#they're giving 'asked for the divorce papers and then neither of them actually ever signed and they both know it but they act like they did

[saviourkingslut]

okay but curry can we PLEASE talk about how fucking PHENOMENAL like action Mihawk is. Had me on the brink of mental collapse 24/7 bc I kept thinking about his magnificence- he knocked it out of the PARK GODDAMNIT!!! Who's your fave from the live action cast and what are your thoughts?? Personally I think it's very good, I just wish Sanji's arc hadn't been cut (tho Don Krieg sucks as a villain, ngl, kinda happy Mihawk got rid of that bitchboy so easily ☠️☠️☠️), but other than that I'm SO proud of everyone involved, they really put in lov and dedication and respect for the series, I'm looking forward to more!!! How about you??🌸🌼🍀

ok full disclosure lest anyone think i have read the manga or seen the anime: i haven't, it's way long and i've never felt particularly drawn to it. HOWEVER i've seen my fair share of (shounen) anime and when i saw they were doing a live action of one piece i really thought it was going to suck bc the live actions always suck. boy was i wrong. everyone working on this from screenwriters to cinematographers to costume department to the actors themselves clearly love the source material and knew exactly what they were doing, and the vibe is Exactly Right. it's camp and fun and a little stupid like shounen anime tend to be and it fully embraces it and so it feels completely natural. of course the cat-themed pirate crew hiss and wear knife-gloves. of course there's characters with blue and green and whatever colour hair. of course the officers in the marines have personal Themes. we don't need any explanation, the world is just like this. and it's balanced exactly right so the more emotional, serious aspects of the story carry the weight that they need to without feeling out of place.

also, as a someone who hasn't engaged with the manga/anime, i think the series cut away/kept enough of the original material to come out of it feeling well-paced, understandable to newcomers and filled with fun recognisable bits for long-time fans. perhaps this meant, as you say, cutting out some pieces of character development/background that might have been enjoyable, but it's a well-made sacrifice bc it prevented the story from feeling too bloated. i think it was just right like this: gave us background on everyone and simultaneously left room for the story to process, without too many things at once to focus on. you could still sense that it was based on a manga bc of its little arcs - usually two eps with a minor boss to beat each time, and a bigger, badder boss at the end of the season. so i feel like keeping that theme in a narrative sense also really helped to make it reminiscent of the material it draws from and made it well-rounded and well-structured overall.

ANYWAY. mihawk. oh my god. i rewatched his scenes. multiple times. he was gorgeous. effervescent. insert the lady gaga meme. again i haven't engaged with the og material but i know these kinds of manga characters and there's so many ways to do them wrong but steven john ward really said 'i was made for this role actually' and he served absolute cunt. definitely up there among my favourite characters in the show - and that's saying a LOT bc im obsessed with almost everyone in it fr. they made me like the fucking clown (i hate clowns) buggy is genuinely incredible. the main cast? what the hell dude. they just found luffy living irl like... genuinely what the fuck. iñaki was born to play him and he did it so wonderfully - guy who is fatally optimistic but also insane and it works. nami's really cool as well - i've heard/read some stuff abt the writing of women especially in the earlier parts of the manga (woman in shounen main character group syndrome) but i think she was solid here and her interactions with the rest of the cast were great. also usopp! is so cute! so much potential to not have that kind of character work out in a real life adaptation but he's so lovable

and on that note the fucking. interactions amongst the main cast? im sobbing screaming crying they're everything to me. the way they're so supportive and proud and protective of each other and yet they talk shit the whole time too. there's so much chemistry among them and they truly do feel like people from different backgrounds who (sometimes reluctantly) come together and would do anything for each other. like real friends who have fun and make fun of each other too, it's a great dynamic and they really hit the mark there.

as to who's my favourite, well, as i said, mihawk's definitely up there, and im a simple hoe - i love zoro. but i think i enjoyed sanji's scenes the most and not just bc of his ass. heard he's kind of pervy in the og material? well the direction they took him in the live action where they kept the 'imprints on woman' but is overall sweet about it and generally less moody than he is in the anime/manga was a great direction i think. he's supremely enjoyable as a character. the accent? the facial expressions? the smiles? the jokes? im on my bed swooning and giggling and kicking my feet he is so fucking funny and i want him so bad. 'apologies madam i didn't see you there.' 'oooh back for seconds must have liked it' i literally re-watched every scene he was in at least once. his kicks were so nicely choreographed too it was really satisfying to look at, very clean (taz did god's work on his training). sometimes at home ill be doing nothing in particular like ill be standing in the living room and i'll mutter to myself 'cotelette. collier. epaulé. poitrine.' and go on with my day he lives in my brain rent free.

