#the others are also here but less important

[beatrice-otter]

I’ll be honest, when one party’s aiding and abetting the genocide and the other’s outright gonna kill all my friends, I don’t really care if the fascists “win”. They’ve won already.

You know who would be delighted to hear that? Trump and Putin. The US far right and the Russian government have poured lots of time, effort, and money over the last decade+ into convincing US leftists and liberals that things are hopeless, there's no point in even trying to make things better, and the Democrats and Republicans are functionally interchangeable. They do this because one of the easiest ways for them to win is if the left gives up and stops trying. Every person on the left they can convince to give up in despair brings them closer to complete control. Defeatism on the left actively supports victory on the right.

I think your statement is wrong on a number of levels, both factual and emotional. It comes from not understanding what the actual options are for the US government and the President specifically, either at home or abroad. And it will allow actual fascism to flourish and make the world far worse than it is now.

On an emotional level, the way to address this is to stop doomscrolling. Stop focusing on the worst things happening in the world. Don't ignore them! but don't let them consume you. Start looking for the things that are going well. Find places in your community that you can get involved in making things better. Even if it's only on a small scale like volunteering in a soup kitchen or homeless shelter, it will help you realize that you aren't helpless, that there are things that can be done to make the world a better place. Stay informed about things on a local, national, and international level, but limit how much time and attention you give to things that depress you that you can't affect. Instead of sitting there thinking about all the ways the world sucks and how awful things are, look for things you can do that are productive, and then do them. You'll feel better and you will have made your corner of the world a little better. And you will be a lot less likely to unintentionally fall into the despair, nihilism, and passivity that the fascists want you to be consumed by.

Always remember that the worlds problems are not resting solely on your shoulders, or solely on America's shoulders, and neither is the hope of fixing them. Everyone has things that we can do to make the world a better place, but there are also things that are beyond our control. We can control what we do; we cannot control what others do. We can and should try to make the world a better place, but focusing on the things we can't change has no positive benefits. Focusing on things we can't change accomplishes two things: it makes you feel bad, and it stops you from doing the things you actually can do to make things better. Neither of these things is good for you or anyone else. Look for things you can do and do them. Keep informed on the things you can't change, but don't focus on them.

On a factual level, let's look at "aiding and abetting genocide," shall we?

First, it's important to remember that the US President is not the God-Emperor Of The World. The US government has limits to what it can and can't do in other countries, and both legally and practically. If the US wants to intervene in a problem in another country, there are a variety of things we can do that boil down to basically four categories. It's a lot more complex than this in practice, of course, but in general here are the categories of things we can do:

Send in the troops. Invade, either by ourselves or as part of a NATO or UN operation. (Or maybe just send in a CIA wetworks team to assassinate the head of state.) I hope you can see the moral problems with this option, and also, we've done this a shitton of times over the course of the 20th Century and pretty much every time we've done it, we've made an already awful situation worse. On a moral level, it's pretty bad, and on a practical level, it's worse. Sure, we could stop the immediate problem, but what then? Consider Afghanistan and Iraq. We got rid of Saddam Hussein and the Taliban, and everything went to shit, we spent twenty years occupying Afghanistan with pretty much nothing to show for it. (The Taliban is back in control of Afghanistan.) Things were worse when we left than when we arrived. So this option is pretty much off the table (or should be).

Diplomatic pressure. Now, the thing is, they're a sovereign nation, they don't have to listen to us if they don't want to. We have a lot of things we can leverage--including financial aid--but the only way to force them to do what we want is to invade and conquer, and that only works temporarily. Since we can't force, we have to persuade. This requires us to maintain our existing relationship with the country in question, and possibly strengthen it, because that relationship is what we're leveraging to try and influence them to do what we want them to do. If we do not maintain our relationship, they have no reason to listen to us.

Cut ties and go home. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things and we wash our hands of the whole situation. This keeps our own hands lily-white and pure, but it also means we have zero leverage to work on any kind of a diplomatic solution. They have no reason to listen to us or care about what we think. We can pat ourselves on the back for doing the right thing, but we destroy our own ability to influence anything. Not just now, but also in the future. Let's say the current crisis ends, and then ten years later there's another crisis. If we want to have any effect then, we would have to start from square one to start building a relationship. Cutting ties would be great for making Americans feel better about ourselves, and there are times when it's the only option, but it should be a last resort. If there is any hope of being able to influence things for the better this will destroy it at least temporarily.

Cut ties and impose sanctions. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things, but also use the might of the American economy to isolate and punish them. We've done this a lot over the 20th Century, too, and it has never actually resulted in the country in question buckling down and toeing the line we want them to. What happens is the sanctioned country has an economic shock (how long it lasts and how bad it gets depends on a lot of factors) and then pulls themselves back together economically, except this time they're more self-sufficient and less reliant on international trade and financial networks. They tell themselves that America is evil and the cause of all their problems, and so not only do they not listen to us, they actively hate us. And they have fewer international relationships, so fewer reasons to care about what the international community thinks about them. So they're most likely to double down on whatever it is they're doing that we don't like. This one is completely counterproductive and utterly stupid. It's great for making Americans feel better about ourselves, but if we actually care about being able to use our influence for good (or, at least, to mitigate evil) this option shoots us in the foot. It encourages other nations to do the very thing we're trying to stop them from doing.

So, with those four options in mind, both option one (invasion/assassination) and option four (sanctions) are off the table for being immoral and counterproductive. That leaves "breaking our relationship and going home" and "using diplomatic pressure" as our only two viable options.

Biden has chosen option two, diplomatic pressure. Yes, he and our government have continued financial support for Israel ... but with strings attached. They have put limits on it that have never been put on any US foreign aid before. They have taken legal steps to lay the groundwork to target Israeli settlers (i.e. Israeli citizens who confiscate Palestinian homes and businesses). We've been hearing reports for months that Benjamin Netanyahu (Israeli Prime Minister, and a far-right-wing demagogue) hates Biden's guts, because Biden is pressuring him to stop the genocide and work towards peace. Biden is maintaining the relationship, and he's using that relationship to try and influence things to curb the violence and pave the way for a just peace settlement of some sort. Biden has also mentioned the possibility of a two state solution where Palestine becomes its own completely separate country. That's huge, because up until this point the US position has always been that Israel is the only possible legitimate nation in that territory. If Biden stopped US support for Israel, it wouldn't force Israel to stop what it's doing ... but it would let them ignore us. It would remove any leverage or influence we might have.

Biden's hands aren't clean. But the only way for them to be clean would be to also give up any chance of influencing the situation or working to protect Palestinians now or in the future. Only time will tell if it works, but I personally would rather have someone who tried and failed than someone who didn't even try. You might disagree about whether this is the right course of action, and there's a lot of room for honest disagreement about the issue (there's a lot of nuances that I'm glossing over or ignoring). But please do acknowledge that Biden isn't supporting Israel because he supports genocide; he's doing it so that he can continue to maintain diplomatic pressure on Israel to stop the violence.

Which brings us back to "aiding and abetting genocide." Trump is not like Biden. Trump is good friends with Netanyahu and backs Israel to the hilt. Trump thinks that all Arabs are terrorists (and all Muslims are terrorists) and genuinely believes the world would be a better place with them dead. Biden is continuing to support Israel, but using that support as influence to get them to stop or slow down. Trump would be using that influence to encourage them.

And those are the two choices. Someone who is trying to curb the genocide, and someone who actively supports it.

I really hope you can see the significant and substantial difference between those two positions.

But let's say that you're right and Biden's policy towards Israel and Palestine is every bit as bad as Trump's would be. If there was nothing to choose between them on foreign policy grounds, there would still be a shitton to choose between them on domestic policy grounds. You admit that the right wants to kill your friends, and yet you don't seem to think that stopping them from killing your friends might be a good thing to do.

"We can't save Palestinians, so we might as well let Republicans destroy the rights, lives, and futures of LGBTQ+ people, women, people of color, people with disabilities, poor people, non-Christians, and anyone else they don't like." "We can't save Palestinians, so why bother to try to save the people we might actually be able to save." "We can't save Palestinians right now, so there's no point in trying to build up a longer-term political bloc that might drag US politics to the left over the long run."

Do you get why there's a problem with that line of thought?

#us politics

[bumblebeesfromvenus]

Simon Riley NSFW hcs ♡

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Two lovely people asked for my NSFW Simon headcannons and I'm happy to provide!!

Just a disclaimer, these are my headcannons. If you have ones that are totally different, that's okay!

He's fictional and can be whatever you want him to be <3 (except a rapist. We don't do that here.)

If you have any COD thoughts or requests, my inbox is open!!

~ Fi 🐝

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I'm a soft!Simon truther until death.

There's not a single reality in which I can see him ever being too rough with you, let alone hurting you.

