what's your current perspective on ragapom after the new episode? my headcanons have been almost completely changed...they're both losers and ragatha certainly seems to be more of a loser than pomni like many have pointed out. she literally does not take pomni's name out of her mouth throughout the entire episode!! like, sure, we all know you care about her and you're worried after all that happened in the pilot, OKAY! but for the love of god you literally fell off a CLIFF and one of your first reactions is ask about her?? definitely the biggest pomni simp to ever exist, no mfer in this fandom can ever beat her
absolutely everyrhing changed youre so right !!! lime EVERYTHING !! i dont even see pomni as a loser anymore actually ragatha is the biggest fucking loser here, pomni is normal honestly the pilot kusr made her out to be this complete mess but pomni is nor ? she acyuallu seems lime INCREDINLY calm for the sitatuon shes in and kind of okau with it now ? lime in that scene where she was talking to the guy and she was like "yeah well im stuck here and im tryong to see ir as home" or soemthing lime rhat .. pomni isnt the fucking simp around here its ragatha !!! i mean come on even jax pointed it out !!! this meand that shes porbbaly mever done this nefore for any other newcomers !! shenwas dying being stabbed in the chest almost drowning and the whole time shes like POMNI ??? POMNO AR EYOU OKAY ??? POMNI ?????? i think its quote literlaly impossoble to not at leadt slightly believe ragatha likes pomni a biy too mufh .. anywayd yes everything has compleley changed and pomni nor ragatha is what i have drew them out to be, theyre compleley dofferent from the pilot !! i dont think ive ever seen someone care this much aboit someone they JUST met a day before, also how she tries to get clos3r to pomni the entire time !! shes literaly tryong to nefriend her reallyreally badlu trying to get clos3r and thats a gay fucking thing to do shes sofucking desperate shes in love trusr me i know a lesbian with a crush when i see one .. everytjing hss changed ...
i think that their dynamic righr now is like .. one sided woth ragatha trying to grt close to pomno and pomni trying to stop all her advances maybe becauze she still feels bad ? i hope that when they do talk (WHIXH THEY FUCKING WILL HOPEFULLY !!!) tbeir dynsmic changes and they actually become friends ? i think ragatba is really lonely, they all seem to be acquantices at besr actyally with kinger being the only one who seems to have a friendler fonnection to ragatha ? and hes mental a bit so youknow shes defonily a bit lonely !! my touch starbed headcanon foe ragatba still stays actually thats canon to me in my head .. i want to explore this newfound dynamic more actually !! its very interesting
Normally there would be banter and good-natured ribbing and small talk about the weather, maybe plans to catch a pint.
Now silence reigns as Sherlock examines the body on the slab in Molly’s lab, the only sounds coming from Sherlock’s steps as he rounds the slab.
Lestrade is standing in a corner, arms awkwardly crossed over his chest, refusing to meet John’s eyes.
John can empathise. He’d very much like to not see Lestrade again for the next six months. Or possibly longer. However long it will take for the awkwardness to dissipate, and for the images no doubt seared into Lestrade’s retinas to fade.
Molly is looking from John to Lestrade, vibrating with barely contained curiosity.
“Oh for god’s sake, can you lot grow up!” Sherlock has straightened from examining the corpse and is glaring at the three of them. He gestures between himself and John. “Lestrade, you are an adult. You know that what two consenting adults do in their free time in their own home is none of your bloody business. If you did not want to walk into anything you’re obviously not mature enough to handle, you could have, I don’t know, knocked. Or phoned.”
Molly goes beet red as she looks from Lestrade, who’s pointedly gazing at the floor, to John, who’s covering his face with both hands. “You walked in on them having sex?”
Lestrade looks at Molly, aghast. “Oh my god, I wish!”
“What did you do?” Molly asks John, obviously deeply fascinated.
John rolls his eyes. “Privacy, Molly. Ever heard of the concept?”
Molly turns to Sherlock, who sighs, exasperated. “Am I the only one who cares about the dead body in the room?”
“She’ll keep,” Molly says, pinning Sherlock with a penetrating gaze. “Wait, does this have anything to do with the glitter nail polish you borrowed from me?”
