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imyourbratzdoll · 1 year

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𝐀 𝐖𝐡𝐨𝐫𝐞'𝐬 𝐅𝐚𝐢𝐫𝐲𝐭𝐚𝐥𝐞

welcome to the land of fairytales, where desires you never knew you had will come true. thank you @georgiapeach30513 & @royalsweetteaa for helping me with this.

18+ only please, do not copy, repost or translate my work. You are responsible for your own media consumption.

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𝐦𝐚𝐢𝐧 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

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!warning! these fics will include inter-species relations, size differences, innocent kink, age gaps and dark content.

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𝐅𝐢𝐜𝐬:

𝒊𝒕'𝒔 𝒂 𝒃𝒂𝒅 𝒕𝒊𝒎𝒆 𝒕𝒐 𝒃𝒆 𝒔𝒍𝒆𝒆𝒑𝒊𝒏𝒈 𝒃𝒆𝒂𝒖𝒕𝒚 - pairing: prince ransom drysdale x princess reader

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𝒎𝒂𝒚𝒃𝒆 𝒕𝒉𝒆 𝒍𝒊𝒕𝒕𝒍𝒆 𝒎𝒆𝒓𝒎𝒂𝒊𝒅 𝒘𝒂𝒔𝒏'𝒕 𝒂𝒔 𝒔𝒘𝒆𝒆𝒕 - pairing: prince frank adler x mermaid reader

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𝒐𝒑𝒆𝒏 𝒚𝒐𝒖𝒓 𝒍𝒆𝒈𝒔 𝒂𝒏𝒅 𝒉𝒆'𝒍𝒍 𝒔𝒉𝒐𝒘 𝒚𝒐𝒖 𝒕𝒉𝒆 𝒘𝒐𝒓𝒍𝒅 - pairing: street rat lloyd hansen x princess reader

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𝒔𝒉𝒆 𝒍𝒐𝒔𝒕 𝒎𝒐𝒓𝒆 𝒕𝒉𝒂𝒏 𝒉𝒆𝒓 𝒈𝒍𝒂𝒔𝒔 𝒔𝒍𝒊𝒑𝒑𝒆𝒓 - pairing: prince lance tucker x maid reader

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𝒕𝒉𝒆𝒓𝒆 𝒘𝒂𝒔 𝒂 𝒃𝒆𝒂𝒖𝒕𝒚 𝒘𝒉𝒐 𝒘𝒂𝒔 𝒊𝒏𝒕𝒐 𝒕𝒉𝒓𝒆𝒆 𝒃𝒆𝒂𝒔𝒕𝒔 - pairing: beast ari levinson, beast logan howlett, beast geralt of rivia x princess reader

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𝒘𝒉𝒂𝒕 𝒘𝒂𝒔 𝒘𝒓𝒐𝒏𝒈 𝒘𝒊𝒕𝒉 𝒑𝒐𝒊𝒔𝒐𝒏𝒊𝒏𝒈 𝒉𝒆𝒓 𝒔𝒆𝒗𝒆𝒏 𝒎𝒆𝒏 - pairing: bossy clark kent, sleazy johnny storm, dirty curtis everett, brawny steve rogers, cranky bucky barnes, tipsy dean winchester, horny sam wilson x witch/princess reader

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𝒃𝒂𝒎𝒃𝒊 𝒘𝒂𝒔 𝒋𝒖𝒔𝒕 𝒂 𝒔𝒕𝒖𝒑𝒊𝒅 𝒅𝒐𝒆 - pairing: hunter lee bodecker x shifter reader

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𝒘𝒉𝒐 𝒌𝒏𝒆𝒘 𝒂𝒍𝒊𝒄𝒆 𝒘𝒂𝒔 𝒂 𝒘𝒉𝒐𝒓𝒆 𝒊𝒏 𝒘𝒐𝒏𝒅𝒆𝒓𝒍𝒂𝒏𝒅 - pairing: mad hatter jefferson x dreamer reader

