Happy Indie Animation Day! To celebrate, here's some projects I'd like to see some support for:
"LITTLE WOLF" by @jenn0wow, @the-sunflower-club
"In a magic forest that’s been decaying for a decade and overgrown with thorns and vines and tainted magic, a little warrior travels through its treacherous obstacles so they can slay the infamous Lady of the forest. Many have traveled far and wide to slay this witch, but all have failed. Her death would mean peace to the forest and it would mean Little Wolf would be taken seriously by their clan. But, when Little Wolf comes face to face with the Lady of the Forest, will Little Wolf be strong enough to defeat her?"
"LUMI AND THE GREAT BIG GALAXY", by @starteas
"An original animated series about six aliens traveling the galaxy to help a lost star return home." Inspired by Craig McCracken's "Wander Over Yonder".
DEFENDERS OF ALODIA', by Naya Fae
"After her mother’s death, a stubborn young girl named Rebecca is transported to the magical and unpredictably chaotic world of Alodia, and must find her way back home. "
"CIRCUS OF WISHES" by @eddie
"The film follows 15-year-old Sadie as she uncovers the dark secrets behind a mysterious ringmaster and his magical circus. If something is too good to be true... It probably is."
"THE WILL OF MONSTERS" by @itsmechriswade
"Jarrad The Scarecrow and his young apprentice, Cham, are surrounded by vicious crows with nowhere to run! And to make matters worse? A dangerous Witch has begin following them!"
YT:
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An Alternative to the Studio System?: Indie Animation Forges Ahead [Part 3]
continued from part 2. Split because Tumblr claimed there was an error in the post.
Just as exciting are the shows by Black creators. I've mentioned a few in this post already, including Creative Theory, Brandon Wright, Wisdom Nunn, Lucha Vandross, Nya, and Pia. For one, there's a 2D animated series named Jumbie, produced by a small studio in Trinidad and Tobago, GemGfx Animation Studios. Originally scheduled for release in February of this year, the Jumbie pilot was delayed to February 2023, because the studio was working on a music video for "A Better Tomorrow", a song by Mark Loquan, featuring Terri Lyons, which came out in April. With that, Jumbie is going forward.
Reprinted from Pop Culture Maniacs, my History Hermann blog, and Wayback Machine. This was the eleventh article I wrote for Pop Culture Maniacs. This post was originally published on July 15, 2022.
In addition, there is an animated hiphop musical entitled Battu, which is scheduled to become an animated series on Cartoon Network. The latter has also picked up a show drawing from Nigerian culture entitled Iyanu: Child of Wonder to be overseen by a Black-owned animation studio, Lion Forge Animation. Before Disney Branded Television was headed by Ayo Davis, a Black woman, it agreed to pick up Iwájú. The latter is an Africanfuturist series set in Lagos, Nigeria. Disney is co-producing it with Kugali Media, a Pan-African entertainment company.
There are many other Black indie creators. There's Vampire Nwt's suspense mystery show entitled Blackwater Creek. It has queer Afro-Latine leads named after magic, monsters, and fruits! Even more exciting is Captain Zero. It is an action drama about a social media-obsessed superhero named Captain Zero who "must find the cause of his depression-fueled blackouts in order to save his city and himself." The series is created by a Black non-binary illustrator, filmmaker, and writer, Lamard Cher-Aimé. It is produced by a Black-owned animation company, Cutting Edge Animation.
This animated series tackles "mental health in the Black community, identity," according to Cher-Aimé. Currently, five seasons, 4 specials, and a feature film for Captain Zero are planned. The show's GoFundMe states that with enough money it can turn the show into a reality. The show, and another produced by Cutting Edge Animation, Space Friends, are often promoted by Cher-Aimé. They often ask their followers to name show characters, and showcase series art and related merchandise. Interviews, Q&As, and more further pull in potential viewers on the show's YouTube channel.
Recently, a short five-minute film entitled "Captain Zero: Into The Abyss", funded in part by Chromatic Black's Ida B. Wells fund, aired. It stars the Black trans actress Angelica Ross, who is the film's executive producer. The film focuses on a therapy session of Xerxes Hughes, aka Captain Zero, with Dr. Niobe (voiced by Ross). It was posted on the show's YouTube channel. It is within a video that is about 1 hour, 50 minute video, complete with mental health professionals, Ross, Cher-Aimé, and others talked about the film, Black representation in animation and comics, mental health, and many other topics.
These series prove what Ashley Nichols said: that "anyone can tell an amazing story." It also seems to prove that people with vision and passion can make "god tier animation". Amazing animation doesn't always need a "studio behind it with a million dollars." There is no clear answer for making indie animation viable. After all, people can still steal content of an indie animation and profit off it.
Even so, some have supported waiting longer for series to come to fruition, giving those producing it more time to rest, polish their ideas, and make the shows better. Furthermore, there is no doubt that corporate media fails to represent many aspects of society, with indie animation making cooler content despite the need for funds. There are the continual challenges of people not taking animation seriously.
Unsurprisingly, there have been calls for a website for indie animated series which works like Webtoon. The Animation for Adults site proposed an awards show just for indie animation. Creator Nation promoted a Discord server for indie creators, indie animated shows, and indie comics. Some noted news of Netflix's war with its animation department by letting go many of its animation employees. Many creators responded sharing their series or pilots in the process. It has led more toward indie animation.
Creators have seen indie animation as the way to go. Some said that creators should do promos for other indie animations or said that now is the most important time to support, and follow, indie projects. This is coupled with the realization (and recognition) that those in the animation industry don't have stable jobs.
Then, there's Project City, created by Rad Sechrist, well-known as the showrunner of Kipo and the Age of Wonderbeasts. In February, I argued that Project City has "the potential to expand the indie animation space beyond...often crowdfunded series on YouTube". I stated that it allows for "more independence for creators in the series, movies, music, or shows they create." While it is amazing that Sechrist is funding, and creating, his next film (The Brave War), co-created with Andra Gunter and Daniel Rojas, independently, progress on the platform is somewhat slow.
There was lukewarm reception to his idea that people who buy shares in a project "have the right to make and sell merch" but have to "drop profits back into our system that distributes to all IP owners". Some about the potential use of NFTs, which Sechrist realized was a good point. He is strongly against NFTs and for good reason. Others called it "iffy", said the execution could be tricky, or worried it could set a bad precedent. On the other hand, there were those more receptive to Sechrist's idea.
Project City now emphasizes its role as an animation school, including 15-minute lectures on various topics, and is now defined as a "project based platform for learning how to create animation." Back in March, Sechrist said they are continuing with F-IP (fractional IP), where people could buy shares of an IP, but are not using Blockchain or NFT, and stated they would be launching it within the next month. That did not happen. The idea continues to be developed. A tweet from the project's account used the #FIP hashtag on June 24. But, there haven't been many more updates beyond that, as Sechrist last mentioned it in a tweet on January 7.
On the other hand, on June 18, Sechrist said that they have been wanting to take steps toward making Project City "a streaming platform of creators learning and sharing their process/knowledge." He added that Project City takes "no ownership of IP people post". Anyone can post and delete any video they have posted. In addition, he said they were considering allowing people to post 1 minute clips on the site. Ultimately, Project City may be part of what Avara describes, giving people a platform who wouldn't have it "in the traditional studio setting". More fundamentally, it is part of allowing creators to share stories on their own terms.
© 2022-2023 Burkely Hermann. All rights reserved.
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