sunday nsfw headcanons because he's in my head
im writing again. merry crimas happy holiday
sunday x gn!reader
warnings: smut so minors beware, pre-sunday + penacony release
request rules
ʚ Sunday and sex (sexday/sunsex if you will) depends entirely on how much he knows you and how long you've been together. Doesn't have a lot of time to have sex and also has a below average sex drive.
ʚ Early relationship, Sunday doesn't play a submissive role or bottoming. he's going to he in control. It takes a while for him to warm up to being a sub and/or bottoming. He has to warm up to it. During the first few times, you'll be stopped by Sunday. Giving up control is foreign to him. He has to know that he's still got control despite your roles and positions. It takes a lot of reassurance and patience for him to get used to being a bottom and a sub.
ʚ Sessions can go between rough to soft. It all depends on Sunday's mood and yours. He doesn't have a preference for either. If you're being punished by him, then he's going hard and fast. If a day was hard for you, he'll go softer.
ʚ He does enjoy "giving up" control. He's into shibari. Has several ropes to use on you even in your early relationship. Likes tying you up and being tied up. Finds the act intimate in softer sessions. To trust you to tie him up and leaving him vulnerable, to trust him to tie you up and leave you vulnerable.
ʚ Refuses to be gagged. You can tie him up all pretty but he wants his mouth free so he can tell you to stop. Later, he'll open up to being blindfolded. Like when it first came to being a sub and bottoming, he'll tell you pull it off of him. He enjoys it though, when he gets used to.
ʚ Loves the thought of marathon sex, isn't able to do it most days. He's got a lot of work to do in Penacony! Longer sessions are harder to pull off due to expectations given to him. If he gets a few days off from any work and expectations, he'll do it. Pulls out a whole damn schedule in a PowerPoint-esque presentation to you. Takes suggestions at the end, please don't interrupt him.
ʚ No! wing pulling. They're very sensitive and it feels like pulling on a cat's tail. It hurts helluva a lot. Gentle brushing does turn him on, though. It's a great way to make him start whining for you.
ʚ Owhghg he has a secret praise kink. He loves to receive praise. Please praise him for being a good boy. He'll praise you if you're good! So just whisper how good he is for you. Please and thank you.
ʚ Most obvious part: he's into punishing you and brat-taming. Has plenty of toys to use on you. Honestly I don't know what to put here for this. I'm not really into brat-taming (on the receiving end).
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being a manager sucks balls half the time but the cashier kids im in charge of trust me enough to dick around in front of me so ive been keeping a running list of the shit they say that makes me laugh randomly:
-"guys, is it cheating if you play fortnite with your ex" [4 seperate others, immediately]: "YES"
-"there must be like… infinite sentences"
-"bro what bro what the fuck bro what's that mean bro why'd you say that bro what" <distraught response to a girl randomly greeting him with 'hey there big boy' in an old timey transatlantic news reporter accent
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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i just. i just…FUCK. i just really want harrowhark to go sicko mode when she realizes john has the power to resurrect whoever he wants he just chooses not to and even after learning about his own blood daughter he still doesn’t resurrect her he just makes her a construct. i would be alecto-levels of grief-stricken-enraged if my childhood nemesis/guard dog/whipping girl/codependent lesbian situationship that i lobotomized over/suicide-pact soulmate/only friend was suddenly here but not here haunting her own dead body and the only reason she’s present is because she was made into a fascist killing machine for a man with a power kink, and she’s not even happy about it but she’s going through the motions because all she knows of love is to be useful. (forever your sword.) and if i was harrow and i died and then came back to myself after switching bodies with the human cage holding the earth’s soul and realized all of this, i think i too would be accompanying the earth’s soul on her shoulder to go kill a man with eclipse-eyes and criminal levels of nonchalance. y’know. the one who guarded g1deon but not me, lord. the one who was so sure i had never seen that which lies insensate and with stilled mind, lord, who did not realize i was a lock and there was a key in the shape of a girl, lord. the one who looked me dead in the eye and told me i could never have my cavalier back, lord. the cavalier who came back haunted and empty and incomplete by your hand, lord.
i’m so team ‘harrowhark saves gideon for real this time not because she wants her cav but because she wants her other half’ i might lose my mind about it
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