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𝒔𝒉𝒆 𝒇𝒐𝒍𝒍𝒐𝒘𝒆𝒅 𝒕𝒉𝒆 𝒚𝒆𝒍𝒍𝒐𝒘 𝒃𝒓𝒊𝒄𝒌 𝒓𝒐𝒂𝒅 𝒐𝒏𝒍𝒚 𝒕𝒐 𝒇𝒊𝒏𝒅 𝒐𝒖𝒕 𝒔𝒉𝒆 𝒘𝒂𝒔 𝒂 𝒉𝒐𝒆 - pairing: scarecrow jake wyler, tin-man rick grimes, cowardly lion jake jensen, oz andy barber x lost reader

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𝒕𝒉𝒆𝒚 𝒘𝒆𝒓𝒆𝒏’𝒕 𝒂𝒔 𝒔𝒕𝒖𝒑𝒊𝒅 𝒂𝒔 𝒔𝒉𝒆 𝒕𝒉𝒐𝒖𝒈𝒉𝒕 - pairing: hansel steve kemp, male gretel nick fowler x witch reader

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𝒏𝒐𝒕𝒉𝒊𝒏𝒈 𝒄𝒐𝒖𝒍𝒅 𝒑𝒓𝒐𝒕𝒆𝒄𝒕 𝒉𝒆𝒓, 𝒏𝒐𝒕 𝒆𝒗𝒆𝒏 𝒉𝒆𝒓 𝒍𝒊𝒕𝒕𝒍𝒆 𝒓𝒆𝒅 𝒉𝒐𝒐𝒅 - pairing: big bad wolf luke danes x little red riding hood reader

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𝒔𝒉𝒆 𝒘𝒂𝒔 𝒂𝒘𝒂𝒓𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒇𝒆𝒓𝒂𝒍 𝒎𝒂𝒏 𝒕𝒉𝒂𝒕 𝒍𝒖𝒓𝒌𝒔 𝒊𝒏 𝒕𝒉𝒆 𝒔𝒉𝒂𝒅𝒐𝒘𝒔 - pairing: tarzan tangerine x jane reader

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𝒔𝒉𝒆 𝒘𝒂𝒔 𝒂𝒃𝒐𝒖𝒕 𝒕𝒐 𝒃𝒆 𝒌𝒏𝒐𝒘𝒏 𝒂𝒔 𝒕𝒉𝒆 𝒈𝒊𝒂𝒏𝒕𝒔 𝒘𝒉𝒐𝒓𝒆 - pairing: giant august walker x female jack reader

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𝒕𝒊𝒏𝒌𝒆𝒓𝒃𝒆𝒍𝒍 𝒘𝒂𝒔𝒏’𝒕 𝒑𝒓𝒆𝒑𝒂𝒓𝒆𝒅 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒏𝒊𝒈𝒉𝒕𝒎𝒂𝒓𝒆 𝒂𝒉𝒆𝒂𝒅 - pairing: captain hook negan, captain hook jack sparrow x tinkerbell reader

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𝒕𝒐𝒐 𝒉𝒐𝒕, 𝒕𝒐𝒐 𝒄𝒐𝒍𝒅, 𝒋𝒖𝒔𝒕 𝒓𝒊𝒈𝒉𝒕 - pairing: alpha bear ari levinson, alpha bear henry cavill, alpha bear lee bodecker x goldilocks reader

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𝒔𝒉𝒆 𝒘𝒂𝒔 𝒉𝒊𝒔 𝒑𝒓𝒆𝒄𝒊𝒐𝒖𝒔 𝒍𝒊𝒕𝒕𝒍𝒆 𝒔𝒘𝒂𝒏 - pairing: prince steve rogers x princess/swan hybrid reader

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𝒐𝒉, 𝒉𝒐𝒘 𝒅𝒖𝒎𝒃 𝒔𝒉𝒆 𝒘𝒂𝒔… 𝒅𝒐𝒏’𝒕 𝒚𝒐𝒖 𝒌𝒏𝒐𝒘, 𝒏𝒆𝒗𝒆𝒓 𝒕𝒓𝒖𝒔𝒕 𝒕𝒉𝒆 𝒕𝒉𝒓𝒆𝒆 𝒎𝒆𝒓𝒎𝒂𝒊𝒅𝒔 - pairing: mermaid jennifer check, mermaid rosalie hale, mermaid jane smith x clueless reader

