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#that's it now we have a complete set of more or less matching posts for each episode
funforahermit · 1 year
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The Masked Singer NZ rewatch: Episode 3 - bigger version -
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werewolfsmile · 7 days
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The Eliot Spencer Details Masterpost
I have been recording details about our beloved Eliot Spencer on my latest watch through. And now, it's finally time to reveal the details!! If I have gotten any details INCORRECT, I beg of you to correct me, at which time, this post will be updated and credit given. (Note: S1 was aired out of chronological order. I am going by chronological episode numbers - aka the correct order - and providing the episode titles as well to minimise confusion.) !! This post contains details from Leverage: Redemption! Read the episode references carefully if you are wanting to avoid certain spoilers !!
Shirtless Moments
S1 E7 The Two-Horse Job: The flashback scene when Aimee asks Eliot what his excuse was for not coming back to her, we see him being dragged/tortured, shirtless. "Tell us what you did with the monkey!"
S2 E2 The Tap-Out Job: Eliot is shirtless for the fight match.
S4 E9 The Cross My Heart Job: Ehh he's not completely shirtless here but whatever. At about 16 mins in, Eliot and Parker are getting changed together, Eliot strips to a singlet then throws his shirt at me the camera. (I didn't include other scenes of Eliot in a singlet here because in this scene he's actively undressing, whereas in others he's not.)
Necklaces
The earliest sighting of his guitar pick necklace is S1 E2 The Homecoming Job. It continues to pop up frequently in episodes, though noticeably less in S1. I thought about recording every occurrence of it here but ... lmao it's in legit waaayyyy too many episodes for me to bother.
S2 E10 The Runway Job: Honourable mention of the necklaces Eliot wears with his fashion week outfit. The longer one is kinda dogtag-esque, the shorter one is ... I think it's a fleur de lis? He also wears a range of chain necklaces later in this episode.
S4 E18 The Last Dam Job: Bird pendant (possibly kingfisher) visible at 34 mins 39 seconds. Full credits to @wolves-in-the-world for this one including the time stamp! You can check out their reblog of this post with more details here!
Dammit Hardison
S1 E13 The Second David Job: The FIRST INSTANCE of dammit Hardison in the entire show! Said upon discovering each other in the gallery, around 4 mins 15 seconds.
S2 E1 The Beantown Bailout Job: Said around 22 mins 30 seconds, immediately following, "What are the odds that Eliot's crotch will actually explode?" Iconic.
S2 E6 The Top Hat Job: When setting up for the magic show and discovering the rabbit missing, roughly 19 mins 45 seconds.
S3 E3 The Inside Job: Running from security, around 31 mins 30 seconds.
S3 E4 The Scheherazade Job: Trying to enter McRory's at the same time, around 1 min 30 seconds.
S3 E5 The Double Blind Job: This is an honourable mention because this time NATE is the one to say dammit Hardison! 9 mins 15 seconds.
S3 E6 The Studio Job: Upon discovering the master tape isn't in the case, roughly 32 mins.
S3 E7 The Gone Fishin' Job: Eliot and Hardison running in the woods for their lives, arguing as always. This one is a bonus 'dammit' because Hardison says it straight back to Eliot after Eliot yells it at him! Around 21 mins.
S3 E12 The King George Job: Discussing Hardison's forgery work, followed by Eliot regretting touching anything. Around 23 mins 55 seconds.
S3 E13 The Morning After Job: Pretending to be cops and accidentally ending up with a prisoner to take back to jail, around 16 mins 20 seconds.
S3 E14 The Ho Ho Ho Job: Honourable mention of Chaos mocking Eliot by saying dammit Hardison. Roughly 21 mins 15 seconds.
(phew, S3 was rough on Hardison! given what Eliot was going through with the whole Moreau thing.... ooh that's delicious angst)
S4 E5 The Hot Potato Job: Honourable mention for Sophie saying it this time! While playing the role that was meant for Eliot, around 24 mins.
S4 E6 The Carnival Job: Mixing chemicals for a distraction, roughly 25 mins 30 seconds.
S4 E17 The Radio Job: Hardison running away from being thrown off a high floor, around 5 mins.
S4 E18 The Last Dam Job: Sneaking around at the Bellington Dam, roughly 13 mins 35 seconds.
S5 E1 The (Very) Big Bird Job: 'Accidentally' putting a brew pub menu in front of Eliot, around 10 mins 20 seconds.
S5 E15 The Long Goodbye Job: Emotional scene that we do not speak about, around 12 mins 40 seconds.
RS1 E1 The Too Many Rembrandts Job: After knocking Harry out and asking Hardison to help carry Harry, and Hardison refuses. 11 mins 40 seconds.
RS1 E2 The Panamanian Monkey Job: Upon discovering that security is headed to the vault where Parker is, and the only way down there is through the vents. Around 34 mins 10 seconds.
RS2 E1 The Debutante Job: We get 3! In this whole episode! Probably to make up for Hardison being gone for most of Redemption. Anyway! First one when Eliot and Hardison are in Ralphie Roy's place and Hardison has no idea who Ralphie is, around 23 mins 15 seconds. Second is when they're breaking into the elevator and Hardison won't help fight or move the unconscious guards, roughly 37 mins 40 seconds. And third, after the job when Parker says that Hardison was the one who took out all the guards. Around 45 mins 10 seconds.
RS2 E3 The Tournament Job: Right at the start after Eliot says gaming isn't a sport and Parker texts Hardison, so Hardison starts blowing up Eliot's phone. Lmao. Around 4 mins 20 seconds.
Dammit Parker
S1 E4 The Snow Job: Parker jumps out of a second floor window, Eliot catches her. 15 mins. (Parker gets a dammit from Eliot before Hardison does!!)
S3 E8 The Boost Job: Parker driving erratically, Eliot thrown around in back seat. (Technically there's a pause between dammit and Parker but I'm still including it) 35 min 35 seconds.
S5 E12 The White Rabbit Job: Searching the mark's house, Parker wants to steal a shirt. Again, this isn't technically a proper dammit Parker, as Eliot instead says, "Put it back! Dammit." But I'm still including it because it was aimed at her. 21 mins 20 seconds.
RS1 E10 The Unwellness Job: At end of episode, after Parker admits that she didn't even learn Eliot's name till after the team broke up the first time. 44 mins 30 seconds.
RS1 E13 The Hurricane Job: After washing up on shore and entering the Beacon Inn, Parker and Eliot are bickering about Maria. He doesn't strictly say dammit Parker but there's absolutely no doubt who he's directing the dammits towards. 3 mins 30 seconds.
RS2 E6 The Fractured Job: When farewelling Billy and Parker says next time she'll finish telling him about the robot bodies. Again, it's just dammit not dammit Parker but it's close enough. 41 mins.
RS2 E8 The Turkish Prisoner Job: Another standalone dammit that is most definitely aimed at Parker! When breaking Romero out, Parker says she's a firefighter (with far too much glee), around 14 mins 30 seconds.
RS2 E11 The Work Study Job: A full dammit Parker this time! When Parker reveals that it's super easy to steal from a university and produces a whole bunch of stuff, roughly 22 mins 40 seconds.
Very Distinctive Moments
S1 E2 The Homecoming Job: Eliot ID's the weapon from the gunshots, around 8 mins. Later, he ID's a guy off his knife fighting style, around 18 mins 50 seconds.
S2 E6 The Top Hat Job: ID's a CIA guy from his stance, roughly 7 mins 45 seconds.
S3 E11 The Rashomon Job: ID's the smell of peppermint on Hardison's breath, around 21 mins.
S3 E12 The King George Job: ID's former British paratroopers by their haircuts, 30 mins 10 seconds.
S4 E1 The Long Way Down Job: ID's a former spetsnaz guy by his footprint, 13 mins 45 seconds.
S4 E5 The Hot Potato Job: Honourable mention of Eliot ID'ing ex-military personnel by their stances, he just doesn't say very distinctive. 18 mins 50 seconds.
S4 E11 The Experimental Job: Honourable mention of Eliot ID'ing a helicopter by the whumpa-whumpa (there's 7 of them did you know). Around 7 mins.
S5 E3 The First Contact Job: ID's military satellite transmission by the static, 7 mins 20 seconds.
S5 E9 The Rundown Job: ID's a Navy Seal who enlisted between '90-'95 by his watch, around 16 mins.
RS1 E2 The Panamanian Monkey Job: ID's a drone (Breanna's) from the sound. 11 mins 50 seconds.
RS1 E3 The Rollin' On The River Job: ID's Russian mob by the tattoos, 36 mins 30 seconds.
RS1 E7 The Double-Edged Sword Job: Honourable mention for Maria ID'ing the way Eliot disarmed her gun, 7 mins 50 seconds.
RS2 E4 The Date Night Job: Eliot ID's a guy as not having a distinctive anything - which is what is so distinctive. 20 mins 40 seconds.
RS2 E13 The Crowning Achievement Job: ID's MI6 off their search pattern, 6 mins 50 seconds.
Known Family
S1 E6 The Miracle Job: When discussing Bibletopia, Eliot says his nephew would like it. This is the ONLY mention of a nephew in the entire show, Redemption included; nor is there any direct mention of a sibling beyond this (which leads me to believe that this nephew is actually the son of a close friend/cousin/military buddy, rather than a direct family relation, but that's just my headcanon).
S2 E3 The Order 23 Job: When talking to the abused boy, Randy, Eliot says he has an uncle named Randy.
S5 E11 The Low Low Price Job: Eliot's dad owned a hardware store and he wanted Eliot to take over one day. But Eliot wanted to get out of that small town, so he joined the service. Fought with his dad the night before he left and hasn't been back since. He goes back at the end of this episode and knocks - but his dad never answers the door 😭
RS1 E9 The Bucket Job: While interrogating/torturing Eliot with Red Haze, Bligh says that Eliot's dad's friend from Vietnam has invited Eliot to join them for Christmas. At the end of the episode, Eliot goes to join them for dinner, only to get a message from 'J' that his dad was a no show. This 'J' is widely accepted as Eliot's unknown sibling but that is incorrect! 'J' is Eliot's dad's buddy from Vietnam!
RS2 E6 The Fractured Job: The ultimate Eliot family backstory episode!! (if you haven't seen it yet and don't want spoilers, skip this one!) Eliot was adopted by a black couple, Billy and an unnamed woman, after being abandoned/surrendered at a hospital as a baby. His father was a war hero who got none of the glory and sustained a wound, ruining his civilian career path, so Billy never wanted Eliot to follow in his footsteps. Eliot loved the stories of his dad in the military so joined up to be like him. His mother died while Eliot was on an op and he couldn't get leave to come back for the funeral, deepening the rift between him and Billy. Ultimately, they reconcile, (Eliot says his dad was always a hero to him, Billy say's he's proud of Eliot, they hug), and I cry every time 😭❤️ [Edit: Eliot being a baby at the time of being found at the hospital and consequently brought home by his adopted mother is unconfirmed and my presumption. We have no clear info on his age at adoption. Thanks to @nival-kenival for picking that up!]
Phrases: Ain't
S1 E4 The Snow Job: Said to Nate, right before Nate tells him to go skip some rope.
S1 E9 The Stork Job: Says it twice while conning Irina.
S1 E10 The Juror #6 Job: Upon being told to go help Parker instead of watching a sports game, Eliot takes his beer back.
