Funny how people defended Eden against 'bullying' during Eurovision, because Eden clearly can dish it as evident by her appearing in the Israel skit based on Eurovision 2024 where Israel mocks Marina, Bambie, Joost and Nemo, happily taking part in the mockery herself, but guess the poor 20 year old baby can't take it when thrown back at her during Eurovision where it's alleged she and the Israel team/press went after and harassed other performers and the teams/press from their countries.
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not sure if this counts as an AU but.. thinking about the Per Aspera crew as horror game bosses like.. you are wandering through a forested mountain range and you know somethings wrong because the forest shouldn't be this eerily silent, this devoid of life, and then you hear the crash of falling trees and there is a hand that is half your size glowing golden in the night and it is grabbing you and its claws are digging into your flesh and you see the spines running down the golden arm that is far too long as it lifts you over a crater in mountain, over a coiled, serpentine thing with a visage that is not of this world, and if you look closely you can see the shape of a child curled at the centre of the thing, golden hair reflecting the glow of the creature and if you listen closely you can hear her sobbing, 'Don't hurt me, I don't want to do this'. you are sailing through the astral sea when you see an ephemeral, resplendent spelljammer cutting through the starry waters and you rejoice because you have been lost on the seas for so so long, so you board the ship looking for help, supplies, anything, and you are greeted by a blue fire genasi (you wonder, do those even exist? but you can't get off the ship now because where else will you go?) and she tells you she is the captain of this ship but as far as you can tell there is no crew on board, and if she is not appearing right behind you from a trapdoor you've never noticed she is always in the engine room 'fixing the ship' even though the ship seems to be sailing perfectly fine ('Where are we going?' you ask her once and she doesn't even turn to look at you, 'Don't worry about it') and if you are ever so unlucky as to damage the ship in any way, you begin to catch flashes of red and orange out of the corner of your eye, a fire genasi wearing the woman's face who whispers at you with hollow, angry eyes 'Don't you fucking dare hurt my ship'. you are sailing through the astral sea when you see a rotting, decaying spelljammer, so badly damaged it's barely moving although you have to wonder how it's even staying afloat at all, and out of some morbid curiosity you climb on board and the deck of the ship is in no better shape than the hull, the marks of hard-fought battle - scars in the wood from sharp blades and arcane energies, stains of blood and oil splattered about - still fresh but you know time doesn't pass on the astral sea so who knows how long ago this all took place, and as you climb below decks you start to notice the writings on the walls, pieces of parchment nailed to every surface and connected with fraying, rotting threads, or words etched directly into the wood, the deep gouges barely readable, and you start to hear the creaking and clanking of rusted machinery slowly moving about and you turn a corner to see a figure standing in a room facing the wall, slowly scratching yet more of that unintelligible writing into the bones of the ship, and it turns as the rusted dented mechanite stares at you with eyes ablaze and he asks 'Who are you? Where is my crew?' as sparks of arcane lightning begins to arc through the room. you are running through a feywild forest and you know, even without the figure chasing you, that you have made a horrible mistake, you should have known better, should have been more careful, should have kept your impulses in check, and now you are being chased through an unfamiliar forest and the figure, the Hunter pursuing you knows this realm like the back of his hand, knows every tree and shrub and vine that is slithering up to grasp at your ankles, and you glance back desperately to catch any glimpse of your pursuer but there is no pursuer, he has hidden himself with some arcane trick or some innate power or just the knowledge that this realm is his home, and you hear his voice even though you cannot see him as he cries out 'You should not have hurt my family. Prepare to face the Hunter of Hundkiln'
sorry no Vhas yet maybe I'll update with one for him once we get more of his whole deal
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i think ppl can and should project onto fictional characters. that's kind of what they're for a lot of the time. even if in the story they dont have the exact same experiences the audience can still find similarities with them and it's empowering to headcanon that, because of these similarities, the character has a similar identity to you. a lot of writers purposely give their characters experiences similar to marginalized groups to make those groups feel seen.
that being said, if you project your own experiences onto your blorbos you HAVE to be able to tell when the story is purposely making the character a metaphor for your experiences and when the story is. not doing that. just because you personally relate to a character doesn't mean the character literally is your marginalized identity. and it definitely doesn't mean that the writers hate your marginalized identity, specifically, if they don't do what you want them to do with that character.
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So I don't know if it was ever revealed how Duncan felt when we killed Malistaire all three times but I'm wondering if maybe some part of him could hate us for that too. Like you hear that and you go "but why. Malistaire was terrible and even Duncan knew that(?). Why would he hate you for getting rid of him."
But like I think it's so....... interesting in a very, very, very sad way how Duncan so easily latches onto anyone who directly feeds into his delusions of grandeur. And that's no fault of his own that he was manipulated by the nasty Schism but when you think about how desperately clung to the idea that Malistaire, easily one of the greatest necromancers any of us had ever heard of (at that time), somehow actually recognized Duncan's talents (even when canon supports that Duncan wasn't all that talented, at least no more than the next necromancer) and then praised him for it so often that Duncan believed that he would be the next Death Professor is. I mean ☹️
So like with that mindset I unfortunately feel like it would be quite easy to twist even Malistaire's death as something that's horrible and awful and all our fault. ESPECIALLY if the Schism was feeding into Duncan's already broken mind and shattered ego and was constantly telling him that everything bad that ever happened to him ever in his life was Our Fault. That's like a realistic conclusion that someone like Duncan could come to
And like, at this point in time, are Malistaire's crimes even a factor in how he thinks????? Was Duncan ever able to separate Malistaire's talent and skills and prowess from the terrible and awful things he did? If Duncan wasn't able to consciously tell that distinction in the first place I can't imagine it would be any better during the years he was being manipulated and isolated and lied to
Like in Duncan's mind it probably isn't, "maybe I shouldn't idolize a national criminal, or idolize anyone at all for that matter, and aspire to be like someone so harmful when I can recognize my own talent and build from there" it's probably more like, "you (the wizard) permanently got rid of a brilliant mind, an innocent person who just made a few mistakes, and someone who believed in me no matter what just so that you could be the better than me and loved by everyone else" and that's! very sad actually!
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