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#the national ballet of canada
dance-world · 3 months
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Larkin Miller - The National Ballet of Canada
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cancmbyn · 1 year
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Entire doc is available now for free on CBC Gem
youtube
Link to trailer is above. Enjoy!
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lovelyballetandmore · 2 years
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Isaac Wright | The National Ballet of Canada
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Karolina Kuras and Evan McKie in Anna Karenina.
Photo from Evan’s Instagram.
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tutuandscoot · 1 year
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I’m fascinated about Tessa’s dancing past 💕Did she take dance classes when she was very little and before meet Scott?
Is it true that she was invited to participate in a Nutcracker ballet at Canada's national ballet? 😍
Yes she was put in dance classes and gymnastics at about 3 (following after her sister) I’m guessing she did most styles but took a liking to ballet. When she was 9 she attended the CNBS summer school in Toronto which was a month long program. At the end she was offered a permanent place there but at this point she and Scott had been together about 2 years and she chose their partnership over the school. She says in her 9 year old little brain she figured choosing skating allowed her to ‘have it all’ because she could still dance and ballet would really help her skating but going to the school she wouldn’t be able to keep skating- ballet in a very narrow focus and career path and there are very few other activities you can participate in that won’t jeopardise your training. Let alone moving to Toronto and dancing 5 days a week after school there would be no time to skate let alone with Scott 2+ hours away. But a big part of that decision even unconsciously was she really felt a strong connection with him and what they were creating together. She went to the summer school again the following year and they again offered her a place but she said no again (I’m pretty sure when she went this time she didn’t stay for the full month long program because of skating commitments).
So she continued to dance at her studio in London (her teacher was Jennifer Swann who choreographed Carmen as well as some of their exhibitions) I’m assuming until they moved to Kitchener/Waterloo because she said she went on pointe which is usually at around 10/11 yrs. After that they both would’ve been doing ballet classes several times a week as part of their training schedule in K/W and Canton.
Yes she was it was a walk on role in 2014 or 2015, so she wasn’t “dancing” like on pointe with the company dancers or anything but she still got to be onstage with them which is really cool that company remained part of her life.
To bring it full circle their last program Wish You Were Here was choreographed by Guillaume Cote, a principal dancer with CNB and they learned it in the company studios which is just so beautiful to me.. she gave up this place for Scott 20 years ago and now they would learn their last dance together in this place she could’ve had but is probably so glad she didn’t because she had had this incredible journey with Scott instead ❤️
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swanlake1998 · 2 years
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kevin pugh and yoko ichino photographed performing as colas and lise in frederick ashton’s la fille mal gardée by national ballet of canada archives
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miss-m-calling · 1 year
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Maddaddam (National Ballet of Canada, 2022)
Choreography: Wayne McGregor
Music: Max Richter
Dramaturgy: Uzma Hameed
Stage design: We Not I
Costume design: Gareth Pugh
Lighting design: Lucy Carter
Film design: Ravi Deepres
Photos by Karolina Kuras and Bruce Zinger
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oublimschristmas · 5 months
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The Nutcracker
National Ballet of Canada
Toronto
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gramilano · 2 years
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Wayne McGregor: 2022-2023 and beyond
Studio Wayne McGregor has announced four world premieres, two European premieres, five revivals, and celebrations for 30 years of Company Wayne McGregor
Random International and Company Wayne McGregor’s Rain Room 2012. Photograph by Sidd Khujuria Studio Wayne McGregor has announced four world premieres, two European premieres, five revivals, and celebrations for 30 years of Company Wayne McGregor Wayne McGregorbrings Margaret Atwood’s post-apocalyptic vision to Toronto for the world premiere of MADDADDAM in November 2022 for the National Ballet…
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queerasfact · 1 year
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Queer Calendar 2023
We put together a calendar of key (mostly queer) dates at the start of the year to help us with scheduling - so I thought I’d share it around! Including pride and visibility days, some queer birthdays and anniversaries, and a few other bits and bobs. Click the links for more info - I dream one day of having a queer story for every day of the year!
This is obviously not an exhaustive list - if I’ve overlooked something important to you, feel free to add it in the reblogs!
