY🎉🎉🎉” becuz he finally gets an excuse to make one for someone

- has 100% almost broken the world circuit ring's ropes (see his intermission animation in contender)

- his locker in the locker rooms is either completely spotless or dented to hell and back. bonus points if theres like. a fake succulent in there or some shit

- luvs animals. takes pics of cool animals he sees anywhere

origin backstory thing under cur bc its long

origin:

isaiah joseph banks, known as his boxing alias mr. sandman, was born on april 12th to victoria banks and george banks in the Doylestown Hospital. born to loving parents, isaiah grew up as an only child.

isaiah learned to keep to himself and care for himself very early on, as both of his parents were usually at work. they worked hard to provide for isaiah and themselves, but always put their son first. they

the time they spent at work would be made up at home, albeit this time could never be fully made up for a young isaiah. he had spent more time with babysitters and nannies than his own parents. of course, isaiah knew his parents loved him, but all the bonds that were supposed to be formed hadn’t; the time frame had passed.

the time they did spend together was… memorable, really. not in a bad way, but every moment— every waking minute— made isaiah into the man he is today.

every night, when his mother was home early enough, she would sing him a soft lullaby. when she wasn’t, his mother had recorded this lullaby onto a tape for him to listen to. this lullaby was the song that made mr. sandman: Mr. Sandman by The Chordettes. it wasn’t a typical children’s lullaby by any means, but by god he loves that song— present tense intended.

then, a problem arose: school. starting middle school is one thing, but isaiah found out how cruel children could be.

isaiah was big, to put it lightly. five foot six at age 12 was enough ground for bullying, and being dropped off by a few different babysitters/nannies in the morning only added to the ammunition.

with how big he was, the bullying never went farther than verbal harassment. soft giggling every time he talked in class, glances from across the classroom, the bullying was subtle except for the occasional direct blow to isaiah.

his boxing interest began when he was thirteen, where his parents enrolled him in a self defense class that revolved around boxing and the sort. they had found out about the bullying from the babysitters, as isaiah had been reporting what they had been saying to him. there, young isaiah learned the basics of boxing: dodging, punching, and jabs had been added to his arsenal.

isaiah had always relished in the safety of knowing that he’d never get attacked at school, but unfortunately this was false.

it was brutal really; the poor boy had been caught in the bathroom and was attacked from behind, slammed his face into the sink, and assaulted from there. it took around two minutes for teachers to hear the commotion, but they were two minutes too late.

there, isaiah was brought to the hospital. no one truly knows the full extent of his injuries, minus his parents. if you look closely at mr. sandman, his top teeth are a little crooked.

nothing exactly eventful happened other than he moved schools, and everything was smooth from there.

his boxing career began to take off when he was 17, when he met an old babysitter of his— one who had taken care of him up until he was 13. he had become a boxing coach and offered to take isaiah up as a student.

if you ever ask mr. sandman in an interview about his boxing idol, he’d most likely say his coach. that man taught him nearly everything he knows, and even taught him the dreamland express move that mr. sandman is most known for, albeit modified.

mr. sandman picked up his alias when his coach told him about the WVBA and their boxers. it was almost inevitable he’d choose mr. sandman in honor of his mother.

he had his first fight at age 18, where it went swimmingly well. records of this fight have been lost to time, but, according to word of mouth, mr. sandman nearly killed the poor man.

i gotta be honest w u all idk how to continue this. umm mr sandman meets a wvba recruiter and then uh yah.😁😁😁

#punch out #punch out wii #mr sandman #mr. sandman #IM MR SANDMANS BIGGEST FAN IVE SAID IT BEFORE BUT IT STANDS #AAAAAARRAGHHH #half of this is me just projecting onto him #also can we talk abt his hairstyle in TD like. who is ur barber #bazooka-overkill #bazooka overkill #also maybe hourglass if u squint

[macaroni-rascal]

