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#the really ironic thing
inkskinned · 2 years
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i turn 29 on july 1st. i feel like i make a lot of these notes to myself, to check in. hi, me, here's what's happening.
hi, me. hi, you, too, if you keep reading. here's some rules i have been following:
when a book is bad, i put the book down. i choose something i like instead. when i don't like a movie, i don't make myself watch until the end. i care less and less what people think about me and focus more on being a good friend.
for the 6 months or so, i've been asking people what they think should be my next book or tv show. i ask them where i should go on a walk next week. i ask them what food i should try next, what hobby. and then i write it down in front of them.
the truth is some stuff slips through the cracks. but most of the time? within two weeks, i get to send my favorite kind of text - so i tried the thing you were talking about and !
i have a new policy for split-second choices - it's better to try it. i have social anxiety. i have to talk myself into doing many things. i am constantly battling the desire to run away as far as my feet will take me. and then i stand up and i do the thing anyway. i make myself act and dance and sing. sometimes, yes, i know-immediately never again, i hate this. but most of the time - i just have fun with it.
i have a new mantra - nobody is scorekeeping. at the end of my life, there will be no grand reading of how many calories i'd been eating. no reviews on how many boring documentaries i forced myself through, no calculation on how many hours i endured an extremely dull educational podcast. and so what if i try karaoke and i don't actually nail it? so what if i stumble over my words while trying to make a public announcement? so what if i wear something too-showy to go to the grocery store? nobody there knows me, and: nobody's keeping score.
life doesn't resolve with a grade (i know, i was as shocked as everyone else when i realized it). i am not falling behind, because there's no curriculum to life that i should be following. there are no checkpoints; nobody is making sure i have a fully-furnished life resume. i am just here for as long as the earth will have me, and i get to decide what makes me happy.
i don't have a partner or a house or anything that is supposed to belong to people-my-age. i spend most of my time focusing on being kind, compassionate, ready to listen without restraint.
and honestly? i feel good. like actually. i kind of like it this way.
#the really ironic thing#is that the less i care what people think of me#the more friends i have#the more i get along with people easily#19 year old me would kill me for saying this bc she HATED when people said ''stop trying''#but it was that i wasn't trying to be their friend#i was trying NOT to be ME#i went from being like ''i think im too different for people to ever like me''#to a decade later being like#'' ah i'll be okay i get along with pretty much everyone ''#it was true about food too#i wasn't kind to my body and thought it could make me look a certain way#if i was pretty it would make up for the way i was internally very ugly#but im now in probably the best shape of my life#and i have pretty much kicked my eating disorder to the curb (goodbye die in a hole)#bc i spend SO much more time seeing the chance to work out as a FUN THING#bc i don't make myself ''follow the rules'' of working out -- i dance or jog or whatever my body wants to do instead#do you know how weird it is#to go from being a COMPLETELY alone kid like NOBODY will talk to you bc you're a social pariah#like bullied ALL THE TIME bc ur stupid and flighty and strange and too loud etc#to being like the exact same person but now people are like ..... ''ur smart and funny and charming and happy-go-lucky''#some of this does have to deal with the fact i got therapy and medication#and started being a better person and actually focusing on myself and the ways that i could improve#im gentler now. i don't crave attention in the same way. i don't mind things that used to destroy me#it DOES help that i finally got diagnosed with ADHD#anyway feelin things bc it's been 5 years of recovery <3
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yuurionviktor · 7 months
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Gonna finish Gideon one soon, but for now you can have this Harrow
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artgletic · 7 months
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case study of the self-identified god
#obsessed with the fact that rain world is a game about survival#yet every character we meet has the express goal of trying to optimize killing themselves#every creature in game seems perfectly content fulfilling their role in the ecosystem no matter how many cycles they do the same thing#(rly obvious with gourmand's entire route. guy who lives their life to the fullest without the slightest hint of resentment)#it was really only the ancients who thought they were above it and thought of it as something to escape from#5pebbles is so interesting because the only reason hes “”“godlike”“” is because of his vast knowledge. if he was in any slugcats shoes he#would die instantly which is ironically what hes been trying to do this whole time#this comic was kind of exploring the idea of awareness (divinity) as something that drags down ones enjoyment of life (walking).#if 5p would humble himself down enough to walk around like any other creature#he would a) be much happier in life and b) achieve the ascension he's been gunning for for millennia like all the slugcats did#but he never will.#getting rid of all his work on the problem or even his awareness of it entirely#would just be a trick of convenience that steals away his godhood#and him calling himself godlike is kind of a cope LOL#a cope being faced with a problem he was never meant to solve#a cope being faced with what he did to moon#a cope being faced with the rot inside him#oh well.#anyway fuck 5 pebbles i hate that guy#rain world#rain world fanart#rw five pebbles#rain world five pebbles#rw gourmand#rain world gourmand#five pebbles#rain world void worm#rain world ancients#also JUST KIDDING ilu 5p. you suck but i💛u
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adobe-outdesign · 2 months
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I love it when leak/speculation season is just completely and utterly wrong
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ruporas · 1 year
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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lady-raziel · 5 months
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had never heard of James Somerton before but now very suspicious that his stranger things and nostalgia video essay directly compares it to ready player one when one of the few published works of mine on the internet from college was an analysis of stranger things and nostalgia that compares it to ready player one 🤔
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somekindofsheepl · 8 months
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ganondoodle · 7 months
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me: finally im able to cope with how much i hate totk and can fuel that energy into other things :)
nintendy: the shiekah tech just dissappeared and no one knows why or cares enough to investigate it lol. lmao. its gone bc the calamity is gone or something even tho it literally isnt bc ganondorf is right there haha lol, stop asking, why do you care. just forget it existed and look at that sexy goatman and glue instead!! glue! isnt that wild?? also its totally a direct, 100% same universe and exact same characters, despite them act totally out of character, sequel to botw-
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idk-bruh-20 · 9 months
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Irondad fic ideas #148
You know those homework assignments where you have to interview someone in your family and then write an essay about their responses? Fic where Peter's class is told to interview their dad / a father figure in their life. 