January
3 - Bisexual American jazz-age heiress Henrietta Bingham born 1901
8 - Queer Australian bushranger Captain Moonlite born 1845; gay American art collector Ned Warren born 1860
11 - Pennsylvania celebrates Rosetta Tharpe Day in honour of bisexual musician Rosetta Tharpe
12 - Japanese lesbian author Nobuko Yoshiya born 1896
22 - Lunar New Year (Year of the Rabbit)
24 - Roman emperor Hadrian, famous for his relationship with Antinous, born 76CE; gay Prussian King Frederick the Great born 1712
27 - International Holocaust Remembrance Day
February
LGBT+ History Month (UK, Hungary)
Black History Month (USA and Canada)
1 - Feast of St Brigid, a saint especially important to Irish queer women
5 - Operation Soap, a police raid on gay bathhouses in Toronto, Canada, spurs massive protests, 1981
7 - National Black HIV/AIDS Awareness Day (USA)
18 - US Black lesbian writer and activist Audre Lorde born 1934
12 - National Freedom to Marry Day (USA)
19-25 - Aromantic Spectrum Awareness Week
March
Women’s History Month
1 - Black Women in Jazz and the Arts Day
8 - International Women’s Day
9 - Bi British writer David Garnett born 1892
12 - Bi Polish-Russian ballet dancer Vaslav Nijinsky born 1889 or 1890
13 March-15 April - Deaf History Month
14 - American lesbian bookseller and publisher Sylvia Beach born 1887
16 - French lesbian artist Rosa Bonheur born 1822
20 - Bi US musician Rosetta Tharpe born 1915
21 - World Poetry Day
24 - The Wachowski sisters’ cyberpunk trans allegory The Matrix premiers 1999
April
Jazz Appreciation Month
Black Women’s History Month
National Poetry Month (USA)
3 - British lesbian diarist Anne Lister born 1791
8 - Trans British racing driver and fighter pilot Roberta Cowell born 1918
9 -  Bi Australia poet Lesbia Harford born 1891; Easter Sunday
10 - National Youth HIV & AIDS Awareness Day (USA)
14 - Day of Silence
15 - Queer Norwegian photographer and suffragist Marie Høeg born 1866
17 - Costa-Rican-Mexican lesbian singer Chavela Vargas born 1919
21-22 - Eid al-Fitr
25 - Gay English King Edward II born 1284
26 - Lesbian Day of Visibility; bi American blues singer Ma Rainey born 1886
29 - International Dance Day
30 - International Jazz Day
May
1 - Trans British doctor and Buddhist monk Michael Dillon born 1915
7 - International Family Equality Day
7 - Gay Russian composer Pyotr Tchaikovsky born 1840
15 - Australian drag road-trip comedy The Adventures of Priscilla, Queen of the Desert premiers in 1994
 17 - IDAHOBIT (International Day Against Homophobia, Biphobia, Intersexism and Transphobia)
18 - International Museum Day
19 - Agender Pride Day
22 - US lesbian tailor and poet Charity Bryant born 1777
22 - Harvey Milk Day marks the birth of gay US politician Harvey Milk 1930
23 - Premier of Pride, telling the story of the 1980s British activist group Lesbians and Gays Support the Miners
24 - Pansexual and Panromantic Awareness and Visibility Day; Queer Chinese-Japanese spy Kawashima Yoshiko born 1907
26 - queer American astronaut Sally Ride born 1951
29 - Taiwanese lesbian writer Qiu Miaojin born 1969
June
Pride Month
Indigenous History Month (Canada)
3 - Bisexual American-French performer, activist and WWII spy Josephine Baker born 1906
5 - Queer Spanish playwright and poet Federico García Lorca born 1898; bi English economic John Maynard Keynes born 1883
8 - Mechanic and founder of Australia’s first all-female garage, Alice Anderson, born 1897
10 - Bisexual Israeli poet Yona Wallach born 1944
12 - Pulse Night of Remembrance, commemorating the 2012 shooting at the Pulse nightclub, Orlando
14 - Australian activists found the Gay and Lesbian Kingdom of the Coral Sea Islands in 2004
18 - Sally Ride becomes the first know queer woman in space
24 - The first Sydney Mardi Gras 1978
25 - The rainbow flag first flown as a queer symbol in 1978
28 - Stonewall Riots, 1969
28 June-2 July - Eid al-Adha
30 - Gay German-Israeli activist, WWII resistance member and Holocaust survivor Gad Beck born 1923
July
1 - Gay Dutch WWII resistance fighter Willem Arondeus killed - his last words were “Tell the people homosexuals are no cowards”
2-9 - NAIDOC Week (Australia) celebrating Aboriginal and Torres Strait Islander culture
6 - Bi Mexican artist Frida Kahlo born 1907
12 or 13 - Roman emperor Julius Caesar born c.100BCE
14 - International Non-Binary People’s Day
23 - Shelly Bauman, owner of Seattle gay club Shelly’s Leg, born 1947; American lesbian cetenarian Ruth Ellis born 1899; gay American professor, tattooist and sex researcher Sam Steward born 1909
25 - Italian-Australian trans man Harry Crawford born 1875
August
8 - International Cat Day
9 - Queer Finnish artist, author and creator of Moomins Tove Jansson born 1914
9 - International Day of the World's Indigenous Peoples
11 - Russian lesbian poet Sofya Parnok born 1885
12 - Queer American blues musician Gladys Bentley born 1907
13 - International Left-Handers Day
22 - Gay WWII Dutch resistance fight Willem Arondeus born 1894
24 - Trans American drag queen and activist Marsha P Johnson born 1945
26 - National Dog Day
30 - Bi British author Mary Shelley 1797
31 - Wear it Purple Day (Australia - queer youth awareness)
September
5 - Frontman of Queen Freddie Mercury born 1946
6 - Trans Scottish doctor and farmer Ewan Forbes born 1912
13 - 1990 documentary on New York’s ball culture Paris is Burning premiers
15-17 - Rosh Hashanah
16-23 - Bisexual Awareness Week
17 - Gay Prussian-American Inspector General of the US Army Baron von Steuben born 1730
23 - Celebrate Bisexuality Day
24 - Gay Australian artist William Dobell born 1889
30 - International Podcast Day
October
Black History Month (Europe)
4 - World Animal Day
5 - National Poetry Day (UK)
5 - Queer French diplomat and spy the Chevalière d’Éon born 1728
8 - International Lesbian Day
9 - Indigenous Peoples’ Day (USA)
11 - National Coming Out Day
16 - Irish writer Oscar Wilde born 1854
18 - International Pronouns Day
22-28 - Asexual Awareness Week
26 - Intersex Awareness Day
31 - American lesbian tailor Sylvia Drake born 1784
November