Sherlock, irate, turns to Lestrade. “Not that it’s any of your bloody business, actually, but it seems to have escaped your pea brain, Gavin, that we have a daughter. A daughter who wants to wear nail polish. How am I supposed to recommend a brand without having thoroughly tested it beforehand? Do you understand nothing about science, and even less about being a parent?”
“Oi, I’ve raised two children to be moderately functional adults, and all of that without ever painting my husband’s toenails.”
“I think Sherlock has a point about the dead body, actually,” John chimes in, wanting very much to end this discussion. “And the whole ‘none of your business’ bit, actually, too.”
“Serves me right for not phoning ahead, I suppose,” Lestrade mutters, still not quite meeting John’s eyes. He gestures at the slab. “Point taken, though. Dead body and all.”
John steps up to the slab. “Discoloration suggests asphyxiation. What did the tox screen say, Molly? Molly?”
“Hm? What?” Molly asks, her eyes still fixated on Sherlock’s feet.
“Molly. Tox screen.”
“Hm. Not done yet,” she says absently, still staring at Sherlock’s feet. “Can I—”
“Molly! Privacy!” John yells.
“Yeah, that’s my cue, text me anything I need to know,” Lestrade says and all but flees the scene.
Sherlock’s already typing on his phone. “Sorry to disappoint, Molly, but it’s actually John’s feet. His toes are more like Watson’s for obvious reasons. Come along, John, we’re quite done here.”
John walks out after his husband, fervently wishing he could scrub this entire encounter from his brain, especially Molly’s disappointed expression.
“Let’s just move to another country,” he says when he catches up to Sherlock outside.
Sherlock chuckles. “Are you really so embarrassed?”
“By what, Lestrade thinking we have a weird foot fetish, or the discovery that apparently Molly has a weird foot fetish?”
“Admittedly that last one was information I did not need to have. Still, it’s worth the temporary embarrassment if it will teach Gavin to knock.”
“See, that’s the silver lining attitude I married you for.”
“Or, we could arrange for him to actually walk in on us while having sex, just for him to realise that it could have been so, so much worse.”
“Definitely moving to another country,” John mutters. “You think Greenland is nice this time of year?”
“They have polar bears, John.”
“Might be preferable.”
“Tell you what,” Sherlock murmurs, leaning closer so he can speak directly in John’s ear. “Why don’t we go back home, and I’ll show you what I’d want Gavin to walk in on, and I can guarantee you wouldn’t even notice.”
Then Sherlock proceeds to whisper a few suggestions in John’s ear, one dirtier than the other, and by the end of them, John is hard as a rock, almost blind with arousal, and has completely forgotten what they were talking about.
“Home,” he whispers, giving Sherlock a quick and dirty kiss.
“Home,” Sherlock agrees, then grins at John. “Oh, and John? Leave the nail polish on.”
“Pervert,” John mutters affectionately. “Let’s go.”
---------
Comedy today, making up for the pain and angst of yesterday. Though you all seemed to enjoy that, so who am I to judge.
Thank you all for your kind words, by the way, I'm glad you're enjoying my very eclectic ficlets so far. I feel a bit bad for having snoozed on doing a serialised story like many of you, but I do sort of enjoy the whiplash feeling of never knowing what I'll come up with next ;-)
I'm collecting these ficlets on AO3 here, btw.
Tags under the cut as always, please let me know if you want to be tagged or untagged.
ayato aishi being in love with an idol!reader would include...
sfw. warnings: yandere and obsessive behavior but that’s about it.
author’s note: this was also posted on my wattpad account, just wanted to share it here!
• the only reason ayato knew of your existence was because he heard your name a few times brought up at school. at first, he thought you were a student at akademi but something in the back of his mind told him that he had the wrong idea. he ended up shrugging it off. that is, until he saw a 3d billboard of you in tokyo, telling the watchers below to buy tickets for your upcoming concert.
• this whole time, y/n was an idol? ayato felt like a complete idiot when he realized this and spent the next few minutes, just standing there on the sidewalk, watching the same billboard cycle through other things until you popped up again. when you did, ayato took his time admiring your features. it's no wonder you were so popular at school...you're gorgeous.