Wax poetry about their lifts please

On the very long, long, long list of things that vm do exceptionally well and better than anyone else, their lifts sit easily among the top three. I definitely think it’s part of the reason that they were/are set apart from the rest of the competition. For me, there are a few things that stand out which contribute to why their lifts are so iconic and so far above anyone else’s

Tessa and Scott’s lifts:

Get integrated seamlessly into the program

Are incredibly musical

Acrobatic, yet precise

Explore varying levels, positions, and shapes

Always in the character of the program

Have equal participation

Hardly ever get reused

Are constantly improving and pushing boundaries

In fact, for that second to last bullet point, the wonderful Tina (@bartowskis) made an entire gifset of different lifts that vm only every used once. 

For the purposes of time and gif space, I’m only going to focus on their senior career, because that is when their lifts really began to emerge as something distinct and unique onto them. 

Get integrated seamlessly into the program

One thing that has always bothered me about lifts in ice dance is that they are just used as tricks to make the audience gasp. Far too often I find they also get telegraphed, more pre-Gadbois days/pre-Canton days, it was very much skatingskating – and here’s a lift – and more skatingskatingskating and there was no rhyme or reason for the lift to be placed where it was, it just needed to be in the program. I think Tessa and Scott were really the first team to utilize lifts in a completely new and interesting way – they made their lifts part of the story of their programs, not just an element to be completed, and I think Valse Triste is one of the best examples of this.

I love the lifts in Valse Triste because they help so much to build the program; the music in this free program starts very slow and sweeping with the violin and the entire beginning of the free dance their movements are very purposeful, drawn out, extended, and sweeping, to match that music. When we get to the first lift, its almost the end of that first part and so they have this wonderful little straight line lift that you do not see coming, Tessa’s arm are lovely, the arch in her back, and the strong base from Scott creates such a lovely picture and creates with sort of “swooning” picture that fits the story they are trying to tell. It is just placed so perfectly, as soon as the lift ends, the music changes and it feels like the next part of the story is about to be told.

Incorporating lifts always ties in with musicality, because they are using the music to add little accents to the lifts. The combination lift is so quick in with Tessa just popping up, grabbing her leg and Scott holding that lovely edge before they go into the rotational aspect. Their rotational lift builds speed and momentum just as the music swells, and their final lift fits the theme so perfectly! They gain speed around the corner as the music becomes frenzied, Tessa lifts her arms into the air right when their is a small break in the music, she changes position, and Scott’s arm comes out as Tessa uses her core to balance right when the music stops and they get back on the ice as the music starts up again. So, as the music starts sweeping and simple, their lift matches, and as the music swells into a flurry, their lift matches, which helps to integrate the lifts and make the program seem like one complete movement and story, not a series of starts and stops and vignettes. 

I think Valse Triste was a perfect little appetizer to what they were working towards and what was in store for their skating careers. 

Are incredibly musical 

Umbrellas was a whole different story – and their short dance that year had one of their one off lifts and a reused an old rotational lifts, and every. single. lift. in their free dance that year, was new. New and wonderfully musical. 

The first lift I think especially is so unbelievably gorgeous. I have talked and ranted at length about how boring I find around the shoulder lifts because they always look labored, the man’s posture is terrible, and the lady’s position is awful…then there are these two, hitting this stunning lift right when the music swells triumphantly, they wait until the singer stops singing, and they hit this lift so quickly and so on time, it feels like the music was composed for the lift, not the other way around.

They are so fast into the first position, Tessa’s legs are extended, there is toe point and Scott is so strong to glide on one foot! And that is all only the first part of the lift, the rest of it is just as lovely and just as musical. The shapes they are creating and how seamlessly it is integrated into the program is just beautiful. This was the year they really started working with acrobats and cirque du soleil as well. And it certainly shows.

Once more, with their straight line lift – it comes right at the end of a piece of singing as the music swells so they are not only creating interesting shapes and adding to the story, they are using the music to make the story come alive and make the flow of the program match the flow of the music, as soon as the lift ends, the singing begins again. Just brilliant.