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𝒋𝒆𝒂𝒍𝒐𝒖𝒔𝒚 𝒘𝒂𝒔𝒏’𝒕 𝒂𝒏 𝒆𝒎𝒐𝒕𝒊𝒐𝒏 𝒕𝒉𝒆 𝒍𝒊𝒐𝒏 𝒌𝒊𝒏𝒈 𝒌𝒏𝒆𝒘 - pairing: mufasa ari levinson x scar sergei kravinoff (kraven the hunter) x lioness reader

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#imyourbratzdollwork #a whores fairytale #chris evans fanfiction #sebastian stan fanfiction #logan howlett fanfiction #henry cavill fanfiction #dean winchester fanfiction #sam wilson fanfiction #rick grimes fanfiction #luke danes fanfiction #negan fanfiction #captain jack sparrow fanfiction #jennifer check fanfiction #rosalie hale fanfiction #jane smith fanfiction #tangerine fanfiction #kraven the hunter fanfiction #sergei kravinoff fanfiction

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bookmaven · 4 months

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The Oz books by L. Frank Baum [3 of 3]

THE LOST PRINCESS OF OZ by L. Frank Baum (Chicago: Reilly & Britton, 1917) Illustrated by John R. Neill.

THE TIN WOODMAN OF OZ by L. Frank Baum (Chicago: Reilly & Lee, 1918) Illustrated by John R. Neill.

THE MAGIC OF OZ by L. Frank Baum (Chicago:Reilly & Lee, 1919) Illustrated by John R. Neill.

GLINDA OF OZ by L. Frank Baum (Chicago:Reilly & Lee, 1920) Illustrated by John R. Neill.

#book blog #books books books #books #book cover #pulp art #beautiful books #fantasy #wizard of oz #l frank baum #john r neill #book design

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poppies-from-oz · 1 year

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The Scarecrow and The Tin Woodman are married: a compilation post.

#the wizard of oz #the tin woodman of oz #the lost princess of oz #glinda of oz #scarecrow #tin man #woot #polychrome #tincrow

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cmonbartender · 4 months

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The Lost Princess of Oz (1917) - John R Neill

#illustration #john r neill #the lost princess of oz #wizard of oz #patchwork girl #doll #1910s #1917

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yellowbrickramble · 3 months

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That guy's too small to be Frogman, the frog the size of a man (from The Lost Princess of Oz). Maybe he's Frogfrog, the frog the size of a frog?

More likely, he's pre-mutation Frogman.

If you like my comics, please subscribe to my Patreon. (link in bio)

#webcomics #emerald city #horses #fashion #oz books #horse of a different color #talking animals

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buffysbitca · 2 months

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btvsverse characters mario kart choices (real)

buffy - absolutely princess peach. says it’s female empowerment. faith uses it as a nickname to tease her.

angel - mario. no comment. angelus is wario.

spike - luigi. no comment. soulless he was waluigi. or vice versa. yeah, actually other way round.

xander - cant bloody decide. plays as all of them. has a koopa troopa preference.

willow - toad. duh.

tara - girl toad

faith - dry bones or king boo. was made to play as baby princess peach multiple times and lost every time due to insecurity and lack of dignity.

anya - donkey or diddy kong depending on mood (is fascinated that the donkey is in fact not a donkey), king boo when she’s feeling devious, yoshi when not wreaking any particular vengeance. just is glad there’s no bunnies.

cordelia - daisy (duh). sounds like a song name. a really shit song.

oz - bowser (grgrrr wolf) or drybones (mhm oz).

giles - doesnt know how to play.

wesley - early seasons - toad (secretly plays as princess peach alone).. later - waluigi.

gunn - BOWSER GRR or baby mario awe

connor - baby luigi cos angels is mario and connor hates him and doesn’t want to consider him his dad in any aspect.

fred - girl toad, yoshi, any of the baby characters. then boom one day she only plays as wario and laughs as she defeats them all. no one understood what happened. her hair later went blue…

doyle - koopa troopa. idk why. suggested that he play as mario and cordy as princess peach. was met with a : ‘oh please…. like you’d ever rescue me from a tower PFFTTT.’ the next day he did.