S2 E2 The Tap-Out Job: Discussing the fights the mark runs, says they ain't the UFC.
S2 E3 The Order 23 Job: Said right before threatening to throw Randy's abusive father over the railing of a stairwell.
S2 E4 The Fairy Godparents Job: Upon spotting a hitman sent to kill McSweeten and Taggart.
S2 E8 The Ice Man Job: After hearing Hardison call himself the Ice Man, says he won't bail him out when things go wrong.
S2 E9 The Lost Heir Job: While trying to get Parker to the court room and end up cut off by the police.
S2 E11 The Bottle Job: When Hardison wants help to clean up Nate's apartment and Eliot refuses.
S2 E14 The Three Strikes Job: When Nate says to meet outside the ballpark but Eliot refuses because now he's sucked into the sport.
S3 E3 The Inside Job: Twice while arguing with Hardison about how to rescue Parker, once when Parker offers him a lift down the stairwell with her on her harness rig and he refuses. This is the most he says ain't in a single episode!
S3 E7 The Gone Fishin' Job: Once when the militia try to make him kneel, later when the militia kid catches him and Hardison near the train tracks.
S3 E11 The Rashomon Job: When Sophie changes her story to mock Eliot's accent and mannerisms.
S3 E15 The Big Bang Job: When confronting Moreau with Hardison.
S4 E1 The Long Way Down Job: Upon arriving at the base camp and complaining to Nate.
S4 E7 The Grave Danger Job: When looking for a buried Hardison and hearing the sprinklers.
S4 E10 The Queen's Gambit Job: At the end, swearing revenge on Sterling.
S4 E12 The Office Job: Arguing with Hardison about Eliot's sandwich while searching the warehouse.
S4 E13 The Girls' Night Out Job: When trying to convince Nate to socialise at the very start.
S4 E14 The Boys' Night Out Job: Exactly the same as the previous episode, so this one barely counts.
S4 E17 The Radio Job: In the patent office, when trying to figure out who lured Nate into this situation. The same scene is used later as a flashback.
S4 E18 The Last Dam Job: Warning Nate of the consequences of taking a life with your own hands.
S5 E2 The Blue Line Job: When ambushed by Marko when leaving the ice rink.
S5 E9 The Rundown Job: Once when going to wring information on the hit out of Riley, once when Hardison steps on the trigger plate of the claymore.
S5 E13 The Corkscrew Job: First time talking to Betty about how Leonard's a jerk.
RS1 E1 The Too Many Rembrandts Job: Twice when ambushed by RIZ thugs in the warehouse.
RS1 E2 The Panamanian Monkey Job: Once when discussing Ryan Corbett at the start, once when refusing to let Hardison have a turn with the diamond-tipped drill.
RS1 E3 The Rollin' On The River Job: When warning Breanna to be certain of her calculations for how to get him and Parker out of the casino's vault.
RS1 E8 The Mastermind Job: Once when discussing hiring people to overthrow a government, once when discussing how they're going to do like 6 things at once, including saving Harry.
RS1 E9 The Bucket Job: Said twice while talking with Blanche, after Blanche helped rescue Eliot from RIZ.
RS1 E14 The Great Train Job: While digging through the tainted soil with Harry.
RS2 E1 The Debutante Job: When trying to get to Volkov's plane with Parker and seeing that two guards are in the way.
RS2 E5 The Walk In The Woods Job: Talking to Paul after rescuing Harry, who was pretending to be Eliot.
Fun fact: for every ain't that Eliot says, Hardison says at least two more. And that's too many for me to bother recording!
Phrases: Y'all
Never. Not even once.
Hardison, on the other hand, says y'all all the damn time - every season, multiple times, sometimes even multiple times in the same episode.
Honourable mention for Chaos saying y'all as an incorrect mockery of Eliot's accent in S3 E14 The Ho Ho Ho Job.
... Okay, okay! So Eliot says it a few times in Redemption! But only in ONE episode!
RS1 E1 The Too Many Rembrandts Job: Said 4 times when playing a character and convincing people to clear out of the auction house.
That's it.
Aliases
These are all the names that Eliot's gone by or used on cons that I could find, not just full blown aliases.
S1 E1 The Nigerian Job: Detective Lieutenant Carden (the scene with this alias was cut from a lot of versions of this episode)
S1 E4 The Snow Job: Vince Fetkey, Hans Von Schwesterkrank
S1 E7 The Two-Horse Job: Brad Mackie
S1 E9 The Stork Job: Dale
S1 E12 The First David Job: Professor Sinclair
S1 E13 The Second David Job: Professor/Dr Adam Sinclair
S2 E2 The Tap-Out Job: Kid Jones (on the fight match poster)
S2 E4 The Fairy Godparents Job: Coach Brewer
S2 E5 The Three Days Of The Hunter Job: Earl
S2 E9 The Lost Heir Job: Officer Hilts
S2 E10 The Runway Job: Julian
S2 E14 The Three Strikes Job: Roy Chappell
S3 E1 The Jailhouse Job: Dr Abernathy
S3 E2 The Reunion Job: Lloyd Hickey
S3 E4 The Scheherazade Job: Guy Hamilton
S3 E5 The Double Blind Job: Phil
S3 E6 The Studio Job: Kenneth Crane
S3 E7 The Gone Fishin' Job: Agent Quint
S3 E8 The Boost Job: Skeeter
S3 E9 The Three-Card Monte Job: Detective Moffat
S3 E10 The Underground Job: Eric
S3 E11 The Rashomon Job: Dr Wes Abernathy
S3 E16 The San Lorenzo Job: Ray Laroque
S4 E2 The Ten Li'l Grifters Job: Charlie Siringo
S4 E4 The Van Gogh Job: Lieutenant (only granting him this one because CK played him in the flashback)
S4 E5 The Hot Potato Job: Tom Boonen
S4 E12 The Office Job: Mr Dennis
S4 E14 The Boys' Night Out Job: Luigi
S4 E15 The Lonely Hearts Job: Jackson Cooper
S4 E16 The Gold Job: Tobias Bowden
S4 E17 The Radio Job: Cowboy (*cough* John McClane *cough*)
S5 E2 The Blue Line Job: Jacques "Jack" Labert
S5 E3 The First Contact Job: Willie Riker
S5 E5 The Gimme A K Street Job: Steven Turner
S5 E6 The DB Cooper Job: DB Cooper/Young Steve Reynolds (again, technically not an alias but whatever it's here anyway)
S5 E7 The Real Fake Car Job: Barry McElroy
S5 E11 The Low Low Price Job: Archer
S5 E14 The Toy Job: Carl
Honourable mentions of Eliot being called: "Emeril" by Parker in S1 E3 The Wedding Job [thanks @aardvaark for this one!]; "Sparky" by Parker in S1 E10 The Juror #6 Job and by Tara in S2 E15 The Maltese Falcon Job; and "Skippy" by Hardison in S3 E7 The Gone Fishin' Job.
RS1 E1 The Too Many Rembrandts Job: Will Gallagher
RS1 E6 The Card Game Job: Glenn the Savage
RS1 E7 The Double-Edged Sword: Emmett Milbarge
RS1 E8 The Mastermind Job: Frank Farmer
RS1 E10 The Unwellness Job: Hank
RS1 E12 The Golf Job: Reed Wilkins
RS1 E13 The Hurricane Job: Calvin
RS1 E15 The Muddy Waters Job: Armus Vagra
RS2 E7 The Big Rig Job: Kris
RS2 E8 The Turkish Prisoner Job: Nick O'Brien
RS2 E10 The Work Study Job: New Blood
Honourable mention of Eliot being called "Skipper" by Hardison in RS1 E16 The Harry Wilson Job.
Known Associates
This is in direct reference to hitters/people from the criminal world that Eliot knew or was aware of prior to the Leverage Team. Quinn is not included in this list due to that distinction (sorry Quinn).
S1 E3 The Wedding Job: The Butcher of Kiev
S2 E7 The Two Live Crew Job: Mikel Dayan
S3 E15 The Big Bang Job: Chapman, Damien Moreau
S3 E16 The San Lorenzo Job: Damien Moreau
S4 E4 The Van Gogh Job: Frank, Randall
S4 E6 The Carnival Job: Roper
S5 E4 The French Connection: Rampone
S5 E9 The Rundown Job: Riley
Trivia
S2 E6 The Top Hat Job: Eliot claims he only sleeps 90 minutes a day, and that he cured his claustrophobia as a kid by locking himself in the woodshed behind his house for a couple nights.
S3 E6 The Studio Job: Eliot is nervous to perform in front of an audience, to the point that Parker startles him and she's surprised that she did. Interesting to note that he seems to have no issue playing sport in front of crowds.
S3 E7 The Gone Fishin' Job: Eliot says he hates beets.
S4 E5 The Hot Potato Job: Eliot chews gum. He does this throughout a LOT of episodes across the seasons but I've only noted down this one episode for it.... thanks, past me 🙄 [Edit: thanks @nival-kenival for more info! Another confirmed episode is S1 E2 The Homecoming Job!]
S4 E9 The Cross My Heart Job: Eliot says he fought a guy with a Nerf sword in Damascus, 2002.
S5 E11 The Low Low Price Job: Eliot drives an F-150 to his dad's house in Oklahoma. This is a THIRD vehicle that apparently belongs to Eliot, in addition to the Chevrolet Silverado and Dodge Challenger we see in other episodes. The F-150 is not seen again.
S5 E12 The White Rabbit Job: Eliot has 'special sedatives' aka a little psychotropic he picked up outside of Bogota.
Eliot mostly walks at the back of the group, presumably to be the rear guard and make sure no one falls behind. See ... just about every damn episode for evidence.
RS1 E3 The Rollin' On The River Job: Parker says that Eliot has cut his way out of an ice cave, escaped a gorilla enclosure, and catered a wedding for the mob.
Eliot is seen wearing glasses throughout various episodes. A flashback in S1 E1 The Nigerian Job shows him wearing presumably his own glasses. All other instances of him wearing glasses (that I can think of) are when he takes someone's glasses for a con. It is unconfirmed if Eliot actually needs glasses to correct his eyesight or not, but is a fandom headcanon. In S3 E1 The Jailhouse Job there is an interaction where Nate ribs Eliot for taking so long in a fight, and Eliot says it's because of new glasses. An argument could be made that this means Eliot does require glasses. [Thanks @independent-fics for picking this up - for pretty much all the details pertaining to Eliot's glasses!]
And there you have it! All the details that I've spent the last 3 months collecting!! Now it's time for me to take a good, long break because my brain is fried! 😂
Once again, let me know if you find any errors so I can update the post. Data from Redemption S2 is where I've most likely missed things, since I don't have it on DVD and it's sooo much harder to scrub through streaming footage to find things. When will they release RS2 on DVD I need itttt.
If you've made it this far, thanks for reading! I hope this post can be a helpful reference for you!
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thekingofwinterblog · 29 days
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Was the Grand Line originally land? (CONFIRMED Theory)
So in lights on the most recent chapter, 1113, we learn that the world government's great and final plan is to flood the entire world, leaving only the red line above the sea level and drowning the rest of the world.
With this in mind, there is of course the obvious question, of wheter this was always the plan, even during the void century.
And if so, there is the question of wheter or not the original alliance succeeded, and the Grand Line as we know it is just a post apokalyptic remnant of a once, much grander landmass, not necessarily one made up completely of land, as we know that some of the kingdoms(the great kingdom itself) during the Void century WERE islands, but one where there was still a very clear land bridge across the world, beyond just the red line.
