I still can’t believe there are people who think that Will “I’m not gonna fall in love, just kidding I am in love already but I think I’ve been rejected so let’s rip off the bandaid” Byers isn’t going to get what he wants…in a show whose whole premise started with his abduction and is, by it’s creators own repeated admission, both going to focus on him the final season + about championing the underdog and the outcast.
It really is that simple, because once you know what the Duffers value...even if you haven’t dug that far into the show, it’s obvious where the “it started with Will, it will end with Will” is taking us based on tropes alone, if you listen to anything The Duffers say about their themes and narrative goals.
You don't even need color coding or parallels to other media to sort through it, because outside of any "but it was the 80s" commentary or "they would never break up the flagship couple" talk...Byler is literally just the logical thematic conclusion for Will's arc as the full embodiment of the outcasted, childlike AND the underdog, even if you don't like what they did to get our characters there.
Like? Will is literally the boy who represents the duffers love of being a “child at heart” and taking things you adored from your youth into being a grown up (see: their entire mf show being based on DnD and the media they loved as kids) on top of being a queer, poor, and regularly disrepected character.
He is the textbook representation of the outcast and underdog energy The Duffers love, to the point where you could hardly fit more "marginalized and imperfect" checkboxes into him without making him poc...and yet people actually believe he is going to be rejected not because there is no setup, or because there is no precedence for the storyline but solely because his love interest (who also has a non-conformity storyline and who is already making heart eyes at him) is currently dating a girl...and it would be "realistic" for him to get rejected? ☠️
Not to mention...I haven't even touched on how byler resolves Mike's own thematic issues and it already makes the most sense? Like?
How do you miss the most obvious plot twist setup in history not because its not blatantly set up, but because you’re homophobic? It really does have to be the blindness of heteronormativity thats driving most of this, because if you were a media literate homophobe, you would be screaming at the Duffers for doing it, not denying it’s happening at all. But ☕️
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Here's an unpopular opinion.
I have seen so many fans getting head over heels towards Eddie Munson and Chrissy Cunningham's chemistry in the forest. Even the Duffers admitted to regret killing her and so on and so forth. Don't take me wrong, but y'all just be exaggerating a bit.
I love Chrissy from the second she appeared as a cheerleader blowing a kiss to her *actual* boyfriend, basketball team captain Jason. She has this warm smile that is able to melt anyone, not gonna lie, plus the actress is gorgeous! Of course she deserved to be alive. The show indeed showed us how bad her life actually was and how this affected her mind until it became pathetically weak for Vecna to reach it out. But that's a whole other point. Then we got awesome, cute, hot Eddie, a metalhead and a freak who has repeat three times his senior year. Let's be honest: Eddie is an adult who really couldn't care less about his future (of course he does, but let's talk about how the show is portraying him AT the moment and not about how US, the fans, see him). Eddie is a fucking dealer, therefore, a criminal. In whatever country you go, this action is illegal, even more if you are dealing to a MINOR.
Chrissy, already said, had a boyfriend. There's not so much insight on her relationship with Jason but for what we could see, they were romantic with each other, although it kinda made it pretty clear that she has never opened up to anyone but Eddie. She didn't trust her boyfriend her problems or her visions (at least until what the series has showed us, maybe in the Vol. 2 this could be another whole thing and maybe Jason did know about her suffering and her eating disorders problems, but personally and as how he describes her as a "good, perfect girl", I highly doubt he knew something). She talks to Eddie because she knows he's a dealer and maybe he has something to help her. Here's my point, there's nothing special about the two of them talking in the woods and y'all being so weird. Here's why:
She reaches to Eddie because of drugs, not because she feels something towards him.
Eddie is thrilled to deal to her because he, just like Jason, knew the perfect side of Chrissy, nothing more than that and has never been in love with her or anything similar to it.
Both of them thought the worst of themselves, clarifying the "terrifying, scary" and "mean" adjectives. Negative ones.
She barely remembered him from previous years and he just remember talking to her ONCE, then, for him, she has just been the Hawkins High School Queen. Nothing more.
Again, the age. Is not my shit honestly because I LOOOOOVE older guys, so is not to judge. This point is more about how he is a criminal who probably has 20-21 years old and is selling/trying to sell drugs to youngsters who, like Chrissy, had trouble to stay mentally healthy. (I know this is an 80s based show, and mental health at that time wasn't really the trending topic of the decade, but y'all need to see how wrong is to ship them).
Chrissy needed someone to talk to. She needed advices. She didn't need drugs. When she talks to Eddie, both of them just shared their surprise to find out that they can actually hang out and how wrong their thoughts of each other were. And the only part that Eddie responded to her question, was a vague response with a brutal topic change.
Eddie just wants to sell her drugs, that's all he wants. He even lowered the price to her because flattering works with him. He wasn't really interested in her at all more than just having a client. And no, inviting her to watch his band isn't something really meaningful nor special, doesn't mean love is in the air.
Chrissy also wasn't interested in Eddie at all. She was just interested in having something stronger so that she could deal with her pain. Thats it. If she left Jason waiting for her in his party was because she was holding into the tiniest hope of keeping her status as the good, perfect girl, and it happened that Eddie "had" what she thought she "needed".
