"I don't want to lose any more friends!! Even if that means my soul should shatter!"
We all know the line. It's Ryou at his most powerful: outsmarting and defeating Bakura all on his own very early on in the series. Not sure for yall, but I've only ever heard and known it in the voice of Kashiwakura Tsutomu (season 0).
So! I was pleasantly surprised to find out that in the YGO × Power Pros collab, there's a soundbite of that very line in the voice of Matsumoto Rica!
Lmao yeah that's Bakura's sprite in the video since he's the playable character in the collab, I think? idk anything about the collab tbh (baseball???) but Ryou has that line at least.
Bakura has his own lines too. They're mostly reworded/rerecorded Battle City ones, including when he shields Ryou from Osiris' attack and, uh, quite the ecstatic/maniacal declaration of "Millennium Eye! Get!" (as in, "The Millennium Eye is mine!") from Duelist Kingdom. Bakura's voice is deeper and a bit raspier. Same quality from Duel Links.
more faithful anime remake when so I dont have to forever cling to this eight-second clip
He cannot become a doctor anymore, but he still has the desire to bake and even open a shop. He's worked hard to get the license and now he'll work hard to open this shop and make cakes and desserts. Oh that ZeRui would come and eat his desserts and fall for him all over again.
[awakens from my thousand year slumber] pseudo-tangled au inspired by Crowley insisting Gabriel can't go outside — Beelzebub, knowing that Gabriel is somewhere in the bookshop, goes to scope things out before Shax's invasion, and runs into Jim, Aziraphale's clueless, idiotic, cute human (?) assistant.
Jim, wanting to see The Outside, but scared from Crowley and Aziraphale's warnings, promises Beez that he'll help them find Gabriel (he probably thinks Gabriel is a type of book, especially since Beelzebub never seems to hear him when he tells them people call him Gabriel) if they can safely show him The Outside.
After eluding a frantic Crowley and Aziraphale, running from the police (how was Jim supposed to know he couldn't just walk out of places with Shiny Things??), seeing the strange and wonderful things The Outside has to offer, dancing at a Human Music Festival, getting Jim better clothes, and Jim somehow saving Beelzebub from being tracked down by heaven, Beelzebub finds themself reluctantly charmed by the silly, strange human (??)
Especially since something about him seems so familiar...
Rules: Put your top 100 songs on shuffle and assign the first ten random songs you get to a specific BL couple, doesn’t have to make complete sense to anyone but you. This is harder than it sounds, trust me.
Credit to @theflagscene
Clearly this was meant for the end of the year but I've never seen it before today and I wasn't tagged but I want to do it lol. I'm just going to put my favorite playlist on shuffle.
I Don't Know by Seventeen
Alan and Wen from Moonlight Chicken
Time of Our Life by DAY6
Ritsu and Masumi from The End of the World with You
So there are actually quite a few age gap romances in BL but hmmm this one is a little difficult for me because there are a couple that I really really love. I like the idea of the May/Decmber trope being not only a significant age gap but also two people in very different stages of their lives, so as much as I love Wataru and Daichan I feel like they are both settled, domestic, and while generationally different, they are both working adults.
I think I want to actually throw this to
Fan Ze Rui and Bai Zong Yi, Kiseki: Dear to Me
What I appreciate with their relationship is that unlike some of the other May/December relationships, they meet when they are relatively older. What I mean by this is that Lian and Kuea from Cutie Pie grew up together, Wataru has known Daichan since he was twelve. Bai Zong Yi meets Fan Ze Rui when he is 17, in what I would call a truly unhinged first contact. I loved watching their relationship develop from utter annoyance to tolerance to friendship and then to love. I think what I love about this relationship is that there is a clear attraction between them for awhile, but Fan Rui is trying to be responsible. He knows Bai Zong Yi is a minor, he has a dangerous lifestyle, sure he definitely wants to be with Bai Zong Yi but he is not trying to encourage Bai Zong Yi’s feelings for him, even if they are reciprocated.
Part of why I am choosing these two is a) because the tension in Fan Rui knowing that this relationship is not responsible and Bai Zong Yi’s clear and obvious interest in him creates one of my favorite first kiss acting moments and b) because I think Kiseki actually managed to handle this relationship responsibly by having Bai Zong Yi be the pursuer, by having Fan Rui try to distance, by having Bai Zong Yi initiate.
Their reunion scene was beautiful and that lap sit during their first kiss was smooth as butter.
12- Forced Proximity
Bokura no Micro na Shuumatsu
IT’S THE END OF THE WORLD AS WE KNOW IT. IT’S THE END OF THE WORLD AS WE KNOW IT. IT’S THE END OF THE WORLD AS WE KNOW IT, AND I FEEL FINE.