First of all, he has no fucking clue what he's doing. He's maybe had sex 2-3 times in his life and I don't think any of them were memorable or good.

I'd wager that all of them were hookups, encouraged by other soldiers to "let off steam". But Simon just can't do it, it feels so wrong. To give himself so fully to someone he doesn't even know.

There needs to be an emotional connection in order for him to feel comfortable and good. He needs to trust and love this person before he can do anything with them.

It's gonna take a while for him to open up, but once he does everything is smooth sailing.

(I also don't think he masturbated excessively. He probably jerked off, everyone gets horny, but especially if we say he's on antidepressants, his sex drive is pretty low. He's either too tired or just doesn't care)

Your first time together was fueled by a, not so uncommon, make-out session on his couch. It'd usually end with you grinding on his thigh or rubbing yourself over his clothed cock until you both reached a satisfactory end.

Simon thinks he could live an entire relationship with only sticking to dry humping, but in reality he's just terrified of the intimacy of real sex.

It's not too romantic, none of that rose petals lit candle stuff. It's not that Simon hates all of that, but I just think it'd be too much for the first time.

He's already so nervous (so are you probably if we're honest) and all that extra stuff would overwhelm the fuck out of him.

(He will spoil you with rose petals and candles another night, even if it just ends you with you falling asleep in eachother's arms <3)

Eventhough it's soft and sweet, you're both still very horny and basically rip the clothes off of the other.

Foreplay is important!!! (For all my girlies who don't drip down their thighs)

Not only for you but for him too. Even if he's rock hard already, he wants to enjoy himself, maybe be a tease. He will always make sure that you're okay and ready (and so will you bc he deserves it).

Would literally eat you out to calm himself down. He probably has fallen asleep while licking your pussy, it's his personal meditation.

Your taste, the way you feel on his tongue and the fact that he was two perfectly good pillows wrapped around his head made it easy for him to nod off.

Also, he prefers it hairy. (Fight me.) (pls don't)

I know it's cliche but he's like 2 seconds away from just coming inside of you the second he pushes in. Not only does he feel good but when he looks down he sees you and he could cry from how happy he is. He just loves you so much.

Can we please put the "You only take half of him" bullshit to rest??? Thank you. We all know Simon as BDE but let's keep it on the real side okay. He couldn't give less of a shit if you can take him to the hilt or not.

(Some gals physically can't bc if your vaginal canal is too short, then it's impossible. You don't want a bruised cervix, so don't be stupid) I do think when he's more comfortable about it and a little more desperate and rough, he'll play into the size kink.

He probably has a huge size kink anyway but he would never make you feel bad if you couldn't take all of him. (Especially if you're giving him head bc let's be real that thing is not going down no one's throat okay)

He has the prettiest moans. I JUST KNOW IT. they're more throaty and deep but they sound good. I honestly don't think this man is capable of whimpering (like physically. Not with that smoker lung) sorry babes.

Simon isn't too loud, but just enough to make you that much hotter. He will try to pull more moans out of you, like a little challenge for himself.

NONE OF THAT "10 rounds Riley" SHIT. (Have any of y'all ever had an orgasm before like?? Who the fuck is going ten rounds??? Not me that's for sure lmao) it really all depends on your guys' mood and neediness on that day.

I do think he can and wants to go a couple of rounds but it's probably more on the rare side and never more than 4.

He knocks out immediately. He's always tired anyways.

I think his favorite positions are missionary, prone bone, and cow girl. He likes the closeness, wants to feel every part of you and kiss it like his life depends on it.

The further you are into your relationship, the more new stuff you can try out. He's always gonna be hesitant at first but if it's not too out there he'll try it.

Simon will tell you if something is a hard no for him and he expects you to respect, just as he would for you.

Would 100% make you ride his face. Wants to he smothered in it okay. (Simon said sit, so sit.)

Simon would be down to tying you up (one condition; you're never tied to anything. In case of emergencies)

You won't get him to be tied up though, that's a real hard no.

I think the closest you'd get to a submissive Simon is if you order him around.

He's sitting on his knees before you and you tell him exactly what you want him to do (one thing Simon Riley can do is follow orders) and he'll pretend to let you be in control and maybe you are for a while, but deep down he's always in control (not necessarily sexual or possessively, he just needs the security)

He loves to get head (not as much as giving it tho) but he will never ever force his cock down your throat, even if you begged him.

He can't do it, won't do it. Has he had the urge and fantasies?? Sure, but it goes against everything he promised when you got into a relationship.

Sweetly suck on his tip and stroke the rest of his length and he's happy as a clam <3

His absolutely favorite thing is when you ride him in the morning. Just lazy and sloppy circles of your hips while you sit on top of him. He loves the sight.

Simon'll gently hold onto your hips and guide you if need be. It's even better if you're laying flush against his chest and the both of you are snuggled under the blanket.

Bonus; he loves to make-out with you. It's an unhealthy obsession that has led to too much lipgloss/lipstick ingested just bc the fucker couldn't wait 2 minutes for you to take it off.

Kissing you is his number 1 way to show you how much he loves you since words aren't his strong suit.

Needless to say, he's head over heels for you, and the sex is great. <3

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I hope you lovelies enjoyed it!

More of my works --> 💫

#bumblebeesfromvenus #simon ghost riley x reader #simon riley #simon ghost x reader #simon riley x reader #simon ghost riley #simon riley x you #ghost cod #ghost call of duty

[unfortunate17]

i agree with you about being frustrated with how often this fandom has top/bottom discussions but its a pretty common talking point in most fandoms so YR isn’t special for that

No I totally agree with you that it’s a common topic of discussion in a lot of fandoms, but there’s a particular way we have it in this fandom that really grinds my gears.

And don’t get me wrong, I don’t care if you hc Wilmon to be vers or if you think Wille tops or Simon tops or whatever - it’s the justification and reasoning that I’m seeing behind these headcanons that I find deeply irritating and, frankly, insulting and kind of homophobic.

This is going to get long so forgive me.

1. I’ve seen so many posts talk about how the show is “brave” and “subversive” by having Wille go down on Simon or potentially bottom, but like - what the hell are we even talking about? In what world is it subversive to show a queer character having queer sex?? What are we subverting?? This show has never shown us anything with its intimate scenes other than two guys that are deeply in love and really horny for eachother and I hate that we keep bringing this shit up!!!

2. I’ve also seen people say that it was very important for us to see Wille moving to go down on Simon in the tape in S1 because it’s “more damning evidence that he’s queer” and otherwise Wille could’ve just said he was horny and desperate but he was actually imagining he was with a girl in his denial statement. But be so fucking forreal, in what world is that a thing he could argue in an official statement to the press? He’d be the laughing stock of the world.

Wilhelm isn’t more or less gay because he went down on Simon vs the other way around. He’d still be having queer sex because he’s having sex with another guy. Arguing that the framing here is for anything other than a plot device so Wille’s face wouldn’t be visible to set up the denial is actually kind of ridiculous.

As someone very smart on here said, “I’m sorry that you apparently have a tier list of sex acts ranging from “kinda straight” to “Gaylord” 😭😭 get well soon, couldn’t be me.”

Imagine for one second Simon was the one giving Wille head? Would you have criticized the show for that?? And WHY?!

3. Next: saying that Wilmon’s relationship is “equal” because you think they’re vers is…a take and a half lmao. What the fuck does being vers have to do with a relationship being equal?? Why are we assigning arbitrary hierarchies to sexual preferences??? Why are we implying that topping and bottoming are somehow not equal and you have to carefully balance both, when, ideally, it’s just whatever the fuck everyone is into???

Wille isn’t selfish for topping. Simon isn’t sacrificing anything by bottoming. They’re fucking because they’re in love and they want to 😭

TLDR: Wille doesn’t suck Simon’s dick for class liberation. Simon riding Wille isn’t a commentary on how he’s “girl-coded.” It’s just sex, leave them alone to have a good time and stop assigning agendas to queer sex.

#ask #this got long and crass and I’m NOT sorry #I stole this response from a convo I had with someone in the DMs so ty for your contributions to this post bestie you know who you are #but I could not bite my tongue for any longer #young royals

[atthebell]

okay i have a ton of stuff written up but here's the important updates/announcements:

sobrevivendo involves a lot more horror and narrative elements, based off the feedback they've gotten about existing ordem rules & mechanics

all future ordem stories will involve sobrevivendo ao horror elements. this means way more horror & suspense, a lot of narrative & mechanics help, a lot more freedom in terms of what you as a GM & your players can do

next ordem spin-off is happening this year!! and he confirmed bastet will be one of the players <33

next comic book of OSNF is also releasing this year!

another upcoming ordem project involving a lot of horror is coming up; it's different to anything they've done before, he said.

all the upcoming projects (the next couple spin-offs, the sobrevivendo rulebook, etc.) will be in portuguese. he enjoyed quarantena and doing international stuff was really cool but it was very difficult and he wants to focus on making content in portuguese since it's what he and everyone else involved in ordem are most comfortable with. enigma do medo, though, will have english and spanish dubbing, as he's mentioned for several months now.

relatedly, also as he's said for a long time, enigma do medo is focused on investigation, less on horror. there are obviously horror elements, that's the nature of any ordem property, but it's about looking into the mysteries of the game and less about being scared. he did say yesterday that it depends on your mileage-- if you're super scared by zombie sounds, for instance, you might jump hearing a blood zombie in the other room; if what gets you is more suspense or jumpscares, you'll probably be alright.

those are the most important things, but feel free to ask if you have any questions!