The last two lifts back to back at the end of the program during the din of the music are so wonderfully effective: how after a stunning step sequence where the singer is crooning “je t’aime je t’aime je t’aime” over and over again to have them choreograph to hug desperately, let go of each other then go into the lift that picks up right when the music does creates a wonderful moment that is only then compounded by the serpentine lift of Tessa standing on Scott’s leg and hitting her position right on the boom of the music and hitting her second position right when the music is beginning to soften – so the exultant position of Tessa standing tall fits the music just as the second position of Tessa upside down and lower fits the music just as well. 

It is no wonder this was their breakout year, the lifts just contributed to the overall impression. 

Acrobatic, yet precise

Now the next year, post surgery, Tessa and Scott still decided to put nothing but new lifts in the free dance yet again, like the legends they truly are. Must give a shoutout to the first iteration of the goose with Scott’s arms on his knees, that some honest to god ridiculousness and such a cool moment, such an interesting balance point. Of course the serpentine lift, The Serpentine Lift, is such an amazing moment, with Tessa literally just diving head first towards the ice as Scott catches her, the changes of position without getting messy, and the last part where they create of a sort of guitar looking shape to match their rock anthem free dance. That curve lift as well, is so interesting, the entrance and Tessa’s position along with Scott’s posture make such a wonderful impression on the ice. 

What I especially love is that even though their lifts became more and more acrobatic, they didn’t loose any of their speed or precision, rather they worked to improve is constantly to the lifts would have even more of an impact. 

Explore varying levels, positions, and shapes

What has always bothered me about lifts in ice dance is when they man holds a base and the lady just flips and flies into all these different positions without ever created a nice picture. To me, it points to a lack of core strength or a desire to hide a lack of extension and posture.

Tessa and Scott cannot relate.

I love that they always maintain a position, even in lifts with changes of positions, they are held long enough to create a gorgeous picture and wonderful effect on the ice. Special shout out to the Farrucas lift for being a perfect example of everything they do well in lifts: the quick, interesting, and acrobatic entrance, the gorgeous position and extension, Scott’s posture and strong base, in the character of the program with the Flamenco hands, right on the music and perfectly integrated. It’s just a masterclass in everything lifts can and should be. I love that Tessa has the core strength to get out of the lift by herself, her free leg doesn’t lose the extension and she just drops her leg and glides smoothly back to the ice.

I couldn’t make a waxing poetic post about their lifts without mentioning The Lift, the VM Lift: the Goose. I’m trying to think of any other team that has an official name of their lift, you have elements in singles named after skaters: the (brian boi)tano, the (adam) rippon, the (nancy) kerrigan spiral, etc. etc. But what other team has a lift so iconic, so recognizable, so unbelievable, as vm?

No one, that’s who.

As an aside, the fact that they learned the most iconic lift in ice dance post Tessa’s first surgery, when they weren’t on the best terms, and then continued to improve it constantly and consistently up until the olympics, makes me feel very soft and tender towards two young Canadian ice dancers. I remember reading, I think it was from their book, that they only started to really get back on terms and work together when they had to figure out a new exit of this lift, because lets not forget, originally, Tessa does a motherfucking half loop jump off of Scott’s thigh to land one footed on the ice, only to change it to maybe the only equally difficult and dangerous exit of Tessa just falling forward into Scott’s arms. I also love the little music lick that happens right when Tessa gets into and holds position, its just radiant ice dance.

The position they create is gorgeous, the parallel arms, the view for the judges where Tessa’s leg is hidden and she looks like she’s floating magically above Scott. Not the mention the exit itself creates a gorgeous position even though it lasts a half a second. I wish I had the words for the emotion this program gives me, but its completely ineffable. 