#wrotethisagesago #got bored #btvs #buffy the vampire slayer #mario kart #angel the series

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teapartypenguin · 2 months

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Fairy Tale Allusions in Yugioh 5Ds

So I was rewatching 5Ds and Akiza's duel against the knight dude got me thinking about the fairy tale allusions in her design and arc, and thinking about it more got me to realize that 5Ds actually has a lot of loose fairy tale allusions throughout it. So here are just a couple of the ones I noticed:

Akiza in general: Akiza's first duel of the series was already really heavy with the knight vs. witch symbolism. It also got me thinking about the "Princess, Witch, and Prince" theme from Revolutionary Girl Utena. A very basic rundown of what Utena says on it is that people will try to sort women into a box of good (Princess) or bad (Witch) based on how much they conform to the concept of what a girl should be like, a good Princess has to trade independence for protection from a Prince, any girl that doesn’t agree is a Witch. Problem is that no woman is ever just one of those things at a time, and Akiza definitely isn't. She is at first feared for her power, labelled the evil Black Rose Witch, and attempts to find comfort and safety in her "Prince" (Sayer). Only when she meets Yusei and the gang and finds acceptance from them and her parents do we see that she's actually a very kind girl. And even then, she doesn't go trading one Prince for another, she's never as reliant on Yusei as she was with Sayer and maintains her independence. Also just her deck in general carries the theme with fairy tale-like imagery (roses, knights, witches, fairies, and a dragon).

Akiza + Yusei: These two are basically Beauty and the Beast. I am a major faithshipping fan, but even if you take out the romantic aspects, it still fits. Yusei being Beauty and Akiza being the Beast for obvious reasons. The scene with Yusei waking Akiza in the hospital also gives major Sleeping Beauty vibes as well (this scene also owns my soul).

The rose imagery also still fits with both of them.

Yusei: He's Cinderella: he's a poor boy, goes to a ball that he wasn't supposed to go to (Neo Domino), has to leave at midnight (gets arrested), but leaves behind a "glass slipper" (the mark of the Crimson Dragon) that makes it so that the prince (Godwin) can track him down and give him another shot at freedom (not for altruistic purposes of course, but it still fits).

Jack and Carly: Scoopshipping are The Little Mermaid. The mermaid (Carly) falls in love with the prince (Jack), but for certain reasons, they cannot be together. Said mermaid makes a deal, by trading her soul, she gains legs (Dark Signer abilities + duel runner) which allows her a second chance to go after the prince. But the prince rejects her proposal (because she's undead and evil now), and the mermaid concedes. But being unable to hold up her end of the deal, she turns into sea foam and dies (turns into dust and dies).

Leo and Luna: Luna's deck already has a loose fairy forest type theme (and in the manga, has a Fairy Tale archetype). I want to say they're Hansel and Gretel. Has the same beats of two siblings getting lost in the woods (Luna with her spirit world adventure, Leo dueling Devack with "Closed Forest" up). But most of it comes from their duel with Devack, in which Hansel (Leo) stalls the witch (Devack) for as long as possible until Gretel (Luna) can kill the witch by pushing him into the oven (win the duel). You could also say that Luna's arc of freeing Ancient Fairy Dragon has elements of Rapunzel (saving the princess from the witch that locked her up).

Those are at least the ones I noticed. I doubt all of them were intentional but it's interesting when you make the connections. Let me know if there's any I missed because I'm not done with my rewatch yet and don't have anything for Crow. Feel like Team Satisfaction and Neo Domino City have Wizard of Oz parallels, but haven't got enough info to say how yet.

#yugioh #yugioh 5ds #aki izayoi #akiza izinski #yusei fudo #jack atlas #carly carmine #leo and luna #rua and ruka #faithshipping #scoopshipping #revolutionary girl utena #rgu

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bestworstcase · 4 months

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Wait could you go more into Salem being glinda? (<- person who is bad at allegories but loves your metas)

ok!!

step one is to clear out everything you’ve ever read about rwby’s ozian allusion from your brain because this fandom keeps trying to make it about the wizard of oz and it’s… nnnot about the wizard of oz. the book we’re going to be talking about as the primary text of reference is the second oz book, ‘the marvelous land of oz,’ which is about what happens after dorothy and the wizard go home.

the reason nobody can figure out who rwby’s “dorothy” is is… there is no dorothy. she’s in kansas and not really relevant to this story except insofar as her journey through oz resulted in the wizard’s departure and the end of the wicked witches of the east and west. she’s The Backstory. and—actually as i write this there, um, there IS a dorothy and now i have to go stare at a wall for a little while.