8 - Intersex Day of Remembrance
12 - Diwali; Queer Mexican nun Sor Juana Inés de la Cruz born c.1648
13-19 - Transgender Awareness Week
20 - Trans American writer, lawyer, activist and priest Pauli Murray born 1910; Transgender Day of Remembrance
27 - Antinous, lover of the Roman emperor Hadrian, born c.111; German lesbian drama Mädchen in Uniform premiers, 1931
29 - Queer American writer Louisa May Alcott born 1832
December
AIDS Awareness Month
1 - World AIDS Day
2 - International Day for the Abolition of Slavery
3 - International Day of Persons with Disabilities
8 - Pansexual Pride Day; queer Swedish monarch Christina of Sweden born 1626
10 - Lesbians and Gays Support the Miners host Pits and Perverts concern to raise mining for striking Welsh miners, 1984
14 - World Monkey Day
15 - Roman emperor Nero born 37CE
24 - American drag king and bouncer Stormé DeLarverie born 1920
25 - Christmas
29 - Trans American jazz musician Billy Tipton born 1914
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dance-world · 3 months
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Larkin Miller - The National Ballet of Canada - photo by Karolina Kuras
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cancmbyn · 1 year
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Looks like it will be very good!
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lovelyballetandmore · 1 month
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Albjon Gjorllaku | The National Ballet of Canada | Photo by Jason Tse Photography
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gorbigorbi · 7 months
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Marlen Fuerte Castro, Soloist Ballet National Capitol Toulouse, Principal dancer Opera Nice, Prima ballerina Ballet Victor Ullate, Principal guest Ballet Canada Hamilton
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spine-buster · 1 year
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To Sail Beyond the Sunset ft. Sidney Crosby | Chapter 5
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gif credit @/rinkrats
A/N: 6000 words of...well...
Every time June put on a pair of pointe shoes, she felt like she was putting on a piece of second skin. They were as much a part of her as her nose, eyes, and hands. Every ballerina had a very specific way of moulding their pointe shoes to fit their feet, and June was no different; she could do it with her eyes closed, one arm tied behind her back – all the old adages were true for her. From the satin, the elastic, the ribbon, the toe pads and Second Skin, to knowing exactly where to sew the elastic to support her ankle, how long to cut the ribbon, where to bend and pop the shank, and how many times she needed to band the toe box against the wall or floor or even with her own heel so it softened and wouldn’t make noise on stage. She was perfectionist with it, but it was like second nature to her. She’d prepared thousands upon thousands of pointe shoes during her career. She didn’t think she’d ever forget how to do it. She could be a hundred years old suffering from dementia, and if someone handed her a pair of pointe shoes, she’d know exactly how to make them fit her feet.
When she was one of the principal dancers at the National Ballet of Canada, she’d been filmed for a video on their YouTube channel for this exact routine and it went viral, tallying something like 20 million views to date. Everybody apparently wanted to know how the best ballet dancer in Canada – and one of the best in the entire world – prepared her pointe shoes. Ballet already fascinated people, she thought, and pointe shoes were about 90% of that fascination. How could someone balance their entire weight on their toes? And not just balance – how could someone dance on their toes? Spin on their toes? Jump and land on their toes? For three hours? June made it look easy. She made it look effortless, like she was floating on stage at any given moment. “Magical” was often the adjective used.
Going back up en pointe again, after years of not doing so, was something June never thought she’d experience. She thought she’d be dancing well into her thirties. But the best laid plans… The first time she went back up en pointe, it was rougher than she wanted it to be. It was harder than she wanted it to be. With all the dancing and practice she’d done since she could walk, she thought it would be much easier. But no. Her body had betrayed her in a way she never thought she’d be betrayed. It failed her on one thing she’d gotten so much recognition for in the past; it failed her on the one thing that had made her famous. She knew she had to have patience with herself, but it was still frustrating. For years her body had been contorted and hyperextended and abused to look a certain way on stage and now it couldn’t even do the thing she wanted. She’d had more blisters than the entire popular of Halifax, more shin splints than she could shake a stick at, muscle strains, dancer’s heel, Achilles tendonitis, snapping hip syndrome, patellofemoral pain syndrome, and even osteoarthritis. She found a lot of anger in herself before she realized that she’d already given so much to ballet that she didn’t need to give anymore.
For all that her mom did when she was growing up, June really did love ballet. It brought her a solace not much else could bring. When she danced, she felt free, like she could do anything and be anything. And when she was performing on stage, she could become someone else. She didn’t always have to be Juniper Brooks, who grew up working class in a basement apartment in a suburb of Halifax with a pseudo-psychopath of a stage mom. She could become Odile, or Odette, or Sleeping Beauty, or Giselle – she could be anybody else but herself, and that helped her, in its own way, realize who she was a person with and without ballet. Ballet was truly one of the things she loved most in life which was why, when she couldn’t dance anymore, she decided to teach. It had given her so much, so she wanted to give back.
