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#this was supposed to be refs for drawing comics but now i want to draw them all orz
nebulousbren · 26 days
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BG3 Companions Part 1!
Had fun playing around with giving everyone distinct heights/body types. I plan on drawing the rest of the recruitable companions (Halsin, Minthara, Jaheira and Minsc) and maybe even a few fan fave npcs, but was excited to post these guys first.
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i-am-a-fan · 4 days
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Question time cuz now I'm curious! (Mainly pirate AU cuz you guys sorta caused a fixation) What is the mark on her forehead? Is it related to her inheriting the samadhi fire or is it related to her draconic past? :0 IS THERE A FIC I CAN CONSUME?? Is there other refs on the making? I'm interested to see Sandy's design :3 Are you and spoof like co-au authors, or do you guys kinda pass the au kinda like hot potato? (lol) I noticed that in the concept for the pirate AU it had a doodle indicating that the treasure (which I'm presuming is the staff from previous post 👀👀) is located on Macaques eye. (probably, idk) and that Mk is the key. So uh. Bestie. How does t h a t work???? (Am nervous of angst)
Loving the details! Love the Au! Love any silly thing, either way keep it up Speck!
-your friendly mutual Peony (I should change my pfp lol)
OKAY. IMMA JUST RAMBLE BECAUSE I GOT SOME ANSWERS THAT ARENT SPOILERS. WAHOOO!!! This got long. So just click see more for all the answers
summary:
1. Both. 2. Yes and no. 3. No refs but comics are still being sketched. 4. It’s more like a game of telephone, and 5. i’ll explain when we get there.
1. The mark on mei’s forehead is actually from both!
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My inspiration was the pattern on the back of redson’s jacket in the show. It has 3 fireballs and three lines in the middle. Since i deeply love putting in tiny details I of course used this as inspiration for the markings on redson’s back in the au.
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The same markings that they got when the samadhi fire was ripped away from their body and sealed into the golden rings. However, it looks like part of the pattern is missing from the burn marks on redson…
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2. Is there a fic? Yes and no. I’m still super new at writing fan fiction and comics are my go-to place for storytelling, as a result I’m hesitant to actually release any fic to the public. More so, the comics give me some time to actually think about what I want the plot to be, since i’m just laying down train tracks as I go. (Terrible. i know.)
3. Are there any refs in the making? Honestly? right now, no. Ref sheets are fun but only when you draw that character a lot. And unfortunately, just doing the mei sheet took me around 20 hours total to get it where i wanted it to be. So, i’m still working on other sheets. However, since you asked about Sandy..
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He’s supposed to appear in the next comic which will probably take me a while to do. So please be patient! With finals and everything I have no idea what my day to day looks like.
4. Are me and @spoofyleaf co-authors or is this a game of hot-potato? I think it’s closer to a game of telephone, where things get lost in translation sometimes, but over all the message gets passed. The amount of rambling they endure from me in ungodly and i appreciate them. so much.
5. The concept art… uhh don’t worry about :>
THANK YOU FOR YOUR QUESTIONS!!!
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dirtyoldmanhole · 7 months
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@/damoselcastel was kind enough to show me a bunch of the FE:Fates visual works artbook pages the other day!
and because i am continuing to be .... brain rotted (lol) ... grabbed a copy since there was more than a few relevant pages/official artworks, and wanted to have a high res/color corrected version of these pages for art refs to slap on my reference boards! if i'm looking at them every day now for the past three months they better be accurate!!!
anyway! it came TODAY!!! :D :D pakidge
IT WASN'T EVEN SUPPOSED TO COME UNTIL THE END OF THE MONTH AAAAA
god dang this thing is THICK, now this is what i call a proper artbook! a little hard to see here but you can see by both the front and the spine that it's a chonker -- the two tellius artbooks combined are thicker but they're also a bit smaller elsewhere.
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rest is under the cut b/c it's me promptly going feral :P
(and seeing who's on the spine ahhh!!! honestly that's really cool and super appropriate given his subtle plot/character relevance?! super fucking cool to keep seeing nintendo nod at him in symbolically relevant places, but not too overtly )
SPEAKING OF I SHIT YOU NOT GUESS WHICH SPREAD THIS THING FELL TO FIRST
I SHIT
YOU
NOT--
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stone cold, swear to you, straight up didn't intend that but this was literally me irl then:
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:')))))))))
(also HE GETS A WHOLE SPREAD???? and a turnaround?!!!!!! even freaking corrin's nohr noble design gets like an EIGHTH of the page
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gunter gets treated SO WELL in this artbook i'm on the floor trying not to sob like i'm sixteen again and begging for any zihark scraps
also this is so much more high res than what's on my reference board the nitpicky artist in me is literally crying for joy about FINALLY HAVING A HIGH RES REFERENCEEEEEEEEEEE
also what the fuck the architecture is so cool???????????
THE WORLDBUILDING I AM WILDING
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for real tho i remember my first conquest playthrough my jaw was on the FLOOR being genuinely amazed at how cool the worldbuilding was especially on the nohrian side with the gothic vibe and y'all don't know how useful this is going to be to replicate nohrian motifs in all of my drawings/probable comics/doujinshi/etc.
[foams at mouth]
this artbook also covers EVERYTHING
like there's a healthy amount of character work , but there's also enemy designs (always thought fate's enemy designs were unusually kickass, like some of these folks could be outright characters themselves), the architecture stuff above....
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my room lines....
OH MY GOD THIS MEANS I HAVE A THIRD SET OF TRANSLATIONS I CAN CROSS REFERENCE TO FUCK YES
sorry for shitty blurriness it's just me vibrating in excitement lmao i'll upload it in the high res chunk
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.....
hellooooo sir~~~~
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(you knew i was going to be posting that shot >:D )
his possession CGI gets a full fucking page too ajlsjsjkskjhhjshjg
HE GETS TREATED SO GOOD HERE Y'ALL, SO MANY FULL PAGES???????????? is this what it's like to be brain rotted over a major character i will never know the feeling lul
(there's actually at least two other gunter fullbody artworks in here, those have already been scanned/uploaded properly by others so i won't post 'em here unless y'all want em!
and then lastly!