Across all the lifts vm do in this free dance, they create wonderful shapes and move into varying levels perfectly. Whether Tessa is reaching her hands up to the heavens only to go upside down and right side up again in the rotational lift, or the expansive nature of the goose, the shapes are just gorgeous. 

I especially love the stationary lift! This was during a time when stationary lifts were far more rare in ice dance than they are now, and this lift doesn’t even look like a lift, it just looks like a stunning and interesting transition until you realize the balance point. They get into it so seamlessly, Tessa’s extension and toe point is beautiful, her arm reaching up only to come down and wrap around Scott’s neck as if they aren’t defying gravity and physics, but are just in their own little world. 

Always in the character of the program 

Then we have the second surgery, and vm come back with, you guessed, all new lifts(-ish) in both their short dance (a one off lift) and their free dance – their straight line had the same position as the curve in Farrucas, but a different entry. I love the curve lift in Hip Hip Chin Chin, how it lasts for the entirety of the singer singing “temptaa-a-tion”, the lift itself fits the dance and the music change so well – Scott holds an amazing edge as Tessa winds herself around his body. The debut of the rotational lift that would serve them well in the olympics also appears here and the baby twist Tessa does into the lift is right out of Latin ballroom.

Shout out to Funny Face for having the most in character lifts, each one feels like it came out of an old movie. I especially love the curve lift and the combination lift, the curve lift is so in character, Scott is giving Fred Astaire face and Tessa’s positions are so interesting. The rotational lift, the entrance and the arch in Tessa’s back with her arms thrown out backwards is so triumphant and glorious. Not only are the lift positions in character, but vm stay in character during the lift itself. It’s always awkward to see ice dancers thinking in the middle of a lift, it takes you right out of the program. I love that Scott pulls Fred face in the middle of a lift, it makes the program come alive. 

I also love that they will change and workshop lifts if they aren’t working, during the 2011-2012 season, they changed their short dance lift a couple times before settling, they don’t let a program or a lift become stagnant or rote, rather the lifts stay alive and engaging as the skaters themselves.

Have equal participation

 Chaotic shoutout to Carmen for having the most sexual and gravity defying lifts. I’ve mentioned it before but I’m always annoyed by lifts that are clearly just the lady being dragged and thrown into different positions while she either hangs on for dear life or does the absolute least. With Tessa’s ballerina training and dancing experience, she knows how to hold herself, she is getting herself into position before Scott puts her there. 

To be totally honest Scott and Tessa’s lifts are not really lifts because Tessa isn’t getting lifted, she is just already there. Their lifts would not be possible if were not for Tessa and her core. It supports her, it supports me, it supports us all.

(tiny shoutout to the seasons for being both their most underwhelming program with the most underwhelming lifts – underwhelming for vm, that is to say amazing for any other team, the first part of the rotational lift is stunning and the curve lift at the end is gorgeous, but they had the same exit for multiple lifts and because of the music cuts in the music the program didn’t feel harmonious and that feeling bled into their lifts as well)

Hardly ever get reused

Tessa Virtue and Scott Moir said if we are going to do a comeback, we are going to comeback with new lifts.

And we are going to come back in style.

And did they ever.

God bless this curve lift, Scott’s strong squat and amazing edge quality giving them an amazing lean, Tessa’s core and strength letting her abandon herself into the lift, her arms gesturing expansively and expressively with the swell of the music and the tension in Prince’s voice during Purple Rain…I love the entrance because they get into it quick, Tessa’s leg kicks up SO high, the position and speed are wonderful, then the exit, so ridiculous if you realize the millisecond Tessa is in the air and completely flipping her body, Scott gets out of the squat and has to catch her, while she turns again and exits in a cool and amazing lunge right into their end pose.

Iconic. 

Latch, just like with several others of their programs, they came in with all new lifts. The first position in the stationary lift is similar to the mahler stationary lift but Tessa’s leg is bent underneath her and her arms are around Scott’s neck, and the other positions create such amazing shapes, and they’ve done a similar position in the second part of the rotational lift as well, though they altered it. Let’s take a moment to appreciate that vm book ended Latch with similar yet different lifts, because I love it and it makes me happy inside.