so uhm yea i think the series is really good and 1) sanji 2) mihawk 3) zoro if i had to put them in order i think lmaooo

#shanks was in it for two minutes but he slayed as well. #i love his relationship with mihawk #they're giving 'asked for the divorce papers and then neither of them actually ever signed and they both know it but they act like they did #only character who started to get on my nerves after a while was koby. #possibly also bc he had literally 1 facial expression/way of speaking through the whole 8 eps and it got tiring after a bit. #like ok we get it you look and talk like a scared rabbit all the time. but maybe that's just me idk he's prolly like that in the og materia #sorry this got so long you probably weren't waiting for an unhinged essay but you got one anyway #thanks for asking :) #shoutout to klahadore/kuro as well i frogot his ass but. he served. #asks

[bardicbeetle]

hey. Hey. You got any analysis of the Lost Boys or thoughts on the movie to share? who's your favorite character in it and why??

@abalonetea

Analysis on the movie I've been many levels of obsessed with since age 14 you ask?

...this is going to end up undercut for length I can already feel it.

The Lost Boys is my comfort movie, my I-feel-like-shit-nothing-is-fixing-it movie, my I-can't-write-please-help movie and my go-to for when I am inflicting media upon a new friend. I know it backwards forwards, upside down and inside out, I own the out of print novelization written by Craig Shaw Gardener, I posted the original prequel script to fanfiction.net in the early 2010s because I found it buried in a forum post and wanted it to be easier to find, I have listened to every version of cry little sister that G Tom Mac has ever put out in addition to the entire stage musical he produced. The fic I wrote for it in 2011 is still on Wattpad and to this day for some fuck ass reason gets 1000s of hits per year. I have another fic for it on ao3 that still takes up brainspace for me on a minimum weekly basis.

I.

Honestly do not know who I am as a writer if not for this film.

It is such a huge part of who I am as both a fan of media and a vampire writer and as a horror enjoyer in general.

And it is undeniably, baked into its bones, queer as fuck.

Not just from the overt point of here is a film in the 1980s about men sharing blood, directed by an openly gay man, hands us platonic and familial and romantic interactions between male characters, who are allowed to hold one another, allowed to express emotion, allowed to exist freely and without shame I am--so very abnormal about this movie.

I'll be the first to admit it's not perfect by any means, it very much exists a time capsule of its era, but also, to momentarily put the bar on the floor, it isn't slur laden and full of take-backs for any of the emotional vulnerability like other things around then were (see: Once Bitten, which while unarguably very much more on the comedy side of horror-comedy, i'm going to put into the same category by virtue of Camp Vampire Movies of the 80s).

It hands us one of my favorite mothers of all time. Lucy Emerson is a treasure, she spends the whole movie trying her goddamn best to remember that she is stronger than anyone gives her credit for. That she chose to divorce an abusive man, pick up her two sons, and leave without more than signing the papers and getting out. She doesn't care if they're poor, she doesn't care if she could have gotten something from her ex-husband, she wants her boys safe and there is a very large implication that sticking around to do the whole song and dance would have ended badly. Lucy lives for her sons, she wants so badly to make the world easier for them than it was for her, she wants to be part of their lives and part of their interests even if she does not understand them, and I maintain that Had Max Actually Succeeded, it would not have been long before the Lost Boys themselves were Lucy's as much as her own two sons, and that would not have ended well for Max. Protecting mother, lioness, made to be underestimated so you are always caught off guard.

Edgar and Alan Frog are near and dear to my heart, these idiot vampire hunter children were just so very much what my brother and I were in terms of Making Up Games To Play--ignoring the fact that for these two it's real, not that it ever had been before the Emerson family rolled into town and Sam's brother got mixed into the Lost Boys group. Edgar wanting to be in charge of things and wanting to protect the people he cares about and the town he is too stubborn to admit he loves despite being what, 12? 14? Alan being quieter but just as absolutely ready to go "yeah we are totally experts at this" as his twin, the fact that neither of them have any idea what they are getting into. Dipping barely into the sequels territory (which...they aren't good. by any definition. but Edgar and Alan are the best part of them both) we get Edgar dealing not only with his perceived loss of Alan to half-vampirism, but his whole loss of Sam after having to kill him and I just.