So, lets dive into this idea, and the evidence for and against.
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Starting off with, the grand line is a bizarre place, and we have no actual explanation of why it exists. It cannot be the one piece equator equivelant of the equator, for as oda has confirmed, the map above is aligned so north, south, west and east are those direction on the globe, with the red line and grand line both at an angle across the world, not aligned in the four compass directions.
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Then of course there are the frankly bizarre phenomena of the grand line, which though a lot has a somewhat logical explanation, there are still plenty of mysteries, such as the bizarre weather currents of the grand line, and the way the calm belt is very clearly supernatural in how it works.
Why is the start of the line so bloody strange, so much less predictable and filled with nonesense than the rest of paradise?
But lets begin dissecting the idea that the grand line is a post apokalyptic wastelands. How would the continent sinking into the sea explain the weather phenomena?
Well... Crocus claims that the reason for the grand line's being filled with abnormal magnetic fields as a result of each of the islands being very rich in minerals, which frankly speaking, doesnt really seem to be the case for the most part from what we've seen... but if you assume that them "being rich in minerals" actually refers to the idea that the core of each of the islands that survived the ancienct apokalypse were filled to the brim with strong, durable metals from the very core of the earth as the lands around was sunk beneath the waves, there might be some logic to it.
The "islands", or at least the mountains they rest on, would indeed be filled with rich minerals, and more importantly, they would be way closer to the surface and now much more "uncovered" by stone, and be just beneath the surface, and so wrecks havoc on anyone trying to use a compass.
but are there more to suggest the grand line used to be above sea level?
Yes, actually, there is.
In paradise, there are 4 megastructures that seems to defy any, and all logic for how they could possibly have been built.
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The tree gates of justice.
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And Impel Down.
we have no idea who built these ginormous structures, but the simple reality is that with what we know, They just dont make sense.
The Gates are so so stupidly big, that the only creatures that would match it is the big elephant of the minks, and the florian monster.
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However, forget the size, the bigger problem is the foundations.
Impel Down is structured like a castle, with a very clear, tiered set of levels.
assuming it was indeed built in the middle of the ocean, from the bottom up, the only race who could possibly have done it would have been the fishmen, who from what we know would have absolutely no reason whatsoever to help the world government make it, given they were on the opposite side during the Void Century, and relations have not gotten much better since.
however... if we assume that both of these structures, the gates of justice, and Impel down, were made on land BEFORE they were submerged, the mystery of the how their construction suddenly makes way more sense.
they are stupidly big, but they were built above ground, making their construction much more logical.
if so, then at the bottom of the sea in this area, one could probably find walls, similar to the gates, connecting the 3 gates, with all 3 and the castle of impel down obviously having been part of some grand, defensive fortification, with their current use of controlling the whirlpool having little to do with their original intention.
And then of course there is how the one piece world is portrayed in Monsters.
We dont know exactly when Monsters is set, but it has to be sometime before the void century, because it was in a different age than the era of isolation that was put into place after the the mountain walls were put into place after the great war, and it cant have been during the void century itself, for it it had been, any mention of the man would have been ruthlessly wiped out by the world government, and he would most certainly not have been famous across the world.
So he lived sometime before the great conflict started.
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the more interesting part about monsters though, is how the world looks. Rather than the familiar world of island based city states, We are shown a wast landscape with no sea in sight.
Now it's of course possible this story is set somewhere on the red line, or one a massive island, but there is something else to suggest that the world of old was fundamentally different than what came later.
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Ryuma was recognized as the man who carried "the world's greatest warrior soul", and was famed far and wide, with the nickname suggesting a level of international fame on the same level as mihawk... except there is a bit of a problem here.
One piece's world building is built on the fact that every single island is very isolated from all the rest of the world. even if there is one world government, that a lot of states are a part of, but defacto, each island is an independent nation unto itself, except when the world government wants something from them.
News simply does not spread in this way in the one piece world. The only reason pirates such as Luffy, whitebeard and roger are famous, is because the powers that be have a wested interest in making them famous, and spread their wickedness and thus warning of their danger, but also as a justification to why they need to have the mariens around to protect people.
and yet the tales of Ryuma both in monsters and in one piece proper is a worldwide spread story, which given how old he is seems bizarre all things considered(how old his legend is, how widespread it is, how nobody except the people of Wano would have a political reason for keeping his legend alive, etc)... but if one assumes the entire world has heard of him because he literarily walked from one end of the world to the other, with only small boat trips to cross gaps in the continent of the grand line, then the idea that he would be remembered by all long, long after his death makes way more sense.
And then of course there is another, huge detail that is very easy to miss. One Piece's age of exploration just ended, relatively speaking.
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The one piece world is OLD, with Alabasta's capital being 4000 years old, and the world government as an organization being 800 years old.
And yet... The world, or more speciffically the grand line was still being charted out and mapped as late as 400 years ago.
four centuries after having been created, the world government and the people of this world didnt know the rough layout of paradise, the part of the grand line where the only kingdom we know for a fact was part of the original alliance against the great kingdom was located.
That seems... insane to be perfectly honest... but it makes WAY more sense if one assumed that the Grand line used to be one, relatively well connected landmass that stretched across the world in relation to the red line.
But once that for the most part sank into the sea(most certainly as a result of the full might of the ancient weapons being unleashed on either side of the war), the world as the people of old knew it was broken, and had to be completely remapped, a process that took centuries.
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This could also explain the world government's big symbol. a cross with 5 dots, one in the middle, and 4 around it.
Now the idea that this symbolizes the 4 directions of the world is not a new theory, but the dots are another question, with us having no idea what they mean.
Here's my theory.
all five represents the same thing, the alliance's big plans for a capital of the world, Mary Geoise, located on one of the spots wheree the world's two big landmasses met. the meaning as it originally was envisioned, was that no matter which direction you went, you would always end up back here at the center of the world.
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skyeslittlecorner · 4 months
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Tails for All! - Abaddon edition
Other parts: Kings | Gehenna | Tartaros | Hades | Avisos | Nilfheim | Paradise Lost
Dantalian
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A small fluffy ball, slightly elongated towards the top. It looks like a deer, but with black fur instead of brown.
He's glad he has small horns because it makes him look less dangerous. He is even happier with his little tail. It's cute and matches Sailor Moon's uniform more than any nasty weapon. He only wishes you could write on it.
Asmodeus doesn't like his tail because, unlike the other two, he can't hold Dantalian by the tail like on a leash. Dantalian offered to attach barbed wire to his tail. You don't know how this conversation went further.
His tail smells lovely, like almonds. Why? Nobody knows.
The best anti-stress squeeze in all of Hell.
Sensitiveness 10/10. Stand on it. Crush it. Tear out the fur. Set it on fire. The more you abuse it, the better.
He will be honestly surprised when you start stroking and kissing him, but... hey, it's actually nice too!
Phenix
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A long, feathery tail. The feathers are blurry because they are made of pure flames, you can't see where the feathers end and the fire begins. The whole thing is long up to the feet.
The color of his tail depends on his emotions, in arousal the shades change between red, orange and white when he cums (so usually).
Asmodeus asked Beelzebub to give Phenix a piercing at the base of his tail. Beel could not agree, because he was not his citizen, but under his watchful eye, Asmo did it himself and put a padlock on Phenix, thanks to which his tail does not burn inanimated objects.
Phenix can actually regulate whether his tail will burn someone or not, but he's too excited to consider such things.
Perfect for fighting. Angel feathers smell beautiful when they burn. In addition, severed limbs can be burned to prevent the enemy from bleeding out too quickly.
When not excited, his tail curls up and is much smaller and about the size of Stolas. At least that's what Morax said. No one else can confirm or deny.
Sensitiveness ?/10. How do you want to touch the fire? 
In fact, you saw that a one person can touch Phenix's tail whenever he wants. But Asmo is a mean bastard and all you will hear from him is "try it yourself".
In bed it can only be used as a night lamp. At least until you teach that little bird to keep his emotions in check (good luck).
Ronove
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Calf-length, very hard, covered with stone-hard skin, with a ball the size of a fist at the end. Morningstar, actually. Dark, gray skin, rough. He actually has patches like a dinosaur. 
The spines are long, sharp and hooked at the tip. They will tear out a piece of meat if they get stuck. 
Can retract spikes. He controls them much better than Phenix controls his flame. When you're dealing with just the ball, it's very nicely slick and in the right shape... wait, that should have been at the end.
When he was younger and Asmodeus told him to shut up, he put his tail in his mouth. Now it's a bit too big. You can lick it too... wait, yes, at the end. Again. Oops. 
Perfect massager. Heavy enough that you can feel it running along your back and shoulders, but not overwhelming.
Sensitiveness 7/10. He loves playing with his tail when you are together. The tip and base are the most sensitive. Play with them, but not too gently, spankings and whips are most desirable.
Rough skin is perfect for grinding. Besides, he'd love to see it.
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…well, we know about one more figure from this country. And I have an unhealthy obsession with him. He's so hot he burned a hole in my brain, and he isn't even out yet. We only know his appearance from Love Unholyc, but just let's have some fun, I'll try to fit him something. We'll see how this post ages lol.
Asmodeus
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Scorpion tail. As thick as his arms, black as his hair, hard and shiny, with a sting at the end.
At first, his tail is confused with Beel and vice versa. In fact, they are two completely different things. Beel is much more flexible and thinner, while Asmo is larger and harder.
He likes to sit on a chaise-longue-like throne in a brothel-looking hall, hold you in his lap, wrap his deadly tail around you, and watch Dantesque scenes at his feet with his queen by his side. The only thing missing is popcorn.
Like his hair, the tail is wrapped in barbed wire. Normal devils would prefer it had some sort of cover on it. The other kings wondered whether they should really do one to him.
Of course it's poisonous. The only antidote is to drink milk from his horn. If you don't please him, he will sting you to try harder. He likes watching you fight for your life…
...but he will never lose himself enough to do real harm to you. I mean, kill you. He will detoxify you long before you pass out.
By the way, do I need to mention that this poison is the strongest aphrodisiac in hell?
Sensitiveness 4/10. As opposed to being the embodiment of lust, his tail is used for fighting rather than caressing.
Yes, he will try to put his stinger in you. No, this is not a good idea. Of course he knows it, but he loves the horror and outrage on your face.
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ectonurites · 1 year
Note
Now that we’re halfway through it what are your thoughts on Kon’s solo?
I've been enjoying it! I think it's been fun so far—I do think that letting Kon have a story where he's out on his own just doing a classic little adventure like this rather than... something super tethered to the greater DCU/its continuity messes is refreshing after the last few years he's had.
Like I definitely don't want him isolated from all his friends in space forever or anything like that, but I think him getting to do this on his own right now is cool. I think the thing Porter seems to be going for with Kon 'chasing after the glory days'/trying to find some shred of his old life to cling onto (even if it's just a space imitation of it) is definitely interesting and like... makes enough sense to me for him and where he's at after The Everything.
I just gave this 'how Kon has changed across the eras' post of mine from a while back (fall 2021, so written shortly after the whole Suicide Squad Match Ordeal™) a re-read and something I was talking about at the end was how after all the experiences he's had he has looped back around to embracing aspects of his old self (that he'd been pushing away for a long time because of 2000's-era Trauma And Angst) and I think this current book is definitely like, playing with that.