I love the rotational lift so much, I love how musical it is, how Scott does a small jump right before the entrance, how quickly Tessa flips up into position, then she slides down Scott’s body just as the music cascades to match her. It’s just a lovely moment.

My favourite lift in Latch is without a doubt the straight line lift, for a few reasons: I love that they changed it from what it was originally, a lift that worked better in theory than in practice. So rather than keeping the lift they did at ACI and SC, they came up with a completely new lift between their first and second grand prix. 

I love the entrance (similar to the entrance into the choreo lift from carmen, but so different as well). Tessa’s free leg does a complete circle from the entrance into the position she holds all while Scott changes direction and gets into a squat. The position she hits is so stunning, I see her make a full moon with her free leg then holding the position of a half moon during the lift. The arch in her back, her arms, her posture is gorgeous. The exit is just breathtaking, Tessa glides down Scott’s body so effortlessly she looks weightless, and to top it all off, Scott changes position again, turns on one foot (!!) and sets Tessa back on the ice.

It is just perfection.

Are constantly improving and pushing boundaries

Just as with everything else in their skating, they never remain stagnant and are always working to improve and sharpen their craft, which I appreciate so much. There is no complacency here. 

Watching The Rotational lift from Carmen versus Moulin Rouge is so amazing, how much more speed they have into the lift, how much faster Tessa gets up and into position and the much more difficult position change. It is truly such a mark of greatness to be constantly and consistently wanting to grow and learn and improve. Let’s also not forget that they changed this lift for the team event only to change it back for the free dance. Just because they could. In the same vein, going from the rotational lift in 2011 Hip Hip Chin Chin to 2018 Sympathy for the Devil, the lift improved so much! The entrance was quicker, the position is better, they are much faster, and the exit is far more seamless. It’s wonderful and fascinating. 

I love that for their curve lift, as they changed the music they also changed the lift in certain specific ways, Tessa’s arm movements changed to her powerful thrust up into the air and the exit became far more intense with Tessa jumping and twisting into Scott’s arms rather than gliding down his body, they shifted and improved the lift when they changed the program. 

Like, let us never forget that this is what is happening mid lift: she is flying.

Tessa Virtue and Scott Moir invented stationary lifts.

As this gif set shows, one of these things is not like the others.

No one has entrances and exits like that, Tessa vaulting herself backwards blindly knowing Scott will stop at the right time in the right spot, going from a full stop to the momentum to turn, switch positions twice, all the while maintaining speed, staying centered, holding positions and even holding eye contact. It was the perfect beginning of the free dance and set the tone for the next four minutes.

Lifts can so easily be just an element to check off where ice dancers look into their repertoire and chose what fits best, I appreciate so much that Tessa and Scott refused to be complacent when it came to their lifts, that at the beginning of their senior career they were completely committed to making their lifts more difficult, more interesting, just more more more.

Their lifts go above and beyond what we think is possible, literally and figuratively. 

#tisaqueen #konner talks skating #konner waxes poetic #okay #did i not say this ended up long #a bitch busted out the thesaurus for this okay? #djhfkasjdf #maria i hope you enjoy #im not gonna put anything under the cut #its just gonna be a long fucking psot #<3 #anywho #:D #this was fun #there may be typos but i cant look at it anymore so im posting #i rewrote and reworked it like 3 times #hahahahah

[theday]