#bell.txt #cellbit #ordem paranormal

[zahri-melitor]

A Quick, Somewhat Joking Discussion of 'the Best Ways To Get Into Comics' (TM)

Be 10-14 years old, pick up a random comic at the library/bookshop/someone's collection and become obsessed. This is proven the best method and the level of confusion engendered by it is actually more useful long term than any other method. (At that age you are going to fall deeply in love with random texts that are never going to quite have the depth your brain imparts on them)

Mention to a friend who does like comics that you want to 'get into comics' and said friend, knowing your preferred types of tv shows and books, your favourite characters and having asked what you're hoping to read, carefully picks out something that is objectively a good starter comic that fits your tastes and makes your brain go brrrr. (god tier level, that friend is a keeper, also congratulations on the fact you are never going to replicate the feel of reading that first comic again)

Lurk or hang out in some fandom space where you are regularly exposed to discussions of comics that includes actual panels and storylines of recent comics, and work out from that what seems to have a vibe you like, so you go and pick up that run (solid option, being able to taste various writers and styles of run before diving in gives you a better chance of choosing a run that hooks you, I was introduced to so many runs via scans_daily in this way back in the day).

Wander into a library or comic shop or bookshop that has a decent number of comics with the idea that you want to look into reading these, and then flip through a bunch of trades in what you think you want to read before something catches your eye and you pick that up (less likely to be a definite hook, but has the benefit of being far more likely than any option listed further below to involve newbie-friendly art. And newbie-friendly art is something that isn't discussed enough in terms of recommendations but is one of the biggest reasons people just getting into comics bounce off the format).

Only here will I mention recommended character reading guides. In my experience they're useful in certain contexts, particularly for characters who have hard-to-trace chronologies, for finding out what runs that person considers essential to the character, for untangling the order of comics in particularly confusing large events, and for narrowing down and directing people where there's a big chunk of material to read about a character. My objection is they tend to be treated like gospel by newbies, they frequently don't consider whether the artwork is going to make their eyes burn, quite often they are more focused on the 'best' stories for a character rather than the 'most accessible stories' for that character (these are two separate concepts!) and they tend to sell a narrative of 'don't read X' where X is quite often a comic which people don't enjoy but where an important event happens or is simply an older comic that's particularly affected by community expectations and standards having changed since it was written.

You know that '75 Years of Comics' series of prestige hardbacks that DC did? They're great to hand to a newbie looking to get into a specific character or mantle, because it's got stand alone stories that are highly regarded or solidly introductory about that character from each era, they can page through it and work out what version makes their brain happy, and then follow up on those leads into more reading. (Expensive but perfect for libraries)

The first trade of a recent run for the character in question by the current or second most recent writer. Most runs when they change lead writers are going to have some level of onboarding simply because a lot of people DO switch what they're reading depending on what team is on the book, and by going with a current run you manage to sidestep a lot of the 'this feels weird and old' problems.

[strqyr]

thinking out loud here, but... now with all of the beyond episodes out, i'm starting to wonder if the goal is to actually return to vale for the final battle.

for one, the final battle of the great war that lead to peace happened in vacuo, exactly the kingdom everyone is in currently. that's where the preparations are happening, that's the kingdom that everyone is primed to defend. but what i also find interesting about the great war battle is that the king of vale arrived with what are very likely to be the sword of destruction and the crown of choice—exactly the relics salem currently doesn't have.

then there's 'boba' and the very on-the-nose way of pointing that tai is doing something important in vale / patch that prevents him from being in vacuo. and like. it's the crown, right. or specifically, the vault that houses the crown; the whole point of the academies was to house the vaults that house the relics so that they would be surrounded by people capable of defending the academies at all times. and if the vault isn't at beacon—which is likely because salem hasn't found it yet, and at haven cinder points out how that vault looks way cooler than the one in beacon so what's the extra effort for, and i get the feeling it's not so much that any extra effort has gone to haven's vault, but rather that beacon's "vault" isn't really a vault to begin with—then obviously ozpin wouldn't leave it completely unguarded, but it also must be done discreetly as to not give the game away; and that's where tai comes in.

and because they made it so apparent in 'boba', it doesn't sound like a thing that's going to get addressed once they're done in vacuo and are ready to move back to vale, it sounds like it's imminent, something teased for V10 if / when it happens.

the king of vale had the sword and the crown. the resistance in vacuo is still in possession of the sword so that's accounted for, but getting the crown is a trickier problem to solve (if they're going for "ozma's side has the crown and the sword (like the king of vale did) while salem has the lamp and the staff" angle here).

enter 'the adventures of somewhat'. somewhat, in their cloak reminiscent of ruby's, talks to the red prince, who still has the scar on his face.

the red prince's purpose is to win the game. cinder holds the key to their victory. the red prince has sent all his followers away. cinder no longer has emerald and mercury by her side.

the red prince promises to help somewhat in their task if they beat him in the game. his purpose is to win that game.

"that doesn't seem very fair. what if my purpose was to win, too?" "such is the way of our life." "what if it doesn't have to be? i'm still new here, but i've met loads of afterans and people that have grown and found new things to do, even without going to the tree."

what if they don't need to be enemies locked in a battle they both want to win. what if it could be different: "who knows, maybe you could teach others to win. speaking of, i won! i think? i'm sorry."

with this little, simple conversation, somewhat left a somewhat of a big impression on the prince; and while he didn't join somewhat to keep his promise of helping them (that we saw of), he also dropped the tree leaves he could use to ascend.

and there was one less wrong thing in the ever after.

cinder holds the key to salem's victory. could she hold it for someone else—"maybe you could teach others to win"? could ruby get a chance to talk to cinder in the same way somewhat did with the prince, leaving an impression that gets cinder to change her mind? what if they don't need to be two enemies, pawns on a board, locked in battle?

the red prince promised to help if somewhat beat him in the game. they did. and i think this is something that might just happen with ruby and cinder too, and that's how the vacuo resistance gets hold of the crown.

all they need is a small team to head to vale to retrieve it, return to vacuo, and the grand stage of the final battle of the great war is once again set.

#rwby #rwby beyond #rwby spoilers #no one talk to me i'm cooking 👨‍🍳

[apenitentialprayer]

i know that as a catholic you just have to believe with what the church says but i really dont like the belief of the original sin, i feel like its such a horrible thing to believe about yourself and about other human beings too

There are actually ways of legitimately dissenting from Church teaching from less essential teachings in a way that leaves you in good standing with the Church; I'm not sure if Original Sin is one of those things, though, to be honest.

But, anon, I'm going to offer another perspective here, starting from a quote (perhaps ironically?) from my favorite heretic. One of the things that James Carroll believes is that Original Sin has been given a bad wrap. In Constantine's Sword, he says:

I referred to Augustine’s assertion of the idea that the human condition implies a perennial state of finitude, weakness, and sin, all of which will be overcome, even for the Church, only with the end of time. [...] Augustine is thus regarded as the father of a severe, flesh-hating, sin-obsessed theology, but that dark characterization misses the point of his insight. His honest admission of the universality of human woundedness is a precondition for both self-acceptance and the forgiveness of the other, which for Augustine always involved the operation of God’s grace, God’s gift. Only humans capable of confronting the moral tragedy of existence, matched to God’s offer of repairing grace, are capable of community, and community is the antidote to human woundedness. Augustine sensed that relationship as being at the heart of God, and he saw it as being at the heart of human hope, too. This is a profoundly humane vision.

I wish I had understood the spirit of this quote when I was in high school. I remember learning in my World History class that Islam teaches that all children are born good, and then the world makes them evil. And I remember my teacher asking how that compares with Christianity, and I raised my hand and said that Christianity teaches that all of us are born evil. Because I believed that at the time. And, really, the whole framing of that question was wrong and gave really simplistic representations of what Islam and Christianity teaches, but I don't think we're alone in having internalized that understanding, anon. And that's a shame.