What I was talking about in that post ended mostly after YJ 2019 though—his state of mind at that point being more or less 'okay I'm back now let's goooooo!!!!!' before The Horrors of realizing he came back to a world that really had moved on without him for years really set in. Like, he knew about that by the end of YJ 2019, but I think he needed to sit on it for a bit and see it firsthand... also even though I know the book was a mess and not well received, I think we should still acknowledge Dark Crisis: Young Justice—where he got a firsthand taste of the olden 90's 'I hadn't died yet, I hadn't disappeared yet, I hadn't been replaced yet' days in Mickey's dream world. After experiencing that and getting some reality checks from the rest of the team, he knows he can't seriously just go back, you can't go back to the past like that... but...
The new understanding of himself he'd achieved just before/while stuck on Gemworld—where we saw he was making active choices about who he's gonna be based on what he wants rather than Clark-based expectations or anyone else's input, and where he was rolling with the changes and circumstances that had been thrown at him—has been thrown SERIOUSLY out of whack!
So rather than it being that 'he's returning to aspects of who he used to be while incorporating the experience and maturity he's gained along the way over the years' situation from YJ 2019, it's started warping into 'he's regressing back to the safety of being the Metropolis Kid/his 90's era self just out in space this time so TECHNICALLY it's DIFFERENT'. Which I think is an interesting approach! And him acting completely and totally in denial of that being what he's doing (even though it's clear he knows damn well it is) is also totally in line with classic Kon—thinking back to the Young Justice (1998) #7 camping trip LMAO.
But like, the thing is, Superboy: The Man of Tomorrow #1 started with an editor's note clarifying it takes place before Action Comics #1051 which began the new family-focused era of the book... that Kon is very obviously present for.
So we already know he's gonna figure out that there is a place for him back on earth and that he doesn't need to completely regress and try to relive his past somewhere else, he can just be himself and carve out his own path at home and have a place within the family. We're not stuck guessing about what Kon's fate is gonna be after the fact—instead, this book gets to focus on this journey he's going through and we're along for the ride to see how he's gonna finally reach that conclusion! Which is fun!
Anyways, that was a lot of word dumping—Kon just gets me going man, you know he always does—but in conclusion: I'm enjoying the book overall, it has definitely kept me as a Kon fan engaged, and I'm looking forward to seeing where it goes!
+ as much as ideologically I am opposed to DC Round Robin, I'm definitely (at this point anyways) glad that this book got to exist.
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starsreminisce · 3 months
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Before HOFAS Elriels claimed Elain will play a major part. Plus SJM said this book will set the future ACOTAR book.
After HOFAS came out, it was obvious that Elain didn't make an appearance. Some Elriels continue to argue the book points out to Elain's book. . . However Az had A MAJOR part it the book. I believe he deserves HIS story to be told.
Az definitely deserves to have his story told, and I believe that Elain isn't the right person for him to share it with.
SJM tends to follow a formula that works well for her. She often pairs characters who have experienced trauma, allowing them to relate to each other and help each other heal.
To me, it seems that SJM isn't overly concerned with how one character feels about another, as the plot is the primary focus. Throughout her books, she has portrayed pairs that start at opposite ends of the spectrum and end up in completely different places. What matters to SJM is how well-matched and similar her planned couples are. She's not necessarily changing her formula; rather, she's now emphasizing why Gwyn is perfect for Az and why Lucien is perfect for Elain, something that was lacking in both ToG and CC
The main takeaway from the series for me is that both Cassian and Rhys have reached a level of self-assurance where they can accept their own flaws. It's simply a matter of finding someone who can accept them for who they are.
It's significant to note that both Cassian and Rhys have expressed their fears but haven't shied away from sharing them with their partners. Az explicitly states in his BC that he's afraid to open up to Elain, and I don't believe it's Elain's responsibility to reassure him. That's something Azriel needs to work through on his own.
The dynamics between Azriel and Gwyn are different. Azriel refrains from touching Gwyn not because he fears tainting her but because he's aware of her discomfort with physical contact. He finds solace in Gwyn's presence and is less focused on his insecurities when he's with her compared to when he's alone with Elain.
Azriel's behavior towards Gwyn aligns more with mate behavior. He constantly considers her comfort, abilities, strengths, goals, and reactions, which was lacking in his interactions with Elain.
HOFAS spoilers ahead
We have ample evidence that Az is refusing to embrace his Illyrian heritage, only to discover that the Illyrians rebelled against the Daglans, and he wields the weapon of the Illyrian who led that rebellion—a figure now idolized and memorialized. This revelation is a tremendous burden for Az to bear, especially considering his struggle to see any merit in being Illyrian.
This is a unique struggle that Elain doesn't share. Despite her transformation into a fae, she doesn't exhibit resentment towards her new identity, as evidenced by her active involvement in aiding fae readjustment post-war, similar to Lucien's efforts with humans. Both Elain and Lucien initially harbored prejudiced views towards each other, yet they've both made strides in overcoming these biases.
Elain's main challenge lies in grappling with her mating bond, a struggle Az can't fully comprehend given his intense desire for such a bond. Lucien, on the other hand, was willing to wed without a bond, highlighting another difference in experiences.
While Lucien also deserves to have his story told, it's evident that SJM is currently emphasizing Az's narrative. This suggests that Azriel's journey is distinct from Elain's.
Az deserves to have his story told alongside someone who truly understands him, someone who has decided to step out of the shadows despite the comfort they offer and who comprehends his struggles, particularly regarding his hands.
As for the timing of when to tell Azriel's story, that's a discussion for another time. As a strong supporter of Elucien, I believe Elain's absence in HOFAS indicates that their narrative is next in line to fill the gaps between Nesta's ability to remove the mask to save Feyre and Azriel's need for her to list those she loves.
Nesta's relationship with Elain has yet to fully mend, unlike the understanding reached between Nesta and Feyre by the end of ACOSF as demonstrated by Feyre's support in HOFAS.
Therefore, the question of whose story comes next remains uncertain for me, but fortunately, we won't have to wait long for the next announcement.
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miradelletarot · 5 days
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What do you think Gale's standard sleep wear is? Pre- tadpole and post. Like yes we love his cozy velvet PJs but that just seems like lounge wear. Is he a pants no shirt? Full matching PJ set? Just undies? I'm thinking a lot about this.
OH! I have actually thought about this a bit! I HC that Gale is actually a very hot sleeper (heh). So, he either sleeps in just his Netherese briefs, or loose sleep pants. Something soft, and light. He would prefer to sleep on the cooler side, likely with a fresh breeze blowing in through the windows, or some other way to keep the temperature mild in his room at night.
Of course, that means that when he gets cold in the middle of the night, he is completely COVERED in a pile of blankets and pillows...and then wakes up sweaty, hair completely disheveled, and mouth sticky and dry *because* he was covered up so much. Now, post-tadpole, I think he still does this, but with Tav next to him? He cuddles up to them instead, and loves being tangled up with them whether for comfort, warmth, or some measure of intimacy.
He's still quite the blanket thief, but I think he's a bit more careful once Tav is around, perhaps even going so far as to have a separate blanket so he doesn't steal Tav's blankets in his sleep.
Whether he's pulling an all-nighter doing research, or on a semi-regular sleep schedule, he's quite the restless sleeper. So much energy, and thoughts on the world around him that his body just won't stay still.
Tav (or Tara) snuggles make his rest a lot less tumultuous though.
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mixelation · 9 months
Text
reborn au notes 2 self, chunin exam edition
on kushina: i want to write her as a badass, but in light of the recent minato oneshot, i've decided that while she is a badass, she was actively kept from the frontlines of the third shinobi war because oooh ahhh our precious jinchuriki!! so she's not actually like... very well known internationally. so what this means
both itachi and deidara are like "well if she was any good i would have heard of her" and then ideally both of them would have separate "oh god what the fuck what the fuck WHAT THE FUCK" moments because actually she has an OP bloodline limit, is a fuinjutsu master, and has insane chakra/stamina. and this is BEFORE you factor in the fox
iwa denies minato entrance for the chunin exam tournament despite it being traditional to host foreign kage because they're terrified of him planting a hiraishin seal. they're then iffy about letting his wife in with fuinjutsu supplies. but they too are like "well if she were worth knowing about, we'd have heard of her"
on kisame/mangetsu: i forgot i pitched the idea of kisame being there to babysit bby mangestu entering??? i think i'll keep this element. nothing i post on tumblr is "set in stone" but this change probably wouldn't affect the written pieces very much. so the tourament is
First round:
Tori vs Some Chump (opening match -- expected to be underwhelming and supposed to give people time to find their seats -- Tori finishes it in less than 30 seconds)
Itachi vs Kurotsuchi (Itachi wins)
Deidara vs Some Chump (Deidara wins)
Mangetsu vs Some Chump (Mangetsu wins)
Second round:
Tori vs Itachi (Itachi wins but in a complete reversal of her previous match, Tori draws it out)
Mangetsu vs Deidara (Deidara wins but the bloodline limit is ANNOYING)
Final: Itachi vs Deidara (Itachi wins)
i'm not 100% what mangetsu at 13's personality would be, but i like the cracky idea of of him having a weird little crush on tori. mostly because i think it would make both her and kisame like (INTERNAL ALARM BELLS GOING OFF) but also for plot reasons*
tori: idk what to do i've only ever had weirdos be attracted to me???
deidara: only weird-- tori he sneezed too hard and turned into a puddle. he IS a weirdo
*basically i'm toying with the idea of tori going SOBBING to mangetsu that iwa kidnapped her mentor, because kisame will report to kiri that they did this, but mangetsu's more emotional testimony will sell it to kiri. i decided with the piece i just posted that it makes more narrative sense for tori to pull herself together and make moves on a plan rather than waiting for deidara and itachi to solve it for her. so she's like: okay, im confident we can get to her, but how do we prevent a fourth war in the event iwa decides to claim WE attacked first? witness from another village. okay here i go~~
kisame has no personal stakes in doing anything about kushina or their mission so he's not going to physically help with that, but he does consider itachi his ally so he'll happily go and tell the mizukage that he was presented with strong evidence that iwa tried to hold the hokage's wife ransom after she and her team diligently obeyed all their stupid rules....?
on the hiraishin seal that the utano** clan picked up at the very beginning when tori was 4: originally i had the idea she'd use it to take down oto somehow. like she gets her hands on it and chucks it around until minato comes to check it out or something. but instead i decided it's better if she just figures that out on her own. although NOW i'm debating if she leaves the hiraishin seal out in the open in the hopes konoha comes ot check it out and take care of any degs for her. <3 the consequence of this is that she's on minato's radar before they ever meet, but i'm noooot sure i like this
either way i think i'm going to use it to very slowly foreshadow hiraishin!tori. but also maybe. out of spite, and because she spent a lot of time studying one when she was a kid.... she paints a couple hiraishin seals in iwa as payment. as a little treat <3
(this is NOT the most politically savvy move so even if minato privately thought it was funny, i think he's reprimand her. even when she's like "no i ARRANGED for kiri to back us up, they're not going to do anything because they CAN'T." but alternatively maybe she writes a note that she hid one.... can you find it? <3 <3 <3)
**i know i originally wrote it as "uta" but "utano" looks more like a name so i'm changing it lmao
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jicklet · 10 months
Note
Oh no I forgot you ship Ted/Becca.