Ballet for June was hockey for Sidney. They’d both had their fair share of joys and pains associated with hockey and ballet while in Cole Harbour. For June it was her mother and jealous girls in her classes; for Sidney it was other boys (especially the older boys) with intent to injure him, and parents. Imagine. Grown-ass adults being jealous of a kid. If June could have, she would have told off every single one of them to their face. Because she knew she couldn’t do that without developing a reputation, sometimes, she’d scream and cheer for Sid so loud in the stands to drown out the parents’ jeers. They’d look at her like she was crazy, but she knew she was doing the right thing. Some of them would even look disappointed, as if they were sad Sidney wouldn’t be able to hear them call him names or tell their kids to get him. The funniest thing about the situation was that when Sidney won his Stanley Cups and brought them back to Cole Harbour, she’d see them waiting in the parade route or autograph line with their grandchildren.
Such was life.
***
Katja Simmons was one of June’s best friends, the person she was closest with besides Sidney, of course. They met at boarding school, having been roommates for their last two years, making the company together straight out of school. While June was promoted to principal dancer, Katja became a first soloist, and was still dancing with the company. Their positions meant that they usually got to dance together on stage – which is how June liked it. She liked having someone on stage with her that she could trust.
“Have you proposed to Sidney yet?” Katja suddenly asked over the phone. Their pair had been talking for over an hour and a half at this point, and the question really came out of nowhere.
“What?!” June shrieked. “Katja, what the hell?”
“Oh come ooooonnnnn, June,” Katja pressed. “He’s been back home for a while now. Have you proposed marriage?”
“Katja—”
“—Be his wife—”
“—Katja—”
“—Because you know you want to.”
“Katja!” June shrieked again. “Where is this coming from?”
“You know how much I love love,” Katja said as if that explained everything, and honestly, it kind of did. Katja had gotten married last summer to her long-time boyfriend, Niko, after almost ten years together. June was her maid of honour. She brought Sidney as her date. “And I’ll just never forget how he looked at you when he saw you for the first time after Swan Lake. Or how you two would write letters to each other literally every single day throughout high school. We can all see how in love you guys are. I just—I can’t believe you can’t see it, June! Or don’t.”
“Katja, I’ve told you – it’s so much more complicated than that,” June said. “He’s my best friend.”
“But that’s the way it’s supposed to be! Look at me and Niko. You wouldn’t want to marry someone you’re not friends with, right?”
“Of course not,” June agreed. “But it’s different. It’s…it’s…”
“It’s what?”
June took a deep breath. “Sidney is the most important relationship in my life – that I’ve ever had in my life. Between my mom being the way she was and Sidney just always being there for me – being this constant presence in my life even when we moved so far away from home and each other – Katja, I wouldn’t want to ruin anything. I can’t ruin anything. If I don’t have Sidney, I have nothing. Ballet can be taken away from me, but Sid can't.”
Katja was quiet momentarily, taking in June’s words. “Do you want my honest opinion?”
“Of course.”
“You’re not going to ruin anything because you can’t ruin what you and Sid have. It’s beyond that point. I don’t think your worry should be if you’re going to ruin anything – you shouldn’t have any worries at all. I think that you and Sid should have a talk about your future together, because you guys have been in love with one another your whole lives. You’re it for each other. It’s like When Harry Met Sally – remember what Harry says at the end? When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible. You two need to realize it. Once you do, the rest of your life is going to start.”
***
“Have a good night, Chloe,” June smiled as she propped open her studio door to let out her remaining student. Out of the corner of her eye, she could see Sid’s SUV inconspicuously parked in the corner of the lot. She was expecting him, so it wasn’t much of a surprise, but she wondered if anybody else in the parking lot coming to pick up their kids did.
“Goodnight, Miss June! See you tomorrow!” Chloe waved off as she rushed to her parents’ car, throwing her bag into her brother’s face in the backseat before getting in herself.
June waved at the entire family as they drove off and watched them turn onto the street. It was only then that Sidney turned off his car. She watched as he got out and made his way towards her, a smile on his face. “Hey Junebug.”
“Hey. Come in,” she said, keeping the door open until he walked through, locking it behind him so nobody could pop in. They walked through the small lobby and into the dance studio – the only space they really felt any privacy, despite the door being locked.
They sat down in a corner of the room, knees touching since they were sitting so close. Personal space was a thing of the very, very distant past for them. “You’ve got a big smile on your face,” Sid commented.
“I’m happy to see you,” she said, trying not to hear Katja’s words from their phone conversation lull around in her mind. “Plus, some of the girls got their acceptances.”
“Really?”
“Claire, Malika, and Isabella are going to NBC,” she informed him. “And Zoë was accepted to the Royal Winnipeg Ballet.”
“Wow!” Sidney exclaimed, genuinely shocked at the news. “That’s incredible!”
“I know. They’re over the moon. I’m over the moon for them,” June couldn’t keep the smile off her face. “Big difference from how I found out. And much different reactions, too.”
