Tumgik
#the heavy handed plot
zoanzon · 2 years
Text
Finally watched Multiverse of Madness because I wanted to see horror-MCU movie doing multiverse surrealism.
Instead...wow, there's a lot going on. Lot of worldbuilding stuff and casting choices, lot of plot choices (and making it nearly incomprehensible if you didn't see Wandavision//making it groan over the amount of stuff you're expexted to have watched), and by god is there some special effects happening.
Was so looking forward to it - like one of the last two things I was planning on seeing from MCU going forward, other than S2 of Loki - and instead I just finally gave up on it halfway in.
3 notes · View notes
4lph4kidz · 4 months
Note
i was thinking about your dirk and hal poll and i want to mention that i think your concept for ink and iron where dirk creates hal from his reflection by enchanting a mirror is so cool 😌
thank you! hal's predicament and purpose within the canon narrative is so fascinating and i felt it was really important to find a way to explore what i find most interesting with him. i can't take full credit for the concept though i took inspiration from a few placees (one of my friends pitched the idea of the mirror accidentally dumping him onto jake's doorstop for example) but overall i think the idea is very fun and i'm really excited to write more hal stuff!!! also i'm going to take the opportunity to share this oldish doodle i found:
Tumblr media
the mispelling of angel as angle was NOT intentional (<- dyslexia haver) but it probably explains a lot. he's pointy
70 notes · View notes
valentronic · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
“The real game will begin momentarily… Stay tuned :)”
Costas Mandylor as The Warden in Death Count(2022)
65 notes · View notes
class1akids · 1 year
Text
Aside from the fact that 6 pages on these reporters is not what I want to see in the endgame, I'm getting kind of troubled by the message HK is sending - probably totally unintentionally - about the role of the press.
Let's start with the business student, who a couple of chapters ago basically are saying that their job would have been to "damage control" and "spin the narrative" in the favour of the heroes. And specifically mentioning Endeavor which is a whole can of worms in itself.
Tumblr media Tumblr media
Since they are studying to be PR managers for the hero firms, I'll let that slide - it would be their real life job to try to protect the image of their bosses regardless of the truth.
But that's not the case for the journalists. When their country gets destroyed in a few hours, in a para-military action that brewed in the shadows, when an entire population is being told to move into emergency shelters and thus, inevitably giving up part of their freedom, it is not their job to sing accolades to the government and the heroes, but to ask the hard questions.
This journalist lady was already used as a "strawman" in the press conference, to make the journalist seem like a hysterical, unreasonable mob, and to give Endeavor the chance to appear noble and sympathetic.
Tumblr media Tumblr media
And now, this chapter again makes it seem like she has to "atone" or "undo the damage" because she asked uncomfortable questions instead to putting faith in the heroes.
Tumblr media Tumblr media
Sure, she should tell the story - the full story with the heroes still working and fighting.
But I just find it so jarring that again and again, HK is unable to show any kind of nuance when it comes to the civilians or non-hero institutions like the press.
The civilians are blamed for "complacency", "inaction", "apathy" when they are told all their lives that the heroes will take care of it, and more importantly, they are told that the heroes are "others". They are also blamed if they take up arms and try to defend themselves.
They are painted as an ugly unfeeling mob when they question UA after Bakugou's kidnapping. They are painted as irrational after the PLF war had way more civilian casualties and injuries than heroes dying. It was their cities that Machia trampled on.
Any civilian asking questions is treated as a bully, while the only civilians painted sympathetically are the furry fox lady because she believes in Deku and the lady who risks her life to scrub the All Might's statue's manboobs clean and shiny every day.
These are the hero-hearted among the civilians: the people who keep idolizing the heroes unquestioningly.
Idk, balanced reporting is important and all, but the narrative making it seem like the only valid job for the press is to make propaganda videos of the heroes, making everyone who questions what we as readers see as a failed system full of cracks seem like villain makes me feel very uncomfortable about this part of the narrative.
And especially having Endeavor be held up as the hero somehow personally wronged for people asking questions or losing faith in him, when literally we do not see a single person even call him out for what he did to his family, only for losing... man. Idk. This chapter made me deeply uncomfortable, and the less time HK spends on this topic, the better.
I guess the good news is that the press arrived on time to show the villains turn and help the heroes, which will help with post-war society sentiments.
But it is still totally unnecessary to give a "redemption arc" to the lady who yelled at a press conference.
130 notes · View notes
parlerenfleurs · 9 months
Text
I'm perplexed by people who think Xue Yang could have redeemed himself given the opportunity.... It's a sentiment I see echoed a lot but it has no basis in the text or in simple logic.
The dude had plenty of opportunities to do it on his own before even meeting Xiao XingChen, when he had both a better material situation and protection from powerful sects. But sure, he was protected with the aim of making him do more bad things, and Jin GuangYao is a terrible frequentation to have if you want a chance to turn out better at some point in time, and also yeah, everyone knows emotional connection and genuine love are what truly nourishes the soul, so let's say he's a big brat bastard who needs a little more than that to grow up, and let it slide.