What an incredible example of a forced proximity second chance romance with such fucked up relation dynamics that I absolutely got to obsessed over. I mean, be honest, how many shows do you see where your characters are forced together on a road trip to try to get their recently acquired, superhero seventeen year old child back to his family before the world is destroyed by a giant meteor? This plot sounds ridiculous, and it is, and yet the character dynamics are so compelling, and there is an incredible emotional core that operates throughout. Good job!
b4 i see the answer lowkey i think "why does it matter" checks out. why DOES it matter what'll happen to any world? it doesnt have to last forever for any of the happiness they feel to not be worthwhile
as i'm reading the buddy cole autobiography of course i'm thinking about aubrey aubergine's backstory and tbh i think it'd be really funny if the events of other girls are canon to aubrey as a sketch character but ze just doesn't think they're the most interesting thing about zir. like someone comes up to aubrey like "hey weren't you in a time loop when you were in high school?" and aubrey just sarcastically responds "wasn't everyone in a time loop in high school?"
(For some reason, my phone refuses to do emoji anymore. Sob sob sob)
🦷 ⇢ share some personal wisdom or a life hack you swear on
Honestly? Remember the nicest person you know. The person who did things for other people even when they got no recognition. The one who paid for meals, brought treats to work, etc. And did it only because they wanted to--because they thought it was a nice thing to do. And then, when life is hard, when those around us are being mean and that awful petty side of us is trying to kick in, think about what that nice person would do.
For me, it's: "What Would Granddad Do?"
Honestly, this has gotten me through so much the last few years (especially since he's been gone), and it can be applied to other things, too. Like major decisions. Or even things like "I like the blue one better, but it's more expensive." Well...what would Granddad do?
🥐 ⇢ name one internet reference that will always make you laugh
Oh gosh, I don't think I have an answer for this one. I will say some of those old videos get me every time. Specifically, the "End of Ze World." Anytime I think "Okay, so," my brain finishes with "here's the Earth. It's chillin."
Disco Elysium's setting was formerly the site of a communist revolution that established the Commune of Revachol. It didn't last long. The Coalition of Nations brutally put the communists down, divided the city among themselves, and enforced a free market capitalist system. The results are depressingly apparent in Revachol's dilapidated district of Martinaise. "The literacy rate is around 45% west of the river," Joyce Messier, a negotiator sent to parley with Martinaise's striking union, tells our protagonist. "Fifty years of occupation have left these people in an *oblivion* of poverty."
This state of affairs is overseen by the Moralist International, a union of centre-left and centre-right parties that professes to represent the cause of humanism, but whose primary concern is transparently the preservation of capitalist interest – a Coalition official happily tells us that "the Coalition is only looking out for *ze price stabilitié*", arguing that inflation in Revachol must be prevented, comparing it to a heart disease that could block the "normal circulation of the economy". The people of Revachol don't matter. Their suffering and oppression is only significant as a necessary symptom of the system functioning as intended.
The most biting aspect of this critique of capitalist exploitation can be found in the cynicism of those who represent Moralism, or at least, its interests. The aforementioned Joyce Messier is its perfect embodiment. She does not believe in the facade of humanity Moralism presents to the world, and is under no illusions about what it has done to the people of Martinaise. She tells you how bad things are, freely admitting that the pieces of legislation put in place by the Moralist Coalition to govern Revachol are there to keep "the city in a [...] laissez-faire stasis to the benefit of foreign capital". This corrosion of belief via cynicism, this depiction of a system that continues to operate unimpeded despite few believing in it, feels all too familiar.
This critique of liberal capitalism's hypocrisy, cynicism, exploitation and deep-rooted connections to colonialism, is particularly powerful in recognising the precarious position it finds itself in. It has reached a stasis that seems, paradoxically, both insurmountable, and on the verge of collapse. Moralism relies on this contradiction. It's unofficial motto, "for a moment, there was hope", underlines the degree to which its dominance depends on the preclusion of the idea that a better world is possible, that there is no alternative, echoing the End of History sentiment that created the (rapidly disintegrating) political consensus of our lived reality.
Despite growing dissatisfaction with the status quo in the real world, it has, indeed, proved difficult to imagine an alternative. The oft-repeated phrase attributed to literary critic and political theorist Fredric Jameson, that is is easier to imagine the end of the world than it is the end of capitalism, has almost become a cliché. However, the mistake Joyce makes, and one that we should avoid, is to assume that this means an alternative won't emerge nonetheless.
[...]
In a world where everyone is encouraged to look out for themselves, Disco Elysium suggests we should remember the value of collectivity, camaraderie and community. The Deserter has forgotten that though the communism he identified with is dead, the values that brought people to its cause in search of a better world remain as valid as ever. Bleak as it is, those values exist in Martinaise. They exist in us. Their latent power has the potential to lead us towards better horizons.