Why Steddie shippers are VALID
So my sister made a whole ass analysis on why Steddie shippers are not insane for seeing what we saw and I'm just gonna copy paste it below:
Gonna go on a little ramble here but the thing is people weren't pulling shit out of nowhere when they shipped steddie it's not just them looking at two characters and being like oh they'd have a fun dynamic IF we put them in situations because the story itself put them in those situations. If you sit and think about it they would've been the natural direction for the story to have taken. It's not even just the actors' chemistry, the characters themselves were set up in ways that just pushed them together throughout the season. Romantically.
If you look at what we got the season starts off with Steve being jealous of Eddie, refusing to hang out with him and wanting Dustin to stop pestering him. Then it's him not knowing what he wants in terms of romance. His flirting gets sidetracked because in Dustin's words "maybe he should spend less time looking at girls and looking for Eddie" which he then does because the plot itself pushes them together.
When they find Eddie it's Steve that gets shoved up against a wall, making him the first character outside of the kids from the party that Eddie even directly interacts with. And then when he goes missing it's Steve that leads them to skull rock and once more he's the first one Eddie even says anything to when he's found. And even then they share quips about Dustin despite it being something they were stated to be jealous about. Does Steve know shit about mordor? Does he even understand half the shit the man talks about there? nope. but is he the one that states that hey maybe we should be prioritising Eddie's safety instead of jumping headfirst into killing vecna? yup. He hangs back so Eddie can get his shit, which at this point the importance of an alcohol container isn't even much but it's still Eddie's stuff so he does hang back, he waits.
(small note that the other time we saw someone hanging in the background was with lumax, when Max needed to tie her shoelaces and maybe that's not intentional because maybe Sadie just needed to tie her shoelaces but still)
And then when Steve volunteers to jump to find that gate it's Eddie that gets a torch, wraps it up in plastic and hands it over with a goodluck and keeps Steve's sweater with him. And when it seems like Steve's having a moment with his ex it's Eddie that interrupts them with a scoff to give him his battle vest when he could've handed him his leather jacket, when he didn't even need to hand him anything bc Robin was right there and could've handed him her jacket.
The fact that Steve takes it and then hangs back again but this time specifically to be say thank you for jumping in to help, Eddie deflects it all the way anyone with a crush who wants to not be clocked as having one would do bc "omg it's obvious I was jealous it's obvious Nancy and Steve should be together again" His dialogue here very much is the most I'm outside this circle I shouldn't be butting into this circle but even then the show shows us Steve with chunks of his stomach gone still there trying to comfort and thank and reassure Eddie. Eddie even goes on to make him laugh!! and makes him get flustered!! and they have a heart to heart about Dustin, about being presumptuous of eo and how hey we're cool now and it cements how Eddie really is with the party now.
(Yet another side note but his jealousy could really directly parallel Robins coming out scene so well its almost ridiculous. "Hey Steve I wasn't obsessed with you I was jealous vs Hey Steve I wasn't actually jealous I was obsessed" )
And then they show little moments of them celebrating together when they succeed in contacting Dustin, they show them whining to eo about the tiny boy they've self appointed to take care of. And even when they're out of the upside down for a while they're just constantly near eo in every frame? it's one of those oh even if they're not the focus rn they just gravitate towards eo things.
They have Eddie hot wire a trailer but even then they have Steve hovering over him getting trusted with the knowledge of Eddie's shitty father and not only is it a glimpse of Eddie's life but it's also a glimpse of just how shit this situation is for the boy and the scene ends with Steve being flirted with!!! and made to drive the vehicle eddie got them.
And I know this is Steve telling Nancy this but his dream? his dream is having a family and someone to be with him and coparent with him and the entire season we've been shown how good Eddie is with the kids, how Eddie is known for taking in kids that don't fit and need protection and giving them a place to be themselves. The fact that Steve specifically talking about having a gigantic vehicle to troop into when seconds before Eddie got him that vehicle.
(Honestly just a side note but this would be the most wholesome development too because Steve comes from a neglectful "perfect" family and he thought he'd want that too but with love and instead he gets this insane and messy found family, with people who love and adore him and its a great way to subvert the trope and a great arc for a character who began his story being the rich douchebag jock.)
Even after that when Steve sits with Robin and talks about romance and how he gets that it's not the most important priority and he has hope still and it really could've just focused on Nancy if that's all they wanted but it also shows Dustin and Eddie playing around and goofing off.
(Small side note again is how even when Nancy is sitting there talking to max she's still making weapons she's thinking about defeating vecna but Eddie even when he does makes weapons, and his weapon matches Steve's for fucks sake, he makes it a game he's playing with the kids and unwinding them).