But then he ends up with Xiao XingChen. He ends up with him, the embodiment of pure-heartedness, with a miraculous blank slate because the dude is blind and doesn't have a clue who he is! That's the perfect opportunity to bask in the wonderful feeling of true kindness, and then of true affection, right? And what does he do? Not right away, mind you, no, he had the time to heal from his injury and dilly-dally about what to do next, he had plenty of time to make a different decision, to wait a bit more before making it, to stop being an evil asshole and sit down for five minutes. But no, what he does is, he tricks Xiao XingChen into killing innocent people. And he gets a huge kick out of doing it. AND he does it again, repeatedly, even after years have passed and they have truly bonded.
Like? I don't know what more people think he can get, as second chances go. He's a very fun villain but he is an irredeemable one. Of course, he feels love and care, in his own way, sure, yeah. Cool feelings, still manipulation and murder.
41 notes · View notes
chronicowboy · 1 year
Text
seven sentence sunday
starting this today because i'm finally making progress with the neighbours au (which will be referred to as "the dilf next door" indefinitely) so accept my humblest of offerings:
"I'm Buck by the way," he offers his hand, and the boy shakes it quickly before grabbing back onto the fencepost for balance.
"That's a weird name," he says simply. Buck snorts.
"Its a nickname."
"Like the deer?" The boy quirks a curious eyebrow, and Buck grins.
"Technically, its because of my last name, but my friends tell me its because I walk like Bambi on ice," he stage-whispers.
"You do have long legs," the boy nods solemnly, and Buck can't help snorting again. He chews on his lip for a moment. "Dad says I'm not supposed to talk to strangers, and I'm definitely not supposed to tell them my name."
"Well, your dad sounds like a very smart man, but we aren't exactly strangers, are we? We're co-creators of Bee-Topia after all. And we're neighbours." The boy squints at him. "Plus, I'm a firefighter!"
"A firefighter?" He lights up. "My dad's training to be a firefighter!"
"No way!" Buck grins. "Small world."
"Christopher!" A distant voice shouts. "Dinner!"
"I'm Christopher," he sighs. "I have to go now."
"Nice to meet you, Christopher," Buck smiles at him. "And feel free to pop your head over the fence whenever you want. Can't guarantee I'll be here, but..."
"Nice to meet you, Buck." Christopher calls out as he climbs down.
When Buck finally makes it inside after finishing planting, its the first time the loneliness doesn't pounce on him.
if you want to be added to the taglist for more snippets and the fic when its finally done please let me know in the replies/tags
gonna tag a few people (but feel free to ignore) @diazass @poughkeepsies @henswilsons @danielsousa @diazly [also if you want to do sss go ahead and say i tagged you !!]
71 notes · View notes
jankwritten · 1 year
Text
i think one of my biggest gripes with TSATS is the sentence structure and the way that things are phrased.
Sentence structure: the book is CONSTANTLY using ", and", or "then", or "but" instead of splitting up a phrase into two separate sentences. Once I noticed it, I couldn't stop noticing it. In some places it works fine, but right out the gate, as the first line of chapter one, it 1) caught my attention in a negative way and 2) felt immediately clunky and awkward.
The way that the book demonstrates action also feels unnatural and doesn't flow as well as it could. Things are described as happening "now", such as when Kayla takes her lolipop out of her mouth and holds it at her side, the book narrates it as "now holding the lolipop at her side". We didn't SEE that action occur, we're just being described the RESULT of the action, does that make sense? As a reader, you want to SEE the action, you want to SEE her tug the lolipop out of her mouth, see her hand hang by her side as her expression pinches with anxiety over the discussion. We don't want to just be told that "now" her lolipop is out of her mouth, y'know?
There are also sentences that just feel flat out unedited, phrases that have too many words for what they want to accomplish, or with a structure that doesn't make sense - like on page 56, the sentence "They raced up the steps to the platform, Nico easily outrunning his boyfriend, though that was mostly due to Will having to get his land legs again."
First of all - why are they running up the platform? In the previous line, where we're told their cab driver got them to the station with 6 minutes to spare, the specific choice of saying "to spare" makes it sound like there is plenty of time to make it to their train. In the sentences after, we even learn that Nico and Will wound up waiting for their train anyway, so, the fact that they're running when Will feels sick reads...weird, to me. If I was car sick, and then somebody forced me to run for no reason, I would not be a happy camper.
Second of all - The addition of the final third of the sentence, after the second comma, should be it's own phrase. It should be given it's own space, like "(though that was mostly because Will didn't have his land legs back yet)." because it's not important information, just an offhanded comment Nico is making.