Peter decides to interview Tony. But, he doesn't want his class to accuse him of lying, and he definitely doesn't want Tony to know what the assignment is about. 
So for Tony, Peter makes it seem like the assignment is just to interview anyone. Then, he carefully chooses questions to ask that are domestic and personal enough to avoid any mention of superheroes, celebrities, or so on. The few details that do slip through he just leaves out of his final essay.
For the class problem, Peter solves it by referring to Tony in the essay exclusively as "dad"
Unfortunately for Peter, the teacher then announces a part 2 to the assignment. Right after collecting the essays, the teacher says they will now need to bring the people they interviewed to school for their presentations
Peter has pretty much decided to not even mention it to Tony and just say his dad is busy. But then Flash has to open his big mouth. 
He accuses Peter of just making his assignment up, loudly reminding the class that he's an orphan. Peter clarifies that this father figure thing is a new development, but now the teacher looks suspicious
Peter is going to have to ask Tony to come to his school. And he's going to have to explain why the class will be full of kids and their fathers
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poorly-drawn-mdzs · 3 months
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Happy very belated birthday.. I hope you had much time celebrating by digging for tubers : )
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I'M DIGGING FOR TUBERS! AND NO ONE CAN STOP ME!
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skrunksthatwunk · 2 months
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i just know his ass has a debilitating urge to chew ice constantly (<- projecting)
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trashpandacraft · 3 months
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I found fibrecraft tumblr after searching drop spindles because my dad *didn’t even know what that was.* And despite having been firmly of the opinion that I didn’t intend to learn it, y’all have me getting ever closer to giving in. However, I’m also growing ever more enamored with the idea of weaving - and despite recently deciding to give knitting and crochet another go - I think it looks the most fun of the fiber crafts. My issue is that I have absolutely no space.
But I’m beginning to realize there’s a lot of different looms and types of weaving. So I was wondering if you have any resources or tips for small space methods and storage?
welcome to fibrecraft tumblr! it's fun here, we have enablers.
i will admit that while i love knitting, weaving is amazing, and is much better with regards to instant gratification—weaving for an hour gets you a lot more fabric than knitting for an hour.
so let's talk about weaving, because i have great news for you: you can 100% totally weave in a small space if you want to, and you even have options for how you do it. i'm going to go through basically all the small space weaving options that i'm aware of in roughly size order, and if you make it to the bottom of this you'll have a pretty good overview of space-saving weaving methods.
the first question to ask yourself is what you want to weave. maybe you're not sure yet, which is totally fine. if you don't immediately have strong feelings about it, though, maybe consider if band weaving strikes your fancy. this is pretty limited in size, but lets you weave belts, straps (like camera or bag straps), lanyards, etc.
if you think that sounds neat, it's worth looking into tablet weaving, an inkle loom, or a band/tape loom. tablet weaving takes up no space at all—if you can fit a stack of index cards into your life, you can fit tablet weaving. the tablets are small square cards, often made out of heavy cardstock, and even with a project on them, you can probably fit them into an index card holder.
inkle looms are larger, and to be honest i've never used one and don't know a ton about them, but they're also used for making woven bands. the looms can also be very aesthetically pleasing, if that's something you're into. they can be very big, but the ashford inklette, for example, is only 36 cm long and maybe 12 cm wide.
tape looms are—in my experience, anyhow—larger than tablet weaving but smaller than inkle looms, and even the larger ones are only about shoebox size. they vary widely, from gorgeous, complicated little looms to a handheld paddle that you use to create a shed, which is what you put your yarn through when you're weaving.
