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#the deal book
roxyvegs · 2 years
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headers garrett graham like
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secrets of farming (1863) - john w. large
"yeowch augh taking damage ough eurgh"
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newvision · 2 years
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— Bob Dylan from When the Deal Goes Down on Modern Times (2006)
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inkskinned · 2 months
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my father told me he read it, but he hasn't read it. that's okay. my friends keep picking the words out of my throat.
someone once told me that the more trigger warnings that go on a book, the better it is. i didn't mean to write something with so many conditional phrases - i was writing about what i felt while being a human. sometimes you are a person and sometimes you are a statistic. sometimes it is falling upwards and sometimes it's sliding back down again.
my father tells me that it will be difficult to get people to read it. i didn't like the idea of a singular genre. i'm not going to lie to you - it is actually a difficult book to get through. i change the rules in it. it's not poetry or prose explicitly. it's neither false nor reality. i give you the tools to "solve" the book, but i let you do the thinking. my father says people don't care to think. i don't know about that - i think we just, like, enjoy reading.
the thing is - i was tired of stories about survival where someone with depression goes to therapy and wakes up okay. i didn't live like that. i was tired of books about violence, where the gore of what i experience was splashed in glitter to lick off the page. like, i was a person, you know? i had a life and a job and a family. and in books, i watched my story get ripped up so people could explore the viscera of my body. so they could feel good. my brother once called it inspiration pornography. we had walked out of a suicide-prevention seminar, both of us disgusted while the increasingly-elated presenter kept listing methods-of. i remember the look on my brother's face. like i would tear that man apart given the right time and place.
my father says that kids these days. he warns me against writing about things that are too-serious. he says that they don't want it. i don't listen. he does make me take out a scene from the book where i go to church after having sex with a woman. it used to be the 7th scene in the book. i don't think he's read further than that, it rocked him too hard to continue.
it's a book about being queer. it's a book about being raised catholic. it doesn't have monsterfucking, i'm sorry. it's just about, like.
at some point you have to choose to stay here. and then you do have to stay here, which takes practice. this is about forming the habit. this is about what happens after you've already started doing the work. because, like. you keep going. you have to. and it's like. very imperfect.
i should make a post on instagram. i should make this announcement less bittersweet. but like -- i'm giving it you, specifically, because i think you know why i had to write it. you and me. this little community.
body's a bad monster. here's the link if you're interested in ordering.
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sygneth · 3 months
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I often see canon Holmes and Watson's default state pictured as
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but what I read them as, is rather
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and I think that's a lot funnier
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stuckinapril · 10 months
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Literally the only two things stopping me from using a flip phone as a means of digital detox are spotify and google maps. These are the only things
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egophiliac · 1 year
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oh no, I love them
(super quick doodles done between other stuff, there will be better things later I promise :')
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thebibliosphere · 1 day
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since u hv EDS, i was wondering how do you feel about the portrayal of it in fourth wing? i dont hv EDS myself but ive seen people say that the fact that violet literally falls from her dragon mid air and then is cuaght would dislocate the hell out of her hips and that doesnt happen. which is weird considering that yarros has EDS herself. like youd think she'd know better right? idk what do u think as a writer also with EDS?
I think Yarros is entitled to write whatever escapist fantasy she likes about how she experiences her own disability, but unfortunately, the book gives me the ick on multiple levels.
It's very... disability rep circa the early 2000s...
The disability only affects her when it can be used for angst or to make a point of how small and fragile she is next to the big, strong male love interest (ick). And the rest of the time, she's an unstoppable badass who can fall out of the sky and ride a dragon and be just fine! Except for when there's a plot reason or a man around. Then she's made of spun glass and needs to be handled with care.
At least make it make sense, y'know?
It also needed a better editor, tbh. My writer/editor brain kept flagging issues with the pacing and the tone.
Honestly, based on stylistic tone, it feels like it was meant to be a YA (not a bad thing), but because the publisher is a romance house, they jammed sex into it to make it appeal to an adult audience. It's jarring.
Anyway. Yeah. Not a fan. Sorry to anyone who likes it 😅
It's just very not much my cup of tea as a fellow disabled author with EDS who can't turn the EDS off when it's convenient.
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nanyangjj · 4 months
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that's such a normal way of thinking honey ... no there's nothing wrong with your brain <3
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mrghostrat · 2 months
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oh, yea, it’s very real btw
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vashti-lives · 1 year
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The new Martha Wells book-- Witch King-- is fucking delightful if you like slightly complex fantasy that doesn't hold your hand. This is a book that never ever commits the sin of explaining stuff to a character that should already know about it for the sake of the audience. Exposition only happens in ways that are natural and logical, which sometimes means stuff just isn't explained.
It's not as obviously accessible as The Murderbot Dairies is-- it's plot is a little more opaque, there's more moving pieces, it's less directly comedic-- but man I like it and Kai is in someways a similar protagonist to Murderbot. Powerful but vulnerable and often just a little out of his element. Lonely in the face of a lot of people who are afraid of him.
Its very much a found family story. Like, literally. The book goes back and forth between the past and the present. The parts of the narrative that are set in the past are about Kai meeting the people who become his family, and the parts of the narrative set in the present are about him going to find members of that family that have gone missing. Family is a theme that's always there.
In spite of the swap in narratives there was never a moment where I was listening to one half of these stories wishing I could get back to the other one-- they were woven together very well and I found them equally compelling.
Anyway I am very certain there are people who saw there was a new Martha Wells book, then saw it wasn't Murderbot and decided to peace out. Some people probably won't but I think it's worth trying. Tor released enough excerpts that you can get a feel for what it's like and decide if you'll like it or not. The mystery is fascinating and, like Murderbot, it's casually queer in a really good way. Martha Wells clearly loves her a lesbian power couple.
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a self-esteem guidebook: learning to embrace your imperfect self (1992) - kenneth a. beavers
"exploding you with my mind"
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aizel-kon · 2 years
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All the covers I painted for “Deal With a Demon” series by Katee Robert so far. More to come!  ┬┴┬┴┤( ͡° ͜ʖ├┬┴┬┴ Just something for my monster appreciators 
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ruegarding · 5 months
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the entire point of the blue food was that it was the only way sally could consistently rebel against gabe without getting her or percy punished. sally is not and never was submissive in the books. percy himself says sally has "a rebellious streak, like me." however, sally and percy were under threat of serious abuse from gabe and therefore had to pick their battles. blue food was sally's way of telling percy "i am here and fighting with you" and "there is hope in the world still."
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yasmeensh · 1 year
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Got the Master sword! I believe there is still one more upgrade to go...
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Bonus Groose after Link sealed the imprisoned.
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benevolenterrancy · 7 months
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bros don't let bros walk around with their chest torn open
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