I thin it's important to remember the worldview that the doctrine of Original Sin is actively defending us against; there was an idea, that gets called "Pelagianism" (the poor guy it got named after may not even have believed it), that said that humans were capable of being saved on their own, by their own power. Someone on this site recently asked what people's thoughts on Pelagianism were, so you can read my thoughts here. But to keep it short and sweet, I think Original Sin is an important doctrine because it saves you from the need to be perfect.

There are ways to treat Original Sin that I think are certainly unhealthy, and I think the doctrine can be a source of anxiety and fear. But I also think, very deeply, that Original Sin should be a reason why we treat ourselves and especially our neighbor with kindness and understanding. I can look at myself and say "What I do, I do not understand. For I do not do what I want, but I do what I hate. […] For I do not do the good that I want, but I do the evil I do not want" (Romans 7:15, 19). And I can say that because I know I am ontologically wounded; that all of us have our weaknesses. That while we may still be in the moral wrong for committing a morally wrong action, our wills are compromised in a way that causes us to incline towards the comfortable and the easy rather than the good.

I wish I could go back in time and tell that class that Christianity does not teach that people are born evil. I wish I could go back and tell them that it teaches that we are born in a state of dis-integration, that we are wounded beings yearning for wholeness; alienated beings seeking everlasting belonging; beings lost in darkness, seeking the light. But I can say it now: the doctrine of Original Sin doesn't have to be an occasion to think you're depraved and without value, but it can be an invitation to come to terms with your own woundedness, because doing that (to use the words of Lutheran theologian Nancy Eiesland) "opens a space for the inflowing of grace and acceptance."

#Christianity #Catholicism #Original Sin #James Carroll #asks #Saint Augustine #Pelagianism #grace #Epistle to the Romans #sin #weakness #Lutheranism

[corvid-ae]

So you want to listen to Main Range?

Great! I know how intimidating it can be to try and start listening, so I’ve tried to compile a guide to the main story arcs. More under the cut (minor spoiler warning)!

Also known as the Monthly Adventures, it’s a great way to get into the DWEU and definitely one I would recommend. It is also accessible, with the first 50 stories available on Spotify, or available to buy from Big Finish or second-hand fairly easily (or, you know, via less-legitimate means).

Main Range involves stories from the Fifth, Sixth, Seventh and Eighth Doctors, and various TV and original companions. If you are a fan of eighties and nineties Who, then Main Range might be for you! My general recommendations for people are to pick a specific doctor AND companion(s) to listen to and go from there. Although, if you’re looking for a first story to try, why not start at the very beginning (a very good place to start) with the Sirens of Time.

While many Main Range stories are stand-alone, there are also some overarching plots, which are actually very companion-focussed. Trying to understand these arcs and listen to them in order can be intimidating for people looking to get into listening, however its probably simpler than you’d think.

To help you out with all of this, I have done my best to write down the stories that are probably best listened to in order, with a bit of an explanation about how it fits into TV continuity if relevant. The order is pretty easy to follow as it is pretty much just in release order. No, Big Finish did not intentionally try to confuse their audience by releasing stories out of order (okay maybe they did just a little). However I have provided the story number in brackets [like so] for clarity.

Also, to be clear, all of the arcs are self-contained, so seperate arcs don't have to be listened to in the order I've written them down in, unless I've specified otherwise (like with the Evelyn and Hex storyline).

Again, it is not super important to listen to things in order. If you are getting bored with a story or with listening in order then feel free to skip things. Maybe you could just skim the Tardis Wiki page for the plot if you like. To help, I’ve also marked any of the super plot-heavy stories with an asterix. Most other stories, especially ones that I don’t mention here are standalone and can be listened to however you like.

Also feel free to let me know if I miss anything! Happy listening :)

Fifth Doctor:

The Erimem Arc

This takes place after Planet of Fire and before Caves of Androzani, and features the Fifth Doctor, Peri and an original character called Erimem - an ancient Egyptian princess. This is a pretty good arc and one I would definitely recommend. Please feel free to skip Nekromanteia though it’s genuinely terrible.

[24] The Eye of the Scorpion*

[38] The Church and the Crown

[41] Nekromanteia

[56] The Axis of Insanity

[59] The Roof of The World

[69] Three’s a Crowd

[71] The Council of Nicaea

[81] The Kingmaker

[99] Son of the Dragon

[102a] The Mind’s Eye

[104] The Bride of Peladon*

The Key 2 Time

A trilogy featuring the Fifth Doctor and an original companion called Amy which acts as a sequel to the Key to Time. It is set between Planet of Fire and Caves of Androzani. The Fifth Doctor meets Amy again in the boxset Wicked Sisters.

[117] The Judgement of Isskar

[118] The Destroyer of Delights

[119] The Chaos Pool

The Stockbridge trilogy

Featuring The Doctor and Nyssa and set in the fictional town of Stockbridge which was first introduced in the Fifth Doctor’s DWM comics. Knowledge of that is not at all essential however. Set between Time Flight and Arc of Infinity.

[127] Castle of Fear

[128] The Eternal Summer

[129] Plague of the Daleks

The Older Nyssa Arc

This is set between Enlightenment and the King’s Demons and features Tegan, Turlough and an older Nyssa - some years after the events of Terminus.

[136] Cobwebs*

[137] The Whispering Forest

[138] The Cradle of the Snake

[146] Heroes of Sontar

[147] Kiss of Death

[148] Rat Trap

[159] The Emerald Tiger

[160] The Jupiter Conjunction

[161] The Butcher of Brisbane

[172] Eldrad Must Die!

[173] The Lady of Mercia

[174] Prisoners of Fate

[195] Mistfall

[196] Equilibrium

[197] The Entropy Plague*

The Hannah Arc

A very short trilogy featuring the Doctor, Nyssa and another original companion - Hannah - an Edwardian woman. Set sometime between Time Flight and Arc of Infinity.

[185] Moonflesh

[186] Tomb Ship

[187] Masquerade

The Season 19 Gang Arc

Set during the events of Season 19, these stories feature the original gang of the Doctor, Adric, Tegan and Nyssa.

[221] The Star Men

[222] The Contingency Club

[223] Zaltys

[234] Kingdom of Lies

[235] Ghost Walk

[236] Serpent in the Silver Mask

The Kamelion Arc

There’s not much to say about this apart from that these three are probably best listened to in this order? Set between the King's Demons and the Five Doctors (i think) and featuring Tegan, Turlough and Kamelion.

[247] Devil in the Mist

[248] Black Thursday/Power Game

[249] The Kamelion Empire

The Marc Arc

These stories follow the Doctor, Tegan, Nyssa, and an original companion Marc - a man from ancient Greece. It is set sometime between the end of Arc of Infinity and Mawdryn Undead.

[256] Tartarus*

[257] Interstitial/Feast of Fear

[258] Warzone/Conversion*

[266]Ghost Station/The Bridge Master/What Lurks Down Under/The Dancing Plague

[267]Thin Time/Madquake*

Sixth Doctor:

The Evelyn Arc

One of my favourite arcs with some great stories, and maybe where things get a little confusing. This arc features the Sixth Doctor and an original companion, Evelyn - an historian from modern-day England. Set sometime before the Sixth Doctor meets Mel I think.

This arc set up some story aspects which are explored further with the Seventh Doctor’s stories - specifically, the Forge trilogy. There are a few ways you could listen to these but to keep it simple I would also recommend listening to the Seventh Doctor story the Harvest before you listen to Thicker Than Water, and then A Death in the Family once you’ve listened to all the Evelyn stories AND the Forty-Five anthology. This could also be listened to concurrently in release order with the Hex storyline which I’ll outline a bit later.

[6] The Marian Conspiracy*

[9] The Spectre of Lanyan Moor

[11] The Apocalypse Element

[22] Bloodtide

[23] Project: Twilight*

[37] The Sandman

[40] Jubilee

[43] Doctor Who and the Pirates

[45] Project: Lazarus*

[57] Arrangements for War*

[58] The Harvest (7th Doctor)*

[60] Medicinal Purposes

[73] Thicker Than Water*

[100] 100 BC/My Own Private Wolfgang/Bedtime Story/The 100 Days of the Doctor*

[143] The Crimes of Thomas Brewster

[144] The Feast of Axos

[145] Industrial Evolution

[115] Forty-Five anthology (7th Doctor)*

[140] A Death in the Family (7th Doctor)*

You can theoretically listen to the following before or after Thicker Than Water if you want - they are sort of standalone stories with the Doctor and Evelyn:

[78] Pier Pressure

[84] The Nowhere Place

[108] Assassin in the Limelight

The Charley Arc 2.0

This is best listened to once you’ve listened to the Charley Arc with the Eighth Doctor. Featuring the Sixth Doctor and Charley.