Ugh.

NOW, dipping into the main event there is Michael, who spends this whole movie just trying to figure out where the hell he's supposed to belong at this point. He doesn't see any point in starting a new high school in his senior year, he doesn't want to upset his mother by just absolutely dropping off the planet, he cares deeply about his family and wants to help however he can because they are struggling for money. So what does this seventeen year old kid do? He starts picking trash up off the beach for eight hours a day. He gives that money to his mother under the guise of it being "leftover from christmas" because he doesn't want her to worry about him working. He feels so fucking lonely without the friends he left behind in Phoenix and he feels like he's too old to supplant himself into a new friend group in Santa Carla before everyone goes their separate ways after high school anyways.

Enter Star and the Lost Boys.

Yes, Michael is taken in by Star because she's beautiful and mysterious and he's a teenage boy seeing nipples through a tank top, but beyond that he sees in her, in David and the others, how self sure they all are of the decisions they've made. This group is all within his age, they're all living in a goddamn sunken hotel half claimed by the ocean, they have motorcycles like him, they smoke weed and eat chinese food and Marko keeps pigeons and Dwayne can skateboard and Paul is a music nerd and what the fuck how do they manage to seem like they have their lives more together as a group of teenage runaways than he does?

He's enamored with it, obsessed with it, the movie speeds up a timeline of something that does in fact happen over the course of a couple weeks, of him hanging out with them, slowly experiencing more and more symptoms of vampirism from the blood he drank the first night, unable to stop coming back, unable to really figure out what it is they have figured out that he doesn't, and hoping that maybe if he stays with them he will eventually feel the same confidence in his own existence that they do.

But couple that with the horrifying reality that he is becoming a monster. His younger brother is terrified of him, the family dog bites him, the horses won't go near him, he pulls a mouse out of a trap freshly dead and squeezes it like a spent juice box into his mouth, he is falling apart at the seams by the time David decides it's time to finish things. And that's what David wants, he wants Michael in a position where he is no longer lucid enough to resist once there's blood in the air.

And it almost fucking works.

I stand by my belief that the entire movie hinges on the beach party where the Lost Boys kill a whole bunch of Surf Nazis. The whole thing, the outcome of the final fight, the failure of Max's plan, all of it hangs on that one night, and whether or not Michael can actually manage not to give into the bloodlust. He does manage, obviously, he leans into the shock and fear and near throws himself out of that tree because he knows that if he doesn't, he will join the blood bath happening not ten feet away. He is starving and exhausted and everything in him is screaming that if he just gave in, it would all feel so much better.

But he doesn't.

He lays in the sand until he cannot hear any heartbeats left.

Lays there clawing his hands into the ground like if he can hold himself still enough then maybe this will stop being real.

Three of the four boys don't pay much mind to this, Dwayne Paul and Marko have slipped back into regular antics despite being coated red. Their faces have returned to normal, their eyes no longer brilliant gold rimmed red, they are laughing and shoving and having a good time.

But David is furious. He's quiet about it, he isn't loudly angry, something I think he probably absorbed from Max over the years, he tells Michael what needs to be done if he wants to stay with them, and then he and the other Lost Boys leave him there in the sand, burnt flesh and ashes drifting down to him on the breeze.

The thing about David is that he realized the night on the train bridge that he didn't care about Max's bullshit plan. He didn't care that he was originally going to feed Michael to Star. He is fixated on getting Michael to join them, not just for himself, not just to keep Star around, but also because there's a refusal to give up in this kid that has him excited, a stubbornness that he wants to break. It's the thing that eventually leads to his death.

ANYWAYS.

I think, perhaps, I have yelled enough.

Oh, shit, favorite character.

I think without any doubt it has to be David. Especially after reading the novelization, the comics, the original prequel script, he's just, he is such an interesting character and his motivations are so obvious despite how much he would appear to hold them close to his chest. He's a root character I can trace a lot of the tropes that carry over in my own antagonists to, and some of my protagonists as well.

double anyways, camp vampires from 1987 my beloved.

Thank you Katie <3

#the magician cries #questions concerns and or rotten tomatoes #piles of vampire bs #tlb #the lost boys

[littlemspeachy]

This Conversation is Getting Older and Older

Part Two of You Keep Me Waiting 

Warnings: Cursing, Mentions of Murder, A character is racist 

Word Count: 3.8K (Yup y’all are getting more to read)

Draco stares at where Hermione was once stood and sighed before muttering a repairing spell that fixes the broken picture frame, then came organizing his notes for Yazmeen while he was out.