😆 Hi anon! I hope this doesn't ruin your day or anything, whomstever you are. If you don't ship it or ship something opposing or whatever's your bag, I'm sure we can still be friends, or whatever we are.
But I've been mulling this all over since the finale, and this is a good excuse to get my thoughts out. Because I come from ye old timey shipping days of "the idea of them together is cool, regardless of whether it happens or not." so that wasn't really my problem with the ending.
Here are the things that are true:
I really like themes and parallels. I like connecting dots and finding connections and all that jazz
The number of themes and parallels they set up between Ted and Rebecca was delicious and very fun for me.
My reaction to the finale is less upset than it is frustrated and confused.
My frustration isn't purely 'they didn't get together romantically so it sucks.' I had started making peace early S3 with realizing it probably wasn't gonna happen
I am frustrated because I wanted all those bits of cool narrative shit they laid out to Do Something
I am frustrated because it feels like Ted and Rebecca have had very few emotionally connected scenes since season one, and what's the point of parallel journeys and soulmateism if their journeys are going to stay so parallel and not join up more, and then just apparently diverge completely
And on the apparent diverging, I don't love it but it would have sucked less if their lines just matched up more in the middle! That could be poignant! But as is, it's more disappointing than tragic, because whatever potential was there wasn't almost realized and then lost, but instead just... never really approached. It feels wasted.
The show did not owe us them getting together, but what it did give us, I found unsatisfying. That's just a bummer, man.
Forgive me this metaphor but I cannot find a better way to put it: I am frustrated because I feel like I got ridden for 3 seasons while they went 'just wait it'll feel so good' and then they were like 'are you ready?' and then just hopped off and left.
I am confused because at the end of their story, I cannot figure out what I am meant to be feeling about it.
Again, I didn't need them to get together romantically, they totally could've found some other way to make it satisfying! But. Ted and Rebecca getting together romantically would have also tied it up in a lot of ways that worked and made the narrative satisfying.
Having a romance arc that works with their character arcs and the themes they've built on is just really cool as a story.
Obviously all that parallel journey stuff would've actually been leading them somewhere, ie to each other, yay woo
And not to each other just because they've been through similar shit, but because, as that last post said, among a lot of other reasons, they've been set up well to be what the other person needs.
Romance is not the be all, end all. But:
Ted and Rebecca both want to be in love with someone, someday.
Here is someone who already understands and balances and supports them.
Like, that's awesome. Is that not the qualities you want for them in a future romantic partner?
I can't see how it diminishes their friendship if it caries on very similar to it has been, just like, sometimes they smooch. Maybe I'm just too demisexual for this idk
Boat guy. I like boat guy, but he's a chiller version of Ted. I can't find that post that points out all the parallels there, but that episode by the time we got to Kenny Rogers I was like. Uh. Hm.
It's confusing to have boat guy have a beautifully intimate evening with Rebecca, all the while having so many specific details similar to Ted, and then just act like romantic Tedbecca is a wild, character-ruining concept.
Because the show ends with Ted leaving and Rebecca miserably walking out of the airport and straight into proxy-Ted. I have no idea how to feel about that.
I could keep going, but I'm about out for now, so uh. Woe, wasted Tedbecca potential be upon ye~
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firstkanaphans · 5 months
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hi, I was wondering if we'll get another firstkhaotung series in the future, do you think they still enjoy working together? or maybe they're sick of each other already? sometimes I feel like they look tired of being around one another ://
I honestly can’t tell if this is a troll or not because this is the most ridiculous thing I’ve ever heard 😭 Anon, Khaotung posted these pictures literally today.
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It was like he knew First was out of the country so he just went ahead and completed the lovestagram himself. And even though First is on vacation with his family, he still replied in less than five minutes (by telling Khao he should join them in Japan because his mom wants to see him).
No way they’re tired of each other—although they may simply be tired since GMMTV has them jet-setting off to a different country every weekend and then participating in sportsball events instead of, you know, acting. But they’re both on vacation right now, so hopefully they’ll come back well-rested.
My question isn’t whether they’ll have a series together next year, it’s whether they’ll have any series at all. Because if they have a series, it’s going to have to be together since them and PerthChimon are the only pairs who don’t actually have anything on the books yet. I guess they could mix and match those 4 but I don’t see that happening either 😂
These are the boys who start crying anytime you mention them possibly not being able to work together in the future. These are the boys who told each other “I want to build a house with the same fences as you” and “if you find someone else, forget about them and stay with me instead.”
Aside from maybe MosBank, I don’t think there’s a more stable CP in the industry and the only reason MosBank edges them out is because I’m like 98% sure they’re legit married. I truly don’t think we have anything to worry about 🙏🏻
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she-posts-nerdy-stuff · 4 months
Text
Six of Crows Fan-Written Script
Okay so I haven’t done a great job up until this point of actually separating this into clear scenes so I’ve gone through and corrected that and part 4 is the very end of scene 3, all of scene 4, and the start of scene 5. I’m wishing that I’d put better thought into this from the start so I could’ve posted a scene at the time but unfortunately I didn’t have enough foresight for that so I guess we’ll just have to see how it goes and hopefully at least by episode two I’ll have a more sensible structure going on
As usual: Be warned I've taken a little artisitc licence (eg inserting a reference to my personal Anya headcanon in the opening part) but most of this is direct quotes/takes on direct quotes - and also I've never written a script before so my formatting is my own made up method I hope it makes sense. I’ve had to make some strides away from the book in order to match Show!canon but I’m trying to remain as true as possible. Thanks so much for reading and I hope you enjoy! ❤️
Recap: The last part ended with Kaz and Inej having a conversation after leaving the exchange, with Inej leaving after she said “Men mock the gods until they need them, Kaz”
Also: sorry if there are spelling mistakes in names I’m working mostly from audiobooks because neither of my copies of the books are with me right now
Episode One - Part 4
[KAZ shakes his head, then keeps walking. After a moment he raises his head again, aware he once more isn’t alone. He glances around him briefly, then cuts down a dark alleyway alongside a canal. The scene suddenly darkens as there are no street lamps along this new road, the water of the canal is murky and the yellow reflection of the moon can be seen broken across its surface in between small boats bumping against their moorings as they bob with the movement of the water. KAZ seems to relax once more. A shadowed figure appears ahead of him]
KAZ: What business?
[The figure lunges towards KAZ. He swings his cane towards the attacker and the camera moves in close to the moment that should have been contact - the cane passes straight through empty space that a moment ago was the attacker’s legs, and KAZ stumbles forwards as his momentum pushes him. He rights himself and looks up to discover he’s face-to-face with the attacker. The attacker punches KAZ in the jaw and the camera follows his movement as he falls back then swings his cane around again - only to empty space. The cane hits the wall and then is torn from KAZ’s hands. The camera movements are choppy and confusing, remaining focused on KAZ and showing little of the attacker - we essentially see what KAZ sees: a ghost. A figure steps through the wall - appears as mist and then slowly forms itself into a silhouette wearing a hooded cloak, only the edge of the figure’s face visible in the low light - and KAZ stumbles backwards, terror written across his face. The camera moves close on KAZ’s face as he panics, turning in every direction until a needle is seen being inserted into the side of his neck. His eyes roll, then close, and he collapses out of frame as the screen fades to black]
SCENE FOUR
[THE CROW CLUB. The club is busy; there are patrons at the bar, players at every table, people shouting and jeering. The camera follows the hand of a dealer spinning Makker’s wheel; players shout their joys and sorrows as it lands, completely oblivious to INEJ slipping past them. The club’s patrons are all brightly coloured, a few in the crowd even wear the masks of the Komedie Brute though that’s less common here than on the other Stave, but INEJ is the opposite. The camera watches her from above, moving silently and unimpeded through the crowd, she is an inkblot crossing the bright tapestry. When she stops at a card table the camera moves down through the scene to level with her, and turns to Jesper and two Ravkan tourists sitting at the table. The dealer at the table is ROJAKKE, moving quickly and impressively as he sets up the hand. JESPER is glad to see INEJ. It’s fair to assume she’s spoken to him since her return to the city and he was unfazed by her appearance at the Exchange tonight, but he feels a distance between them that he desperately wants to close. As she approaches, he smiles up at her over his shoulder and references his cards]
JESPER: What do you think?
INEJ: You know exactly what I think
[JESPER looks away. He was trying to emulate the closeness he feels they’ve lost and now fears he had inadvertently made things worse. INEJ turns to ROJAKKE as he finishes handing the final cards of the hand to the tourists]
INEJ: Rojakke, I need a private word - walk with me?
[He frowns but nods, excusing himself from the table and following INEJ towards the private gambling parlours at the back of the club. JESPER glances over his shoulder at them, then shrugs and places two cards onto the table. The tourists play their hands and JESPER grins triumphantly, leaning in to take his winnings when he is suddenly interrupted by ROJAKKE yelling as he marches back into frame - INEJ hurrying after him]
ROJAKKE: It’s not fair - I ain’t no cheat!
[JESPER gets to his feet and the camera follows his steps across the room towards INEJ and ROJAKKE]
INEJ, much quieter: Take it up with Kaz
JESPER: And keep your voice down, you’ll scare off the pigeons. There’s no fights on the Crow Club floor, you know that
[ROJAKKE sneers]
ROJAKKE: Where even is Brekker?
INEJ: I don’t know
[There is genuine concern in INEJ’s tone and she glances at the clock on the wall behind her as she speaks - KAZ has already been gone longer than expected]
ROJAKKE: You always know everything about everything. Isn’t that what Dirtyhands pays you for?
JESPER, murmuring: Not anymore
[INEJ silences him with a look]
INEJ: I don’t know where Kaz is and I don’t know when he’s getting back, but I do know that you won’t want to be here when he does
ROJAKKE: Give me my cheque. I’m owed for my last shift.
INEJ: Brekker doesn’t owe you anything
ROJAKKE: Can’t even face me himself - sent a little girl to gimme the boot. Maybe I’ll just shake a few coins out of you
[ROJAKKE reaches out towards her but he’s slow and has clearly been drinking. INEJ dodges him easily and the camera catches her slipping her fingers into a pair of brass knuckles as she moves. JESPER steps forwards but INEJ shakes her head, then turns and punches ROJAKKE in the face. Use the movement to transition into Kaz’s head movement in the opening of the next scene]
SCENE FIVE
[HOEDE’S OFFICE. Use the sudden movement of ROJAKKE’s head when INEJ punches him to transition into the sudden movement of KAZ’s head at the opening of this scene as a hood is pulled off him. KAZ is tied to a chair in a plush office; mahogany panelled walls with decorative carved shapes, including waves and the three flying fishes of Kerch, grand bookshelves, and an oil painting of a woman with a book open on her lap and a lamb at her feet (with a small but notable signature in the corner says ‘DeKappel’ and possibly a plate on the frame as well to prove its authenticity) are notable features of the set. At first the camera remains focused entirely on KAZ so we cannot see who he is with; someone behind him has removed the hood but they aren’t entirely in frame. KAZ has clearly taken an injury from the fight and there is blood on his face; whatever he was injected with has had him knocked out for an unclear amount of time and he is struggling to right himself. The camera pans back slowly to reveal a MEDIK crouched in front of KAZ, moving forwards to wave a small linen pouch (wolf salts) beneath KAZ’s nose. KAZ shoves back from him as far as his restraints will allow, attempting to kick at the MEDIK but unable to move his legs]
KAZ: Get away from me
[The MEDIK looks at KAZ with distaste as he slips the wolf salts into a small leather container and returns them to his bag. KAZ looks around him with veiled confusion; he expected to wake up in the den of a rival gang but instead is in the plush surroundings of a merchant’s house. The camera moves slowly around the room to introduce us to the scene just as Kaz is: he notes the armed members of the stadwatch at the door, the act that the painting is a genuine DeKappel, and as the camera rotates a broad hardwood desk is revealed, behind which VAN ECK is seated. VAN ECK appears more than simply prosperous. He’s in his forties, has a gaunt air about his face, and has a distinctly receding hairline. His outfit is noticeably similar to KAZ’s and distinctly different from the common trappings that have been seen in the Barrel. He leans on the desk studying KAZ, trying to hide his eagerness and not doing a particularly good job of it]
KAZ: What business?