• with that, ayato hurried to his house whilst he looked up everything about you and once he was in his house, he listened to every single song that you have ever sung. unreleased, popular, underrated, instrumental, acapella, you name it. you just so happened to have over 45 songs! for someone who was in the music scene for such a short amount of time, you did have a lot of albums...but that's alright!
— while it wasn't ayato's usual taste in music, he was willing to make an exception for you and only you.
• ayato is the type of guy to see someone wearing a piece of your merchandise, walk up to them, and say, "oh, you like y/n l/n? name 5 songs."
— insufferable, yes, but he had to assert dominance and show every single follower that he was your number #1 fan! if someone claims to be it, they're dead wrong. literally.
• he hates how some of the guys at his school also knew who you were and thought you were attractive. ayato knows that realistically, it was bound to happen but he still hates having to deal with it and it's not like he could do anything about it too, just suck it up.
• if you're the type of idol to dye your hair differently with every single album debut, ayato carefully tracks for any leaks on what color it would be because he's been debating on matching with you. he's lucky that akademi high school isn't strict when it comes to uniquely colored hair (as some schools force students to dye their hair black, even if a person's natural hair color is brown). of course, he would stick out more but he didn't care. it's a way he can show his support for you and there's nothing wrong with that.
• has only been to one of your concerts since, he won't lie, the tickets are a bit pricey and his part-time job could hardly cover it. the concert was really cool to experience— especially since ayato doesn't get out much— and he loved seeing you in person, but some annoying fans in front of him wouldn't stop holding their signs up in the air blocking his view but still tried to have a good thing by waving his light-stick and chanting in perfect harmony with the other fans.
— he would've gone a vip pass instead, but if he did that, ayato would have become flat-broke and that would in turn make him receive an angry lecture from his parents about finances.
• ayato has sent you loads of fan mail, some by name, others anonymously. he's sure that you get thousands by the hour but if there is even the slightest chance that you might read at least one of his, he'll take that opportunity
• whenever you describe your ideal type in a man in interviews, ayato makes it his duty to meet the criteria. you want someone with a little bit of muscle? he can work out more. you want a man who can cook? looks like ayato will be joining the cooking club at school. trust me, he will do anything to be viewed perfect in your eyes
• although his first-ever time seeing you in person was pretty much a bust, ayato made up for it by teaming up with info-kun to see where you would be in japan and finding your location by fan sightings. it was from there that ayato was able to find you in shibuya but it wasn't good news, actually. you were mad at the paparazzi trying to take scandalous photos of you and when ayato realized this, his head began to spin and he, too, started shouting at them to give you some space and to back off.
— when you realized this, you turned over to see just who was coming to help you since you weren't expecting it and mouthed a small 'thank you' which sent ayato's heart soaring.
• ayato has purchased an ungodly amount of merch from you, whether that be shirts, water bottles, limited-time ramen, or soda cans, he's even ripped off pages in magazines solely because your face was on it.
• alas, he still needs to find a way to worm into your personal life. it's a little hard to do that with just how many bodyguards you have and have lots of cameras in your house, too many for him to be able to capture you without any issues...
Let me tell you about my first time meeting Minthara and locking myself into the grove raid
I was having a chat with someone in the comments of my fanfic where I had told them I locked myself into the grove raid on my first run. They got really curious as to how I managed that. But, my response got a bit too long, so I figured I’d kinda do a bit of a writeup and reminisce about my first time playing Baldurs Gate 3 all the way back on Christmas Day and how I raided the grove with Minthara.
And oooo boi, where do I begin! Just a massive string of first time player who doesn’t know how to look, how to listen, or how to read. To start, never found Wyll in the grove (and when I eventually did he was big mad). I have no idea how I missed him. For some reason, my dumb ass also didn’t explore north of Blighted Village. So, I never found Karlach (and when I eventually did she was big mad). I went down to the swamp and Ethel just humiliated me, so I decided to go back until I was level 5 cause she was level 5. I never found Wood Woad so I never learned of the Shadow Druid stuff. I also never found the Underdark or Grymforge until exploring the goblin camp AFTER the raid so the only thing left for me to do was the grove.