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to finish it off, god this cover progress is so cool, kozaki knows what he's doing.
and i'm pretty sure gunter's linework gets changed halfway through, his expression's somewhat different than on the final! and i'll be posting that along with the other high res/cleaned up scans! just need to figure out if my scanner's gonna do a better job than my phone or vice versa.
[tries to stay composed] [fails]
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
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semi-sketchy · 1 year
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As for the OC thing, I don't have an inherent problem with them existing (I mean, it's not like I don't have my own OC...), and I can even understand being mindful of wanting them to fully be their own person, as opposed to *just* something that Sonic influences. But of course, IDW has handled them very poorly, with most of them either being just plain shit (like Surge), or the ones who could have been great being ruined to the point of fatigue (like Tangle).
I got my own OCs, too. They're a lot of fun! I will finish their refs one day I just keep drawing dogs instead
I think Sonic as a series is very open to new characters. Unlike something that follows a completely linear story/timeline (like Xenoblade), it's incredibly easy to add someone new to the cast since Sonic is always traveling, looking for the next adventure and meeting new people. If a new character is introduced, it doesn't interrupt the overarching story since each one is relatively self-contained. You can hop in anywhere and that's something I love.
When you have a static character like Sonic who isn't going to have major development arcs, it makes sense to show how his positive attitude and heart of gold inspires others. The story isn't about following his personal growth; it's about how he touches the lives of others.
He helped give Tails confidence after he was bullied, he inspired Amy to become stronger so she could keep up with her hero, taught Blaze she didn't need to shoulder everything alone, showed Chip the world he never knew, and was there for Shahra when she was finally freed from her abusive boyfriend. It's not just Sonic either, this even extends to other characters, such as Amy reminding Shadow what he was created for.
I think that's actually a strong suit of the Sonic series and considering how large the cast is, I believe Sonic Team sees that, too. Which is why I'm missing it so bad in IDW.
Lots of the comic cast are just kinda there and that's okay, not everyone in the game cast is specially touched by Sonic, I mean the Babylon Rogues didn't exactly have a takeaway. Although, there hasn't really been anyone new that Sonic has had a personal impact on.
Tangle was a fighting adrenaline junkie already, Whisper opened up because of Tangle, Tails is just housing Belle and she finds closure on her own, Jewel is...I'll be honest I haven't quite figured that out yet, she really just exists.
Lanolin DOES get inspired to do more because of Sonic, but that's all off-screen and when she doubts herself, it's Tangle that picks her up — not Sonic. The closest I feel we've gotten to a character that Sonic has really affected is Surge and...yeah, she's her own bundle of problems.
I believe Surge and Kit were supposed to be Sonic's consequences — something to make him reflect on his mistakes and possibly take some responsibility for it, but it became condescending. It served for him to double-down on how he was right instead of acknowledging that his actions enabled their creation and continued to cause them pain.
I just saw projection. Surge spouting off about Sonic's holier-than-thou attitude, flinging the criticisms Flynn had gotten at Sonic and digging in his heels that he was right. (I know Stanley handled them after #51, although it appears the writing process is very much a collaborative one and she does try to mimic his style.)
There was nothing learned, nothing gained, no growth for anyone, the arc didn't matter, which is a problem the comic has suffered from before. I recognize it's a challenge with continuous stories, things happen because they're entertaining to read, but there really was no takeaway with any of it.
It's a shame because it'd be so easy to apply the obvious angle of getting close/succeeding in your goal doesn't fix the actual problem. The pain and anger doesn't go away, but now you don't have anywhere to direct it to. That's what I wanted to see with them, but of course, as Flynn said, this isn't something smarter.
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askfallenroyalty · 2 years
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since the epilogue is close to ending, here's some sketches of wip designs
this is very rambly so i'll add ID descriptions later, sorry. (its 4am for me rn)
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Frisk looks too older, they've only aged 2 years. both chara and asriel's designs here are SO beta and non refined. I think this was drawn even before Flowey came out -I wasn't sure how much of the trans aspect was going to come into play. I initially wanted the comic to end with Chara and Asriel reconciling after the Toriel-Asriel Airplane Call scene, but realized that there was too much unsaid between the two that needed to be hashed out and the epilogue had enough to cover already.
It was going to be a last minute "oh btw, since coming home Asriel is trans now, deal with it" but THANK GOD i didn't just sneak it in like that and explored the topic in the comic instead.
I forgot where this artwork was saved so I tried to draw it back from memory a few months later:
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Chara's form was starting to come together -i assume this was around the time that Chara got their boss monster form in the comic itself. I like that Frisk has a Bi flag shirt here -I should of gone with that! The cheeks are more square but ultimately I thought age 15 wouldn't allow for that much of a change. so yeah, this is what an adult frisk would look instead.
oh! for funsis: did you know i was originally going to have the other fallen humans be skeletons instead of different monsters?
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I thought it was too similar to insanelyadd's skeleton fallen kids. I actually am friends with Addy now, but then I had to message and be like "🥺is it ok if i also do this i swear i'm not copying" to which they were chill about. ultmatly i felt the designs were to Sans-like and didn't allow for much creativity. (also why tf does Hol have green instead of cyan colors what was wrong with my computer or me in 2018 lmao
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I always wanted to show the kids age and progress throughout the comic. oh my god the hair is SO anime here ouch! anyway I wanted Chara to really lean into the "prim and proper" role they give themself. I thought it was so cool to have them cut their hair short in the back and have long hair in the front. (wait. wait, thats what Chara does now in the epilogue. huh.)
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honestly??? i like "pissed off librarian" vibes this frisk has here. Also weird to see my Frisk without an afro!
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sadly no beta adult asriel designs. no idea why i never drew any then.
Here's me figuring out how Chara should have a monster form -here's proto boss monster chara, as you can see i planned out the red hair aspect early on enough that this was before the timeskip happened.
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um. anyway, pre-epilogue concept sketches. I think Raine had bird wings at this stage?? dang wild. Don't ask why Franky looks like a new yorker paper boy. Hol looks too much like a raggedy ann which is funny. Ursus... well, they probably won't look much different.