“God, yeah. I still remember that day,” Sidney said. “It’s still so clear to me – that look on your face as we met on the sidewalk. And you telling me everything afterwards. You were so upset, Junebug.”
“Could you blame me?” she asked.
Sidney shook his head. “Not at all.”
2002
“Do it again.”
June inhaled deeply. Her feet were killing her. Her knees were killing her. Her arms were killing her. The second she had gotten home from practice, her mom had demanded they practice everything in class again, since June fell out of one of her landings once. “Mom—”
“—Don’t mom me—”
“—Please, I’m exhausted,” she tried.
“Exhausted? You were the one who chose to fall out of your landing during the routine. Now do it again.”
The routine in question was Odette’s variation from Act 2 of Swan Lake. Most girls in her class still had trouble with staying en pointe during specific turns or for more than a minute of choreography. June was perfecting two-and-a-half minute character role variations. She and the other girls weren’t even on the same planet. But it still wasn’t good enough for her mom. “Mom, I’m beg—”
“Do it again, Juniper!” she snapped.
June held in the tears, the fatigue, the outright exhaustion, the everything, and assumed position. Her mother hit the play button on the boombox and the classical music began. If she was going to get out of this and satisfy her mother, she needed to execute every move with absolute perfection – her mother wouldn’t settle for anything less. So she did – every arm motion, every turn, every movement of her body was done with such precision that June almost shocked herself, considering the time of day and the fact that she’d already been in a four-hour class. She hit the last pose perfectly, and the music stopped. She waited for her mom’s reaction, scared of the outcome.
“Much better,” she said. “It should be like that all the time. Now go shower and get ready to eat.”
June didn’t have to be told twice. She left abruptly and ran into her room to take off her pointe shoes and leotard. She didn’t allow herself to cry until she got into the shower, and even then, wiped her tears away furiously. Her entire body ached at how much pressure and stress it had been under that day, and she felt she could barely raise her arms anymore to wash her hair. After she dried herself off, brushed her wet hair, and changed into some new clothes, she went back out into the main living area. Her mom had already put out her plate to eat: a small filet of salmon, steamed broccoli, and some cherry tomatoes. To anyone else, like Sidney, the portion size would probably be a snack; for her, it was dinner. Even a glass of lemon water was already made for her. When June sat down, she noticed her mom eating the same thing, but double the portion. They ate in silence.
June retreated to her bedroom after dinner to finish homework from the weekend and prepare what she needed for the upcoming school week at Astral Drive Junior High. It would have been the time that she called Sidney, too, but he was at a hockey tournament this week and June knew he and his family were probably driving home right now (and that he was probably doing his homework in the car). She’d have to wait until tomorrow to talk to him.
June wasn’t expecting a knock at her door from her mom. Usually, after dinner, her mom left her alone. After today especially, she didn’t think her mom would bother her. But alas, she was wrong. June wished she didn’t have to see her face until tomorrow morning. She took a deep breath. “Come in.”
Her mom opened the door and stood in the doorway, watching June at her desk with a binder open. “That last performance you did – it should be like that every time, Juniper.”
June stayed silent for a few moments. “I know. My arms were hurting rea—”
“—That’s the lazy girl’s excuse,” her mom dismissed her. “I push and I push and I push because you’re lazy and you can do better. If you’re not pushed, you fall behind. And then what good are you, hmm?”
By this point in June’s life, she’d heard those words a million times. But it didn’t sting any less. She fought to hold back her tears. “I out-danced everybody in cla—”
“—You danced like a lazy, selfish, stupid girl,” her mom interrupted again, not letting her get a word in. “I was embarrassed for you. Every penny I make goes to your dancing and you weren’t even fucking trying. You better start acting and dancing like a ballerina or else some other girl is going to steal it from right under you before you go.”
June furrowed her brows. “Before I go where?”
All of a sudden, her mom’s face had switched from agitation and anger to one of almost pride and smugness. “The Dying Swan,” she began, referring to a piece June had practiced meticulously and had performed at a local recital a few weeks ago. “A trainer from the National Ballet School was in the audience that day. Yulia called her.”
“What’s that supposed to mean?”
“It means the National Ballet School has recruited you. You’re going to boarding school in Toronto.”
June’s heart stopped beating before it fell into the pit of her stomach. While she should have been happy about the opportunity to go to the best ballet training and high school in Canada, she couldn’t feel happy. At all. Instead, she felt blind-sided. The thought of leaving home, of leaving everything she knew, was scary. And the thought of leaving one person in particular – Sidney – made her sick to her stomach. There was no way she would go through with it. She couldn’t – not while Sidney was still in Cole Harbour and she was being shipped off to boarding school in a city she’d never even been to. She didn’t think she was mentally strong enough, and she wished her mom could see that – that it would probably do more harm than good. “No,” June shook her head.
“What did you just say?”
“No. I’m not going.”
Her mom’s eyebrows raised. “Who the fuck do you think you are, Juniper Brooks?”
“I’m not going and you can’t make me,” June tried to remain strong. “I’ll stay in classes with Yulia.”
“To hell you will,” her mom was harsh. “You’re going to Toronto and that’s final. All the paperwork is done. Your dorm room’s even been assigned. You don’t have a choice in this, Juniper.”
