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#the damsel
toon-topaz · 16 hours
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Finally finished an animation I've spent around 2 months on
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ameyumez · 4 months
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It's... cold.
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flowerbloom-arts · 4 months
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Change is a two-way street.
(Is my favoritism towards the Damsel obvious enough, or?)
note: TLQ [aka my sona Bloombird] is a butch sapphic and this is yuri
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darks-arts · 5 months
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Route where you throw multicolored rocks at the princess
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circusmantis · 7 days
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Some STP art✨
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magua-vida · 4 months
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Gifts
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pebbitz · 5 months
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mine all mine
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strixcattus · 2 months
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I actually think of the Damsel as one of the more narrative-savvy Princesses, up with Tower and Prisoner—Tower's the only one to actually come out and say it, but Prisoner clearly knows enough about how things are supposed to work to pull one over on the Narrator (actually, come to think of it, she knows enough about how things work to know she needs to pull one over on the Narrator). And then there's the Damsel.
The Tower says that even though she could break her chains herself, it doesn't make for the "right kind of story." Even though she has so much power over the player by this point, she still needs the story to be fulfilled in the way it's supposed to be. She needs the player to be the one to free her.
It's a bit similar with Damsel, though you could make the argument that it doesn't occur to her that she could leave her chains until you try to free her—Smitten's line about us needing to "present her with her freedom" could be read either way, and he's not necessarily reliable anyway.
But then the Narrator locks you in the basement, and she says, outright, "We're supposed to leave now." There's a way this story is supposed to go, and she understands what it is. And then a couple lines later, you ask her if she can open the door, and she says this:
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"I don't know. Do you think I can?"
It's almost as though she's aware on some level that what she can do is determined by your perception of her. If you think she can open the door, she can open it. If not... maybe she can't. Most, if not all (I'm not putting that much stock in my own memory) of the other Princesses don't show any awareness of how dependent they are on perception. But she gets it, somehow.
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Oh this was meant to be a bigger post including ALL the chapter 1 princesses, following the categories of "survived" "killed" and "died", with the middle being a vague outlier compared to her counterparts. I just fucking love Slay the Princess so much what can I say!
Can't wait for the pristine cut I'm gonna be insane for so long
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olegianote · 5 months
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I love your Slay The Princess art and the bird versions of the voices and Princess but I would like to offer Princess being a Pigeon/Dove, specifically a different type of Pigeon/Dove for each route. A while dove for the damsel (bc weddings), a bleeding heart dove for the Wounded Wild or even the Razor (bc of the open heart thing), etc
WAIT A MIN... YOU'RE COOKING...... this is actually such a great idea i made a quck lil doodle with my proposition of mourning dove being the spectre (it could also be the grey!)
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thank you for this suggestion i fell in love with it!!!
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cassiferlynnart · 6 months
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the damsel for huevember i love her sm
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toon-topaz · 5 months
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Here we have the Princess and the Damsel, in their AU outfits and colors
For more worldbuilding, I decided that the world would be similar to the Construct, but on a larger scale, and populated exclusively by fragments of the Shifting Mound (except for the Long Quiet, Narrator and Voices). Since she's infinite, she definitely has enough potential to spawn enough vessels to populate an entire fantasy continent.
(and yes there would be men, because who's to say SM can't have trans vessels lol)
The Princess in her vanilla form and the Damsel would play the role of sisters here, with their own nation to rule.
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sir-dahlia · 13 days
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slay the princess drawing that i don't have the energy to finish
i was going to call it "the end of the path" but y'know. it's "the end of my motivation"
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saffitaffi · 5 months
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This is a silly idea, but the princess and the voices (including the long quiet) just having a party in the cabin (that the narrator totally dosent own-)
You’re on a path in the woods. At the end of that path is a cabin. And in that cabin is a - wait a minute
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coffee shop au where shifty decides to follow the flock of crow (the voices) that frequent her cafe only to discover that they've only been stealing food to feed their big giant bird creature friend (the long quiet) who can't get out of the sewers to forage for himself.
the cafe is cabin in the woods themed and the vessels are shifty's baristas, with the exception of the beast, who is just a little sphinx cat and the cafe mascot. damsel and prisoner are twins and damsel is always getting distracted from her work by smitten, who seranades her to get more bagel chunks. the witch and the adversary jointly like to spit in rude people's coffee. like the beast, the tower is also not a barista but a business woman who frequents the cafe because it's right across from her building.
the whole stealing food from the cabin cafe was the hero's idea. to his chagrin, contrarian likes wandering around everywhere but the cafe, stealing shiny buttons and stray dollar bills. the hunted always ends up fighting the beast for scraps. the cold brings home roadkill. the stubborn is in an ongoing war with the pigeons.
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flowerbloom-arts · 4 months
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I made a version of the Long Quiet but it's just me, and also... What if the Long Quiet changed clothes along with the Princess... (Used my 2 favorite princesses as Proof Of Concept, if you want more you can request other princesses :P)
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