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Hol eye concept art. done before they were revealed in the comic itself. ..........less said about this the better
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And lastly, chara's boss monster design drawn right before they showed up. First one drawn <- left to right <- You can see I wanted Chara to have a hippy/punk design, but realized like, that jacket was going to be a binch to draw over and over. so i simplified it, and then was like, "ok this is TOO plain, i need SOME detail" and got very close to the final version.
alright since I know some people like color ref sheets, here
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Continue Arc full cast. Was SUPER annoying to scroll thru to find the right character lmao
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hol's prequel story color ref -actually changed the Berry's hair color last minute and never got around to updating the color sheet. was very annoying to hand-color pick from a previous page instead of using the ref :/ smh @/ me
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Baker's Trouble.
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OLDIE. From the Start Again? and Christmas sections of the tumblr version. God. Hol is so small. Asriel looks like a mess. Good lord.
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Cancelled Christmas Arc. Chara was supposed to meet up with Asriel on a boat offshore of Monsterland for Christmas, but turns out Asriel was using Chara as publicity. Except... not fully. He did want to meet up with Chara, but they get the wrong impression that Asriel was only doing this for image's sake. It'd explore how the public views Chara as an idolized figure and how Frisk plays into that too.
Anyway the story was too ambitious and I should of started this on December 1st instead of days before Christmas. Plus, I wasn't happy with how I started it and the vibes were off. I might have this as a side story in the redraw but idk
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Back to the Epilogue. I changed Asriel's dress just a little bit to improve the body shape silhouette (the dress is so plane its like she's wearing a towel! gah! I should have added SOME flair to that dress dang it!) anyway the dress is more... swooshy? swirly? and the teal ties up to the neck which works nicely with the heart locket and bow combo. Actually. Shit. Why didn't I just put the locket OVER the bow i'm so stupid that'd be so much easier-
If I could redo it, I'd make some changes...
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now here's the cousin and sib groups here. Flowey is actually a little TOO big and not up to scale which is funny hehe (also more blocky looking??? weird) In the Redraw version I'm modifying Raine's dress to have a sash and other details, this thing is TOO plain. Franky's Mad Scientist like outfit could of just been an actual labcoat and ideally, the fact that Franky wasn't at the party could of foreshadowed that they knew it was going to be reloaded.
(...Which, actually, Chara's surprise was a surprise for me as well. That was a impulsive idea that came to me when we were getting very close to meeting with Chara again. Thus I couldn't foreshadow it. Redraw WILL have better foreshadowing U_U;)
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ACTUALLY SCREW IT for the remainder of the epilogue, i made some changes I wanted to add detail and change some designs a tad -mainly to make the designs more distinct from each other and for story continuity. (AKA: Asriel and Papyrus are supposed to be the only "red scarf" wearers. Asriel's bowtie is knitted like a scarf. previously, hol and yun had red bows which made this match up less distinct. mew Mew's design was a little too similar to Sans' and Alphys and needed some changes.)
anyway i think thats all i can share now! thanks for reading and hope you guys keep following the redraw. I really really want a completed version of this story that's not missing holes. i want AFR to be complete and well, even with the epilogue ending, it won't be "done" for a long while. But thank you guys, it's been a journey!
If you hadn't guessed, I might be finishing the epilogue today (tomorrow for me, cause i'm going to bed in a few minutes). Depends on how much I manage to draw today, but yeah. Chara is going to the party, we'll get to say hi, close some loose ends and come to end. worst case scenario, i'll have to do a little comic to tie it off (like I did with the main storyline's ending) at a later date and this will be the end of the ask-able portion of the epilogue.
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sketchtxt · 4 months
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how many times will I draw comics with 2-3 characters and only have a ref for ONE character. I NEED TO MAKE A REF FOR MOON ⁉️ I DON'T WANT THE COMIC TO BE INCONSISTENT. BUT ALSO ITS 3PM AND I JUST WOKE UP AND I WANT TO MAKE THE DARN COMIC
also I completely strayed from the original prompt. Sun was supposed to be non-sentient and like. die or something. but SPECIFICALLY the ONLY rules were "one character is not sentient, and one day they're gone." and I did the exact opposite by making Sun gain sentience and fuckign become a little Moon kisser. Moon was ALSO supposed to treat the AI poorly but now he's treating the AI like a little princess and they literally gain sentience because Moon casually says "I love you" 🙄 (platonically, but they end up together eventually. Sun JUST gained sentence, he needs to know what a friend is before he has a lover smh !!)
...but there IS still angst, of course. I mean, what is a dca au done by me if every happy moment isn't constantly being tainted by the thought of "this is my fault. he's like this because of me. I did this." from one of the characters' perspectives? :)
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todayisafridaynight · 5 months
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I didn't really get a chance to say it yesterday (or the day before lol) but I've been having tons of fun with the new stream schedule and with revisiting Judgment with you and everyone! Excited for today's stream too of course; Admittedly I Did Giggle And Kick My Feet A Little about you considering drawing Tsuruno BUT I'll of course be just as happy to see Masato/Aoki <3 or anyone else <3 I actually don't remember ever seeing you draw Aoki's scars in spite of The Controversy...
ALSO PLEEEEEEASE I Am SORRY For Shishiposting (<- It Is Fine And Will Happen Again) 😭😭😭 a bitch predictable... I do genuinelyyyyyy want to comment on every other post you make though I just wish I still had that kinda time right now </3 I will say it was funny as hell seeing you post about Daigo's correct estimation of the threat Shishido's charisma poses (SUCH a Father and Son Intelligence vs. Wisdom moment between Daigo and Kiryu btw) while I was in the middle of having an argument with someone saying Shishido wasn't charismatic lmao
judgment streams have been real fun even if i do run around my room five minutes before every one LOL it's been swell so far playin through the game the first time with everybody :]
i truly aint got any idea what to draw specifically for stream, there's been a whole lotta things ive been wantin to draw so it's gonna be hard boilin it down to one. i might just do a random sketch pile, tho it will def be annoyin havin to run and grab ref images every so often LOL BUT it'll be fun regardless :) i hope :))
i don't really get a lot of chances to draw aoki's scars. i can count of all the times ive done so on my hand and those drawings were preeeettty old, so i try Not to think of them lol. even comics where i wanted to Poke at his post recovery i've already done, and even in THAT i still had him bandaged. world wasn't meant to see him post op i suppose lol (´▽`)
AND AS YOU SAY IT'S FINE LMAO im always happy to read whatever you got to say (❁´◡`❁) i make a lot of posts broski, it is very understandable that theres no time to comment on a lot of them. because i have little else to do outside of my Silly Posting LOOOL so i appreciate the time you can find to write in :)
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beetolbugs · 2 years
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What's maps to the stars? (I think that's what it's called? Your oc thing). I don't think I've seen much for it before.