“No!!!” she screamed, and every emotion, every tear that she was bottling up inside came out with it. She shot up from her chair, and that’s when her mother turned her back and began walking away from her. “I’m not going! I’m not!” she followed her out.
“This was all done for you!” her mother screamed back. “All for you! And look how ungrateful you are!”
“Mom, please,” June pleaded with her. “Please don’t make me go. I’ll do whatever you want. I’ll train more. I’ll put in more hours. But please don’t make me go there all alone.”
“Empty promises from a lazy girl,” her mom shot back. “Hopefully the school teaches you hard work. And dignity. God knows you need it as you stand there begging.”
“Mom,” her voice was full with tears now as they streamed down her face. She didn’t know what she could say to make her mom change her mind. She knew the tears wouldn’t help – if anything, it would make it worse. “Mom, please. Please. I can’t go.”
“You will go, Juniper.”
“Mommy—mommy p-please,” she wailed. June thought of only one thing: she got down on her knees, even though they hurt more than anything, right up against her mom. Her mom whipped around to see June putting her hands in prayer position, looking up at her with red eyes. “P-P-Please mom. You can’t separate me and S-Sid. I can’t g-go to T-T-Toronto. I c-c-can’t leave him. I can’t leave him. He’s my b-best friend. I can’t be that far away from him. I’ll do whatever you want. Whatever you want. But I can’t leave Sidney. I can’t—I can’t be alone without him s-s-so far away—”
All of a sudden, there was another smug look on her mother’s face, but this time, it was mixed with amusement. Sick, twisted amusement. “Well well well,” she said, concealing her smile, crossing her arms against her chest. “I guess Sidney hasn’t told you yet?”
June froze in position. “Told me what?”
“Sidney’s leaving too. He’s going to a hockey boarding school,” her mom revealed. “In Minnesota.”
The words were like a nuclear bomb to June. She kept frozen in her position as the words sunk in. Sidney’s leaving to a hockey boarding school in Minnesota. Of course June knew about the possibility because Sid told her, but it seemed like such a long shot because it was a private school, and neither of their families had that kind of money. If there had been a change, Sidney would have told her about it. Right? She understood she wasn’t a Crosby, but she may as well have been one, and she would be the first person to know…right? Right? “You’re lying,” she found herself saying, tears still streaming down her face. “You’re lying and you know it.”
“I’m not a liar like you,” her mom spat back.
“I—you—that’s a lie. That’s a lie. You’re j-j-just saying that so you can ship me off to b-boarding school and never see me again,” June cried. “You’re lying b-because you hate me.”
“I’m not lying. You can ask Sidney tomorrow.”
“Sidney would never do that to me.”
“He already has.”
June felt like she was going to throw up. Both outcomes were horrible. If her mom was lying, then she was just a nasty liar; but if she was telling the truth…well, the truth was worse. The truth was much worse. “I hate you!” June wailed. “I hate you I hate you I hate you!!!” she wailed over and over again.
“I’ll live,” her mom dismissed her. “You’re going to that school if I have to drag you there kicking and screaming, Juniper Brooks.”
June got up from her knees. With all the emotion she had left in her, she screamed one more time. “I hate you!!!” With that, June ran back into her room sobbing, collapsing onto her bed as she cried and cried and cried.
Her mom didn’t come knock on her door for the rest of the night. Even when June’s sobs were so loud, they could be heard through the walls.
***
The next day, as Sidney waited for June on the sidewalk so they could walk to school together, he saw her approaching from the distance. He’d missed talking to her last night. Their usual Sunday night phone call usually had June reminding him of all their homework they did and that he had to bring to class for their teachers. But as she got closer, Sidney could see she wasn’t happy, and when she got even closer, he noticed her eyes were red. That could only mean one thing. “Were you cr—”
“—Are you going to boarding school in Minnesota?” she demanded.
Sid’s jaw dropped. He couldn’t find the words. “I—I—”
“No bullshit,” she swore. They hardly ever swore, even alone together. “Are you going to a hockey boarding school in Minnesota or not?”
“It…it literally just happened, Junebug,” he said, admitting it. “How—how did you know?”
“When did it happen?”
“We got the call Saturday at the tournament. They called my coach because he has a cell phone. How did you know?” he asked again.
“My mom told me.”
“How’d she find out? God, word must travel fast. One of the guys must have told someone back here and—”
“So you’re going?” she asked, her voice shaky.
Sidney paused. “Junebug, I—my parents and I had a really long talk about it. Like, really long. And we all think it’s best that I go, at least for a year, and see what it’s all about, and so I can get away from all the…noise over here. I was going to tell you, Junebug, I swear.”
June broke out into a fit of tears. They were streaming down her face like Niagara Falls. At least in Sidney’s situation, he and his parents talked about it. They thought about the pros and cons and made the decision as a family. As opposed to her situation, of course, of just being told of being shipped off somewhere with no choice. “My mom told me last night,” she managed to say through tears. “She told me because—because I was crying about…about…”
“About what?”
June tried to wipe away some of her tears. “My mom is sending me to boarding school in Toronto. For ballet,” she revealed. “She told me last night. I told her that I couldn’t—I couldn’t leave you. That’s when she told me about Minnesota.”
Sidney couldn’t believe what he was hearing. “You’re going to Toronto? For ballet?”