…

we’ll get there.

context:

at the end of the first oz book, ‘the wonderful wizard of oz,’ the wizard leaves and glinda, the good witch of the south, tells dorothy how to return home to kansas with the glass slippers (which fall off her feet and are lost forever whilst carrying dorothy home)

(the classic film makes something of a mess by combining glinda and the good witch of the north into a composite character, creating the problem of why glinda would not simply tell dorothy how to use the slippers right away. in the book, the good witch of the north sends dorothy to the wizard, who is secretly a fraud, and after he inadvertently leaves dorothy behind she is advised to travel south to consult with glinda instead.)

now, the wizard was the ruler of oz, so his departure created a political problem that he attempted to solve by appointing the scarecrow to rule in his absence. that choice is what ‘marvelous land’ is chiefly about because, you see, before the wizard came along, oz was ruled by a king named pastoria, who had an infant daughter named ozma. then the wizard deposed pastoria, and princess ozma disappeared.

the book’s protagonist is a boy named tippetarius (tip) who’s been raised all his life by the bad witch mombi. tip is in fact ozma, stolen by mombi and transformed into a boy to secure the wizard on the throne of oz. he has no idea; he just knows that mombi isn’t very nice to him and he wants to leave.

when he runs away, he takes with him jack pumpkinhead—a fellow tip made by carving a jack-o-lantern head for a wooden man, animated by mombi’s magic. their relationship is quasi-parental (jack calls tip “father” but tip is, you know, a boy and not especially fatherly). they’re joined by a living saw horse en route to the emerald city. the trio is briefly separated, with jack and the horse rushing ahead and being received by the scarecrow while tip is waylaid and meets general jinjur, who is leading an army of revolt to the emerald city to overthrow the scarecrow.

that happens. jinjur wins more or less by default because the soldier with green whiskers, who guards the emerald city’s gate, is too cowardly to fight them and simply lets them into the city. the scarecrow flees, along with tip, the sawhorse, and jack. this motley crew heads west to winkie country, once the domain of the wicked witch of the west, now ruled by nick chopper—the tin man. en route to winkie country, the scarecrow mentions to jack that pumpkins rot and jack spends the remainder of the story in a state of ever-present existential dread over his imminent decay.

anyway, nick accompanies them back to the emerald city, along with the woggle-bug—a very large, knowledgeable bug whom none of them like particularly and whose backstory involves transformation by a professor, an incident about which the woggle-bug has ambivalent feelings—whom they meet along the way. they’re hindered by various illusory traps mombi throws at them because she’s trying to get tip back under control.

reclaiming the emerald city from jinjur does not Go Well. they’re forced to flee again, briefly end up stranded in an inhospitable place on the far side of the desert and attacked by birds. the woggle bug saves them by using a silver wishing pill to repair their means of transportation so that they can reach glinda’s home, in southern quadling country.

they want glinda to help them restore the scarecrow to the throne of oz. glinda has other plans, because she’s spent all this time trying to find ozma and set right the wizard’s various injustices. she’s narrowed it down to mombi as the culprit, and upon learning that the witch has hidden herself in the emerald city, she… um, immediately lays siege to the emerald city to “starve it into submission” and flush mombi out, then chases her to the impassable desert at the edge of oz, ties a rope around her neck to silence her magical powers, and bodily drags her back to the emerald city to account for her wrongdoing on pain of death:

Glinda had been carefully considering what to do, and now she turned to Mombi and said: "You will gain nothing, I assure you, by thus defying us. For I am determined to learn the truth about the girl Ozma, and unless you tell me all that you know, I will certainly put you to death." "Oh, no! Don't do that!" exclaimed the Tin Woodman. "It would be an awful thing to kill anyone—even old Mombi!" "But it is merely a threat," returned Glinda. "I shall not put Mombi to death, because she will prefer to tell me the truth." "Oh, I see!" said the Tin Man, much relieved. "Suppose I tell you all that you wish to know,". said Mombi, speaking so suddenly that she startled them all. "What will you do with me then?" "In that case," replied Glinda, "I shall merely ask you to drink a powerful draught which will cause you to forget all the magic you have ever learned." "Then I would become a helpless old woman!" "But you would be alive," suggested the Pumpkinhead, consolingly. […] "You may make your choice," Glinda said to old Mombi, "between death if you remain silent, and the loss of your magical powers if you tell me the truth. But I think you will prefer to live." Mombi cast an uneasy glance at the Sorceress, and saw that she was in earnest, and not to be trifled with.

thus mombi is forced to tell the truth, remove the curse she placed on tippetarius (turning him back into ozma), and take glinda’s potion to strip all of her magical power away.

folds hands.

here are some facts about glinda:

she rules over quadling country—in the oz books, the cardinal kingdoms are all color-coded; northern gillikin country is purple, eastern munchkinland is blue, western winkie country is yellow, and quadling country? red. (glynda goodwitch’s purple is the first hint that she is not glinda, but rather the good witch of the north who believes in the wizard’s power. her absolute faith in ozpin is the second hint.)

glinda is, despite her youthful appearance, implied to be thousands of years old, and by any measure the most powerful sorceress in all of oz.

in demeanor, she is always calm and collected and resolutely truthful; so great is her dedication to the truth that she has no power over mombi’s magical deception and illusions, hence the need to force mombi to undo her own curse. she always knows when she’s lied to, but she can be fooled (fleetingly) by powerful illusions. and she can be utterly ruthless in pursuit of what she believes is right for oz.

she, as noted in the last post, is responsible for freeing the flying monkeys from their enslavement by the golden cap.

now!

the allusions rwby is making to ‘marvelous land’ are really very straightforward—much like cinder and cinderella or salem and maiden-in-tower stories. it is impossible to read the book with rwby in mind and not see the connections:

the god of light is mombi.

ozma is ozma; as ozpin, he has become the wizard (complicit in his own cursed imprisonment), and within oscar he’s tippetarius (a boy who’s lost his true self).

oscar is jack pumpkinhead, ozma’s heir (thus, symbolically, his “son”), brought to life at least symbolically by light’s power (he’s in the story at all because he’s ozma’s vessel), and preoccupied with existential dread inspired by the looming immediacy of his spiritual death.

qrow is the scarecrow, left to carry the symbol of ozpin’s authority in ozpin’s absence and forced to flee beacon, the “emerald city,” by

summer rose, who is general jinjur, holding beacon academy while she searches for the crown. (jinjur spends a considerable portion of the story trying to get the royal crown.)

lionheart is the soldier with green whiskers: not the fearful but truly courageous lion, but the cowardly old soldier who all but hands jinjur the keys to the city in his terror.

ironwood is the tin man, ruling over a land once subjugated by the wizard’s bitter enemy (pre-war, fascist mantle) now remade into a shining and prosperous kingdom under the command of the wizard’s ally (atlas)—and it is he who gives sanctuary to the scarecrow and tip’s party after the emerald city falls, and he who leads the failed first attempt to take the city back by force.

vacuo is the nest of jackdaws where the party ends up stranded, far from oz—they cross a desert to get there and i suspect the point of theodore is to signal that vacuo isn’t “in” oz but rather standing in for the deserts and the lands beyond. because dorothy is in kansas, you see. (he’s not the Real Dorothy, though, we’ll get there momentarily).

the woggle-bug is raven, the maiden of knowledge who knows the secret that will bridge the impassable divide between vacuo and salem; her knowledge of what summer did is the silver wishing pill which, incidentally, poisons tip when he tries to use it.