if that doesn't sound like good times, consider a frame loom. these are pretty simple—if you ever wove potholders out of stretchy cloth strips as a kid, you probably used a frame loom to do it on. frame looms are generally inexpensive and readily available, and can be used for small woven objects like potholders, coasters, placemats, etc. they can also be used to make some truly stunning tapestries. while you can buy a huge frame loom, you're still only talking about huge in two directions—it might be as wide as your armspan, but it's still only a couple inches thick.
another option is a pin loom. these don't get mentioned a lot, and i'm not totally sure why. pin looms are shapes with a bunch of pins (metal points, usually) coming out of them. on one hand, you're limited to making things that are the shape of the loom, but on the other hand, if you've been hanging around fibrecraft tumblr, you've seen all the things crocheters get up to with granny squares, right? there's no reason in the world that you can't do all those things with the squares made on a pin loom. or the hexagons! or the triangles! i've been kinda thinking about getting a little hexagon or triangle pin loom and using it to sample my handspun, then turning the shapes into a blanket.
if you hate all of that, that's ok! we have more options.
you could consider a backstrap loom, which is an ancient way of weaving that's still practiced today in many places. backstrap looms are cool because you can weave probably 24 inches wide on them, but even with a project on it, they take almost no room at all. backstrap looms are fairly easy to diy, because they're basically a bunch of dowels, so they can be a good low-cost way to try out weaving. backstrap looms will let you make longer, wider fabric than anything else we've mentioned so far!
another option—stay with me—is a toy loom. there are a number of cheap looms for sale on amazon/ali express/some local places that are actually fully functional looms. recently i've seen a number of people (like sally pointer, though i'm sure i've seen someone using one of the brightly coloured harness looms, as well) who've used them and report that they're functional, if basic, looms. you're fairly constrained in terms of project size, since there's not a lot of space for the finished fabric to wind on, and there's a very limited width, but the looms are quite small and tuck away easily.
ok, but so what if you hate all of those options? don't worry—there are more options! this is the part where things get expensive, though.
as looms go, rigid heddle looms are actually quite reasonably sized. i think the smallest one i've seen is a 40cm (~16") weaving width, which is about 50x60 (20x24") in length/width, and 13cm (5") high. so that's more space than anything else we've talked about, but it's still not a ton of space, you know? a 40cm rigid heddle will let you weave lovely scarves and things of that nature—table runners, placemats, strips of woven fabric to whipstitch together into a blanket, etc.
but maybe that's enough. so let's talk about table looms. some of them are quite large—mine, for example, is about a metre square and sits on a frame that it came with. it is not what you would call space efficient. but many of them, especially modern ones, are very compact, and can even be folded up into something more or less briefcase sized. (weird way to consider it, since the last time i saw a briefcase was probably the 80s, but you know what i mean, i bet.) the cool part here is that you can weave damn near anything you want on a table loom. the less cool part is that for the compact ones that fold up, you're looking at hundreds if not thousands of dollars. the smallest one i'm aware of is the louët erica, which folds down to 42x62x42cm (16.5x24.5x16.5") and gives you 40cm (16") of weaving width. i feel like that's impressively small. you'd have to decide for yourself if that's enough to justify the $500 usd/$800 aud price tag, though.
finally, we've come to folding floor looms. i don't think someone who's never woven before should run out and buy one of these unless money is just literally not at all a concern for you, but they are basically the dream for those of us trapped in crappy rentals, and it seemed weird to leave them out when i'd come this far.
some floor looms are various levels of collapsible. to be clear, this does you absolutely no good at all when you're actively weaving, because you have to unfold them to weave, but it does you a lot of good if you'd like to have a floor loom and still have the ability to, say, walk through the living room when you're not actively using the loom.
most relevant to our discussion about small weaving footprints, some looms fold up entirely. they are incredibly fucking expensive and incredibly fucking cool. the two that i'm most aware of are the leclerc compact and the schacht wolf line, both of which fold up to about half of their unfolded depth. they're still not small—i think that they're both the better part of 75cm (30") wide and tall, so even if they fold down to 40cm (16") deep, they're still 75cm wide and tall. which is Fairly Large, though much better than having something 80cm deep sitting in the middle of the floor.
this was a very, very long post, but hopefully makes it clear that there's a surprisingly wide range of options, and they all have advantages and trade offs. if you're asking my opinion, my suggestion would be to try something—anything—with a backstrap setup and see how you feel about it. maybe you love it and keep at it forever, in which case you're in good company: there are entire cultures that weave exclusively on backstrap looms.
if you like producing cloth but don't love the backstrap setup, or don't like using your body to tension the warp, you have a lot of other options, and you're out maybe ten dollars of dowels.
personally, my next loom is probably going to be a pin loom. unless i win lotto, in which case it's going to be a house that has a weaving studio and like four floor looms in it. but probably a pin loom.