“Against my will,” she said. More tears rushed down her face. “I want to be with you, Sid. I can’t leave you. I can’t go there on my own without you. I can’t—I can’t…” she couldn’t speak anymore, the sobs overcoming her.
Sidney hated seeing her cry, even though it happened every so often. It was one of the worst things in the world to him. He wrapped his arms around her, hugging her tightly as she cried on his shoulder. The sound of her sobs shook him to his core, because instead of annoyance or just general sadness, there was fear in them. “It’s going to be okay, Junebug,” he said, rubbing her back.
“No it’s not.”
“I’ll make sure it is.”
When June thought about it, when she really thought about it, it was the moment she fell in love with Sidney. She remembered clinging on to him for dear life, as if he was about to float away to Minnesota if she let go. She wasn’t ready for anything that was coming her way that late spring or summer, but she knew she would have been a lot worse off if Sidney didn’t help her through it. She remembered being so scared. She remembered hardly being able to sleep the week before they both left. She remembered them saying goodbye to each other and her bawling her eyes out in the taxi, crying so hard she threw up. Sidney had promised her that everything was going to be okay, and she believed him, but the fear kept creeping up.
“Hey Sid?” she asked after a few moments of silence, her voice soft.
“Hmm?”
“Remember when you told me it was going to be okay?” she asked. “It all was okay in the end, wasn’t it?”
“Of course it was,” he nodded. “I wouldn’t have let anything happen to you.”
June couldn’t help but smile slightly. “As if you had the power to do anything. We were teenagers.”
Sidney shrugged. “I would have found a way,” he said. “I still wouldn’t let anything happen to you.”
They looked each other in the eyes just then, letting the words hang in the air for an immeasurable amount of time. Sidney meant the words he said, and June knew it; he wouldn’t say them if he didn’t. Over thirty years of friendship, and he still felt that way. Through all the tears he had to hug away, the classes and competitions where she was worked to the bone, the cruel gossip from others, the unfair rules, the tiny meal portions, the feelings of loneliness – he would use all the power and influence he had in the world to make sure nothing would happen to her. Over thirty years of friendship, and she felt the same way about him. Through all the bullying he encountered, the taunts and jeers and slashes and hits, the news articles written about him as a kid proclaiming him to be everything from a local hero to a pissy show-off, the girls in their class who would grab his hands and twirl around and yell “I’m going to marry Sidney Crosby! He’s going to be a millionaire!” when they were twelve, thirteen, fourteen years old – she would never let anything happen to him.
June got up suddenly, all in one go. Sidney stayed firmly planted on the ground, looking up at her. “Where are you going?”
“I’m going to get my pointe shoes.”
Sidney tried to remain calm, but he felt a nervous tightening in his chest. He nodded his head and watched her walk out of the room. While she was gone, he moved so he was sitting up against the wall of mirrors, underneath the barre. When June came back in, she was wearing ballet tights with a low back camisole leotard and a black pancake tutu. She had a new pair of pointe shoes in one hand, and her pointe shoe kit in the other. She sat back down across from him, without a word, leaving some space between them to have everything in front of her.
Sidney watched. He watched as June meticulously prepared her pointe shoes, as she’d done thousands upon thousands of times before, as he’d watched her do when they were teens. She was like a surgeon performing a quadruple bypass; the precision in everything that she did to prepare them was so detailed and thorough, it was probably only rivalled by his own pre-game rituals and superstitions. Hearing the familiar pop of the shank or watching as the needle and thread broke through the delicate satin – it was all part of a process he was so familiar with, and respected so very much, because it meant that June could do what she loved.
Only when she was done did either of them speak. “I’m going to stretch and warm up,” June informed him, pushing her phone that she left on the floor towards him with the pointe of her shoe. “When I’m done, I’ll tell you what song to play. My phone is connected to the speakers.”
“You got it, Junebug,” he said, watching again as she went over to a space at the barre and began stretching, hoisting her leg up and rising and falling, just as she’d learned so many years ago. She even went to get a roller. When she was done, Sidney was attentive to her every desire.
“There’s a mash-up song in my music – it’s not in my Spotify – it’s called Odette/Odile variations,” she said. “And turn the volume all the way up.” Sidney didn’t recognize the name, but scrolled through anyway, until he found it. He made sure the volume was on the highest setting before tapping on the song and putting her phone down beside him.
The second that the music began, Sidney knew exactly what kind of dance he would be seeing. June had performed every principal role in every major ballet in her day, but Swan Lake was her favourite, and being Odile/Odette was her favourite role, more than Giselle, or Sleeping Beauty, or Juliet, or any of the others. He thought she would choose an easier piece – he didn’t know why he thought that – but no. June was going for the big guns: the two solo variations where the ballerina really got to shine, showing off her immaculate technical skill and sophisticated character work.