[VAN ECK appears to be ignoring KAZ. He nods at the MEDIK]
VAN ECK: You may go. Please send me you bill - and I would of course appreciate your discretion
[MEDIK exits. VAN ECK stands and collects a sheath of papers from the desk and the camera cuts close to focus on the gold laurel leaves that make up the fob of his pocket watch and the large, perfect ruby on his tie pin]
KAZ: Van Eck
[It is clear he would have preferred to say something quite different. VAN ECK nods]
VAN ECK: You know me, then
KAZ: I know of you - the Red Laurel crest. You’re one of those merch crusaders always trying to clean up the Barrel
VAN ECK: I try to find men honest work
[KAZ laughs]
KAZ: What’s the difference between wagering at the Crow Club and speculating on the floor of the exchange?
VAN ECK: One is theft and the other is commerce
KAZ: When a man loses his money, he may have trouble telling them apart.
VAN ECK: The Barrel is a den of filth, vice, violence-
KAZ: How many of the ships you send sailing from the Ketterdam harbours never return?
VAN ECK: That doesn’t-
KAZ: One in five, Van Eck. One out of every five vessels you send seeking your fortune sinks to the bottom of the sea, crashes on the rocks, falls prey to pirates. One out of five crews dead, their bodies lost to foreign waters, food for deep sea fishes. Let’s not speak of violence
[VAN ECK is clearly affronted - and clearly trying to hide it]
VAN ECK: I won’t argue ethics with a strippling from the Barrel
[The camera cuts to KAZ’s fingers feeling as far along his chains as he can, subtly adjusting the position of his wrists]
KAZ: Well, if you didn’t bring me here to philosophise: What business?
VAN ECK: I have a proposition for you - or rather, the council does
[KAZ veils his surprise]
KAZ: And does the Merchant Council begin all negotiations with a beating?
VAN ECK: Consider it a warning - and a demonstration
[KAZ frowns, thinking of the way the figure appeared and disappeared like a ghost. He is trying to make himself stop thinking of ghosts]
KAZ: What possible use would the Merchant Council have for me?
[VAN ECK studies the papers in front of him, reading and looking over the top of the page at KAZ as he speaks]
VAN ECK: You were first arrested at ten
KAZ: Everyone remembers his first time
VAN ECK: Twice again that year, twice again at eleven. You were picked up at a gambling hall a few years ago and there was a warrant for your arrest six months ago - but you were found to be incorrectly charged, and haven’t served any time since you were fourteen?
[KAZ grins, shrugging]
KAZ: I cleaned up. Found honest work. Live a life of industry and prayer
VAN ECK: Don’t blaspheme
[VAN ECK’s eyes flash briefly with anger and KAZ notes it - he is keeping track of everything he knows about VAN ECK so far. He’s prosperous, pious, a widow recently remarried to a bride a similar age to KAZ, and there’s a mystery surrounding his son. VAN ECK continues to flick through the papers. As the conversation continues the camera moves between three positions: focus on KAZ, focus on VAN ECK, and a side view showing both their profiles backlit by the window]
VAN ECK: You run book on prize fights, horses, and your own games of chance. You were floor boss at the Crow Club for two years-
KAZ: Still am.
[VAN ECK frowns, looking between KAZ and the papers]
KAZ: We’ve reopened
VAN ECK, continuing as though Kaz never spoke: You’re the youngest to ever run a betting shop and you doubled its profits in that time. You’re a blackmailer -
KAZ: I broker information
VAN ECK: A con artist
KAZ: I create opportunity
VAN ECK: A bawd, and a murderer
KAZ: I don’t run whores - and I kill for a cause
VAN ECK, distastefully: And what cause is that?
KAZ: Same as yours merch: Profit
VAN ECK: How do you get your information, mister Brekker?
KAZ: You might say I’m a lockpick
VAN ECK: You must be a very gifted one
KAZ: I am indeed. You see, every man is a safe, a vault of secrets and longings. Now there are those who takes the brute’s way, but I prefer a gentler approach: the right pressure applied at the right moment, in the right place. It’s a delicate art
VAN ECK: Do you always speak in metaphors, mister Brekker?
[KAZ smiles widely]
KAZ: It’s not a metaphor
[KAZ jumps up from the chair and the chains clatter to the ground behind him. He leaps across the room towards the desk, snatching a letter opener with one hand and grabbing VAN ECK’s shirt with the other. He presses the blade against VAN ECK’s throat. KAZ is noticeably slower than usual, groggy from the injection and with no access to his cane, but he can still easily get the better of VAN ECK and the stadwatch officers in the room- and he is immediately more comfortable now he’s holding a weapon. The guards turn to him with weapons raised, a mixture of guns and swords]
KAZ: I don’t think I need to waste breath on threats. Tell me how to get to the door or I’m taking you through the window with me
VAN ECK: I think I can change your mind
KAZ: I don’t care who you are, or how big that ruby is, you don’t take me away from my own streets and you don’t try to make a deal with me when I’m in chains.
VAN ECK, calling towards the door: Mika
[A figure walks through the wall of the office in the same format of dissipating and reforming from mist as the figure in scene three and becomes a young boy, MIKA, in a slightly faded Tidemaker’s Kefta with a red laurel crest pinned to the lapel. He is clearly ill; his cheeks are hollow, there are large dark circles beneath his eyes, and his face is paled. KAZ panics - he thinks he’s hallucinating from some kind of drug Van Eck has given him]
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call-me-a-simp · 1 year
Text
Heal My Wounds
Talk It Out (part 29)
Rhea Ripley x Reader
Tw: physical and sexual abuse, toxic relationship, selfharm, eating disorder
Summary: You are in a toxic relationship with an abusive man but manage to run away. A tall, black haired woman picks you up from the streets just in time so your ex doesn't get you. But who is she and why does she seem so familiar to you? As you get to know each other you start to notice weird feelings you never had before whenever she's around.
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The following day you wake up, finding yourself snuggled into Rhea's chest. "Good morning beautiful" Rhea whispers and kisses the top of your head.
You groan a little, not liking the fact that you were just pulled out of a nice dream. "God morning Mami" you yawn without even realizing what you just said.
"oh so you're finally calling me Mami" Rhea teases you straight away. "Ugh God stop it I'm tired" you complain. She giggles and settles back into the bed letting you get comfy on her again.
"When is Dom picking you up today again?" your girlfriend asks. "ten" you mumble. "Oh that's funny because it's already 9:30 you know" she surpresses a laugh.
"WHAT?!" you shoot up "Why didn't you wake me earlierr?" you cry and Rhea finally let's out her laughter. You punch her lightly and then hurry to get out of bed.
Strange, you don't remember going to bed yesterday. Last thing you knew is you were laying on the couch watching a film together.
Now's not the time to think about that! You remind yourself. You gather your clothes and step in the shower, completely ignoring the fact that you didn't even close the door to the bathroom properly.
Who even cares? It's not like she hasn't already seen every single part of your body.
"I'm making breakfast, what do you want?" Rhea calls from outside. "Thanks but I'm not hungry" you respond. You hear her sigh and walk away, knowing very well she's gonna make you something anyway.
About 20 minutes later you're ready and even ate a little just to please your worried girlfriend. The doorbell rings and she let's Dominik in.
"Ain't y/n ready yet?" he questions. "she is but we need to talk first. Rhea replies." "You're making it seem pretty serious, is everything okay?" Dom nervously chuckles.
"Ehh.. More or less" she says and follows him to the kitchen where you're already waiting, anxiously fidgeting with your fingers and picking the skin around your nails.
The two sit down, he in front of you and she next to you, trying to calm you down by taking your hand in hers.
"So, listen Dominik" Rhea begins. "y/n told me that yesterday, as you two were taking a break from shopping, you held her hand and were more touchy than usual which made her a little uncomfortable and she doesn't know if you meant it in a friendship or romantic kind of way, so we need to talk it out!"
"Oh boy, hey I'm sorry y/n" Dom chuckles and immediately releases the tension he held just a few moments earlier.
"I didn't mean to make you uncomfortable in any way, I thought you wanted to, as you were the one to take my hand. Is was just an offer from my side, I wouldn't have been mad if you declined it." he sets up a warm smile.
You relax a little and exhale a shallow breath, nodding slightly as you do so. "Okay Dom Dom, thank you" you smile back, your voice being pretty quiet.
Rhea turns to you as she speaks again. "are Liv and Raquel coming today actually?" "nah they didn't have time, got some matches, you know the drill" you wave it off.
"okay, I think you two should get going then hm? But this time you won't walk outta there without the perfect dress, you got me?" she dares you and raises an eyebrow at Dom.
"Ye ye Mami, see ya later" he laughs at her and you follow him outside, giving Rhea a quick kiss on the cheek as you walk past her. "Thanks" you whisper and earn a wink from her.
---------------------------------------------------
Little shorter than usual but I'm so freaking tired and exhausted, but still force myself to post at least every second day.
Anyway, happy Pride Month y'all! I'm kinda proud that it's the same month as my birthday haha
Taglist:@babybatlover @legit9thlunaticwarrior @thatonepansexual2000 @nox-fire
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asimplearchivist · 22 days
Text
𝓐 𝓦𝓲𝓼𝓱 𝓕𝓾𝓵𝓯𝓲𝓵𝓵𝓮𝓭
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𝐂𝐇. 𝐈𝐈 𝐨𝐟 𝐓𝐇𝐀𝐓 𝐏𝐎𝐈𝐒𝐎𝐍, 𝐑𝐄𝐂𝐎𝐍𝐂𝐈𝐋𝐈𝐀𝐓𝐈𝐎𝐍. 𝐏𝐚𝐫𝐭 𝐕 𝐨𝐟 𝐈𝐍 𝐓𝐇𝐄 𝐌𝐎𝐑𝐍𝐈𝐍𝐆 𝐋𝐈𝐆𝐇𝐓.
[𝓪𝓼𝓲𝓶𝓹𝓵𝓮𝓪𝓻𝓬𝓱𝓲𝓿𝓲𝓼𝓽'𝓼 𝓶𝓪𝓼𝓽𝓮𝓻𝓵𝓲𝓼𝓽] [ 𝐏𝐎𝐊𝐄𝐌𝐎𝐍 𝐌𝐘𝐒𝐓𝐄𝐑𝐘 𝐃𝐔𝐍𝐆𝐄𝐎𝐍 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ] [ AO3 | SPOTIFY | PINTEREST ] summary ✨ ⤏ meeting a mythical isn't as novel as it used to be, but it still has its benefits. pairing(s) ✨ [tba] word count ✨ 3.3k a/n ✨ [header credit] | [divider credit] ⤏ this took way too long to finish, but the great thing is that I have to write one more chapter before I can post a couple that are already prewritten. maybe I can stay ahead after that point. :) I promise we'll get into the meat of this soon, and I hope y'all enjoy! ✨ MASTERPOST ✨ ✨ PREVIOUS CHAPTER ⤎ ✨ ⤏ NEXT CHAPTER ✨
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“This is it?”