Kagha wouldn’t talk to me cause she wanted me to go to Zevlor. I don’t know how I did it, but Zevlor wanted me to kill Kagha and just refused to talk to me when I said I wasn’t gonna kill Kagha. I also never found Mol so never got the quest to steal the idol.
So, all that was left was the goblin camp. Went downstairs to find the bear in the cage, I kinda figured it was Halsin. But, I think I picked the wrong dialogue options with the goblin kids and pissed off the bear. Long story short, bear got dead. All that was left was talking with Minthara and man she scared the absolute fucking shit outta me! When she told me to tell her where the grove was, I was literally too scared to tell her no and gave her the location. Don’t know bout you, but powerful and scary women can convince me to do just about anything! I felt awful, but it felt like it was the only way to progress the grove conflict.
Then I started the raid and saw that I still had the option to turn against her. I was so excited and thought “Yay! I can still save them AND I’ll have an army of tiefling and druids.” WRONG! I had 3 tieflings and only 1 was actually worth a damn and the druids slept through their big day. Minthara swept the floor with my ass, again, and again, and again. I tried that fight for 3 hours and Minthara won the fight every time. Mind you, I was severely under leveled and was doing the raid at level 3.
I may have found Withers, but didn’t know about respecing so Shadowheart was still in her default class of Trickery Domain (WHICH IS GARBAGE), Astarion who was an Arcane Trickster (WHICH IS GARBAGE), and Bae’zel who carried our asses as best as she could. And then there was me, a Rogue Assassin who loses her biggest advantage after round 1.
In typical drow fashion, she quite literally beat me into submission and I just said, “fuck it, I’mma join her.” Easiest fight in the game, didn’t break a sweat. When I talked to her in the inner sanctum, I genuinely felt nauseous to my stomach, but I decided I wasn’t gonna reload and was live with my choices, even if they’re stupid. I told Minthara that what we did was murder and we deserve to hang for it. Then she said “Look at me” and I was hooked. She has had me in her clutches ever since.
I did the goblin party and her and I went to the chapel. I figured I was gonna get a fade to black kinda sex scene. WRONG! It has got to be the most graphic and explicit sex scene I’ve seen in a game second to Cyberpunk. I was literally in shock the whole time. And then, afterwards, I cuddled with her and she wanted to talk about my feelings and I'm all "O.o, you're supposed to be evil?" The game may have been painting her as an evil character, but that moment showed that there was so much depth to her than just being an evil character. A moment most players will never see cause most don't raid the grove. I truly wasn’t expecting to see her again in Moonrise. And when I did, I knew I had to get her outta there no matter what.
Looking back on it now, it’s interesting for me to see how many things had to go wrong in order for me to end up raiding the grove. If I had found Karlach first, it wouldn’t have happened. If I found the Underdark/Grymforge first and leveled up a bit, wouldn’t have happened. If I freed Halsin, I probably would have killed the goblin leaders (including Minthara cause I did not know about the knock out method on my first play through) and the raid wouldn’t have happened. Hell, if I had thought to lower the difficulty to Explorer it wouldn’t have happened! But I didn’t get that big brain idea until the fight with Nere, well after the grove raid.
Minthara left such a massive impression on me because I did raid the grove. It really does make me think of her line “I would have just been another casualty in your crusade against the Absolute and no one would remember me.” If I did things right, that’s exactly who she would have been and probably would have been dead in most of my playthroughs. But, instead, I fucked everything up and she most certainly wasn’t a casualty and I don’t think I’ll ever be able to forget her. When meeting her in the goblin camp, never could I have imagined relating so much to a character. Out of all the companions, I relate to Minthara the most and Karlach comes a close second.
I don’t always raid the grove, but I will never kill her under any circumstance. Her and Shadowheart are the only two companions who have survived every playthough I’ve done and will survive every future runs cause I just cannot play this game without them. And it’s all because I was a chronic dumbass and raided the grove.