I love all the FanArt created towards them, and as a viewer I loved their chemistry as well. I would love to think that both Joe and Grace became really good friends after their shoots together because they could have really become a wonderful couple in the series. They had way more chemistry in 5 minutes than what Nancy and Jonathan had these four seasons (and to think that Natalia and Charlie are even dating for 6 years now).
But when you look at the signs and at that special scene again, and again, it just made it clear that definitely Eddie and Chrissy were never meant to be, not even as friends, how important was her death to happen and how damned damaged y'all are to be shipping a dealer with a minor just because "they had chemistry". I mean I ship them too but RED FLAGS ARE THERE, WAKE UP PEOPLE.
And the worst part of all of this shit, is that Eddie will always remember Chrissy in a disgusting memory of herself at his trailer roof with no eyes and all broken bones. And also, that I can't sleep, that's really a bad side.
Honestly I would have loved them to date but life's hard, and besides that would have been soooo fucking cliché: "the weirdo metalhead freak dates the Queen Bee", or whatever adjective people from the 80s used to describe the typical blond popular girls. I'm glad the Duffers gave us a hint of what their relationship could have been like and then killed her off as if there's no tomorrow.
So this is my unpopular opinion. Now I'll be back onto reading fanfics about Eddie because irl, I couldn't love him more and more now that he's single huh.
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I'd love to hear your thoughts on S1 of ST being a tragedy! No main character dies, so I never thought of it that way before
I mean, nobody has to die for a story to be a tragedy (at least, in the modern definition. I'm pretty sure '(almost) everybody dies' is a requirement of Greek tragedies and Renaissance revenge tragedies). But also, no main character dies in season one...if you take season one as part of a series. Which it wasn't originally conceived as.
I am not going looking for copies of the original pitch bible, because I am lazy, and also I only saw them floating around this webbed site. But the show changed a lot from the initial pitch (Joyce had a Long Island accent! Lucas' parents were divorcing! Murray was there and named Terry Ives! Most of what ended up in Hopper's character originally belonged to Mr. Clarke! The original pitch bible is fascinating). And part of the original pitch was a proposal for possible sequels.
The Duffers' proposal for a possible sequel was "It's ten years later, and Eleven is dead".
So that's the setup. Everything that came after season one was made up wholecloth after season one was a hit and people wanted more, but also people loved the adorable little psychic murder child (cue the Duffers shockedpikachu.jpg) and Netflix obviously recognised it would be a bad call to make a new season without her in it. So it makes sense to take season one as a unit, as a self-contained story on its own. You can also take it as part of a whole, but it makes sense to read it first as a complete story. Especially given the thematic drift of later seasons and the way they are...I'm just going to say it, each new season is very much added-on to what came before rather than being built on foundation that the earlier season(s) laid. It is very clear there was never a planned five-season story arc from the beginning. (This isn't necessarily always a bad thing, when it comes to sequels, but it does mean it makes sense to 'read' each season as its own thing.)
Okay, now that we've established all of that. Season one has one very clear goal, one very clear stake for the characters: save Will Byers from the Upside Down. (I like this. It makes the stakes both extremely high and extremely personal, it makes it very easy to understand each character's motivation, it also keeps the stakes grounded in reality. I like this a lot.) And by the end of the season, that goal is accomplished. So at first blush, you're right, season one doesn't look like a tragedy.
But when you start to unpack it a little, you start to see just how many important things were lost along the way. It's most glaringly obvious with Mike and El, with Nancy and Barb. The whole Wheeler family is fractured down the middle, with Mike and Nancy on one side and Ted, Karen, and Holly on the other, and Karen, who's been trying so hard the whole time to be part of her children's lives and understand what's going on with them, is aware of the ever-expanding gulf between them but will never be able to cross it, and will never fully know why. Hopper's finally managed to snatch a kid out of the jaws of death, save a woman he obviously cares about from the pain of losing a child, and Joyce has finally had someone believe her, support her, trust her. But it became blindingly obvious to me on my fourth rewatch that Hopper's plan, from the moment he went to leave the middle school gym, was always to trade El for Will. And that decision (and the fact that Joyce obviously understands that he did something to get the lab to let them go after Will, but she obviously doesn't dare press him on what) has broken her trust in him, and left him with what looks like an equally heavy burden of guilt as what he was carrying before. The lab stays open. The government gets away with everything. No one will ever know the true extent of the hurt they've caused.
And in the end, none of it even saved Will. He's back. He's alive. But he's spitting slugs in the sink. He's permanently marked by the Upside Down, and by trying to hide it from his family, he's putting a crack down the centre of them, as well. They're losing Will, just as surely as they had when they thought he was dead, just without him going anywhere.
And there's still a hole in the world.
The fragile bonds of community, the things that people share in common, the way catastrophe can bring people together and bring out the very best in them, are the major thematic threads woven through season one. Human connection is the only thing that can change what seems inevitable, the only thing that can bring back what's seemingly lost forever.
And it's still not enough to protect anyone from the random tragedy of the world.
The love was there. The love mattered. The love bent the entire course of the world around itself.
And it still wasn't quite enough.
If that's not a tragedy, then I don't know what is.
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