"Hey, Draco, it's Yazmeen. I came for your notes on the death eater case," Yazmeen announced, peeking into his office.

Draco shot the younger girl a smile. "Yeah, I was getting them cleaned up for you. I know how much you hate having to work with illegible writing."

She laughs and shakes her head. "It's fine, you're fine. It's other people on this floor I have to worry about. But um.."

Draco looks up at her, an eyebrow raised.

"Nevermind, I'll talk to you when you get back."

Draco nods and hands over his revised notes. "Take good care of them. They're the only kind."

"I'm pretty sure that I can read your actual notes. But thank you anyway."

Draco smiles at her and watches her leave before grabbing his things and following after her.

"You know, for such a smart wizard, I came in here easily." She says coldly.

Draco pauses in his living room, unsure how to start the conversation.

"Daphne, I made it sure you could come in."

"You need to sign them," Daphne says, pulling a pen from her purse and setting it down on the divorce papers laid out before her.

"Not before my father dies," He responded, voice tight.

"I don't really care about your feelings about your father, and he's practically a shell of a human anyway. Why do you think he's back at the manor?" She shot back, staring pointedly at Draco.

Draco stays quiet because she's right: His father doesn't do anything but look outside to the garden, and he isn't improving his mother's health either in fact, she's gotten worse because of his father being back/ He was thinking of killing him, but after working in law enforcement he wasn't sure how that was going to work.

"Just sign the papers. This isn't for you; it's for me, so get over yourself." Her voice annoyed at how long this situation was taking her.

He sighs because she was right: He was being selfish. Making them stay married even though they haven't been in the same room for longer than 10 minutes in the past 8 years unless it was an event that was centered around his mother. So he walks over to sign the papers.

"Your mother misses you, you know, and she wants an explanation."

Draco pauses the signing of his last mane to look at the woman in front of him before he goes back to signing his last name.

"I don't know why you continue to visit her."

"Because at least one of us to maintain the image of a proper person. We all can't go running around like children on the playground."

Draco rolls his eyes equally as annoyed at his now ex-wife. "Listen, here're the documents, just send me an owl with a court date, and I'll make sure to be there."

Daphne just sighed and slipped the papers into her purse, and leaves through the front door. "You need to talk to her. Also, I poured out the tea. It was getting old.

Draco simply stares at her leaving, leaving his house and his life.

Maybe it was better this way.

He steps out of Hermione's fireplace and into a living room. A room that he knew way too well for simply being fuckbuddies with her roommate.

"I thought you had better wards up 'mione." A familiar voice commented from the other room.

"I did. It was Yazmeen who let him in." Hermione said, watching Draco step out of her fireplace. Fred followed her gaze and watched as Draco got reacquainted with the apartment. Draco noticing their gaze on him.

"Are you two just going to stare at me? If so, I could've met you at the train station," Draco commented, annoyed.

Fred laughs. "Some people never change. I'll see you when you get back," Fred said, smiling at the brown-skinned woman. He pauses at the door. "Keep her safe, Malfoy."

That, for some reason, catches him off guard, but he manages to get out a quick, yeah.

Hermione watched Fred leave before turning back to the blond-haired man who has moved out of her living room.

"You ready to go? I need to call a cab." Hermione asked.

"Yeah, I'm good. Don't know about you, though... Seemed a bit preoccupied." He shrugs, back turned away, looking at some artwork on the wall.

Hermione doesn't validate the statement and instead goes to call a cab. "One is in the area, and it'll be here in about 3 minutes."

Draco doesn't respond, so they exist in silence before Hermione asks, "You've been here plenty of times.. You don't stay over like you used to?"

Draco turns quickly to face the curly-haired woman. "Yeah, unlike like some of us, we have work to do."

"Now, what the hell is that supposed to mean?"

"It's obvious half your stuff isn't here, and with Fred being over, I'm going to assume it's at his place?"

All Hermione does is glare before going to look outside to her window. She notices the yellow cab outside, and instead of telling him of the new development, she simply grabs her bag and leaves but unfortunately for her, Draco is a smart man, and he quickly follows after her.