and salem is, of course, glinda: ancient and aloof and coldly ruthless in her pursuit of the truth, searching for ozma (<- note the congruence here with rapunzel searching for her prince in the wasteland!) and ready to GO TO WAR to bring the god of light to account for what he’s done. i really must emphasize the GOING TO WAR bit: the glinda of the books is not the soft, mistily benevolent lady the classic film makes of her. she has an extremely well-disciplined standing army which she marches on the emerald city with the explicit intention of delivering a siege to “starve it into submission.” mombi looks this woman in the eye, sees death staring back at her, and surrenders with a whimper. glinda is ruthless.

so it isn’t even “glinda would go to war if she thought it necessary” it’s that glinda does in fact go to war and rwby is, with salem, taking glinda’s decision to go to war to achieve her ends very seriously and putting that in a context where salem isn’t revered as a protector and loved by all. the only difference between salem and glinda is that glinda is beloved by the people of oz!

but i also promised you dorothy. so:

allow me to direct your attention back to what glinda does to mombi after ozma’s curse is lifted. mombi is made to drink a potion that causes her to forget all the magic she’s ever learned, leaving her to live as an ordinary old woman—but she is not left alone to suffer afterwards, because ozma makes arrangements to provide for her indefinitely.

this is, of course, what’s in store for the god of light. he’s going to ascend—that’s obvious—and the fairytale ‘the two brothers’ hints quite strongly that he’ll come back as a man (i’d wager a faunus specifically), leaving his power and memories of divinity behind and given a peaceful life in return. mombi’s resolution in ‘marvelous land’ offers a direct 1:1 comparison to ascension.

but what about the god of darkness?

he’s– he’s dorothy.

dorothy doesn’t appear in ‘marvelous land’ and she has no presence in the book whatsoever except as one of the two characters whose departure at the end of the last book created the circumstances that allow this story to occur: it is dorothy’s adventure that convinces the wizard to leave oz, and then she leaves too. the wizard—through mombi, the real power behind his throne—retains his influence and authority over the land of oz until she is forced to undo her wrongs, but dorothy is simply… gone. she went home, she’s remembered fondly by her friends, she has nothing whatsoever to do with this story, and the silver shoes that bore her home at the end of the last book fell from her feet and were lost forever.

(she does eventually make it back to oz, in a roundabout way, by accident. but for rwby’s purposes, and within the context of ‘marvelous land’ taken in isolation, dorothy is Gone Forever.)

afterans refer to the tree as home; they think of ascension as returning home to rest and find renewal after a long journey through the world outside. at the end of her journey through oz, she asks glinda to send her home, and glinda tells her:

“The Silver Shoes," said the Good Witch, "have wonderful powers. And one of the most curious things about them is that they can carry you to any place in the world in three steps, and each step will be made in the wink of an eye. All you have to do is to knock the heels together three times and command the shoes to carry you wherever you wish to go.”

and, as i noted, the shoes carry her home but are lost in the process, never to be found again.

glinda teaches dorothy how to go home. likewise, salem is a repetition of jabber—the argument between the brothers comes full circle—and through this experience dark realizes that he needs to “go home,” i.e. ascend. he’s been trapped in this same disagreement for thousands of years and nothing has changed; nothing will change unless he tries something new. he shatters the moon on his way out and, unlike his brother, there’s nothing to suggest he’s still present in this world or relevant to this story as anything but backstory… because he ascended and became something new.

(the spirits in the relics.)

(which in terms of the ozian narrative, represent the golden cap, which glinda receives from dorothy before she gives it to the king of the flying monkeys to set them all free, so the symbolic through line between dark-as-dorothy becoming the spirits-as-flying-monkeys through his and their relation to salem is relatively straightforward.)

anyway, behold.

toto.

#i just—brgdgks #DOROTHY.#''GIFT OF GOD.''#it’s another goddamned stealth pun

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its-to-the-death · 4 months

Text

Songs that made it through preliminaries (minus the MLP songs)

Rogues Are We (Holy Musical B@man)

Kick It Up a Notch (Starship)

Nerdy Prudes Must Die (Nerdy Prudes Must Die)

Join Us (and Die) (The Guy Who Didn't Like Musicals)

No One Remembers Achmed (Twisted)

Feed Me (Little Shop of Horrors)

Dentist (Little Shop of Horrors)

Mean Green Mother From Outerspace (Little Shop of Horrors)

Old King Cole (Once Upon a Time in Space by The Mechanisms)