OHOHO IVE BEEN UNLEASHED. ALRIGHT
So, Maps To The Stars (usually abbreviated as MTTS) is a OC story written by @hello-naptiime and I! Most of the content for it is on Twitter, but since we've both been more active here Tumblr is ALSO being subjected to it.
MTTS is a multi-plot, ridiculously over detailed, VERY LONG, sci-fi / romcom type story that centers around the multiverse, how it works, and the people in it!
There is a Twitter Moment of art we've posted, and Naps has made an Animatic of some of the story! Also have Toyhouse refs for the main cast!
Doing a lil read-more cause oh babey this is going to get long and im not even going to be fully explaining everything
So! I will try my best to explain as simple as I can
This story features three plotlines that INITIALLY start out like this:
A Plot : Slice-of-life romcom, following a group of four neighbors (named Atlas, Mira, Rhea & Sirius) and their life in a small town in Northern Massachusetts. And eventual falling in love.
B Plot : A group of tech college students (named Wolfgang, Everett & Hawkings) from the 80's, try to build a machine that can travel the multiverse with the spare time they have. Also cool junkyard lady (Laika!)
C Plot : Comes much later, follows a ex-hunter from the multiverse government (Charon) and the multiverse's top wanted criminal (Styx) and their adventures and shenanigans whilst working together!
Some of these characters ARE interchangeable to the plotlines (ex. Charon actually is initially introduced as part of the B plot BEFORE he becomes C)
There is multiverse government corruption drama. There is ridiculous romances. There is trauma and stupid decisions. There is memory loss. There is Space Jam. Miku Garfield is a canonical thing. This story is the light of my life.
The main plot takes place over 4-6 years. The overall story is 24-26 years long. There is, in fact, over 100 characters designed for & involved in the story In Total and there is still more we need for the world building. According to Naps, the folder with all the OC art in it is nearing 1k images because I literally did nothing but draw them ALL last year and a good portion of this year.
There is TECHNICALLY two docs written that explain the plot, but I don't know if Naps will let me share it in case we actually commit to making this a comic or animated series BUT
Let me tell you. I made the first doc in October 2021. I stopped updating it in April 2022, and last I edited it, it was at 21k words. That doc is well outdated.
I rewrote it in April to properly format it, simplify it (cause it took like 2-3 hours for our friends to read it), and update it. It is currently near 11k words. It still needs an update to current lore. Two characters who were SUPPOSED to be side characters are now part of the main cast cause we accidentally made them too important. I am terrified for whatever absolute monster this thing will continue to become and it is also my baby.
I will happily talk about it more but I don't want to make this Extremely Long so I'll leave it at that gjsbdghbd
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tosye · 2 years
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Hello! Can I ask 2, 11, 12 and 18 from the artist asks?👀
hii love!!
2. 5 favourites of your own work?
oof this is a tough one since I’ve only just got back into drawing back in December/January after like 8 years of not drawing shit and so i haven’t really made that many pieces!! also a lot of my faves are my current wips since I’ve been on a roll and improving a lot lately!! but here goes, in no particular order
I absolutely love the pancake one!! loved making it and love how it turned out
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also this one (can’t show the whole thing on here since i dont want to go to tumblr jail AGAIN lmao but you can find it on twitter)!! this was my first ever spicy piece and i had so much fun drawing it!!
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another one from around the end of april that i never actually finished and i now really REALLY hate the way it looks lmao BUT it has a very special place in my heart bc it made me realise how much i could do actually!! really raised my self esteem at the time and motivated me to improve!!
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basically this bitch walked so these bitches could run (another 2 of my faves) sorry ani is still a wip but i can say for sure it’s gonna be one of my faves
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11. Favourite comment you’ve ever received on your work?
actually i have quite a few that just stuck with me and im still thinking abt them
one is this whole litany from you actually!! omg I love it so much!!
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another one is “I’m gonna buy a locket and put this masterpiece inside it” u know who u are i love you
another!! “your skill is like. Super evident all the time, obviously, but the fact that ur not afraid to go dark with your darks and light with your lights really proves it” I LOVE YOU TOO esp that i never really looked at that this way
and honestly just any comment ever from @dancinghannigram i love reading ur tags ur the best!! ily!!
12. Show your favourite drawing from this year
I think it’s the pancake one above!!
18. Do you have any larger projects you’d like to pursue?
i’d love to make a couple comic/storyboard like pieces!! I have a lot in mind but I just need to sit down and actually make them which is the hard bit lmao also ive been fucking around with 3d in blender/forger so I’d love to get to a point where I can actually sculpt and not ruin the thing bc I don’t know what certain functionalities do (tried to make a ref sculpture of cobb and fucked up by merging up a blob that WASNT SUPPOSED TO BE THERE AND I DONT KNOW HOW TO FIX THAT so yeah not doing that again lmao)
thank you so much for the ask!! ily ❤️❤️
Artist Asks
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axvwriter · 6 months
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ramblings
I'm nearly done with a comic I'm drawing. Just one panel left to do but of course I've decided I want to at least full color the character in it so that's slowing me down. If I didn't choose to do that, it would have been done by now.
I've used my chibi style for a good amount of it. My chibi style is supposed to be a simplified version of a character, but I can't help but still try to get a majority of details down. I also can't decide how I want to draw belts for my chibi style. I'd prefer not to draw them at all but my perfectionism doesn't like me doing that.
I usually don't draw ears at all but some of the characters have uniquely-enough shaped ears for me to feel like I should draw them. I can't even try to tell myself it's because they have earrings as I've ignored the other character who also wears earrings. I may or may not have also forgotten to draw earrings in one panel, but the ear angle has me confused so I don't even want to try to figure it out.