Sidney watched in awe. It was like she hadn’t even stopped dancing. Her arms were fluid, her legs were straight, and she went up en pointe as if it was the easiest thing in the world. She executed every move flawlessly. Even her facial expressions were just as he remembered them when he would visit her in Toronto and buy tickets front row, centre stage to see her perform. The muscles in her legs, arms, and back were still strong and definite, carrying her gracefully around the room as she performed every pirouette, every attitude, grand jeté, sissonne, arabesque, double cabriole, brisé, and entrechat six with grace, elegance, strength, and determination. When the music for Odette’s variation ended, and she transitioned into Odile’s, Sidney knew exactly what he was going to get. Though she transitioned to embody Odile instead of Odette, her movements were just as precise, and there was something different about the way her body moved to take on the character. It was unlike anything he’d ever seen in anybody else, and June executed it so flawlessly. She did every time, and just because this was an audience of one, it didn’t matter.
Then the French horn and trumpets began. The symbols clashed. The infamous song blared through the speakers. June took a few moments to herself, when the danseur would traditionally dance, and then it was on. Back in the centre, arms extended, aaaaand…
One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen…
Sidney could feel the tears well in his eyes as he watched her.
Sixteen. Seventeen. Eighteen. Nineteen. Twenty. Twenty-one. Twenty-two. Twenty-three. Twenty-four. Twenty-five. Twenty-six. Twenty-seven. Twenty-eight. Twenty-nine. Thirty…
Sidney’s heart stopped beating as he watched her complete the set. She did it. She fucking did it.
Thirty-one. Thirty-two.
She landed her ending pose perfectly – and she wasn’t even done. She had to end the pas de deux, and she did so in a flurry of piqués and chaînés that saw her whip herself around the room like a tornado. After more pirouettes, entrechat six, looking down and extending her hand to an invincible danseur, the music hit its last note and June flapped her arm out like a wing.
Then, silence.
Sidney and June let everything June had just done speak for itself and stand on its own. The first time Sidney had seen June do this, he had cried – and he wasn’t afraid to admit it. The crowd had erupted in a raucous applause at her completion of the 32 fouettés and at the end of the pas de deux, and he had gotten swept up in the moment. Now, alone in a ballet studio in Halifax where she’d just done the same thing, there was silence. It wasn’t until June forced her body out of the pose, and made eye contact with Sidney, was any other noise heard.
A sob.
June let out a sob she didn’t know she was holding in and practically collapsed into Sidney, who quickly outstretched his arms to catch her. He held her as they sat on the floor and she cried in his arms. They didn’t say a word to each other. Everything was being said in what they were doing – holding on to each other for dear life. It was only until June stopped crying that she pulled away to look into Sidney’s eyes.
And when she did, she knew that look. She knew that look because it was the same one she gave him, that she never gave to anyone else. Not even to her ex-fiancé. “You love me,” she said. She didn’t ask, because by the look in his eyes, she knew.
Sidney nodded. “And you love me,” he said, a statement and not a question, too.
June nodded. “All this time.”
“I think we’ve been in love with each other for thirty-one years and didn’t realize it sooner,” he said.
In movies, there is usually a grand declaration of love; running through an airport, or flash mobs, or a long speech with exquisite words. This wasn’t that. Sidney and June’s declaration of love was not grand, and it was not ostentatious. They weren’t chasing the other through an airport or organizing a flash mob atop the Halifax Citadel. This, instead, was simple: two people, after thirty years, sitting on a floor in a ballet studio in Halifax, finally admitting they loved one another.
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sorrowandpride · 1 year
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I'll start this off by saying that I'm a woman who's studied ballet for pretty much her entire life. When I was a child, I had teachers who wanted to train me professionally with the goal of training at Canada's National Ballet School in mind, so I think I know what I'm talking about.
I recently learned about the Sophie Rebecca controversy, and it's absolutely disgusting. The transphobes who are screeching and clutching their pearls over Sophie taking syllabus classes with the RAD are absolutely ridiculous. They're the only ones who are embarrassing themselves by speaking on something they know nothing about (from what I've read, they can't even spell "pointe" properly).
I'll clear a few things up regarding ballet that transphobes are consistently getting wrong.
Ballet is not a single-sex space, so stop clutching your pearls. It may be XX female-dominated, but danseurs have been integral to the discipline since its creation. Believe it or not, danseurs can and do teach female students (and vice versa). Members of the male sex have even danced female roles (Les Ballets Trockadero de Monte Carlo, for example, is an all-male drag troupe that performs parodies of romantic and classical ballets).
Sophie is taking RAD syllabus classes. These are simply classes that build skill in ballet (as well as other forms of dance, such as character). While syllabus classes and exams are part of professional training, most syllabus students are recreational dancers. Sophie is too old to pursue a conventional career as a danseuse, and many dancers retire at her age. The amount of schools that would accept her into a professional program that feeds into a major company are close to, if not zero. Nobody "lost a spot" to her. As long as they can pay the fees, anybody can take RAD syllabus classes and exams. They give you a sense of achievement and track measurable progress. The RAD has defended Sophie Rebecca and stated publicly that she is NOT a professional danseuse. As far as I'm aware, her highest level of completion is Intermediate Foundation. If I remember correctly, Intermediate Foundation exams don't even include pointework (since ballet is, you know, far more than pointework). No serious company is going to hire a student who's only reached Intermediate-level classes, and very, very, very few will a hire a danseuse who's not proficient in pointework. All she's doing is showing a love for adult recreational ballet. That's it. She's not taking anything away from XX girls. Ballet is open to EVERYONE, not just pale, skinny XX women.
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