Luffy: Here to make friends and have a great time
Nami and Zoro: Plotting grand larceny and maybe some murder five feet behind him
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Brucie Wayne: best tipper in the city, funny, charming, a master at passive-aggressive verbal sparring (which is to say he is is an expert at being a Mean Little Bitch™️).
Bruce Wayne: literally the weirdest dude you will ever meet—the height of eccentric Northeastern old family money oddballery, will 1000% look at you like you’re the weirdo.
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travis matagot just -- the very concept of him unlocks something deep and feral in my brain, even aside from all the changeling stuff. an angel looked upon you once as a child and, after seeing every possible thread and pathway of the man you will grow into one day, said 'I see no sin here' even as its holy flames consumed your screaming parents and the town around you. that angel, having stumbled head over heels to earth after killing god, later deliberately loses their name to you in a card game so the eyes of heaven can't find them. you and the angel have proceeded to annoy the everloving FUCK out of each other for centuries because you just keep. bumping. into each other!!!! through the power of like Narrative and also simply being two of the only people who've even been around that long. you've kept their name for them this whole time and never breathed a word of it, even though they seemingly never even explained why they wanted to lose it in the first place. you've sworn to die together or not at all.
what if you met an eldritch horror as a child and then became their best (and most irritating) friend/life partner/frenemy/perpetual thorn in their side (affectionate). I'm obsessed with this idea of being divinely judged as unworthy of damnation so early in your life and having to have that in the back of your head forever even as your self-loathing and trauma start piling up over the centuries and you have done so many shitty things along the way. like. is he trying to prove them wrong. is that part of his whole thing about trying to escape the narrative. or is it to prove that 'no actually awful things happen to me because I'm awful, you got it wrong from the start (fuck you btw)' because at least that feels like a choice, like some kind of control to hold on to? what is going on here travis. what the fuck
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Sometimes the fact that GRRM has, amid all his efforts to have nuance and a wide spectrum in his female characters and to deconstruct certain tropes, played the daddy's girl tomboy in contrast to the hostility or complete elimination of the female figures in her life trope completely straight over and over again, with basically every female warrior he wrote, from his female lead to two whole secondary POVs to one note extras (with the exception of the Mormont ladies yeah at least, maybe when we get more Alysane content I will be less grumpy about this), leaves me kind of bitterly shocked tbh
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Been trying to write an analysis on Sasaki and the ending of Entrance Exam for days now and it just wasn't turning out so I deleted it... maybe another time when I can formulate a thought properly...
The only part I'll put here for now was the bit about my amusement with Dazai and Sasaki clearly near instantly realizing the other is a threat, which changed the way I read the scene of them chatting in the booth after she stayed the night. It probably boiled down to:
*sweetly smiling at each other* "oh this asshole has got to go"
Actually I went on an unorganized ramble in the tags so read that if you're interested in my Sasaki thoughts. Maybe I'll clean it up one day and make it proper.
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Objectively speaking Kai's past episode is the best because 1. it has lose conditions in its mandatory minigame, 2. said minigames actually serve a point in demonstrating the character's progress, and 3. Kai's existence as someone born in Asunaro has the most questions surrounding it that could be most effectively answered through the past episodes
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