Lu lowered the Wonder Map so Eliana could squint at it. “…Yes. It matches the description that Bidoof gave us. I double-checked the old tomes in the Guild this morning while you ran our errands to make sure I had the right location. This is it.”
“No wonder so few have stumbled upon it,” Lu murmured, gazing into the narrow cave entrance with no small amount of trepidation as he rolled the map back up and stored it securely within their prepacked Treasure Bag. “With all the foliage growing around it, we almost walked right past it.”
“It’s not the worst place we’ve had to explore, though,” Eliana pointed out. “And if Bidoof was able to traverse it with relative ease way back then, it shouldn’t be too difficult of a challenge for us now.”
“Not accounting for Jirachi’s temper,” Lu responded quietly.
Eliana glanced up at him, frowning. “Are you having second thoughts?”
“What? No1” he said, ears perking forward. “Just—I worry that he might be less inclined to answer our wishes if we’re waking him back up from his nap just a couple of years after Bidoof did.”
“It just means that he won’t be in as deep of a sleep this time,” Eliana replied wryly, curling her tail around his waist in an easier approximation of a hug that she could manage while standing on all fours. “If he doesn’t want to grant us anything, that’s fine. It’s just for the sake of exploration, right? Finding out for sure? It’s not like we have anything really vital riding on this.”
“…Right,” Lu admitted, but the apprehension in his eyes matched his flat, noncommital tone. “Nothing vital.”
Eliana elected not to comment on it. He’d still refused to reveal his wish during the last week they’d spent wrapping up the most pressing of their job list and preparing for the veritable repeat expedition into the Grass Continent’s unforgiving southeastern mountain range, despite her gentle, if curious, teasing. Star Cave was closer to Treasure Town than Mount Horn was, but the journey was not an easy one nevertheless. Their limbs were already achy and sore as they both had grown unaccustomed to traveling such far distances of late, since it had been almost a full year after they’d completed their own personal challenge of exploring the farthest reaches of the map in search of hidden treasure and undiscovered history following their shared, simultaneous evolutions (which Eliana had considered a sort of ritualistic shedding of their old forms and thus the hardships they’d faced before that moment). She figured that they ought to alleviate that—take some time to venture out again before the summer was over, maybe towards the northeast where the weather was cooler. She missed camping, honestly, the peace and quite of the wilderness.
They entered the dungeon with equal parts caution and inquisitiveness. Eliana’s suspicions were correct that the feral Pokémon contained within were manageable between hers and Lu’s advanced skill sets and experience. They faced no issues picking their way down the winding, crystal-illuminated corridors to the pit of the cave, where a large clearing nearly distracted them from the gaping, crumbling hole in the far rocky wall.
“Well,” Eliana remarked, “I suppose that answers the question of whether the deepest recesses are still accessible.”
“I still wonder what Guildmaster Wigglytuff’s parents fed him as a child,” Lu murmured somewhere between awe and intimidation. “It is honestly a miracle we were able to pass the graduation exam.”
“It helps that he was holding back,” she reminded him. “He doesn’t have the heart to hurt anyone he considers a friend.”
They made their way through the lower portion of the dungeon far more carefully, not knowing what to expect around every corner. It grew darker and darker, and their eyes struggled to adjust to discern the shadows from their lurking foes.
The pit of the cave was illuminated around the rim with glowing blue crystals that glittered like starlight, casting an ephemeral hue across the smooth stone floor. Eliana tensed when she spotted a Pokémon hovering in the center over a slightly raised platform shaped like a star. Pale yellow and ivory, with billowing tails and dangling tags…and noticeably awake. Lu stopped at her side, warily watching who could only have been the Pokémon they sought.
“Heyyy!” the stranger chirped, his face crinkling with delight. “I wasn’t expecting visitors! Who are you?”
Eliana and Lu exchanged a glance. They expected outright aggression upon treading into the Myth’s territory, like Bidoof had described. Not…excitement?
“I’m Lucario,” said her partner hesitantly, then gestured to her. “And this is Eliana.”
Jirachi’s eyes lit up. “Ohhh! You’re the pair that restored temporal tower!”
Eliana blinked. “How…how do you know that?”
“Ohhh, there isn’t a Legend in the whole wide world that doesn’t know about you two!” Jirachi crooned, floating over and circling their heads to get a good look at them. “We communicate via telepathy, you know. Uxie, Mesprit, and Azelf told everyone how you stopped time from freezing and knocked Dialga back to his sentences! Not to mention taking that nasty piece of work Darkrai down a peg or two!”
“That’s right. I almost forgot that the Lake Guardians had telepathy,” Lu realized, nodding. “But I didn’t realize that all of the Legends had it.”
“Yyyep! How else do you think we work together to keep the world at peace?” Jirachi giggled, covering his mouth with both hands as he twirled to a stop in front of them. “Buuut I digress! I take it that you came here to have your wishes granted?”
Lu blinked rapidly, peering down at Eliana in shock. “I—yes, you’re correct to say we came here to see you, but…”
Jirach tilted his head. “What’s wrong? Do you not have any?”
“It’s not that,” Eliana said with reticence. “We were just expecting…I don’t know, more of a challenge? We were told that it isn’t easy to have you grant wishes.”
“Thaaat’s correct!” the wish-maker said brightly. “Normally visitors have to rouse me from my naps in order for me to do anything, buuut I was already awake because one of my fellow Legends was communicating with me earlier. They’re loud enough that it woke me right up!” He giggled again, then spread his arms out wide. “Aaand I’ve been told that you two have been through quite a lot, what with saving the world and all—not once, but twice! I think that warrants a couple of freebies in my book! I think that it’s the least I can do as a reward for all your hard work!”
“Oh,” Lu said, relaxing slightly and letting out a breath. “I see. Thank you, Jirachi.”
“I should be thanking you! Now, tell me your wishes! Or would you like some suggestions? Some Pokémon like to have money, or power, or new friends, or—”
“No, nothing like that,” Lu interrupted him hastily. “I, um…how much do you know about us?”
Jirachi considered them carefully. “Weeell, I’ve heard through the grapevine that you,” he looked at Eliana, “are actually a human! Is that true? I couldn’t hardly believe it when I was told that!”
“I was a human, yes,” Eliana confirmed. “I…was attacked at one point, and it transformed me into a Pokémon.”
“Oooh, I see!” Jirachi nodded. “I have to admit, there is something different that I sense in you.”
“It also caused her to lose all of her memories,” Lu informed the Myth. “She was traveling from the future through the Passage of Time on her original mission to save the planet. She doesn’t truly originate in the present, but she’s been trapped here because of the distortion of reality’s fabric around her since she’s traveled through time. She’s unable to return home to the other Pokémon she cares about. That’s…the background for my wish.”
Jirachi perked up. Eliana stared at Lu. He didn’t meet her gaze.
“What is your wish, then?” the Myth asked.
“I wish…” Lu swallowed, then finally looked down at Eliana with tears brimming in his eyes. “…I wish that Eliana would be able to go back to the future, if she wants.”
“Lu,” Eliana murmured, her heart twisting. “I had no idea…”
“I know you have complicated feelings about all of it, understandably so,” he said quickly, interrupting her because of his fraught nerves, “I know that you haven’t really talked about the idea of trying to travel back, but…I also know that you miss them terribly and that you don’t like to discuss it because you’re afraid it will hurt my feelings or make me feel like you care about me less than the others. But it doesn’t make me feel that way, Eliana. I…you seemed so happy, having reconnected with the Pokémon from your past, and when you lost them…I’ve worried about you. You’ve seemed so sad and I don’t know how to fix it and—”
“Lu,” Eliana interrupted him gently, leaning back into her haunches to touch a paw to his. “It’s all right. I understand. Thank you for thinking about me.” She frowned. “I don’t know that it will be possible for me to return to the future. What Palkia said…”
“Yes, but we’ve been able to evolve since we stopped Darkrai!” Lu reminded her, eyes sparkling with passion. “There is a chance!”
“Possibly,” she admitted, “but…are you certain that you want to waste your wish on me? On something that might never come to fruition? There are so many other things that you’ve said you’d wanted so badly in the past.”
“Time and space are realms I rarely have influence over,” Jirachi added thoughtfully, watching the pair of them with interest. “It is likely that I will be unable to manipulate anything like that…but, if that is your wish, I will grant it to the best of my ability, as part of my promise to repay you however I can.”
“I’m sure.” Lu clasped a paw over his chest, expression determined. “Above all else, for everything that you’ve done for me, Eliana, I would do anything to see you happy.”
Eliana swallowed thickly, a knot coiling at the base of her throat. She nodded slightly. “Alright. Thank you, Lu. From the bottom of my heart.”
He kneeled to squeeze her into a brief, tight hug, then straightened and turned to Jirachi. “That’s my wish,” he confirmed. “For Eliana to be able to return to the future.”
“Aaalright!” Jirachi beamed. “I’ll do my best to make it come true!” He focused on Eliana next, expectant. “And you? Do you have a wish, too, Eliana?”
“I…” She dropped her chin into the draped material of her Virid Collar, her skin prickling with heat beneath her fur. “…I feel almost ashamed with mine, after Lu requested something so selfless.”
“I think I can guess,” Jirachi surmised. “Do you wish to have your memories restored?”
Eliana’s head snapped up to stare at him, startled. “I—how did you know?”
“I didn’t,” Jirachi giggled, waving his hands. “But with how close you seem to have been with those Pokémon Lu was talking about…it doesn’t surprise me one bit that you’d like to have your amnesia restored. I would feel the same way! I couldn’t imagine forgetting everything and everyone I ever knew.”
“So…you don’t think that’s selfish of me?” Eliana ventured, uncertain.
Jirachi’s expression shiftted into something like recognition. Then he smiled. “I don’t think that at all. You sound just like someone I met once before.” He giggled again and shook his head, gazing knowingly at the both of them in a new light. “I think it’s the exact opposite, actually. That you would want to carry on the memory of those closest to you, even if I am unable to return you to the future, is a sincere one. I can tell that you care deeply, Eliana, for everyone you know. I think I quite like you for that.”
She blinked, then returned his smile. “I…thank you. Really. That’s a great comfort to hear.”
“Of course!” Jirachi closed his eyes, pressed his hands together, and Eliana and Lu watched his tags glow for a moment before he returned to normal and stretched with a gaping yawn. “Aaah, it’s been a while since I’ve answered anything quite like that! It’s maaaking me feel kind of sleeepy…”
“Thank you for hearing us out, Jirachi,” Lu said warmly. “We appreciate you trying.”
“Ooof cooourse,” the Myth mumbled. His tails curled around himself and his floating grew more listless as his eyes began to drift shut. “Juuust don’t be disappointed if nothing haaappens…”
“We won’t.” Eliana brushed against Lu’s flank, her tail curling around his. “Sweet dreams, Jirachi.”
