been so stressed with work lately that i feel like losing touch with who i deeply am and all the things that brought me joy. Days like these I know if I don’t go back to my habit of reading another breakdown will come and my sanity will surely be at stake.
I can’t finish a single book in more than two months but still flipping through a few pages here and there (an excuse yes–the lighting in my temp bedroom is horrible). I jumped back and forth between different books (my tendency which is mostly based on the mood that week), re-read the first few chapters of The Voyage Out three times (had only read her diaries and letters only) and thank goodness I started to grasp the plot better now. Bought Circe today (a sensation few years ago), potentially to be a favourite read since I grew up listening and reading stories of Greek mythology.
time to dive back and let it carry me away (reality is dreadful, we all know that well).
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2024 priorities
minimalism - focus only on the essentials in every part of your life! quality > quantity
peace / anxiety management - learn to live fully in the present, without worrying on the past or future. find healthier ways to cope with anxiety - yoga, sleep, warm showers / foot soaks, redirection. prioritize your peace by removing stressors from your life, whether through problem-solving or detachment.
community - open yourself up to new or deepening relationships. find ways to serve your community! get out of the house more. visit new places and revisit your favorites. become a regular!
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Listening without prejudice is how we grow and learn as people. More often than not, there are no right answers, just different perspectives. The more perspectives we can learn to see, the greater our understanding becomes. Our filter can begin to more accurately approach what truly is, rather than a narrow sliver interpreted through our bias.
― Rick Rubin, The Creative Act: A Way of Being
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hiii lex i am curious if you have any ideas on what the toon maitlands would look like/what they could add to the show/what their role would be? i’ve never watched the cartoon (in part because they aren’t in it /lh) but i’d love to hear your input :3
i have thought about it previously, but if im honest i could never come up with a good idea/design for them, since cartoon seems to be such a seperate media from everything else
while theres some continuation and reoccuring characters, basically no one has a backstory there, not to say that we cant just make things up, im just having trouble weaving their lore into the cartoon
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Rick Rubin (with Neil Strauss) — The Creative Act: A Way of Being (Canongate)
Mega-producer and record label magnate Rick Rubin brings us his first book (co-written with Neil Strauss), The Creative Act: A Way of Being. At 404 pages, the book is a surprisingly breezy read, giving some insight into how Rubin approaches the art of being creative. Which for him boils down to a way of being. Those looking for juicy anecdotes about recording sessions with Johnny Cash, LL Cool J, Slayer, The Red Hot Chili Peppers or any of the other innumerable artists Rubin has worked with will be disappointed. But for those curious about the modus operandi behind one of the most influential record producers of the last 50 years, and how this might relate to one's own life, The Creative Act: A Way of Being could prove useful.
Admittedly, I was at first skeptical when the book caught my eye in a bookstore window. I was like, That Rick Rubin, the producer? Well, why shouldn't an immensely successful record producer know something about creativity? It was more the framing of this knowledge as a way of being that caused a brief spate of disbelief on my part. Growing up in Los Angeles (The Land of Fruits and Nuts, as my hard-scrabble relatives in South Boston referred to California in general) I was used to seeing books from dime-store gurus. Edgar Cayce, Ram Dass and Timothy Leary paperbacks lined my mother's bookshelves. I had girlfriends who went to Golden Dawn temples, friends who dragged me along to channeling sessions for some deity from Venus. It was hard for me to take any of this very seriously.
Maybe it was the extreme disconnect between Rubin's commercial background and his espoused role as a seer that pushed me over the edge and caused me to buy the book. The opening quote from American artist Robert Henri sets the tone for what follows: The object isn't to make art, it's to be in that wonderful state which makes art inevitable. The book therefore provides less a toolbox for working on one's life than a series of vignettes where Rubin extrapolates on various contingencies related to achieving a state of mind and spirit where creativity is possible. Some of these topics include, Listening, Self-Doubt, Non-Competition, Freedom, Inspiration and Awareness. Basically anything which Rubin feels has pertained to his creative process is included in this book.
Ironically, what came more to mind while reading this was not Rick Rubin's background but the German artist Joseph Beuys' famous dictum, Everyone is an artist (Jeder Mensch ist ein Künstler). Unlike Rubin, Beuys did not frame his belief as much in the context of a spiritual journey, but like Rubin he did see himself as a kind of shaman or teacher who could lead society onward to a new — and more positive — direction by unleashing the creative possibilities each person innately possessed but perhaps did not know they had. For Beuys, this would later morph into a concept of social sculpture, where the creative state in each person would further society as a productive, forward-thinking organism.
This would also be the gist of Rubin's book. He's not trying to tell us how to make a better record, write a more catchy song, more successfully promote an artist's career (although all these things are mentioned tangentially throughout the book) but to help people realize their own unique creative strengths in the hopes of steering society in a less self-destructive direction. Though the main text and sprinkling of aphorisms scattered liberally throughout the book often verged for me on a kind of treacly sweetness, in the end I came away feeling that Rubin had really made a sincere attempt to show people the way to something they might not have realized they'd had all along.
The most inspiring take-away from the book would be this sense that even in a person's everyday life there is this great wellspring of energy to approach the most mundane tasks from a creative standpoint. That being creative doesn't necessarily mean creating something, making some beautiful object. It's about a state of mind where creativity equates with a way of existence, of approaching life with an awareness that will put one in a place where they can reconnect to a life energy which, at the very least, will lead one to experiencing a more personally fulfilling existence.
All this being said, the book also includes many concrete examples of how to circumvent creative dilemmas and meltdowns, whether this be in the recording studio or just trying to make it through a workday. Though Rubin seldom mentions people he's collaborated with by name in the book, he gives numerous examples of how he works in the studio — not necessarily microphone placement or which effects he used, but more how he guided various recording artists on an inspirational or spiritual level to realize their full creative potential. And in this context the book moves beyond its often sentimental, esoteric trappings to provide some real-world advice for people, whatever their vocation in life, to find a new way of being.
Jason Kahn
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Sometimes disengaging is the best way to engage.
Rick Rubin, The Creative Act: A Way of Being (p. 87)
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