I need more ace evan helping barty get off thats so raaagghhh
And also i would 100% devour it if you wrote evan eating barty's ass
yes for more ace evan! look, i kind of see it where barty gets it, he understands and respects evan’s relationship with sex. but there are the occasions where evan is okay with going further than either just kissing, and barty feels like the most blessed person in the world. especially because evan loooves to talk barty through what he’s doing. evan will be perched on the bed next to him, stroking over barty’s thigh saying, “good, okay, now touch yourself barty. but go slow! take it slow for me baby.” barty is whining, skin flushing because evan is right there, touching his leg and encouraging and all barty wants to do is impress evan and behave, even if it means he’s aching. barty wants this to be as equally as good for evan as it is for barty. maybe, if evan is feeling comfortable and all, he’ll even take over stroking for barty while evan shoves a dildo in barty’s hands and tells barty to “fuck himself really good, okay?” of course, there are many scenarios for this depending on what part of the ace spectrum evan falls on. any which way, barty loves evan regardless and gets off so well when evan’s all sweet AND demanding with him.
as for writing more about barty getting his ass eaten, yes yes yes. i need more of it. i’m actually obsessed with this idea. like what if barty doesn’t expect anything like that to happen until one day evan is like “can i try something?” with those big bug eyes and barty says, “of course, rosie baby, whatever you want.” and it’s how barty finds himself with his ass up in the air, evan running is hands over the skin, dipping his fingers in and rubbing over barty’s hole…evan is spitting over him, watching it drip down barty’s thighs. evan hasn’t evan put his mouth on barty and barty is shaking, pushing his head into the mattress because he’s dizzy with it, so surprised that he’s loving it and letting evan take care of him. evan keeps up the praise, and then just…dives in. laving over barty’s hole, taking him apart piece by piece until he’s writhing and pushing back against evan’s mouth <3
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crying because whenever i go to the club i dont get to skip the line, but when my pretty friends come we get in immediately 💀 i would have the fffffattest unrequited crush on sukuna and he would just be fucking all my pretty friends, thats why i like the characters like yuji, yuta, and choso 😭
personally, if that happened to me, i would have shot the club up, but that’s just me 🤷🏼
sukuna is…sukuna is such a bastard. i hate that irredeemable man!! unrequited crush on sukuna is nasty work.
because he would 100% know that you have a crush on him!! crushes aren’t new to him, he’s been getting googly eyes, shy glances, giggles, and love confessions ever since primary school, he can spot a person with crush miles away.
he probably thinks it’s funny how dejected you look when he purposefully flirts with your friends, might even order a round of drinks for them, conveniently forgetting that you’re a part of their little group, too. he stands back and watches you frown and sigh and sink down into your seat, likely already used to this kind of treatment when you go out with your friends.
you’re not ugly, you just have a habit of attracting friends that completely overshadow you, it happens. not to him though, heh.
when he spots you standing in line with your girls, pulling at this and tugging at that, primping here and there, he always has to bite back a grin and swallow a laugh. you’re all dolled up. you always are, it’s one of those shitty fancy clubs after all, but he can tell you’ve put in extra effort today.
your usual fly-aways are smoothed down, eyebrows tweezed or waxed or whatever hell people do nowadays, lashes curled and lips plump, and you’re showing more skin than you ever had. you’re getting looks from the other guys in line -you always do, but you never seem to notice it. probably because you’re always watching him like a hawk- and two of them have already tried to strike up a conversation with you.
well those fucks aren’t getting in here tonight.
he figures he should give you something, half of a crumb to keep your attention and in turn keep his monthly amusement, and when you finally reach the front of the line, he gives you the eye contact you’ve been itching for since you left the house tonight.
“you ladies back again? ‘m starting to think that you’re just coming here to see me.” a lazy smirk settles on his face, and he keeps his gaze on you as he speaks, not able to keep the laugh at bay as he watches you flounder over your words.
one of your friends speaks up, and he can’t be bothered to pay it any attention, not when you look like you’re ready to combust already. “you look different,” he says and gives a faux quizzical look. “you change your hair?”
“oh! u-uh, yeah, i did!” you blurt out how you had styled it that night, and how hard it had been to get it just right, and how you weren’t too sure about it, and fuck you just didn’t know when to stop, did you?