Favoured Son (Ulysses Dies at Dawn by The Mechanisms)

Odin (The Bifrost Incident by The Mechanisms)

There's a Platypus Controlling Me (Phineas and Ferb)

Evil for Extra Credit (Phineas and Ferb)

All the Convoluted Reasons We Pretend To Be Divorced (Phineas and Ferb)

I Love You (As Much As Someone Like Me Can Love Anyone) (Galavant)

No One But You (Galavant)

She'll Be Mine (Galavant)

Mother Knows Best (Tangled)

Ready As I'll Ever Be (Tangled the Series)

Nothing Left to Lose (Tangled the Series)

Pretty Women (Sweeney Todd)

Dancing Mad (Final Fantasy VI)

When the Chips are Down (Hadestown)

Master of Masters (Kingdom Hearts)

U.N. Owen Was Her? (Touhou 6: Embodiment of Scarlet Devil)

The Old Man of the Mountain/You Gotta Ho-De-Ho/The Scat Song Medley (Betty Boop)

Our Love is God (Heathers)

Biskit Family Business (Littlest Pet Shop)

We Both Reached For the Gun (Chicago)

Heaven on Their Minds (Jesus Christ Superstar)

Good to Be King (Journey to Bethlehem)

Jester (Legends of Oz: Dorothy's Return)

Sympathy for the Devil (song by The Rolling Stones)

Dressed to Oppress (Play It By Ear - The Muck of Merkmere)

One Step Ahead (Spies Are Forever)

Let the Pun Fit the Crime (Wander Over Yonder)

Necrostar (The Vice Quadrant by Steam Powered Giraffe)

Lost in Thoughts All Alone (Fire Emblem: Fates)

The Ring motif (Lord of the Rings)

I'm Alive (Next to Normal)

Where There's a Whip, There's a Way (Return of the King 1980)

There Ain't Nothin' But Bad Days Ahead (The Swan Princess: Mystery of the Enchanted Treasure)

Les Poissons (The Little Mermaid)

It's Our House Now (The House of Mouse - Halloween special)

Grandpa's Gonna Sue the Pants Off Santa (Grandma Got Run Over by a Reindeer)

Master of the House (Les Miserables)

Peaches (The Super Mario Bros. Movie)

The Boys Are Back In Town (To Kill You) (The Boys)

Dark Riders (Star Stable Online)

Grand Ceremony (Pyre)

Coraline (Coraline)

Better Than You (Camp Camp)

In the Hall of the Mountain King (Peer Gynt)

Get in the Water (Epic: The Musical)

Descole's theme live version (Professor Layton)

Isabella's Lullaby (The Promised Neverland)

Get Jinxed (League of Legends)

Pieces of You/Hologram Professor Song (Puppet History)

Great at Crime (Epithet Erased)

Davy Jones' theme (Pirates of the Caribbean: Dead Man's Chest)

Herbert Style (Club Penguin)

No One's Gonna Make a Monkey Out of Me (The Donkey Kong Country cartoon)

Diddy Drop Rap (The Donkey Kong Country cartoon)

Attack at the Wall (Mulan)

No More Toymakers to the King (Santa Claus is Comin' to Town)

What's Up Duloc? (Shrek musical)

If I'm Gonna Eat Somebody (It Might As Well Be You) (Ferngully)

The Phantom of the Opera (The Phantom of the Opera)

Prowler's theme (Spiderman: Into the Spiderverse)

How Can I Refuse? Reprise (Barbie as the Princess and the Pauper)

Friends in Low Places (Bigtop Burger)

That's Not How the Story Goes (A Series of Unfortunate Events)

The World Revolving (Deltarune)

Heffalumps and Woozles (Winnie the Pooh)

Waikyou Shenshoujin (Senki Zesshou Symphogear G)

No Good Deed (Wicked)

Fabulous (High School Musical 2)

Kidnap the Sandy Claws (The Nightmare Before Christmas)

Between Two Worlds (Limbus Company)

Your Best Nightmare (Undertale)

We Don't Talk About Bruno (Encanto)

Jaws theme (Jaws)

The Executioner (Umineko no naku koro ni)

#villain song showdown

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