From a prompt posted by a friend on Discord last night. :3 Just thought I would ramble a bit before getting to work, this morning. If you're a writer and want to know what goes through my head as I come up with combat scenes in my stories, then read on. In this way, I hope we both learn a lot. Because I honestly don't think I've ever laid out my "formula" before...
First, know who you're dealing with.
This tutorial is going to stick mostly to the actual writing aspects, but if you're going to do an action series, you should factor in the combat abilities of your characters as you develop them. This doesn't have to be anything fancy. Keep it to the natural human responses at least. In other words, during a conflict, how will your character react:
Fight: Push back
Flight: Run away
Freeze: Do nothing
Knowing just that will give you enough to start thinking these dances through. And indeed, that's what they are - a dance. If you know more, like, specifically what kind of fighting they do, what their strengths in combat are, etc -- all the better, but know that what I list below goes in order from most to least important, and that stuff won't be on the list until the end.
Second, (and always) make the audience care about the action.
This sounds dumb and counterintuitive but people won't find an action scene compelling just because it's an action scene. Not to knock it, because it was brilliant for a different reason and a lot of the writing staff's hands were tied... BUT... During my time as a fan of, all the way into my employment with, Archie-Sonic, I can't tell you how many action scenes happened just because some executive at Sega was like "I think X and Y need to fight." So they would, and for reasons that were muddy at best. I think at one point, we had Sonic and Knuckles literally exchanging this dialogue:
Sonic: Yo dude, be cool. Last time we met, we left on good terms!
Knuckles: Maybe, but you're still an intruder and just because you did me that favor on the day my daughter was to be married does not mean I owe you anything in the way of kindness.
IDK, my memory may be foggy, but that was the gist of it. Point is, don't do that - and first make sure your audience understands the motives behind the action, the potential stakes, and why it's all taking place to begin with. Else, you can make it as cool as you want and people are going to walk away with a sense of "that was cool" instead of "holy shit I was freaking out through that whole scene." If there's any question as to what you should be striving for as a writer, it's the latter.
Third, plot it out like it's a mini-story.
To the point - figure out the end first, and work backwards, just like so many writing tutorials have said before. Again, keep it simple: Who wins? Does the conflict result in a casualty of some kind? Does a character learn something?
Before you show how it goes down, you need to establish what goes down as the action happens, and what happens afterwards. Keeping the ending in mind as yo write a scene is always a good way of making it feel tighter. And throwing littlte twists for interest (maybe a character has the upper-hand for all but the end of the fight - maybe a character is losing until a specific turning point, etc) is made much easier, too.
Fourth, mind the rhythm.
A little weird to explain this, but the back-and-forth nature of the scene needs to flow well. Generally, conflict follows a pattern of:
Character acts
Opposition reacts
Opposition acts
Character reacts
If this pattern looks familiar to you, it should. This is the basic pattern of human dialogue as seen in stories and, YES, real life. Consider your scene like a dialogue all its own (even if the characters are talking throughout). The twists and turns I spoke about in the last point should be "off beat" because there's an unexpected nature to them. When a twist happens, consider breaking the above pattern.
Fifth, showcase character traits and skills (again, always).
Some characters have a high sense of honor and would put down their weapons if their opponent was unarmed. Some of them would fight dirty and hit someone with a chair when their back was turned. Some characters are scrappy and will jump into a conflict even when they're sorely outmatched. Some are straight up cowards who might run away even when there's a good chance they could win. Some are smart enough to bow out and will not engage -- hiding at the first sign of trouble. Some will throw snowballs at the oppressor and be surprised when they pull aggro and the dude comes after them.
You get the idea -- fights, conflicts and action scenes are great ways to show your characters' strengths, weaknesses, traits, and personality. Times of struggle are going to lay emotional responses raw, and it's a great way of showing "who someone really is" as it were.
Sixth, showcase unique defensive behavior.
Some characters have specific training: military, martial arts, street-fighting, etc... which, if you're aware of those, should come out during combat or conflict. Some characters have access to weapons. Some characters' bodies are the weapon. Etc, etc etc...