“i like it - suits you.”
you stop mid sentence.
he gives you a slow once over and grins again.
“well, you have fun tonight, gorgeous.”
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im free from yakuza kiwami 2. fuck the writing in this one. this was a complete mess of pulling from the most popular generic east asian drama tropes at the time of 2006 and having it be handled by a super inexperienced writer at the helm.
i went from having no expectations, got somewhat surprised, only to end up downing alcohol and laughing hysterically before the credits rolled. so that should set the mood for how i feel about this one. thought vomit under the cut, a lot of info dump about culture incoming
yakuza kiwami 2 is pure heterosexual east asian romance bullshit.
im gonna just. describe as best as i can what i know and remember from the general media coming out from the 90s to the 2010s in around this part of the world before i just start explaining why i think this story is a mess.
so. 2 parts i swear is responsible for this rubbish.
1) East Asian Beauty Standard
the general consensus for a beautiful feminine woman AT THE TIME in this sphere is the following
be willowy thin (fat = lazy and ugly)
have black hair that ISNT short (dyed = too much individuality, too much WESTERN INDIVIDUALISM, gasp how dare!)
fair skinned (bc dark = she works in the fields and is from a lower class)
young. if you heard of the term "Christmas Cake" in japan context, yeah. (ie women over age of 25 are undesirable)
be educated and refined, bc that indicates class and femininity (failing this means shes vulgar and gasp like a barbarian)
be submissive to her male peers in the sense that her authority cannot override his at least in public (for the sake of his face)
dresses feminine and not like a man (trousers and jeans are man-ish. traditional clothing, skirts and dresses are preferred. the further back the stronger this sentiment is.)
incidentally, theres a lot of classism tied to this EABS due to sinocentric culture influences. it has to do with the chinese court system and how korea and japan copied it and a lot of the culture wholesale but. anyway. thats like over 1000 years of history in there thats not really worth detouring to rn.
and also, the worth of a man is sometimes (not always) upheld by how classy and feminine this wife of his is. as of 2024 though, this line of thought is still around in the more conservative pockets. also, the education might not matter as much these days as how deep her and her parents' pockets and wealth are.
moving on.
2) media tropes
so. off the top of my head.
if you wanted a popular romance drama in this time period, the popular offerings no matter where you looked tended to offer the same flavors of tropes.
the woman always has dark hair, is fair skinned, thin and younger than her male love interest. ive never seen this broken or subverted in my time absorbing via osmosis the dramas playing on local tv growing up in the early 2000s.
everything else about her can be subverted though. sometimes she can wear fancy pants or have short hair to indicate her strong individualism. BUT, her personality no matter how strong it begins, no matter how her intro begins will 99% of the time encounter an effect where catching feelings turns her into a meek loyal woman to her love interest.
bc she cant override his authority in this culture context.
at worst, she becomes highly irrational and even hysterical in the dramas when bad things happen. this includes things like love triangle, or a fallout of family business, drama, plot or whatever. she would cry and sometimes even die.
see: sawamura yumi. sayama kaoru.
meanwhile, the male love interest can be anything. ive seen middle aged guys to young good looking upcoming actors playing the lead, with looks varying from haggardly okay to young and handsome. it. really depends on the genre.
depending on what specific country it came from, the drama would have the male either grow, become manlier (by learning honor ig), become stupid in the name of love, but he rarely if ever actually dies. the woman effectively becomes yoshi for mario to lauch off on when they're crossing a chasm
the romance is forced. a lot of the BIG LOVE SPARK ie kissing happens in tense moments bc it builds drama, but in reality comes too fucking close to sexual assault (some of the old jackie chan movies does this iirc for slapstick even)
see: sayama getting kissed right after handling her biological father's ashes less than 24 hours ago and admitting to kiryu that shes scared. this scene right fucking here.
bc in general, the scriptwriters for popular dramas tended to be guys themselves and tended to write more human dudes. and the women in the stories are reflective of the ideal societal expectation at the time: being a Refined Housewife.
so her character development is often headed in the direction of marriage and being a stay at home mom.
if it sounds a little like tradwife bullshit, it is.
