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#thats not folk music!
princessofthesapphics · 2 months
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…the poor guys head is spinning
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fellow-nerd · 2 months
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Thinking about how hozier is so Irish and Noah Kahan is so American ya know
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jeremyisntheere · 5 months
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jeremy: *shows michael his backpack, of which has 'boyf' scribbled on the back, matching with michael's own, covered in the world 'riends'*
michael: my mothers would be thrilled jeremy
*7-8 years later*
jeremy: *literally at the altar with michael, marrying said man*
michael: *whispering* my mothers would be thrilled
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get-back-homeward · 10 months
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I know it’s all just standards.
But Ringo’s Sentimental Journey is utterly charming.
We really should talk more about how he turns to this project as therapy as the band is falling apart. It’s pure nostalgia in a bottle but with Ringo jazz drumming and just having fun with it singing and adding these cute little improv bits. Blues Turning Grey Over You is a highlight for the “I just lost myself there, child!” laugh at the end.
It’s all utterly charming.
It’s a really cool collaboration too. He recruited different musicans arrange each piece (including Paul, who arranged Stardust, perhaps before the breakup drama heats up). George Martin produces and gets the big band together. They start recording more sporadically at first, starting Oct 1969. Night and Day, Stormy Weather (which got left off the final album but I love he tried it), Stardust, and Dream, all recorded before Christmas. The rest are Jan-Mar 1970.
It gets ripped to shreds by the rock cred sector. But Ringo using this as a grief project, sorta returning to childhood in the midst of a blow for comfort, feels more honest and healthy than he gets credit for. It’s also brassy af. This is the height of “fuck jazz,” and Ringo’s just like “so what? I’ll do what I like.”
George said he liked it. John slagged him off for it in interviews, but I bet he secretly liked it too. Not sure whether Paul ever commented on it given the dual release drama. He does his own standards album decades later, after it becomes a thing artists do. But when Ringo does it in 1970? No one was doing that.
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tagraagamduit · 2 months
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folk punk daughter or midwest emo son?
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ceruleanharley · 1 month
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look i know beyonce said its not a country album but like i need her to SAY it's a country album you know what i mean i need those country folks mad MAD and shes right it is a beyonce album cuz after she drops it the whole genre's gonna be renamed beyonce
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eyebrightt · 4 months
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. umm jaws tumblr would anyone perhaps like a link to my 5 hr long orcashipping playlist
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cptnbeefheart · 1 month
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expose folk & blues music history to american public school students
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baalzebufo · 2 years
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finally got the hang of this guy :) ironed out my style and design for him. also wanted to draw some different emotions
you messed with the wrong bug
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rouge-the-bat · 1 year
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owo bc im curious. reblog/comment or whatever with the most obscure musical artist u listen to. mine is defintely reverend glasseye
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stormbreakher · 2 years
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... Anakin.
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artisan-dino-nuggets · 9 months
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hi i just wanted to say that hungarian folk music slaps and we should all be listening to more of it ok that's all bye :)
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allylikethecat · 1 month
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gonna be real noah kahan doesnt appeal much to me because all of a sudden he was everywhere and inescapable but i think i get why people like him? just not for me 😔
Oh noooo I get it though. He did kind of explode and then end up absolutely everywhere. I grew up in New England, so not only has he been on my radar for while, but for me personally, his songs are extremely relatable - there is a certain trauma associated with growing up in that area haha (I also think his song Maine is so stupidly clever because there are the lines:
"If only, baby "There were cameras in the traffic lights They'd make me a star"
AND IN MAINE IT IS ILLEGAL TO HAVE CAMERAS IN THE TRAFFIC LIGHTS like there aren't red light cameras OR speed camera in the traffic lights which I am aware is a very weird niche thing but it was a very important part of my summer driving up to beach when I was a teenager in my very red car lol)
Thank you for sending in this ask! I hope you had a wonderful Sunday and that you have a great rest of your week!
❤️Ally
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viir-tanadhal · 2 months
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just randomly remembered neil shared his early lockdown playlist to the guardian that was full of strings-focused songs and folk songs. then meanwhile chris' lockdown playlist had yearning songs on it. yeah it's all coming together with nonetheless huh uh oh
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mijikai12 · 3 months
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gonna be offline again hehehehhe
(read tags)
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kitsoa · 9 months
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I once again got the urge to work on my Trigun Stampede Broadway Musical Concept. But I feel it requires me to do more research on musicals. Expand my horizons for the music references.
For the record, I'm thinking about writing an outline with the song concepts and summarizing how they progress or move the plot. Note the changes in characterization and make a little Bible of ideas on how to bring it to life like effects and costumes.
There would also be song references from other musicals, not necessarily the content of the song but the mood and style mixed with notes on instrumentation or allusions to the tristamp ost.
Finally I would make a playbill cover. Cause most musicals do stylized iconic renderings that don't depict detailed actors for the sake of a rotating cast.
I just have to decide how overtly gay we are getting cuz the vashwood dynamic would be the real heart of the narrative. It would be very subversive to not be explicit with a romantic subplot but we could maintain the emotional core of all the relationships regardless.
But omg I'm reviewing some dialogue from trimax and like there would be no way to drop some of these lines in song and not feel a romantic motif. Song does that lol. These guys have to be the emotional backbone.
At the risk of sounding heteronormative, Meryl would need a narrative upgrade as the sole female lead... I know romance is not my only choice here but it is the musical trope satisfying one. I'm gonna try to avoid it. Even though I have a real soft spot for vashmeryl.
She is the audience insert character and I would have to do well to make her not passive but maybe grow towards something in her relationship to parallel the themes of human nature, in a way that tristamp couldn't/ didnt have the air time to do. Maybe mess with her motives a bit, give her some kind of commentary on the setting and have her make an active choice, maybe in the plant reveal turn of the narrative (which is an act 1 finale thing as of now, act 2 is flashback and maybe an original escalating plotline). This isn't corrective by any means, I love Meryl but the engagement in a musical setting is very different.
I know for a fact that I'll have to rearrange some things and combine some ideas from even the tristamp formula. Mainly to fit into the 2 act format or accommodate the flow and set.
I'm rambling but most musicals don't have lore and tristamp has lore and I think it could be really really effective and cool. Ahhh this is just an excuse to listen to a bunch if show tunes.
Anywhere, does this sound interesting or am I just crazy? The right kind of crazy?
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