Whatever you do, about the only time you're going to show off the fact that your character knows Muay Thai is during an action scene. If you yourself do not practice this martial art, then research what you need to incorporate to make it believable when you write. Watch videos and write down the ways you would describe the movement. If you're doing a comic, then sketch the movement. Use that in your story.
Last, create more interest by tying in and highlighting story themes or disparities between protagonist characters, antagonist characters, and/or the conflict as a whole.
A little trickier, but if your story has a central theme or moral, try showing pieces of it shining through the action. Just as one wild example, if you have a theme of "love conquers all" this might mean your fight will end with the two people falling in love, instead of fighting. Think like a dungeon master. If you rolled a natural 20 on "try to woo the orc" in a combat situation (remember that comic?) what do you think would happen?
Too, if your combatants have something in common, or especially something that they are diametrically opposed on, feel free to show that off in these scenes. It'll leave the audience knowing them better (and set them up for further head-butting... or romance(?) down the line. And that's always fun).
Anywho, that's just a few of my thoughts on action sequences in fiction. If this helped you, or you want me to talk about this even more -- send me a message or a note or something. Always up for discussing this kind of thing.
And your reward for reading this far is an invite to join my discord if you wanna hear me ramble on about this sort of thing, in perpetuity. :)
I don’t know if I crossed any line but seeing how mad you were at me, I think you had your reasons. And I thought over what I did. It’s my fault. I’m sorry, Kang. It’s not your fault. I shouldn’t have taken my feelings out on you. Stop.
one thing i noticed looking back at the start of trimax volume 12... we get that whole sequence where Vash is standing at the precipice & thinking about his past
i'd like to draw attention to This bit:
i didnt notice it when i first read it, but... that sleeve bit there? he's holding his arm. we don't get to see what he's actually thinking, but he's holding the bicep of his left arm - the arm he lost. considering he's standing in wait of Knives for their final battle, he's clearly remembering the time he lost it. to Knives.
(more notes under the cut)
he proceeds to think through the mistakes he's made and the people he's met... but something noteworthy that I find really interesting is that anime-only characters are present in the lineup.
take these two pages.
it's the sheriff lady and the rich dude from 98 episode 2
the plant engineer from Lost July, episode 6
the fake Vash the Stampede & Frank Marlon (not the other Marlon we meet in the manga, who's his grandson) from episode 3
the boomerang guy (who is in the manga Technically, though we didnt see vash meet him) & the blonde gunman from episode 1. and the dancing girl & her guy friend from episode 11.
all "filler", supposedly, but Vash knows them. the implication of this being that Vash has had some amount of those adventures even in the manga (though the different Marlons makes that part a little more muddied - maybe he knew Frank Marlon in a similar way to the anime, though the girls couldn't have been there in this version if he's the current Marlon's grandfather).
also please just admire this pic of meryl and milly bc i love them so much
anyways.
the spreads continue until we reach this iconic page:
Vash went through his memories of all the people he met to steel himself for the battle to come, but these are the last two he thinks about. The two he arguably holds dearest in his heart, and the two whose losses hurt him the most. He remembers Rem as she was, smiling lovingly down at him. He remembers Wolfwood as he left him. Just a grave.
Their memory calms him. He's thinking of the reasons he's fighting, and they're the most important ones.
Bolstered by the memories of the people he loves and the mistakes he's made, he's ready to face his fate.
hiii!! I absolutely adore every single one of your critical role fics, your writing is absolutely brilliant!!! i had a question: is the sea the stars the dreamers back now that a body in absentia is presently wrapped up or is the among us thing you referenced something different? whichever it is, I'm so stoked to keep following your writing! Sending you the most excellent of vibes
yeah that's the Among Us AU I was referring to, sorry for the confusion. I'll be returning to the sea, the stars, the dreamers at...some point, soonish? Ideally before the end of the year, but at this point I'm trying not to make promises. I've hit an editing block and (spoilers I guess?) we're nearing the "all five stages of grief, simultaneously" chapters, which I really don't want to leave on a cliffhanger.
So I'm trying to at least get that part completed before I begin posting again.