[105] The Condemned*

[111] The Doomwood Curse

[114] Brotherhood of the Daleks

[116] The Raincloud Man

[124] Patient Zero

[125] Paper Cuts

[126] Blue Forgotten Planet*

The Flip and Constance Arc

Featuring the Sixth Doctor and two original companions, Flip - a girl from modern-day England - and Constance - a woman from World War II. Set sometime before the Doctor meets Mel.

[143] The Crimes of Thomas Brewster*

[156] The Curse of Davros

[157] The Fourth Wall

[158] Wirrn Isle

[182] Antidote to Oblivion

[183] The Brood of Erys

[225] Vortex Ice/Cortex Fire

[184] Scavenger*

[204] Criss-Cross*

[205] Planet of the Rani

[206] Shield of the Jotunn

[218] Order of the Daleks

[219] Absolute Power

[273] Colony of Fear

[220] Quicksilver*

[231] The Behemoth

[232] The Middle

[233] Static

[263] Cry of the Vultriss

[264] Scorched Earth

[265] The Lovecraft Invasion

The Older Peri trilogy

Featuring the Doctor and Peri from after she marries King Yrcanos.

[192] The Widow’s Assassin*

[193] Masters of Earth

[194] The Rani Elite

Seventh Doctor:

The Hex Arc

A great arc that sort of starts with Evelyn’s arc. I would not recommend starting this until after you’ve listened to Project: Lazarus, but maybe at least listen to The Harvest before Thicker Than Water (no stress if you don’t want to juggle listening to arcs concurrently). Features the Seventh Doctor, Ace, and an original companion from 2020s London - Hex. Set after the end of Classic Who.

[58] The Harvest*

[67] Dreamtime

[74] LIVE 34

[79] Night Thoughts

[82] The Settling

[89] No Man’s Land

[92] Nocturne

[106] The Dark Husband

[115] False Gods/Order of Simplicity/Casualties of War/The Word Lord*

[120] The Magic Mousetrap

[121] Enemy of the Daleks

[122] The Angel of Scutari*

[139] Project: Destiny*

[140] A Death in the Family*

[141] Lurkers at Sunlight’s Edge

[149] Robophobia (side note: this is our introduction to Liv Chenka who is one of the Eighth Doctor’s main companions from Dark Eyes onwards).

[151] The Doomsday Quatrain

[152] House of Blue Fire*

[162] Protect and Survive*

[163] Black and White*

[164] Gods and Monsters*

[181] Afterlife*

[189] Revenge of the Swarm

[190] Mask of Tragedy

[191] Signs and Wonders

Also at some point before or after the Angel of Scutari you can listen to the following as they are standalone stories:

[226] Shadow Planet/World Apart

[245] Muse of Fire

[268] The Flying Dutchman/Displaced

The Klein Arc

An Arc featuring The Seventh Doctor and an original character, Klein - a woman from 1940s Germany. Set after the end of Classic Who.

[25] Colditz*

[130] A Thousand Tiny Wings

[131] Klein’s Story/Survival of the Fittest

[132] The Architects of History

[175] Persuasion

[176] Starlight Robbery

[177] Daleks Among Us

Klein is also involved in the final story of the Daniel trilogy which spans the Fifth, Sixth and Seventh Doctors.

Eighth Doctor:

The Charley Arc 1.0

The best Main Range arc in my opinion. If you listen to anything, listen to this. Featuring the Eighth Doctor and original companion Charley, with another original companion C’rizz in Part 2 of the arc.

Part 1:

[16] Storm Warning*

[17] Sword of Orion

[18] The Stones of Venice

[19] Minuet in Hell

[28] Invaders from Mars

[29] The Chimes of Midnight

[30] Seasons of Fear

[31] Embrace the Darkness

[32] The Time of the Daleks

[33] Neverland*

[50] Zagreus*

Part 2:

[52] Scherzo*

[53] The Creed of the Kromon* (TW for sexual assault in the Creed of the Kromon. Feel free to stop listening after episode one or just read the Tardis Wiki page for relevant plot info)

[54] The Natural History of Fear

[55] The Twilight Kingdom

[61] Faith Stealer

[62] The Last

[63] Caerdroia

[64] The Next Life*

[72] Terror Firma

[75] Scaredy Cat

[77] Other Lives

[80] Time Works

[83] Something Inside

[88] Memory Lane

[101] Absolution*

[103] The Girl Who Never Was*

The Mary Shelley arc

A short arc featuring the Eighth Doctor and Mary Shelley! Yes, that Mary Shelley.

[123d] Mary’s Story*

[153] The Silver Turk

[154] The Witch from the Well

[155] Army of Death

Multi-doctor arcs:

These are mostly trilogies featuring stories which Big Finish probably mostly intended to be listened to together.

The Forge trilogy

Relevant to the Evelyn and Hex arcs - best listened to in conjunction with the rest of their stories.

[23] Project: Twilight (Sixth Doctor)

[45] Project: Lazarus (Sixth Doctor/Seventh Doctor)

[139] Project: Destiny (Seventh Doctor)

The Villains Trilogy

[47] Omega (Fifth Doctor)

[48] Davros (Sixth Doctor)

[49] Master (Seventh Doctor)

The Reaping/The Gathering duology

[86] The Reaping (Sixth Doctor)

[87] The Gathering (Fifth Doctor)

The Brewster Arc

Thomas Brewster is also vaguely relevant to the events of Stranded with the Eighth Doctor but it’s not really important.

[107] The Haunting of Thomas Brewster (Fifth Doctor)

[113] Time Reef/A Perfect World (Fifth Doctor)

[143] The Crimes of Thomas Brewster (Sixth Doctor)

[144] The Feast of Axos (Sixth Doctor)

[145] Industrial Evolution (Sixth Doctor)

The Sorsha trilogy

[165] The Burning Prince (Fifth Doctor)

[166] The Acheron Pulse (Sixth Doctor)

[167] The Shadow Heart (Seventh Doctor)

The 1963 trilogy

[178] 1963: Fanfare for the Common Men (Fifth Doctor)

[179] 1963: The Space Race (Sixth Doctor)

[180] 1963: The Assassination Games (Seventh Doctor)

The Companions Trilogy

[198] The Defectors (Seventh Doctor)

[199] Last of the Cybermen (Sixth Doctor)

[200] The Secret History (Fifth Doctor)

The Master trilogy

[211] And You Will Obey Me (Fifth Doctor)

[212] Vampire of the Mind (Sixth Doctor)

[213] The Two Masters (Seventh Doctor)

The Daniel trilogy

[237] The Helliax Rift (Fifth Doctor)

[240] Hour of the Cybermen (Sixth Doctor)

[244] Warlock’s Cross (Seventh Doctor) (Klein is in this one if you want to listen to her arc beforehand)

#doctor who #doctor who extended universe #dweu #classic who #whoniverse #fifth doctor #sixth doctor #seventh doctor #eighth doctor #charlotte pollard #charley pollard #hex schofield #evelyn smythe #main range #audio dramas #big finish #audio drama

[cripplecharacters]

Hello! So, I want to write a story in a mild fantasy setting(mild bc there are other sentient races but magic is not that common) and I want to write my main character as a person with intellectual disability. But I wonder if, by having ID, they wouldn't be able to be a good fighter (this is a core trait). I also don't know if stress and trauma can lead someone with ID to end up losing their abilities to function (the MC has PTSD). How can I make this work?

Hi!

A person with ID could be a good fighter - with some caveats!

Most important here would be: what is the severity of their disability? That's how ID is categorized; mild, moderate, severe, and profound. If theirs is severe and especially profound, I would probably lean towards "no". But for mild and moderate it should be fine.

Other thing: what is the cause of their intellectual disability? ID can exist on its own, but it often has some kind of syndrome attached to it. The less different issues they have, the easier it would be for them to fight. If you look at intellectually disabled professional athletes, almost all of them will be in the "mild ID with no other disabilities" bucket. For someone with e.g. Rett Syndrome, fighting would probably be off the table due to all the other symptoms.

Last thing would be the type of fighting. Most would work fine, but some kinds of combat wouldn't be the best choice - for example, making them a sniper wouldn't make much sense; there's too much math and very quick decision-making involved with it I think.

Stress and trauma would work the same for someone with ID as for someone without it when it comes to PTSD. So if it's severe, it could cause significant problems like completely losing the ability to function. The only major difference is that an intellectually disabled person would probably get stressed much more easily when it comes to triggers, maybe also worse emotional control and such. But it depends on the person a lot.

You mentioned that magic isn't too common in their world, but if they happen to use it, I think it would be great to show them struggling to learn magic, or being behind on what someone their age should be able to do, etc.!