Refined Housewife
(i have massive negative thoughts about this which i KNOW for a fact is a thing bc a lot of these societal culture femininity was impressed on me as a kid in a world where it was already getting increasingly impossible to have 1 spouse be a SAHP. and also i hated the whole thing about giving face to the patriarch of the house when i personally saw so much ego dick measuring from my uncles. anyway understand that this is both a bias an a lived experience, so proceed with that in mind)
there is a problem with the Refined Housewife expectation: education.
in general, education has been a good metric to judge how classy or smart one is in asia's largely on-the-surface meritocracy based culture. people will look at each other's school first and then judge them from there, and pretty hard too.
so everyone regardless of gender will be expected to study super hard. and bc having good test scores and going to good schools looks good for the family's face, parents will often pile on tuition to the child to get them a leg up in life.
bc also no good degree from good school means no future.
but then... the woman is expected to be a housewife. 🙃 meaning... the education, her accomplishments, are kinda... tossed away in this context. put a pin in this.
it wont matter how much she studied or accomplished, bc the expectation is that the woman would marry and obey her husband, and give him face/honor that way. the kids will come eventually bc having kids = being filial to ones parents in this context.
also uh. no, having adopted kids is not thought of as being filial. continuing the bloodline is.
and if you've been paying attention, then yes, ive been skirting around the backbone of sayama kaoru's writing foundations this entire time.
Her story has been butchered so clumsily i cant even...
lets just. ugh.
she fits the EABS standard, her tropes are trying to subvert the expectations of a womanly woman in this context, she has IMPRESSIVE education and career achievements. she works in a male dominated field, and is keenly aware of sexism. she is strong, stronger than her male peers, at least we are told.
by 2006s standards, its still considered a fresh take with those alone in japan. sexism there is its own flavor of crap. (if you noticed ive not spoken about LGBTQ+ stuff at all, its bc how ridiculously BINARY the expectation is at that point in time. it still is today but less so)
however, the writing has this sense of trying to copy the popular tropes at the time while not fully understanding and dissecting them, and ends up butchering sayama's character before the romance even properly began.
i mean, for fucks sake even, sayama and kiryu has a whopping 14 year age gap. when im told these are supposed to be believable people living in japan, this is too big for me to just go 'oh ok!'. and remember the Christmas Cake thing? shes 25. (FUCKING--!!!! !!)
the problem here that i see is the writer trying to apply all of those while trying to play the tropes straight. trying to imitate. trying to make a statement but then finding out theres nothing within yourself to stand by what you want to say and backtracking.
we are told:
sayama is strong yet she goes down with 1 slap by random thugs and needing kiryu to come in and body them. because romance ig.
we are told shes a yakuza hunter but she doesnt scare a single one beyond her introductory scene.
she goes from defiant and bossing kiryu around to getting her actions overridden by kiryu and ryuji, both men, towards the end
her subtext is that shes not feminine and therefore conventionally undesirable, but then kiryu tells her shes actually feminine and therefore desired, as if its all that matters.
she becomes so stricken by grief and freaked out that she runs off solo to deal with ryuji in the most out of left pocket planning ive ever fucking seen.
and then yells as she takes out her police baton to take down the big yakuza dude, drawing attention and turning herself into a hostage.
i know the writing will fumble but i didnt expect it to fumble this bad.
for all the good the surface chemistry kiryu and sayama has, its being undermined by a fundamental failure to understand tropes and then using said tropes as a crutch so much that everything here has become a bloody mess.
this failure of over-relying on tropes without understanding them extends to yumi too. sawamura yumi was young and beautiful, and became the Refined Housewife to the Not-Male-MC and ends up regretting it, and gets killed for it.
her defining trait is that she is beautiful in subtext. thats. thats what the tattoo is. in a world where the tattoo makeths the person, thats what she is and all that she is.
dear lord.
ive read up a bit more on sayama and you know what. good that she chooses her career over kiryu. the romance would have caused both of their characters to explode with the trajectory this was heading in. ffs sayama could have had her own game. she has so MUCH potential.
and also GOOD that the writer is forced to think of kiryu in the position of the Stay At Home Parent for haruka and the orphanage down the line!!! subverting the fucking traditional BS expectation! yes!!!!!
all i got was sayama and kiryu making out before the bomb went off in front of my alcohol and salad while they're like 'eh, haruka will forgive us for dying :')'
and i ran out of alcohol.
sexism? maybe. incompetence? definitely.
hhgrhgrhrghrghrgrhgr wow this got long. ugh. guhhhhhh.
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