Been sharing my progress with a discord pal just to have extra pair of eyes to catch if anything looks real odd and to have a second opinion on some stuff. They told me I'm getting better at drawing humans which makes me real happy! I get so caught up trying to get the anatomy right that I don't feel like I'm doing a good job at trying to do different body types. Though maybe getting one body style right will act as a good foundation to build onto different body types.
I could have had this comic done way sooner if I hadn't let it sit untouched for a few days. I blame my slight annoyances with my current setup. I'm thinking of looking into regular tablets and downloading an art program onto one since fancy wireless art tablets are super expensive and some reviews have stated them to be real fragile too. Like I'm getting a potential life expectancy of a year or maybe just a month. I think those were the low-star reviews for the wired screen art tablets too.
I want to be able to do digital art on a couch instead of trying to find a comfy sitting position at a computer that doesn't put my legs to sleep. So I'm hoping a tablet with a stylus will be the way to go. One discord pal did suggest using my phone, but I've realized that with how often I use refs to make sure I'm never forgetting a detail, there wouldn't be much screen room for me to actually draw. Anyone use regular tablets for art? What tablet brand is it? I'm going to look into this type of stuff myself, but I wouldn't mind hearing from anyone who actually has experience using a regular tablet for art.
Oh does anyone know of any visually simple art programs such as Artrage? Other programs tend to overwhelm me with all the options and what not on the screen. Artrage is rather simple at first glance so that's nice, but I'm not sure if its price is really worth it. Like I don't use much of its unique(?) features so I don't feel like I'm using it to its full value? So a cheaper option would be nice as I rather not spend so much money on something I use like... two of the tools? pencils? what is it even called...
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iced-souls · 9 months
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From this ask meme if you are wondering BUT ANYWHIZZLE
@courtpheasent
Alrighty im back to this finally whoops i forgor on multiple occasions but yes, i did 18 but now i am doin 50.
Random OC talk? I feel like if i included most of my thoughts this post would go on for WAAAAAAYYYYYYYYYY too long so i am deciding on choosing 1 thing. Which i have no clue what to talk about—
I guess some mini plans i wanna finish for them?
I wanna do some posters for each of my……worlds? I still dont know what to call them, ‘original story’? Anyways, POSTERS. Ye Ye. So for my dynaton guys, bygones be bybones, auto-mundus, void-gang, etc.
And then i want to make more character details for the other skeletons in BBB, cause i only have a plan for that news goth skele, and then soop. But i wanna do some ref stuff, or just figure out what they doin in the story—
Next i got an animatic or animation i want to do for my void-gang guys while i wait to actually start its bigger thing.
Also an animation meme for beth and henry [and maybe also sans and paps included] cause i found/got reminded of a song that my brain has put said animation on loop for it so IMMA TRY AND DO-
Aaaannnddd also those others short animations i posted about a while ago that i havent finished yet—
Im also gonna draw some of my old *cough cough*gacha*cough cough* characters because im in an artblock and so its something a lil more fun and simple to do. Maybe ill add say some of those guys lore when i finish up that—
And then that one rottmnt voiceline thing that i havent been working on for a month or 2 now—
Aaannnnd yeah. That’s it for now. I guess im also trying to finish writing down left behind, and seeing how i am procrastinating in that i might start drawing the comics once im done chapter 1 rather than the entirety lmao—
Alrighty, hope that was a neat and/or worthy oc talk—. Some or most of you probably dont know who the heck im even talking about but mmmmmmm—. Ill tag their names/worlds if you want to check them out i suppose. This also Wasn’t specifically an oc but coughcoughcouhghcchohguhuhovhuchouh
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tenshindon · 3 years
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i was going to wait for the event to be over before posting everything but i already thought about drawing this for a while so im posting it on its own so enjoy
ps this was for day three of yamtien week on twitter 
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kotikaleo · 2 years
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Hi everyone!
One person a while ago send me a DM with some interesting questions about how to do commissions and then my friend asked me similar questions and I decided to make this! This is just "to sum up" all things I know:
Some tips for commissions
If you dont mind, could you tell me how you do commissions? I wanna see how it goes if I start them
How am I supposed to interact with the other and should the payment be made in portions depending on showing them the progress of the project
Well that depends.
For payment I use PayPal, it's easier for me, it has a good thing: paypalme link, but I heard that it's better to use invoices. Never tried tho but I can explain you the difference if needed.
There a lot of variants:
Some artist ask 100% of price upfront, like me - I don't want to be fooled, and that way I know that everything will be fine, if at some moment commissioner will just disappear or whatever. Also money is best motivation. But some customers don't like that option because "how do I know that you will finish it??" Soooo there are some other options.
Some artists ask 50% of price before they start working on project and 50% after sketch approval. That allows them to be sure that they will receive atleast anything if commissioner says "nah, I changed my mind" in the middle of process. And also customer is sure that you are working on it. Also as variant: 50% after sketch approval and 50% after finishing the project.
Some ask for payment only after they finish the project, because they aren't sure how fast they can do it and will they even finish that, and that way they can back up any moment without any problems because... well they haven't got any money right, no responsibility? They send super awful quality finished variant, or even a ugly photo of screen, then ask for payment and then send a file with good quality.
There are a lot of variants, you can make up one that suits for you the best, but there is one important rule:
Never Ever Send The Finished Art/Project To Customer Before The Payment.
Not everyone is honest so they might just grab the art and "drop" you without any money. You can send them super awful quality photo/screen, or add a huge ugly watermark or whatever.
Also. About refund.
Sometimes customers can ask for refund. They changed their mind, or they need money for something, or... they may be a lot of reasons. For that situations I have a rule: No refunds if I started the work. That rule can be any. Like "no refunds if i already did the lineart" or anything. That's up to you. And also if you don't have money to refund don't be afraid to say: "Sorry I can't refund right now, give me a few days"
ALSO! (too many "aslo" XD) Don't hesitate to make refunds yourself! The reasons can be any: you don't like the project/customer, you don't have time, or any. Just write them sorry and send money back.
If we send them a final photo (safely a poor quality or watermark) and they ask more edits, should we charge them?
About edits. That also depends. Lemme show the example.
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That comic page was a commission.
I made a mistake - black characters eyes should be red with white lines, but they are black with white lines. Customer ask to correct that. Actually that was impossible - that work is traditional, but I knew how to easily correct that in Photoshop, and that was my mistake (I should pay more attention to refs XD) I did it.