And when they start their plan it's still Steve that hangs back and specifically tells Eddie he doesn't have to be a hero and they should stay safe, the both of them. And even when he turns to leave Eddie still calls him back the way romantic pairings do for goodluck except here they're not a thing yet and he just says give them hell.
All this to say is that my point is that even if you take away how Joe Quinn played Eddie (and that's not to say he didn't do a phenomal fucking job), take away how he was all up in Steve's face and how they looked at eo like that, it's still the way a romantic pair gets set up, it's still the narrative pushing them together. It is not wrong of queer people to have seen a story centering a freak being hunted, see him accepted, see him in situations where if he was a girl this would've definitely lead to romance and then being upset when it didn't happen.
I thought I'd already said everything I had wanted to about this season but then I realised that queer people seeing steddie and shipping them together have been downplaying Steve and Eddie's interactions because of how we're constantly never thought of possibly being represented and we're constantly being told its just us seeing it and how one frame with two ppl of the same gender makes us crazy shippers when in reality the narrative really well and truly did set it up.
I'm tired of seeing queer people beat themselves up and disclaimer themselves because heterosexuals would shrug off any kind of romance between anyone that isn't a man and a woman because it wasn't explicitly spelled out for them, or shown in their standards of how a Queer relationship would've been. It is gay, it was gay and it will be gay regardless of the homophobic writers, regardless of what heterosexuals think and we aren't wrong for seeing it and wanting it.
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Jopper: You can find love again after being divorced.
Duzie: Love isn’t about social status and the validation of having a partner but rather things like common interests and love of each other’s company.
Stobin: Your “true love” doesn’t have to be a romantic one and you can be entirely fulfilled by a best friend.
Jancy: Love and family does not need to be the focus of your life. You can have those things while still being career driven and oriented.
ElMike: Romantic and platonic love are not hierarchal. Sometimes one relationship is closer and better as friends than as lovers. (similar to Stobin but rather than exchanging a friend for a romantic partner, shifting the nature of one relationship)
Lumax: A loving and supporting relationship is more important than the social disapproval that may come with it. (similar to Duzie but with higher stakes of racist consequences rather than just a lack of societal approval, an active disapproval)
Byler: Queer people are just as deserving of love and romance and do not need to settle for platonic relationships if they want more.
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This is a scrap - and should be read as a criticism of the story telling moreso than of the (fictional) characters - but...
One of the results of Season 4 framing Adora as purely a victim of "crazy ex" Glimmer - Presenting it as if Glimmer was reacting to nothing, that Adora wasn't controlling or jealous or secretive - is that it deeply undercuts the idea that Adora treats Catra badly because She Just Doesn't Know Better.
If Adora treats Glimmer in the same (bad) ways she treated Catra, then it tells us she has flawed assumptions about what a "good" relationship looks like; that her behaviour (if not innocent) is at least sincere, and that she is continuing to apply bad models even in a situation where it does not benefit her(or anyone but Shadow Weaver). Having these models fail her would drive the character towards self-examination and personal growth.
But if Glimmer was the core problem in Season 4 - if Adora was nothing but supportive, even when the circumstances of her youth are recreated nearly 1-to-1 - then we're saying that Adora is already perfect, that actually she does know how to have normal, healthy relationships even under trying circumstances.
Which makes her refusal to extend that care to Catra incredibly suspect. Does she think that Catra is uniquely unworthy of respect?
Or does she just know that other people think Catra is unworthy of respect, and aren't going to say shit (especially when they still need She-Ra to save them)?
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Look, obviously none of this is the intended read; And fwiw, I think that at least the script of Season 4 actually does show Adora replicating her bad behaviours -
being high-handed, controlling, jealous of Glimmer's relationship with Shadow Weaver, and unhealthily invested in her role as The Hero -
and then has those flaws drive personal growth - reflecting on if she is making things worse, recognizing that her idea of being A Hero is to be a weapon in someone else's hands and explicitly rejecting that -
but that this is undermined by the directorial lens overwhelmingly framing Glimmer as The Villain (and thus Adora as In The Right/The Victim/Smol Bean), and that this conflict drives these really ugly implications.
In absolving Adora, the story inadvertently validates her beliefs - even the ones that it set up as false and harmful. Which, yeah, creates the implication that Adora knows when she's acting badly, but just doesn't care (and that we shouldn't either). That her status as "Good" protects her from criticism, and allows her to cast any opposition as defacto "Bad" and not worthy of acknowledgment or examination.
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