The ride to the train station is filled with tension and silence. Draco likes to think that he wondered if he overstepped a boundary, but then he remembered that he could care less about how he picked at her sex life. If she wanted to do that to him, he could do the same to her. But due to that pettiness, nobody spoke until they were on the train and even then, there wasn't much talking done.

"How are you?"

Hermione glares at him from her seat before rolling her eyes, annoyed at the question "You left me Draco,"

"You left me too; this wasn't a one-person thing,"

"So when were you going to tell me you were married?"

"I wasn't then, and I'm not now."

"Tell that to the gossip magazines."

"Tell that to the gossip magazines that wrote back to back articles about you and Krum? Since when did you listen to them? Also, when did you start caring for me outside of the bedroom?"

"I don't know but stop asking like you weren't the one knocking on my door at first."

The silence informs them both that neither of them have been good. Not that they were ever good, especially not back in college. Running to each other to find something familiar only to go back to hating each other the next day. That's what made the sex good, they both think. Too much passion made anything feel good during the moment, but it's in the morning that you have to wonder whether it was really worth it.

"So are you with him now? You hop from one ginger dick to another?

"Oh, I didn't know you were ginger, and it seems like we're both following patterns."

That one shuts him up because he realizes that he hasn't changed and only moved on to her intern, whose skin looks like the woman's sitting in front of them when the sun hits it just right.

"Also, I don't mind you having sex with Yazmeen, but having sex with every black woman in our office is.... A bit suspicious."

Draco doesn't know how to respond to the claim, so he simply changes the topic "Are you going to Harry's wedding?"

Hermione's eyes snap from the blond man to the window across from him. "Of course, I'm the maid of honor."

Draco isn't really surprised by the admission, "What an Honor. But you know it's surprising that she gave birth before being married."

"Not really.. Might have been going at it for a while, but unlike you, he can stay committed."

"What are you so mad at me for?"

"I don't know?  How about we start with the fact that you left Daphne right after getting married, only to start sleeping with me 3 months later. And then lying to her about it. She thought you loved her; I mean, sure, we all knew it wasn't going to last. But she wanted to at least make it work. But there we were fucking in the backseat while she was in the store."

"Listen, it takes two, don't pretend like you're innocent." He shot back-way too quickly for a man who wanted to seem unaffected from the claims.

"That would be a good claim, but there you were in my bed way past time for you to go, talking to me about the future and how uncertain you were and all that other bullcrap only for you to be in a dedicated marriage. It'd be a bit different if you both didn't give a damn."

Draco sat in silence because she was right. Always right.. Never wrong. Never wrong in the classes they were and certainly never wrong about the life they lived

"Well, we're getting a Divorce... to legalize the situation."

Hermione glares at him. "So that's what makes this better? A divorce after what? 5 years?"

Draco wants to say yes, but after knowing the woman sitting next to him for the past 18 years, he knows a warning sign he sees one, so he drops the subject.

They both know that they'll need to talk about this again, and they didn't need to read tea leaves for that. But just like tea, it can only steep for so long before becoming bitter, or maybe they were past that stage, and it just needed to be poured out.

The train comes to their stop, and they go to a cab that was already waiting for them; they both think that even though Sanchez is annoying and strict, he still knows how to be hospitable if hospitable meant a very homely looking hotel.

"Is this it? The place we're supposed to be staying?" Draco asked, voice full of disgust.

"Yea, this was the address given to me by Sanchez."

Hermione and Draco stared at the small white and brown homely inn that looked like its been around since the dark ages.

"Let's go. It's only a night." Hermione whispered, giving a nudge to Draco.

They climb out of the car and were preparing to go in before the driver rolled down the window. "I'm going to be here by 6 tomorrow evening to take you back to the train station and if need to floor just tell the lady at the desk and she'll help you. Good Luck."

They nod before walking in and realizing that the inside looks exactly like the outside. Homely and cold-one of the great perks of being in a city next to the water.

"Check-in for Sanchez," Hermione said, smiling at the hostess.

Draco stayed in the back and looked around, hoping to see something that would indicate the age of this inn, but unfortunately, nothing stood out but a pattern in one of the supporting beams.

"Hey, got the key," Hermione says, jingling the key in his face before walking down the hallway where the supposed hotel room was.

"15, 25, 35, and 45 is the lucky number."

"Why are the doors numbered like that?"

"I don't know you're the pureblood you tell me,"

Draco rolls her eyes at her response. "Why the hell would I know that?"