Third of all - "though that was mostly due to" and "having to get his" are clunky and wordy. It could've just been "Nico easily outrunning his boyfriend, who didn't have his land legs back yet." It's a smoother sentence that doesn't get bogged down by the extra words.
And that's just one instance. This book is LOADED with moments like this, where action will get lost in a sentence's wordiness. The book tries to be quick and snappy, in Riordan's style, but it fails because it can't quite nail down the phrasing.
There are also moments where the only thing the characters are interacting with is each other, only grinning, grimacing, sighing, glancing at one another, etc etc, instead of doing actions while they speak. Fidgeting with their hands, shifting from side to side, looking away at their surroundings, that kind of stuff is how you convey a MOOD. Body language is important when writing character conversations!! Is somebody relaxed, or are their shoulders tensed up, arms folded across their chest with their muscles flexed, leaning back on one leg with their body halfway tilted away, as if they were ready to flee at a moment's notice? These are the kind of details that I'm missing in TSATS, the kind of things that feel like they're missing.
I also have a lot of gripes with the dialogue itself.
People don't talk like they do in TSATS. The content of what they're saying is realistic enough, sure, yeah, but the specific way that a lot of the dialogue is phrased? It doesn't feel natural. Try reading some of the sentences out loud without editing any of the words. It doesn't sound the way a human being SPEAKS.
THAT'S what I mean when I say these characters are OOC. The way that they're speaking is uncomfortable and feels as if they're being used as a puppet, or a mouthpiece for what somebody ELSE wants them to say.
58 notes · View notes
storm-driver · 1 year
Text
gonna become a square enix executive so i can get exclusive access to kh4 stuff, and when the marketing team starts splicing together the worst trailer in the world to show you guys, ill whisper "psst don't watch that it'll be full of so many spoilers" and ill make my own trailer of all the shit i got to see instead without revealing the most important and plot-heavy stuff
64 notes · View notes
orcelito · 2 months
Text
I'm on ep5 of LOK and remembering why I have never gotten past the first season of this show. The love triangle shit is driving me INSANE in the worst of ways. It feels like fucking high school drama.
I will stick it out... because I have heard the show gets better... and also the promise of endgame Korra and Asami.... I will stick it out this time....!!!!
But God. It's so annoying 😭😭😭😭
7 notes · View notes
thegingergal · 5 months
Text
me: i have made my peace with hbo rome’s historical inaccuracies and come to appreciate (some of) them
also me: VORENUS GETS ANTONY’S ICONIC IDES MOMENT?
Tumblr media
7 notes · View notes
Text
I love letting other people watch things first and then give feedback about it so I can gauge whether or not I want to spend time on it. Truly could not give fewer fucks about spoilers. If the story is good I will still have a fantastic time.
#avatar the last airbender#it's really not looking like it's worth it#like it's high production value#but the complaints are about things that are really dealbreakers to me#they broke the plot and character development in bad ways that make them very different characters and events#the clips i've seen are visually stunning but have a marvelesque feeling of lackluster meaningless platitudes#oh yes we should definitely fight the evil and resist it and save the weak by getting stronger!#it's like someone watched/read some shonen or generic YA dystopian action and missed the entire point#maybe altogether it would be better but the way suki and sokka move in their training clips lacks weight#like they do not move like they know how to fight#no offense to the actors but i think this show really needed heavy martial arts training for all involved#and maybe they got it but they needed to really internalize the weight shifts and the way you put force behind strikes#that and seeing all the breakdowns of sokka and aangs modified arca is just disheartening#anyhow#on the other hand#heaven officals blessing#has been very worth#also i wish i could watch the donghua for#grandmaster of demonic cultivation#but i need to download the chinese spyware app or pay extra extra money on youtube to sub to the tencent channel#i think i am nust fond of the stuff mxtx writes#i should learn mandarin to read the og#i wonder if i would talk like a fanfic if i did that#like someone would hear it and be like i Know where you learned that and i sham't say it#mo xiang tong xiu
5 notes · View notes
floridagirlboy · 2 months
Text
writing ship content like Nobody knows i actually do not understand nor interpret romance in a traditional way. My perception of romance is so far from what it is that it conventionally is that, in essence, it is an entirely differently thing wearing the garb of something familiar. by extension all of my ships are queerplatonic even if i describe them romantically. this is my secret
2 notes · View notes
kurokoros · 11 months
Text
when you agree with someone’s point only to immediately see them trashing people who write character x oc 😞
8 notes · View notes
umi-iro · 3 months
Text
absolutely sickening the level of pro Israel propaganda in mainstream media
3 notes · View notes
2012earthnoises · 6 months
Text
Dune rewatch I don't hate it as much this time around but I do just wish it was weirder. Timothee is like a beautiful irregular fruit wasted by his depiction in a souless corporate painting in an office building in everything he's in
4 notes · View notes
depthofpixels · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
44 notes · View notes