I hope this helps!!

mod Sasza

#mod sasza #anonymous #intellectual disability representation #combat and disability #ptsd representation

[thestormynobody]

The ace rep in isat means the world to me

Bare with me here i am not always good at words and i just wanted to ramble a lil

Spoilers for act 3

Ace rep is still pretty rare in media let alone anyone who is explicitly aroace. Lots of ace rep makes the characters aro by default without intentionality behind it duo to inherently missing the difference between ace and aro folks. I've also seen some instances of making ace or aro coded characters cold and detached from people at large

(we are going to ignore this gets reset in the timeloops its still good character writing)

Mirabelle doesn't want to date and while Siffrin cannot relate to this aspect they are able to help her come to a realization about her own identity by relaying thier own experience of being ace. They help her to feel less alienated in her identity and resolve to try and make changes for other folks who may feel alienated by the way the change belief (or society) has deemed romantic and or sexual relationships as important to one's identity.

Because yeah. Not being in or even wanting to be in a relationship does not make you less of a person.

And like. I ADORE Mira as the games aroace rep. She's emotional! She cares so deeply for the people around her. She likes romance books but is content with that to remain in the world of fiction which is a pretty common aro experience from my understanding (I am demiromantic ace so my experiences are a bit different). I just think that the canon aroace rep in the game being the girl who reacts to everything so strongly and loves horror books is neat. Mira has so much love in her heart for people without having to have any of it be romanticly motivated

i also like that despite being in her 20s she's still figuring out parts of her identity like this. It's a very relatable experience for me who also started figuring a lot of this stuff out as I got older

Sif being a touch avoidant touched starved ace though. He just like me fr fr. I have so many thoughts on how he still craves physical intimacy (non sexually obviously) and how that sort of thing is kinda ignored in a lot of ace media.

idk if any of this made sense but i love these characters so much i have to ramble about em a lil sometimes

#isat #siffrin #mirabelle #ace #aro

[swaps55]

I have never heard of an epithet before! What does it mean?

This is a great question! You have probably seen many of them, and just not heard them referred to as epithets.

An epithet is more or less a descriptive word or phrase that stands in the place of a name or a pronoun, such as, “the taller man,” or “the brown-haired woman.” In my experience, fanfic writers in particular tend to latch onto them, especially when trying to create variety in scenes with two characters who share the same pronouns.

I’ll put my thoughts on them under the cut, because I have Opinions on epithets, but I am not An Authority. I’m not your mom. I’m not here to tell you what to do or how to write, and I’m not here to ruin your fun, but we all have the hills we’ll die on and this one is mine. If you are a fan of epithets, just give this post an eyeroll or the finger and scroll on. If you want to know more about epithets and why I think writers can and should avoid them, read on!

Let me get this out of my system: I loathe epithets. Do whatever you want with your oxford comma, but take your epithets out back and shoot them.

Okay, now that’s out of the way, I’ll be a little more constructive about the purpose epithets serve and why I think they are so frequently used poorly.

In my experience, they’re often used as a tool to avoid pronoun confusion, but it’s an inelegant tool that can become a crutch. You have two characters of the same gender in a scene, you have already used their names in a sentence, but the pronoun antecedent is unclear unless you name the character again. You don’t want to do that because it feels repetitive, so you pick out a physical quality and use that instead. Problem solved! Except instead of solve the problem, you’ve potentially introduced new ones.

Nuance is important, and to talk tools we should be using the same toolbox, so for the sake of this argument I’m going to assume we’re talking about 3rd person limited POV, because that’s what I generally see, read, and write the most of.

Chances are very high that the descriptor you chose for your epithet derived from you the writer’s perception of the character being described and not the POV character. This is important, because if you are writing in 3rd person limited, the way you describe other people is how the POV character sees the person being described.  

Now tell me. Have you ever thought of a close friend, a lover, or someone whose name you know as, “the taller woman,” or “the dark-haired man?” Have you ever thought about YOURSELF in these terms? Probably not. I have never looked at my Real Life Romance Option and thought of him as “the brown-eyed man” or “the taller man.” I’ve also quite frankly never consciously thought of him as “my lover.” Is he all of those things? Yes. But from my POV, those are never descriptors I would use for him. Once you know a person’s name, they tend to become Their Name and not ‘Random Characteristic” in your mental picture of them.

So when you default to Random Characteristic, it’s usually the writer talking, not the character. And chances are high that the characteristic you choose to represent is not something that is important to the POV character or the scene in that moment. Therefore, is it significant enough to the reader that it clearly identifies the character, or does the reader now have to stop and think, ‘wait, which one is taller?’ So instead of eliminate confusion, you may have actually introduced more of it.

And even if it is an important detail, stating it as a fact is generally a lot less effective than making it part of the character work being done in the scene. For example:

“Can you help me reach this?” Jed asks the taller man. Leo stops chopping vegetables to oblige, and snags the wine glass the shorter man couldn’t reach off the shelf.

Vs.

Jed sighs as he makes another futile swipe with his fingers and barely grazes the bottom of the shelf. He looks over at Leo, blissfully chopping vegetables in a world where stepstools are for other people. “Can you help me reach this?” Leo sets the knife down and looms behind him, effortlessly snagging the wine glass and handing it to Jed with a grin.   

Hopefully, the second example feels more impactful than the first, because the height difference became part of the scene, and not just a descriptor cosplaying as a pronoun.

Epithets become even more distracting when they become part of a prose style rather than just a means to avoid pronoun confusion or name repetition. I see a lot of writers make the stylistic choice to have a POV character refer to themselves as an epithet right alongside the epithets being thrown around for other characters, and there are so many crammed into a paragraph or two I can’t figure out who is doing what.

At best, epithets are distracting. At their worst, they’re actively confusing when their purpose is to do the opposite.

“But Swaps, if I don’t use an epithet, how do I avoid pronoun confusion without wanting to throw myself out a window?”

This is a problem every writer contends with, whether you’re writing same gender smut, combat, or just have two people of the same gender doing things in a scene together. And unfortunately, this is one of those ways in which writing is hard. When you have some pronoun confusion in a sentence you can’t wriggle your way out of, the answer is probably to try a different sentence. Break the sentence up. Structure it differently. Finding the better sentence is part of becoming a better writer. 

If repetition is what you’re concerned about, know that just saying a character’s name and using their pronoun is okay. It’s like ‘said.’ ‘Said’ isn’t a trendy word that goes in and out of style. It’s a building block word that blends into the background. Can you get fancier than ‘said?’ Sure! But do it with purpose. Don’t be afraid to use a character’s name. It’s their name. It’s what you’re supposed to call them. Why are we fighting so hard to respect people’s names and pronouns if all we’re going to do is replace them with epithets? (Kidding. Mostly.) And if you’re using their name so much it’s interfering with readability…it’s probably time to revisit a few of those sentences and figure out what the better sentence is.

When can you use an epithet?

I joke that there are no exceptions to my There Are No Good Epithets stance, but there are. Sort of. Because rules are made to be broken, though I do believe you should understand why the rule exists before you break it, and you should break it with purpose.

Here’s the easy one.  

Epithets are useful when the POV character doesn’t know a character’s name. Now you have to use something else! And here’s the great thing about that: the epithet is now a vehicle for characterization. What about this stranger stands out enough to get the POV character’s attention? Do they notice a physical characteristic? Clothes? Attitude? What does the thing they notice say about the POV character and the character being observed?

For instance, my POV character is eavesdropping on a conversation between two people in a restaurant. You could grab the low hanging fruit and describe them as, “the brunet woman” and the “older man.” Or you could make your scene work harder. “The man with the punchable face,” or “the woman who makes eye rolling an art form.” Or how about, “the woman wearing fake pearls,” shorthanded to Fake Pearls Woman, and “the man with the name-brand suit that’s seen better days,” shorthanded to Shabby Suit. Now you’ve said something about the characters that place them in a more useful context than their hair color – you’ve said something about them that helps inform the scene, and how your POV character observes the world around them.    

Are there other instances where you can effectively use an epithet? Yes, if you are using them like this: with narrative purpose. And in those cases, is it really just an epithet anymore? It is in that yes, it is a descriptor taking the place of a name or pronoun, but it’s doing a lot more heavy lifting now. Maybe you have a character who chronically can’t remember or can’t be assed to remember people’s names. The epithet is now a means of characterization. Maybe you have a Jekyll and Hyde style character, in which a descriptor of those different personas becomes a means of setting a scene or crafting their relationship with the POV character. These descriptors are narrative vehicles being used with intention. “The other man,” is rarely a tool being used with any real intention. If there is an instance of it, I have never seen it.

Now, if reading this makes you second guess your own work, or to feel like you write wrong, or if the thought of going to painstaking lengths to rewire sentences you would typically use an epithet in gives you hives, there’s an easy solution: forget about this post.