"The wizarding world is a weird place, and rich kids are supposed to be cultured," Hermione joked before seeing their bedding situation. "Of fucking course, how brilliant."

Draco was confused by her sudden change of tone until he saw what she was talking about: One bed.

One medium-sized bed in a room that was freezing cold.

As Draco starts to say something, Hermione cuts him off. "Listen, we can talk about this later," Hermione sighs before setting down her bag. "I'll go down and call us a cab to the station."

Draco watches her walk away with only her purse, confused as to why she never lets him talk. But he dismissed the thought when he casted a quick charm to keep their bags safe.

They get to the station and head over to sign in at the front desk "Officer Granger and Officer Malfoy is here to talk to... Your head officer, officer Pearce I believe, is the name, about the recent killings." Hermione says confidently while leaning slightly on the wooden desk.

"Why does he look so confused?" an officer asks while coming up behind the secretary that was checking her computer for confirmation.

"Listen, he doesn't do fieldwork; he does office stuff. This is his first time. Give him a break," Hermione confides, laughing slightly at the Blond man's facial expression.

The officer laughs and checks the computer that shows the confirmation. "Alright, let me check your IDs, and I'll get you guys back there." Draco and Hermione gave their IDs to the officer, and he nods that suggests they follow him to the back.

"Have you seen any pictures of the body? or any of the bodies?" Draco asks. He hasn't seen a dead body since the war, and even though it's been 10 years, the sight of them still can keep him up for days. He wonders how Harry moved on. He thinks he should ask him.

"No, we were only asked to get the statement from the old lady, and even then, it's a bit spotty."

"Well, can you fax a copy to our office so that we have a hard version in London? We're not going to take long." Hermione says, her voice more determined than usual.

"Yeah, I can do that for you. Alright, here's his office, by the way, he doesn't like this kind of stuff, so... You gotta be smart." The officer they were following says before knocking on a door that had the name of Anthony Pearce.

"Come in." A baritone voice commands from behind the door.

"Alright, good luck."

Hermione and Draco give the optimistic officer a nod before heading into the office.

"Hello Officer Pearce, we are investigators sent from London to talk to you about the report that was given to you after a recent murder against a young woman," Draco says, looking around the office before landing on the officer's face.

Hermione thinks that the officer looks like one of the men from Mama Mia.

"So when did they start sending in young ones with fancy outfits to deal with murder cases?" He inquired before lighting a cigarette.

"We aren't dealing with the murder it's self we're just trying to find out about the... uh.. designs being left on the bodies of the victims. I'm officer Malfoy, and this is my partner Granger." Draco shoots back at the man. He knew they were young for their field; there was no denying that, but they were good at their jobs, and there will be no one that questions that, muggle or not.

Officer Pearce raises a brow before tapping his cigarette into the ashtray. "Is that so? If you're only dealing with the designs, why do you want the lady's statements?"

"We want her statements because she was the last one to talk to the lady that was most recently killed, and she could possibly tell us some information that could help us understand what's going on," Draco responds with a slight huff.

Hermione rolled her eyes at Dracos body language 'how immature. You don't hold any power out here, pretty boy.'

"If that's the case, I could've just sent the report to your office. Why come all the way here for something we could've faxed you?" The older man responds, a demeaning edge to his voice.

"Because we're going to interview the woman tomorrow, and since we were in the city, we decided to question you directly. But if you don't want to comply, I can and will have you arrested for obstruction of justice." Hermione responds, a clear tone of annoyance in her voice.

Pearce stares at Hermione and then looks at Draco. "You should keep her around; she gets stuff done. And I'll get you the interview report, and I can't tell you anything because I didn't conduct it and what was said was nothing out of the usual... But I have received some pictures of the, uh, drawings." He says before going through a drawer and bringing out a manila folder.

"Can we look at them?" Hermione asked softly.

"I can make you a copy," He says, putting out his cigarette before heading over to the printer. "Now, why'd you come here? These murders have been happening for a while."

"It's because our office thought these were stand-alone cases. It's London.. And unfortunately, people get killed all the time." Hermione says slowly, making her seem sadder than she actually was.

"Understandable, but Liverpool does have its crime.. Luckily we're not in the city, so it's a bit easier for us." Pearce says before handing Draco the first page.

"If you don't mind me asking... Why were you so resistant to us knowing the information?" Draco asked, passing the page to Hermione.

"Because whoever is doing this is getting off scot-free. And they're sick cunts too. Imagine, instead of just killing the bloke, you carve patterns into their skin. I tell ya it's some of them, refugees."  Pearce says, handing them the next two copied pages.