BUT.
If they asked me to correct some poses or anything big I would say no, because for that I need to redraw whole page.
I would say something like "Sorry I can't correct poses now, when I sent you the sketch you said it's alright and approved it, so I can't do that"
Or! You can ask for more money. Like in that case - it would require me to make my job twice, so... yeah I can ask for more money.
But as I said earlier that's all up to you, how much time and energy you are ready to spend for what price.
And is it alright to ask them for references if they know what they want the drawing to look like?
First of all - YES. References is good! Ask them about character references, feel free to ask them for more drawings with characters if you aren't sure how to draw something or for example how character look from behind. Ask them about some references of stuff like surroundings, ask them to send some images/arts that look similar. That's completely okay, and helps you.
What do some artists mean by do not use art for commercial purposes?And what action can be taken if not obeyed?
Well some people think "I paid for that I can do whatever I want" but it's not that. Commissioner pays for time, energy and art materials not for a work itself.
So by "do not use my art in commercial purposes" i mean noone can sell it in any way.
Like... Someone commissioned small drawings that looks like a sticker. And even though they paid for it, even though it's their characters they cannot print it and sell. They can print it and gift to their friends, they can even print it 10000 times, but they can't earn money using it.
Although I do have an option to draw some merch. Like... If someone will come to me and say: "Hey I want to make a daki with my character and sell it and I want you to be my merch artist" I would say "Okay, but the price will be much higher". But that's a different situation. We would agree on that before I start working. And noone is making money on my work behind my back.
I hope I explained it good enough XD
And when we are done with a commission, do we just send it to their dms(the work)?
Yes. I usually just send it. And also I have the rule: customer receives a clear art (with my signature, because any of my work have it) but I post online only variant with watermark.
And also sometimes I offer to send a file via email, especially if customer is from Twitter (because Twitter really corrupts quality of the images, Tumblr is better in that way)
Also there are two pretty important things I wanted to talk with you:
prices and lack of customers.
Every one setting their own prices, that depends on how big is your fanbase and who is in your fan base. Obviously 12 years old girls won't have a lot of money, you know. But setting up too low prices is actually worse that not having any customers. That might seem like a good decision "I'm just starting and that's my deal" you might think, but that's wrong. Setting too low prices affects ALL artists. You better read more information about that from someone more educated in economics than me, but trust me - low prices for art are bad.
Don't be scared if noone will commission you at first. It always hard at first. And also don't stress out abot having no customers after a while. Like I had a super great month where I earned a tonn of money and then... Boom. Nothing. Whole month without any work. That happens uωu
If you struggling defining prices for your art look up for other artists with your level of skill or a bit higher and also look up for average price per hour for artists and you should kinda balance between how much you work and how much time and effort you put in your work and how much people are willing to pay for that!
Anyway...
That's all I can say for now. I hope that helps, feel free to ask me any questions I will answer then as good as I can and I will update that post
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onebizarrekai · 3 years
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v3′s art is comically terrible for a professionally distributed game in a series: a compilation
in this not-essay I will list all of the mistakes and problems I have spotted in v3′s art. don’t worry, it’s entirely for fun and I’m doing this on a whim, so please feel free to not take this seriously but also it’s hilarious and embarrassing how ridiculous this is like what happened did they speedrun the whole production or what
see, there are some things you can take as meta like “they made it bad on purpose to allude to the downfall of tv shows that have been on air for much too long” but I have a very strong feeling this is not the case due to the nature of some of these errors
disclaimer, the more I study this art, the more I fear that the artists were underpaid and underslept, so if this is in fact the case, I am so sorry to all of them but also I’m going to make fun of the art anyway
anyway let’s get started!
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if you study this image for longer than 5 seconds, you will see that kaede is the only one fully shaded and keebo is literally just his normal sprite pasted into the image. every other character is just an ordinary ref, hence most of them facing the exact same direction with neutral expressions on their faces. it looks like a bad edit, and is probably one of the worst pieces of art in the game. it kind of gets better from here on, but my roasting will not.
with that out of the way, here’s the problem that officially bothers me the most and clarifies my viewpoint of “this is not meta and an actual lack of company communication”
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this freaking cg, which seems normal at a glance, but some wiseass was like “oh, kaede is a girl, so obviously she’s going to be shorter than the Male Protagonist™” ah, that’s funny. because if you look at the character bios, kaede is, in fact, one inch taller than shuichi and not like 6 inches shorter as she is shown here.
also shuichi’s shoulder is disproportionate and horrendous and he looks vaguely like a jojo character, but I wasn’t even thinking about that until right now.
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thanks guys, 50% of the fandom who has never bothered to check these bios thinks that kaede is like 5′3 (did the developers really put so little thought into her to the point where drawing her correctly in the game didn’t even matter??)
also I would like to point out that, even though this isn’t related to the art itself, yes, a character kaede’s size being only 117 lbs is unfeasible, but this applies to literally every character in danganronpa ever and it’s not new news that it’s unrealistic
update: someone in the tags informed me that in versions of the game that use centimeters, like the japanese version, kaede is actually shorter than shuichi, which just adds another thing to the list of weird decisions the localization team made for no reason. that said, after confirming this, kaede is 167 cm in the original, while shuichi is 171 cm, which are approximately 5′6 and 5′7 respectively, but one inch is still nowhere near as drastic as it is depicted above. (in spite of this, I would rather depict kaede as slightly taller, so I’m probably going to keep doing that.)
the journey continues!
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bro if you want kaede to have shoulder length hair then stick to it to begin with
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you can pretend this is at an angle all you want but they definitely committed the shorter kaede sin a second time
wait a goddamn second.
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DO YOU SEE THIS
no………… it wasn’t kaede who shrank. it was shuichi who got taller
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speaking of which, can we talk about how shady the perspective is in this elevator pic? look at shuichi and kokichi in comparison to kaede. kokichi, who is canonically 7 inches (edit: or 5, if you’re loyal to the original) shorter than kaede, looks taller than kaede. he’s growing too. what steroids are these gays taking
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running into the room, electric boogaloo: I don’t think tsumugi is supposed to be the same height as kokichi
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gonta… gonta you’re lookin a bit like a jojo character there
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I love how kaito’s head looks kind of like it was pasted onto his body. why is he the same size as shuichi? shouldn’t he be high school bully size or something? his torso is teensy
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ah yes, white angie.