Because fanfic is supposed to be fun. It’s your hobby. You are not getting paid for it. You don’t have to use a specific writing style, or meet anyone else’s expectations. That’s part of what makes fanfic such a beautiful thing. You can do whatever makes you happy. Not me, not anyone else. If you fucking love using epithets, use them. If you think I am made of bullshit, give this post the finger like I initially suggested and write five epithets just to spite me. No one will stop you, certainly not me. Though I will continue hating epithets, because you can’t stop me, either. XD

#swaps replies #Anonymous #how writing is written

[drunkkenobi]

Well. This is the weirdest one of these I’ve ever made.

I’m not going to rehash the wank from the Watcher TV announcement. You all know what happened. I am standing by my assertion that this streaming platform is the only way they’re going to stay afloat because YouTube is just not the place for them or anyone else making videos that aren’t just of one person in their house. (nothing against those folks, it’s just a completely different business model)

Anyway.

First up, here’s how Mystery Files season 2 did. It did well, with each ep hitting a million fairly quickly, but it didn’t do as well as season 1. Not significantly worse, just not as high. (two weeks after season 1 ended, the average per episode was 1.854 and for s2 it’s at 1.194million) Of course, the two weeks since season 2 ended have been fucking insane so it’s impossible to say how much of that is a factor.

I will say that views between last week and this week are down overall, but that’s expected. If someone has paid for the streamer and you want to rewatch Ghost Files or whatever, you’re going to watch it ad-free on the app you pay for and not YouTube for the most part. Also it’s very possible people are just not rewatching stuff right now for their own personal reasons, which is fine. I also just don’t think it’s something to worry about.

For better or worse, the Goodbye YouTube video is the best opening weekend Watcher has ever had (and will have?) on YouTube.

Watcher lost around 100k subscribers over The Announcement but, again, if people are paying them directly now then this is kind of a non-factor. For posterity, they’re at 2.84 million subscribers today.

I’m not sure what else to say this time, tbh! It felt like a good time to make one of these with MF season 2 being over but YouTube viewcounts are just…not going to be important anymore for Watcher so there’s not much to say about them. Finding out that a million views only nets between $10-30k has been very eye-opening to me about how piddly the revenue from YouTube is for a production studio like Watcher. The shows they want to make just cost more than they can make off of there. It’s that simple. No one has to like that fact, but that is the heart of all this.

Also, with all of that being said, I think my time as a spreadsheet gremlin is coming to a close. I’m going to keep up with it for a few more weeks and probably do one last round-up for every single video’s views, but with Watcher moving away from YouTube as a business model, there’s little reason to keep up with these. I’ve been making these updates less this year anyway because of a job change and I was losing my steam for it a bit too, so the timing feels right. Like I said, this won’t be my last viewcount post, but maybe second-to-last? And who knows, maybe I’ll check in when Ghost Files premieres but the counts will mean so much less now that the videos will premiere with a month delay from the streamer. We’ll just have to wait and see how the wind blows on this.

Thank you all, as always, for reading, reblogging, replying, liking these posts. Y’all are the reason I’ve kept up with it for four years (and my own nosiness but having encouragement helps!). And don’t worry, I’m sure I’ll have some other spreadsheets to share in the future of Watcher fandom. (I have…so many) So, until next time, thanks again. ❤️

#watcher #my spreadsheets

[sticker-star-sketchbook]

Tell me.

HOW CAN YOU DRAW SO CUTE???

😭😭😭😭💞💞💞

thanks haha!

to be fair rise made insanely adorable turtle tots

but here's a breakdown of my drawing process when it comes to the tots (and just drawing babies v adults in general):

(buckle up for a lot of images and rambling XD)

cute-ness essentially boils down to proportions and shape language--ie the smaller and rounder you are, the cuter you tend to be

when you're a baby, you're smaller and squishier--so mikey's head is a 1/3 of his body as a toddler, but 1/6 as a teenager

also limbs tend to be stubby and short when you're younger, I tend to emphasize that by not drawing mikey with visible toes as a tot because it makes him feel like he hasn't grown as much yet

---

when it comes to the face proportions are super important to emphasize the cute

babies tend to be cuter because their facial features are closer together and they have big eyes, which makes them much easier to connect with

as you grow, your face stretches out, your eyes appear smaller, and your mouth and nose will drop further and further away from your eyes

also you lose baby fat as you grow up, making your face sharper (best seen with raph 'cause mikey's shape language is all circles)

here's an example from moana, watch as the older she gets, the longer her face gets and the less round her cheeks are:

and of course in real life, same as moana, the older someone gets, the less round they become and facial features fill out the head more, rather than being bunched together:

---

to end, i learned a lot about this by drawing from life and observing kids and adults--this is essential to learning how to draw and from looking at other artists and what they suggested when it comes to drawing cute, Griz and Norm are a great resource for this and in other general drawing tips :)

when it comes down to it, when aiming for cute, the chunkier and smaller and rounder the better

anyway, that was long, hope that was what you meant to ask lol XD

#asks #my fanart tag #drawing tips

[lovedianagrey]

hello!!do you have skk fic recs?

Introduction

Yes, I do. I’m sorry it took so long to give you a reply, but I wanted to give you a comprehensive list and was busy preparing for my last day in high school, and then I got a job 12 hours later, and then I traveled to New York for a couple Broadway workshops. But now that today’s been dealt with, I have my wonderful notes.

So here’s the gist of it. I have three focused reviews on some of my favorite Soukoku fanfics ever, but I felt like copy pasting it would kill you a little, so I’m going to use a simplified format that echoes what I once did for two other ships years ago.

Canon Space

Here I compiled four fanfics that take place in main canon spaces (so not BEAST). While I encourage you to read, I also ask you to make sure to check the tags of the actual work for any possible triggers. Furthermore, the styles these characters are written in, and the way they are portrayed, vary from writer to writer. Some are more “canon” based than others, but they all carry the essence of this ship. And if they don’t in your eyes, then you’re just reading a great novel with Japanese names. 

i'll bleed out for you by StarshipDancer

Synopsis: After getting impaled together, basically dying in each others arms in a joint mission with the Port Mafia and the ADA, and getting brought back by Yosano, this shattered Soukoku is asked to go into hiding. In this time, things seem to start healing. But the impending call asking them to return to their positions in their groups haunts them, and when it arrives, things fall apart all over again.  

Tags: Caretaking, PTSD, A Singularly Important Rat Is Present, Canon-Divergence, Post-Port Mafia Days, Love Confession, Pet Co-Parenting, Angst

Word Count: 71,848

Notes: Rattata is the best character. You cannot negate AbsoluteNegation’s incredible skill. I remember reading this fanfic between the airport and my flight, and when chapter four ended, I had to board the plane, with my shaking hands and quiet sniffles. Please read this one.

If you kiss me (I might let it happen) by encsiimomo

Synopsis: Chuuya’s done watching this. Dazai’s literally dating a new girl every week. He dates based on who asks him first that Monday, he breaks up with them that Sunday, and it goes on again. And again. And again. It’s driving him insane. So he does the only thing he can think of to earn himself a break – He asks to date him for that week’s cycle. Dazai’s surprised. Chuuya’s exhausted. But once the sparks fly, they’re unable to be put out. 

Tags: Canon Divergent & Kind of Canon Compliant, Dark Era, Smut, Mutual Pining, Light Angst, Silly

Word Count: 52,127

Notes: I loved this fic because it encapsulates a pretty carefree tone that isn’t associated with Dark Era. It’s pretty smutty, but it’s really lovely to read them. It’s not a reflection of what these characters canonically represent. And while it definitely stays as a loose interpretation of these characters, it keeps the essence that makes this ship so sharp and wonderful. I loved Oda’s appearances too, they made me laugh.

A Doll's House by Abyss_In_WonderLand_likes_sexy_cannibals

Summary: After coming to contact with an ability-powered artifact, Dazai and Chuuya are forced to work together to overcome the ability’s trials, and face the bubbling sentiments they keep trying so hard to ignore. 

Tags: Teamwork, Ability Loss, Poisoning, Denial of Feelings, Confessions, Light Angst

Word Count: 45,288

Notes: While definitely not a character study, this fic goes and shows how wonderfully warm a Double Black fanfic can be. You’ll giggle in some moments, be entranced in others, and it’s just fun. This is for those that aren’t scouring for the angst. This was the first fic that sunk me into a skk fanfiction hunt all throughout the winter holidays.

On Deathless Feet by AbsoluteNegation

Synopsis: Chuuya always knows the monster can get out of control, but it doesn’t get any less surprising when Arahabaki powers through him. For a while though, it’d been comforting to know Dazai could always reign it in, make it go quiet. Because he did when they recently met, when they rose through the ranks, and at the brink of their end. But after years of disconnection, and the consistent waves of betrayal, is Chuuya capable of trusting him? And is Dazai capable of letting him?