🎁 🎄 >:)

miss ayesha... u know ID DIE FOR YOU um got a little long here whoops

compliment: bitch u already know wht im gonna talk about :-/ firstsofall.... ur fics are so wonderfully written and really bring out any and every sort of emotion in me like?? i already told u but ghost au made me so warm and happy and when the *ngst came i got so :-( you rly tug on my heart strings ur just that amazing..... jungle au is doing amazing as well and its heading in such a lighthearted direction i Love this Song??? idk all ur fics never fail 2 amaze and make me happy ur impact..! and!! whenever we discuss our hh ideas i get so happy im just.. smiley all the time now whenever we talk i love it thank u for always indulging me

why i followed you: thank god this is easy for my fish memory i was hunting for hh fics while in i was resting in japan and guess what i came across! the legendary ghost au fic and i read the first chap,, saw ur links and smashed that follow button also i got so excited when you made this post after i commented on chapter 2 :-( ayesha fuck my life i rly went through ur blog and after that i played myself bc of all the mh posts... i died i mcfucking died ! hes so cute i love minhyuk so much anyway i dont even know what the fuck i was saying hold on ok yes right why i followed u long story short i followed you bc of ghost au there u have it ! also that hh spam i did im laughing i cant believe you followed back bc of that and look at where we are now... talking abt minhyuk being a b*tt*m bc hes the ventricle wyfhsddhjhs also that chapter 2 text post was made on oct 19th that means we’ve really only been buddies for ~2 months thats wild hey i dont say this muhc but i fucking love u?

what i like most about you: fuck my life u know ur the sweetest friend i have?? i meant tjats redacted i love all my buds theyre all gorgeous and have hearts of gold but u miss ayesha.. truly... u reached throguh my skin cells and physically + emotionally touched my squishy heart :-( this sounds terrible but u know when u wrote me that birthday fic i rly fucking. i almsot cried this is an exaggeration bc im literally earth and dirt so i dont cry but please if i was a water sign id be mcfucking bawling just know that alright and i mean i kind of expected it bc of “what do you think of soulmates au”, “dont interact with soulmate aus” and then “tell me when its 12am your time” please ayesha please i just god i wish i couldve told you in words but clearly i coudlnt bc of fucking character limit on ao3 but u know i was really so happy i was about to make a whole psot for you but then u sent me this so i was like YEs i get to express my LOVE and everything for u so here i am, rambling :^( you really wrote 6k words for me and thats the most anyone has done for me i dont . i dnt celebrate my birthday here but you.. you went out of your way to write somethiing for me??? it was for me?? i still havent even properly processed that fact because its just??? i have never ever gotten such a ??? thoughtful gift?? in my whole 16 years of living and breathing so ayesha you reallY!!! and you stayed up to write it??? just... thank you so much i wish i couldve done the same and you know what else??? we arent even friends for like 6 months no its just about 65 days maybe and yet!!! and yet you still wrote soemthing for me (and the hh tag since its dry as shit) but . the thought still stands.. you really wrote a birthday fic for me.... thank you so much ayesha :~( i know we bully each other constantly nd u might be expecting this to me like mean but i cant bc whtf the fuck! i love u so much youve done so much for the hyunghyuks and me?? you really brighten up my days and whenever you approve of a song rec thats possibly hh i get so fuckign happy im just one sappy piece of earth rn but!!!! i really really appreciate you and im jsut?? thank you for being born thank you for existing thank you for being my friend i love u :( youre so supportive too i feel so at ease sharing what i write with you you make everything so easy and god i bever shut the fuck up but please...... discussing hyunghyuk aus/ideas with you is my only saving grace at times and juts!! thank u so much again hhhhhh ur so considerate and supportive thank u... also (for the nth time) u always never ffail 2 make me laugh especially with jungle au the banter... god i love it :( basically i like everything abt u wtf legened omg just remembered but whenever we have a same brainwaves moment i get so happy too it rly gets my heart bumping its like im dong cardio wtdhhdhjssjhdhj i love it thank u always

IM CRYING IT GOT SO LONG.... thank u for sending it in i rly wanted to thank you

mutuals send me ‘🎁’ for a compliment or send me ‘🎄’ for why i followed you / what i like most about you

#dirt and water mix #minhyukwithagun #asks