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I love this cg but why is shuichi’s right hand so much bigger than his left hand
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I also love how this cg looks like they literally took pictures of trees and pasted them into the background, especially on the left. the shadows are so weird, especially closer to the ceiling, it’s difficult for me to believe they didn’t do exactly that.
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return of Enlarged shuichi
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puberty update: kokichi is now taller than shuichi in spite of shuichi never missing leg day. what crimes will he commit
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I have to mention it, guys. this has to be one of the worst danganronpa cgs. kokichi’s facial proportions look atrocious. look at the way his face sticks out like his jaw is in the wrong place. his scarf is a pasted texture. that’s it. this moment was so iconic but the cg just looks so… so… off. like something is terribly wrong, but you can’t put your finger on it.
you know what? let’s get into that ‘pasted texture’ thing.
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let’s imagine you’re an artist working on a professional game. you’re assigned to draw cgs of kokichi ouma, who has a checkered scarf from hell. sure, it will be terrible to draw, but you only have to draw it once at a time! plus, perspective is pretty important, right? can you be bothered? nah, actually. let’s just copy paste a checkered pattern into the cg, because I’m sure nobody will notice. it’ll blend right in with the other cgs that someone actually put effort into drawing his scarf in, right?
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no. the answer is no and I very much noticed. this genuinely looks terrible and I would understand taking a shortcut like that in fanart or even an indie game but this is a full price pc and console distributed game
(an addition: look at kokichi’s TINY HANDS in that last one)
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meanwhile, they straight up forgot to color in kokichi’s scarf in this cg.
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dude. I forgot about whatever the hell this cg was. anyway look at keebo please just look at him
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lovin kaito’s baby arms
real talk, maybe you could argue that he’s missing muscle because he’s deathly sick, but most of his cgs don’t line up with this, and his arms just look disproportionate to his torso size (granted this is a consistent problem across all danganronpa games and a lot of characters have this weird problem, like hajime, but also kaito is bigger than hajime so I kind of have higher expectations of him) maybe it’s his stupid goatee and the way he reminds me of yasuhiro?? it creates this illusion that he’s older than he is and so I keep expecting him to look more like an adult
oh, also rantaro is missing some of his accessories in that video he made–you know the one–but I don’t wanna go back and screenshot it
also you may have noticed that I’m skipping all of the monokub cgs because I literally do not care about them and I’m not even bothering to check and see if they have artistic mistakes in them
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JIMMY NEUTRON???
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hey um uh kaito you seem to be missing your neck
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hey guys do you like my pregame fanart
so, that done, the sprites are also pretty terrible at times. they’re not as interesting to go through, however, and downloading the full sprite sets for every character and studying every single one of them will drive me insane, so I’ll just sum some of the ones I noticed up. I made things for kaede and shuichi before deciding I wasn’t going to get into it, so here are these.
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that said, other mistakes include kokichi missing his purple highlights in all of the sprites encompassing a specific pose, stray pixels all over the place on everyone, and everyone also has heavily inconsistent shading, but literally all I think about is how pregame shuichi is unshaded and two of kaede’s pregame sprites have glaring outfit change mistakes in them
anyway, thank you for taking the time to read my ridiculous ramble. in all seriousness, there’s this looming presence of some lack of communication in the development team, like with all the art and design inconsistencies, pieces and sprites that look rushed, stray pixels, and missing basic proportional stuff. these are the kinds of things that you supposedly have to pretty much have in the bag in order to get jobs in professional businesses, so it’s really weird to me that this game suffers from so many of these problems. it’s like they tried to make the art so much more crisp than the other games, but it fell on its face as they realized it was going to take longer to draw everything and they started to rush. it’s weird, because the coloring itself looks normal–it’s just sloppily drawn, and the proportions are a mess once put into the context of perspective. many of the cgs look like they were drawn by different people, and I’m still not over the fact that half of kokichi’s cgs have his scarf pasted in as a texture.
the moral of the story is that if you’re selling a game at full price that also happens to be in a series that has had 3 very good games in it already the stakes should probably be higher than this. v3 has been out for more than 3 years and it’s still $40 (did it cost more than that before? I sure hope not), and the overarching quality of the game is just not as high as the other games. I’m not saying that the other games don’t have any problems with their art at all, they’re just not as glaringly obvious and every artistic choice in those games feels intentional.
regardless, I had a blast roasting the art at 2am, so maybe you got a kick out of all this chaos.
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nereiix · 2 years
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A Broken Blade, Short comic: Making-of
The very short comic I drew for A Broken Blade took me a lot of time and effort and I would like to share the list of resources I used as well as some of the concept arts, sketches and drafts I made throughout the process. I don't know if anyone will be interested, but I feel the need to share anyway. =)
Sorry for any grammatical or spelling mistakes, English is not my first language.
Literature resources
First things first, while drawing the first page I decided to read some books about how to draw comics because I have very little experience in this field. I chose two books:
Foundations in Comic Book Art: Fundamental Tools and Techniques for Sequential Artists by John Paul Lowe
The Complete Guide to Self-Publishing Comics: How to Create and Sell Comic Books, Manga, and Webcomics by Comfort Love & Adam Withers
It's been a while since I read them, but if I remember correctly I liked The Complete Guide to Self-Publishing Comics better because it's very complete (it’s in the title) and covers all aspects of how to draw a comic. It has a lot of great examples too. Foundations in Comic Book Art talks a lot about inking (which I wasn't particularly interested about), but it also has a nice chapter about perspective. Both have very useful tips so if you are interested to draw comics you might want to read them.
I've also read really good stuff on Making Comics – with Salgood Sam, in particular the article about flow in comics.
Inspiration
I usually start every project by making an inspiration/mood board so I made a small collection of comic pages on Pinterest to see what kind of layout and style I could use. I was mostly interested to see different ways of representing movements and sounds.
Layout & composition
The first thing I did was to draw a thumbnail for each page to get an idea of how I would represent the scenes. I think you're supposed to draw several thumbnails for each page but I was okay with the first ones I drew so I decided to keep them.