Tags: Caretaking, Controlling Arahabaki, Port Mafia, Post-Port Mafia, Mistrust, Non-Linear Storytelling

Word Count: 71,848

Notes: This story is just breathtaking. The writing style is incredibly vast and detailed, which may seem scary when described, but it flows so easily when you read it. The story takes place in an event where Chuuya loses control of Arahabaki in a  Post-Port Mafia Soukoku time. But because of its non-linear style, one gets to understand their past experiences with each other in a manner that contextualizes and weighs in the events of their reunion. 

Fanon Spaces

Before I begin, I’d like to note that there are so many AUs in this fandom, that I had to really search for the canon ones in my list. So understand that if you want more of these, I DEFINITELY have more of these. Also, again, while I encourage you to read, I also ask you to make sure to check the tags of the actual work for any possible triggers. 

I’ll crown your inner child with laurel by acuteguwu

Synopsis: Chuuya has worked in a Michelin Star restaurant. So he really has no place in losing this cooking competition. But a sudden newcomer, who seemingly has no previous experience in the field, seems to want to tell him his bechamel sauce isn’t ready. And really, who does he think he is?

Tags: Chef Competition AU, Character Study, Slow Burn, Chuuya Is A Blunt Perfectionist, Dazai Is A Culinary Genius

Words: 197,090

Notes: I read this in two days, and I finished by waking up at four in the morning to finish up before going to a drag queen brunch. So really, my experience was incredible. You get to really know these characters, who are very themselves, and it’s lovely. Please read, it’s so worth it.

music for our funeral by itotypes

Synopsis: Dazai has always been lost on what exactly he wants to be. Chuuya knows exactly what he wants. Working with such incredible differences proves to be a difficult challenge, ending in at least a little bit of violence multiple times, but they make it work. Because their music sounds beautiful. Because they’re better geniuses beside the other. And maybe because once it started, they can’t seem to process this journey can ever end.

Tags: No Smut, Angst, 70s, Musicians!AU, Drug Abuse, References to Child Neglect, Lowkey Pretty Violent, Emotional Cheating (w/ Main Ship)

Word Count: 67,723

Notes: Look, there’s a whole genre of Soukoku music AUs. And I could tell you to read the famous “still, still, still” by icedlightroast, or the even more famous “I Was Screaming Your Name Through The Radio” by ElectricSplatter. Which really, they’re both INCREDIBLE fics that I think you should read (IWSYNTTR literally inspired me to try and write music, which led me to do an album for a school project, so I’m not kidding when I say they’re life changing), but I also know that these are famous fanfics that you can find in almost any big skk reader thread. So disregarding the following recommendation, I try to give you fanfics I found through a long scrolling process. 

Everything or Nothing by Wellthathappened (Cataclysmic_Calamity)

Synopsis: Chuuya has never been able to experience much. So when he meets Dazai on the night of orientation, he lets himself explore. And as lips sink into his, and he lets himself be free, Dazai lets him know how unimportant he is by walking away when kids walk in on them. Cut to a month later, they’re paired as roommates, Chuuya’s gotten what Dazai insists is a douchey boyfriend, and Dazai Osamu has to recognize it wasn’t true. It wasn’t a night’s fluke. He really, definitely isn’t straight.

Tags: College AU, Pinning, Chronic Illness, Creation & References Of Illegal Panini Rings,  Confessions, Miscommunication, Past Sexual Abuse, Bad Parenting, Cute Dates, Dazai’s Really Rich

Word Count: 264,937

Notes: I recognize I just put in my notes that there’s no major point in recommending these big fanfics, but I just read this because the person that introduced me into the fandom in the first place really loves this one. And it’s incredible. Worth every moment. I laughed a lot, and cried a lot. It’s those pieces of work that resound with you that keep you engaged. This one builds off of that.

Inseparable by milwritescausewhynot

Synopsis: Dazai and Chuuya have been joined to the hip since day one. But they’re not best friends. Or enemies. Or, worst of all, lovers. They are, however, great at pranking each other. Until one goes close to dangerous, and things begin getting complicated afterwards. 

Tags: High School AU, Pranks, Light Angst, Denial, Pining, Confessions, Implied/Referenced Self-Harm, Crazy Kouyou, Childhood Friends, No Smut

Word Count: 107,804

Notes: I hadn’t saved this one in my compilation, but I couldn’t not find it. This fic is so charming, and I most enjoy how the characters move through the story. Definitely recommend.

In Conclusion

Again, I’m sorry for such a late response. I’m literally falling asleep right now but I felt too guilty leaving this for tomorrow morning. If you have any questions, notes, or looking for something specific for your reading, we cna talk about it. 

Anyways, thanks for asking! Hope you love them, and sorry for any mistakes

#soukoku fanfiction #skk #dazai osamu #nakahara chuuya #soukoku #bsd #bungou stray dogs #fanfic recommendations #skk fanfiction #double black #bsd chuuya #bsd dazai

[crossdreamers]

A landmark systematic review has concluded that regret rate for transgender surgeries is "remarkably low"

Erin Reed presents a new study that shows that the regret rate for gender affirming surgery is lower than 1 percent.

A recent systematic review published in The American Journal of Surgery challenges the justification used by anti-transgender activists to ban gender-affirming care for transgender youth and restrict it for adults.

The review, conducted by experts from the University of Wisconsin School of Medicine and Public Health, concludes that the rate of regret for transgender surgeries is "remarkably low."

Drawing on data from over 55 individual studies, the review finds that regret rates for gender-affirming surgery are less than 1%, significantly lower than regret rates for various other surgical procedures and major life decisions.

Surgeries such as tubal sterilization, assisted prostatectomy, body contouring, and facial rejuvenation have regret rates more than 10 times higher than gender-affirming surgery.

The findings of this review are expected to provide significant support in challenging transgender bans and restrictions in the future.

Reed concludes:

There is no evidence that transgender people experience high rates of regret for any transgender care, including transgender surgery. On the contrary, gender-affirming care saves lives. A Cornell review of more than 51 studies found that gender-affirming care significantly improves the well-being of transgender individuals and also concluded that regret is rare. Low rates of regret for transgender people are not "suspicious." Rather, they are evidence that the care transgender people seek is important, carefully provided, and helps them live more fulfilled lives.

More here!

Photo: Matt Hrkac - Transgender Day of Visibility 2023 - CC BY 2.0 DEED

#transgender #trans #lgbt #lgbtqa #queer #lgbtq #science #health #srs #hormones

[haven-of-dusk]

Semi-random scene analysis time. I honestly always liked this scene, and it took me a bit to figure out why, but I think I got it.

First off, just aesthetically, *chef's kiss*. The mussed up helmet hair looks adorable on all three of them, the outfits are on point, I'm literally just now noticing that I think the Steiners have matching backpacks (their commitment to the bit is insane and wonderful), it's all great.

Second...it's just funny. And charming. Ethan and Aiden ping-ponging the conversation between each other for a second without even letting Scott get a word in is fun, and the delivery of "This is about you being the target of demonic ninjas." "You mean the demonic ninjas who pulled swords out of their chests and kicked our asses?" "Yeah! Those demonic ninjas!" was pitch perfect. I feel like Charlie and Max don't get enough credit for how well they bounce off each other because it's assumed they would be good at it, when in actuallity I've met more than one set of identical twins who SUCK at that.

Lastly, it might be me reading too much into things, but I do think this scene is a great example of characterization through limited dialgoue and action. A line that stands out to me is "Since this is our first experience with demonic ninjas, we're thinking we should play it safe." The use of the plural pronoun is very telling to me, because I'd be willing to bet even thinking of protecting Scott was Ethan's idea, and yet he always uses the 'we' pronoun because he and Aiden are an inseperable team.

It's something I feel S3 really did right: distinctifying Ethan and Aiden into their own people without sacrificing their bond to each other. I feel like a lot of fiction that introduces twins as minor characters just makes them a unit without much distinction between them (hell, Harry Potter did it twice, for instance), but despite the Steiners literally having a merged form, the show made an effort to show how they're very different, yet still complementary people. They could be simplified to the brains and the brawn, but even that straightforward premise tells us a lot about how they've survived as long as they have and presumably a contributor to Deucalion recruiting them. It also makes Aiden's death all the more heartbreaking the more you realize how important they were to each other.

I'm getting a little off-topic here, but the point is that simple interactions like this can darastically shape a character and I feel as though that's underappreciated. Especially when it comes to already underrated characters like the Steiners.

On a last, less serious note, I appreciate that the three werewolves with miraculous healing abilities all still practice proper motorcycle safety and wear helmets, gloves, and long sleeves. Unironically love that for them.

#teen wolf #scott mccall #aiden steiner #ethan steiner #scene analysis? #sort of?