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stackthedeck · 1 year
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I've been saying this for years but I've finally found the funniest way to say it, in the MCU Tony Stark isn't so much Peter Parker's father figure as he is his deadbeat dad figure. Like Tony shows up once a year to take Peter to a baseball game kinda vibe. Tony in homecoming is like hey kid I know I haven't seen or spoken to you in months but I bought you something and that's basically the same as emotional support. Tony taking Peter to Germany in civil war is like when your deadbeat dad tells your mom you're having father-son time but he's really just taking you to his guys' poker night and trying to get you to cheat for him. When Tony says you're nothing without the suit then you shouldn't have it, it's like when your dad says if you're not going to follow my rules in my house you can leave, I put a roof over our heads what else could you possibly want from me. Tony mourning Peter after infinity war and calling him his kid is like when your dad only wants to hang out with you after he's lost custody. Like well and truly deadbeat behavior no wonder the fanon is like that
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front-facing-pokemon · 9 months
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astrum99 · 3 months
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Do you think bugs fall in love?
Their small bodies host even tinier brains. Built to crawl through soil and rocks bigger than itself. Running on a simple software bouncing between eat, sleep, fight, flight, and copulate.
V1 is smarter than a bug. It must be. It’s a war machine, so it must be. Its programming is complex enough to fry several motherboards; the internals are heated from constant, unrelenting processing needs. If it updates its optical data intake to any greater degree than these rough, messy polygons, it’d surely perish from the overwhelming information.
V1 is built to kill first, survive second. To be fair, survival would ensure more killing, so it’d be more effective. Moving through the battlefield, culling lives, drawing blood. Perfectly aligned with its programmed objectives, then.
Gabriel is smarter than a bug. He must be. He’s an angel, so he must be. He’s one of the best soldiers in the heavenly realm. Armour and swords glistened with pride and justice. He sees all. He judges all. His loyalty and perfect track record have earned him a high rank within the order. Leaving behind the creaturely "it". His light burns hot and bright within his constitution.
Gabriel is built as a messenger of the Father, then a judge of Hell. To be fair, the role of a judge was assigned to him by the council, so he supposes that his placement can be summed up as the bearer of the divine authority to bring right to all other creatures. Perfectly aligned, then.
Bugs… Well, they’re the same. I suppose. Small beings. Running pre-programmed orders derived from centuries of evolution: eat, sleep, fight, flight, and copulate. No role. No responsibilities.
Bugs are built naturally and fully, unlike humankind; but formed and ready to go within seconds from their births, like machines and angels.
So. Do they live?
When the machine and the angel escape their chains, do they see themselves in bugs?
Bugs are born to live, temporarily, fleetingly, yet live nonetheless. Do they, then, deserve to live, freeing and meaninglessly. No role. No responsibilities.
So. Do bugs love?
Do they learn that they can go beyond their basic structures? Do they see their own reflection in each other’s compound eyes? Do they recognize each other’s bodies, scents, heat? Do they feel the desire for closeness?
To flutter wings like a dance of waltz. To brush antennae like butterfly kisses. To greet and caress and lie next to each other near their death.
To move through the sky in battle, in passion. To clash swords and fists and bullets. To greet and caress and lie next to each other near their death.
The same cells in the same blood coursing beneath the same suit of exoskeletons.
Machine, angel, bug. Boiled down to the barest essence of existence; crisp simplicity.
To live, to love.
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puppyeared · 3 months
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mascot
#this isnt vent dw!!! i dont smoke either i was just kinda going for some sort of vibe#i know its usually played for laughs or like. dark humor whenever ppl draw mascots without their heads and u can see the actor#but i always found it fascinating and a little sobering. ever since i was a kid ive always been hyperaware of ppl in costumes#like. even if i tried to block it out id be thinking the whole time 'its not real. theres a person in that suit who gets paid to do this'#it used to be an uncomfortable nagging feeling but now its like. oh yeah theres someone with a whole life story doing this. idk#i think when i tell ppl im not conscious of my body its like. im not dysphoric or experience dissociation but. at the same time#it feels like my physical body doesnt fully outwardly represent me..?? like some sort of costume#i like to phrase it as being a giant hairless mecha and inside theres a very tiny puppy piloting the damn thing#and the other thing is. when i draw my sona i dont really see it as what i /wish/ i looked like or how i want people to see me#its like being in a costume and just. fucking around with some sort of barrier between myself and others#plus mascots arent allowed to talk and i dont really. engage with other ppl in public spaces that it kinda feels like ad lib#i share a lot abt my life but ironically im also a private person..... i guess it just gives me some sort of control over my identity#my art#myart#my oc#sona#mascot#furry#??? is this furry art????#twinkle#puppysona#edit: had to outline it bc i just realized it looks really weird on dark mode -_-
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