Hermione looks up from the pictures. "Sir, this is obviously not Arabic. And it's interesting that a cop that is supposed to serve his community has those kinds of feelings for the people he's supposed to be protecting."

"Nah, none of them live around here, and a good thing too. Don't want them to be committing crimes and stuff." Pearce says, walking back to his desk and lighting another cigarette.

Draco noticed the fist tightly wrapped around the paper before speaking up. "Thank you for your time here, sir... If we hear anything thing new, we'll make sure to let you know."

Pearce simply nods before going off into his own world as they left.

"What a fucking bigot." Hermione angrily whispered. Draco stayed silent shocked at the bluntness of the officers' rudeness, but then he realized that his father was the same towards muggles.

They walked to the front and thanked the secretary, and then went to an empty-looking coffee shop across the street.

"My father was like that, wasn't he?" Draco asks while they were sitting down in their chosen seats.

Hermione looks up from the small menu provided at their table. "You think?"

Draco drops the subject before reaching over and grabbing the files.

"How may I help yous?" A bubbly waitress asked Hermione, almost completely ignoring Draco.

"I would like a cup of coffee, straight please." Hermione says with a smile that makes the younger girl blush.

"And I would like a cup of earl grey and some of the strongest stuff you have." Draco says dryly.

The waitress doesn't respond but jots the items down. "That'll be right out."

Draco watches the waitress retreat to behind the bar. "What the hell was that about?"

"Aww, are you mad that you didn't get attention?" Hermione teasingly giggled while picking up her well used legal pad.

Draco didn't respond.

"Hey, Malfoy, do you work with still work with ruins, or are your college years being wasted on artifacts?" Hermione asks, laying out the pictures in front of her.

"Mainly artifacts and studying the charms people put on them," He responds before the waitress came over.

"Here is your drink and alcohol, and your drink, ma'am, is still being made." The waitress says in a light, bubbly tone.

Hermione nods in recognition, but her brows stay furrowed in concentration.

The waitress leaves before Draco speaks up again, clear liquid in hand.

"Don't drink that right now," Hermione says, quickly looking up and snatching the glass of clear liquid. She sniffs if before confirming. "It's moonshine.. That's some powerful stuff, and if you want to coherent while researching, then I suggest you leave that for later." Hermione informs before pulling out an empty flask.

Draco looks at her curiously before pouring the clear liquid into the flask.

"Look, they didn't die graphically. There's no blood if that what you're worried about." Hermione says, looking up at the blond across from her.

"No..That's- I just.. If something big happens when we're on this case, we're going to become much more than researchers, and I just- I left the field for a reason, and I really don't care to be put back in. I was perfectly fine at my desk and perfectly capable of what I was doing."

Hermione looks at him deeply at him before looking back down at the ruins. "That's wonderful to know, and I understand I really do, but we've been working under Sanchez since our internships. And I know that he's smart enough not to let his head researchers go into the field blindly just to get killed. He knows we can handle ourselves out here. Meaning you gotta start trusting yourself. Plus, after this, we'll probably get a nice vacation offering once we're done, so suck it up and let's figure this out before more people die."

Draco sips on his tea, considering the words of the intelligent woman in front of him.

"Here's your coffee, ma'am... Buy the way it's on the house." The waitress interrupts, setting down the requested coffee.

Draco rolls his eyes at the "sincere" action before grabbing his wallet and handing the young woman 100 pounds. "Keep the change."

Hermione gawks at the exchange but doesn't voice her comment until the woman goes away.

"Do you know how much money that is?"

Draco sends her a confused look before replacing his wallet with his glasses. "All right, what are we looking at."

"Well, firstly, you're starting to look like Harry for one. I get you both are basically office mates but geez. And secondly, I think it's Egyptian. Like something found in tombs, but then there's more stuff that I can't really think of... Maybe Mayans?"

Draco grabs a pictured and stares before shaking his head. "Possibly, but there seems to be a mix of several curses among the charms. Those are most certainly from Egypt, and that's probably how the doctors died," He says before grabbing another picture. "Yeah, because they look like hieroglyphics, and so they decoded them and then cursed themselves. But how he got them on the body is what's' really confusing."

Hermione nods before asking, "Don't you have tea with you?"

"Yeah, but I know it's cold, and so I got a new cup."

A new cup indeed.

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