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I worked on each page separately after that, always starting with a draft. It was really the most important step for me because it helped me to visualize what kind of atmosphere I wanted to use and where to place the lighting. I tried to keep them simple but you can see different degrees of laziness depending on the page. xD
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Some of these sketches are very ugly but it does the job. ¯\_(ツ)_/¯
I wasn't satisfied with the first composition I made for the second page so I made another, more sketch-like, version. I ended up using a mix of the two versions for the final page.
Now, a very important point was that the part of the fic I decided to draw is about Sev having a nightmare. I really wanted to bring this aspect in the comic so I tried to play a lot with the lights, shadows and blurred elements. For the same reason, I decided not to use straight lines for the panels’ borders. I had in mind that it could depict how confused Sev is.
I think colors also play an important part in telling a story. For the general atmosphere, I decided to use the complementary colors blue and orange to separate the moment Sev is dreaming of cold, fear and death to when he wakes up to warm, security and family. And of course the red is for danger, blood and Sev himself.
References
First of all, I can't talk about references without mentioning PureRef, which is the program I use to make reference boards. I can't praise this tool enough so don't hesitate to check it out.
I always use a ton of references when I draw, and I'm not even exaggerating, I can easily spend hours searching for the right ones. There are plenty of places where you can find good references but sometimes you also need to be creative. I usually gather most of my references from Pinterest, Google Images, DeviantArt and Sketchfab (for 3D models). I also have a big folder of refs saved on my computer for the things I often draw. When I can't find what I'm looking for, I try to make it myself with 3D, videos and photos.
Here is a part of the references I used for the comic:
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I said it's only a part because I also have separate boards for clones armors and SW characters/species designs.
Among all of these you can see some concept arts and screenshots from various Star Wars series/games that I used as inspiration to draw the interiors. And since I'm bad with interiors, for the panel with Scorch I used SketchUp for the first time to make a very quick model of the scene. I tried to use the rule of thirds for the composition:
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There are a lot of photos of my hands too, I don't have much trouble drawing them but references are still very welcome.
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After finishing the first page I've invested in a drawing mannequin (S.H.Figuarts - Body Kun) and I can say for sure that it was my best purchase of the year! It's absolutely amazing to make custom references:
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I decided to draw over the photos of the mannequin taking the pose because it is waaaay easier that way than trying for hours to get the proportions and perspective right.
Finally, I often put tutorials from other artists on my reference boards, here is the links of those visible on this one:
[Nose tutorial] • [Ears tutorial] • [Hands with knife] • [Folds tutorial] • [Mouth tips] • [Arm studies] • [Folds material comparison] • [Pant shapes and folds]
Character & knife design
For Sev, I decided to use the original design from the Republic Commando game rather than the simplified version we see in SW:TCW. I really struggled to find references for his armor's markings that showed all angles so it's not 100% accurate to the original design, but I don't think that's really a problem. For the armor itself, I prefer the more realistic look so I used references from Star Wars Battlefront II as well as 3D models (mostly this one and this one).
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Since I'm a perfectionist at heart, I tried to keep all scratches on the paint the same from one panel to another. :’)
The trandoshan is only visible on a couple of panels but he still needed a design. I used references from different sources but I was mostly inspired by the trandoshan concept arts visible in The Art of Star Wars: the Mandalorian (bottom left and bottom right images).
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As a side note, I used one of my own character’s design as inspiration for his muzzle’s markings.
In the fic, the blade is described as being “beautiful” and the image that immediately came to my mind was one of these knives with a Damascus pattern (I just learned that's what it's called). I used various references from regular knives and vibroblades. One of my friend made a speed modelling of the knife I designed and I used it as reference as well, look at this!
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Sources of the middle top vibroblade here and bottom left here. The reference on top right is from The Art of Star Wars: the Mandalorian.
Did you know that non-energized blades are called dead blades in Star Wars? It's a pretty cool name in my opinion.
Fonts
The fonts I used on the comic come from Blambot. I used Anime Ace for the regular texts and Death Rattle for the big sound texts. I also use NexusFont to manage the fonts on my computer, it’s pretty useful if you want to use fonts without having to install them.
I think that's all. I hope someone will find this useful and kudo to you if you read the whole thing! ^^
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razs-archetype · 2 years
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Please, do bore us with sheep Sammy agnst! I'd love to see what you've got.
Most of my angst, regarding smeep follows the one that I’ve built from ingame stuff. The middle one in the ref. Because I enjoy diverging wildly from canon and then making it work. This one!
I suppose I should start with a small origin story for Smeep, because it does kinda tie into smeeps story. While I had seen the concept of sheep sammy floating around, I never really intended to make him for myself.
Until I noticed the BATDR plush for him has ears??? And it! Prompted me to start drawing some silly doodles of Sammy with ears. Which caused me to start, cautiously poking at the idea of him having sheep ears instead.
Then it spiraled from there
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Like what?
So my brain started going. Sheep! Think sheep, and my brain went to The Wooly Triplets, characters introduced in the comics. Mischievous, thieving sheep, whom I love very much. The pieces started to click together.
We know Sammy can die, and come back. Pull himself out of the well of voices. And we know from Twisted Alice that sometimes. You can become something different! You can become a toon, even. Or well. Mostly toon.
Smeep exists in the form of searcher sammy thats! Revived? It takes time to pull yourself back together again, and you don’t realize anythings wrong until you do. And Sammy? For some unfathomable reason, he comes back as. A version of himself! Where there was clearly an attempt for him to become one of the wooly triplets but. That character is near unrecognizable on him.
So what has he become? A blind, voiceless, fumbling sheep. Thats tragic, yet ironic.
But by far, the tastiest part of this whole ordeal is the internal conflicts. I always considered him as to, start doubting his beliefs when bendy gets him, that first time. He’s already lost it, mostly at least, and now his beliefs, which were probably the only routine in his life keeping him sane, cause doubt and uncertainty. Which he doesn’t want and chooses to ignore.
And then the ink makes him. That. Is it punishment for his doubts, or was it simply that he followed a god that cared nothing for him.
And thats my two cents on smeep. Of course I always have the other two. Lovingly dubbed Sammys fursona and on model smeep. But that’s all I can think about right now.
With that said! Heres a few doodles of Smeep I’ve done over the past day,
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