“Goodnight, Eliana. Goodnight, Lu.” With one last yawn, Jirachi curled up into a tiny ball and disappeared in a shower of sparkles that dazzled their eyes.
The sudden silence in the cavern was deafening. Eliana swallowed and turned. “Let’s go home.”
“Yeah,” Lu agreed softly. “I’m tired.”
The cave had quietened, thankfully, and gave them no trouble upon their exit. The sun was only just starting to set when they emerged from the tunnel, squinting against its harsh light until they acclimated. They decided to head back to Treasure Town rather than camp for the night, longing for the comfort of their beds and the rhythmic slosh of waves against the bluff that always lulled them to sleep. Even though there had been very little fanfare, and they hadn’t perceived any of Jirachi’s direct influence, they still felt exhausted.
It was approaching midnight by the time they turned to Treasure Town. All the shopkeepers and residents had retreated into their homes, leaving the square empty and peaceful. Shuffling down into their home with the cool, salty wind ruffling their fur was a palpable relief.
“Here, let me put all that away.” Eliana took the Treasure Bag from Lu’s paw with her tail. “Can you start the fire?”
“Of course.” Lu moved over and squatted by the pit they’d dug to house their open hearth, picking up the flint and steel to start scraping sparks onto the kindling he’d placed in the ashes that morning out of habit. “Say…do you really think that Jirachi meant what he said?”
“I don’t know, honestly.” She pushed open the chest they used for their rotating adventure inventory to start putting away the extra things they’d found in the mystery dungeon for sorting and trading the following day. “He seemed earnest.”
“Yeah. I’m glad we didn’t have to fight him. I feel like, one of these days, we’re going to run into someone who won’t appreciate that,” Lu chuckled. The crackle and hiss of a new flame preluded a flicker of warm orange light that flared across the floor. “There.” He stood with a groan and a sigh, moving over to the corner of the room. “Say, I think that chest is almost full. You might have to use this other crate for now.”
“You’re right.” Eliana dragged the bag over to the open box and peeked inside as Lu shuffled things around. It was a bit dusty, as they hadn’t used it in while. Him removing a few valuables stirred it all up and made her sneeze. He laughed quietly under his breath, and she heard the crinkling crumple of an errant sheet of paper.
She froze, heart stuttering against her ribs as she realized what the old relic he’d inadvertently rediscovered was.
Lu drew it up out of the crate into the burgeoning firelight, expression softening as he read the letter’s words silently. He set it to the side carefully, with respect, and Eliana drew in a deep breath as her eyes lighted upon the blocky footprint runes inscribed in ink long dried.
The first week or so after Eliana had returned from her untimely disappearance she had clung to that letter like a lifeline, tracing the strokes with her paws as though to imprint the weight of them into her memory. She had been relieved to be reunited with Lu, that went without question, as he had been her anchor for months throughout all the confusion that she had felt—but she had felt Grovyle’s absence acutely, someone with whom she had shortly (re)built an unshakeable bond and relied upon to guide her through the chaos they had single-handedly stood against. She had missed him terribly. She still did, and she couldn’t even explain the breadth of that feeling with words—her gut had never been wrong before, and she had trusted him wholeheartedly. It never truly went away, an acute and gaping wound she couldn’t seem to close with any distractions she’d tried. Her original partner, lost for a second time.
“You know…” Lu started, “…if you do go back to the future, I won’t be upset, right?”
Eliana regarded him without a word, gauging his pensive expression.
He continued unbidden. “I’ll miss you. And I’ll hope beyond hope that we’ll meet again. But…as long as you were safe and happy…I’d support your decision no matter what, Eliana. I don’t know what it’s like to be separated so starkly from yourself, I can’t even fathom how it feels…and I hope that you don’t think I’m trying to get rid of you. I just feel that I’ve had you for longer than I should have been granted.”
“You didn’t steal me from Grovyle, if that’s what you’re afraid of,” Eliana told him firmly, drawing his attention. “I hate that we were separated, and I regret that he had to endure what he did all by himself for so long, but…I feel like we were meant to meet. You saved me, Lu. I owe you my life.”
He rubbed the back of his neck, his muzzle crinkling at the corners as he fought an embarrassed smile. Always so humble, her partner. “Okay. As long as you know that I care about you.”
“I do. And I care about you, too.” She picked up a gold scarf and dropped it into the crate. “Maybe we should go to the Keckleon’s shop tomorrow and—”
She stepped on the letter. Vertigo crashed over her like the waves that had once threatened to drag her under the icy, crushing depths of the sea so many moons ago, biting into the wound in her transformed shape. The storm had dragged her to shore, a blessing and a curse at once—the current had dashed her head against a stone, wounding her further and robbing her of her identity. Her first impression after that had been Lu’s frantic spew of words at seeing all the blood welling from behind her ear and soaking into the sand beneath her weak, limp body. All she’d remembered were her name, the fact that she was supposed to be human, and not, in fact, a Pokémon, and a vague sense of loss that had never resolved until she’d encountered her original partner face-to-face in the Underground Lake.
Her partner, whom she had rescued and nurtured and protected with her life. Her partner, who had devoted himself to fixing his world at the cost of his own life for the sake of those that would come to be. Her partner, who had refused to grieve her before he’d ever accepted that he could have lost her forever before their time, but had lost her anyway because she hadn’t recognized anything about him except a faint sense of familiarity and trustworthiness.
The memories flooded like the tide, overwhelming and sharp like the pelting of frigid rain against bare skin, and when she came up out of it Lu was already holding her steady, repeating her name urgently with concern in his eyes.
Eliana reached out to him as best as she was able, clung to him tightly, and wept harsher than she ever had before.
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telomeke-bbs · 1 month
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สวัสดีค่ะ Hi telomeke,
I'm new here... just because of you! 😅 Found your blog month ago while I did some BBS research... and I'm really impressed by your research skills, your amazing eyes for details and your patience in finding locations.
Now it happens that in 14 days I am flying to Thailand for 4 weeks. And in preparation for this, I saved alll the locations you mentioned on google maps. 😇 I think, I'll take a tour through Bangkok to all the locations.
I couldn't find out how long ago post no. 12 was and wether there will be any new ones to follow. But I think there is at least one location missing. (the companies of Pat's and Pran's parents)
Are you still searching for locations or is your work completed?
If you are interested, it would be my pleasure to talk to you about the serie. If not, it's fine too. I just wanted to make you compliments for your work! Thank you so much! ขอบคุณมากๆ น่ะค่ะ 🙏 I really enjoyed reading it and I've still many post to read. 😊
Okay, that's it! Hope your fine and still in love with BBS! 💖
เจอกันค่ะ คุณบี see ya, Bee 🐝
Hi dear @honey-beebs! สวัสดีครับ and welcome!😍
Awww, thanks so much for this lovely Ask. Any fan of BBS is immediately a friend in my book. 🥰 Thanks so much for appreciating my BBS research and analysis.
I can tell you also have a keen eye for research, because you saw not just what was there in my location posts, but also what was missing – Pat and Pran's families' shops. 👀 And sadly, that is the one location that I have been desperately searching for over these past two years, but have so far been unable to find. 😭
It's gotten me all worked up because there are actually a lot of clues, and I've been able to deduce quite a lot about the Jindapat and Siridechawat hardware stores:
It looks like the Jindapat one (belonging to Pat's family) is actually a construction material shop; the shelves and the items all around have been there for some time, not likely to have been cobbled together just for the show.
The Siridechawat shop though (belonging to Pran's family) looks like a covered vehicular park or outdoor storage, that BBS dressed up just so it could masquerade as a shop (not too successfully, in my opinion 😂).
The general location of the shops is likely to be not in Rangsit, but rather somewhere closer to central Bangkok (though not in the absolute city center). I say this because the outside shrubbery on the central road divider is very well-manicured (you see that more in central Bangkok, less in Greater Bangkok), and the lamp-post has markings that make it look more like central Bangkok ones. But there aren't any tall buildings visible, so it's not likely to be in the absolute city center where skyscrapers abound (and intrude on every view).
Actually, the road, trees, lamp-post and shrubbery look a lot like what you see at Phet Kasem Road, where the Boonyavej Hospital is located. There are lots of semi-industrial properties there that would fit the bill (including the wide gate and sturdy fencing), and the area is also more low-rise without being truly suburban (which would be the right setting for a shop that has giant billboards, that we can see in Ep.1 and Ep.3). Unfortunately, I've crawled the road several times over on Google Street View (it's hugely long) but have yet to find any matching property. 🤷‍♂️
If the shops are not on Phet Kasem Road, then it's very much a needle in the haystack search because Bangkok must have hundreds of roadway miles that fit the above description… 😭
Anyway, I'll still continue searching, and will post the location if I can find it. But with every day that passes, it seems less likely that the location will be found (because it seems ripe for redevelopment).
My location post no. 12 was dated 18 June 2023, and it's likely the penultimate one. I have just one more planned to identify the remaining minor locations. And if I can track down the hardware stores, then maybe I'll post a 14th one (but I don't know if that will ever happen 🤷‍♂️).
If my schedule permits, I'll try to write-up the few remaining locations that I've identified in the coming two weeks, so you should be able to refer to them by the time you're in Bangkok. But my work deadlines are looming, so I can't promise the post will be on time!
Please do post photographs of your trip and tag me, especially for the BBS locations. 😍 I would so love to see them. Other fans have also been visiting various BBS locations too, so you may wish to refer to these posts for additional information:
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Here are a few more pointers that I've gleaned from the above posts, and from interacting with other BBS fans (especially @tiistirtipii), since I made my own location posts:
U Café is no longer at the base of the block where the fight scene in Ep.5 took place (somewhere close by the Environmental Engineering Dept), so the setting looks a bit different now. But it's near the white tiger mural at the College of Engineering.
Gram Café and Pancakes is no longer at Level 2 of The Promenade; it moved to the foodcourt (in Fashion Island?) some time back.
The 112 Chemical Room 1 in Ep.1 (where Pat covered Pran's mouth while putting a finger to his own lips, after yanking him into the alley to escape the other Engine boys) is most likely somewhere in Rangsit University (probably the College of Engineering, near the workshops) but I've never been able to pinpoint the exact location (Google Street View doesn't do all roads and side alleys in RSU 😂). Do let me know if you find it.
As for your other questions, I'm always down to chat about Bad Buddy. Still very much a BBS boy at heart, and time hasn't dimmed how much I love the series! 💖 So feel free to send me Asks and messages if you'd like to converse about Bad Buddy. The only caveat is (as I mentioned above) my work has been building up lately (this week has been a bit slower, but it is expected to get busier after mid-April 2024 😭), so my responses to Asks and messages will sometimes be delayed (as my other friends on Tumblr have also experienced).
Have a great time in Thailand! Your Tumblr header makes it sound like this might be your first trip there. Do take care! Thailand is an amazing place. The usual precautions apply, but the place is full of wonderful sights and delicious food. I've always enjoyed every trip there. 😍
Warmest regards,
Tel 💖
P.S. Can I say how much I also love your Tumblr name? My first instinct is to read it as Honey Beebs, but then on looking closer I can tell it's also Honey Bee + BBS, which is really clever. 🤩
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tssdresses · 8 months
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The dress of Io
@tulipscomeinallsortsofcolors (hi please let me know about any pronoun mess ups and I'll edit the post, I think I got them right, but... just to be safe)
There have been a few iterations of designs for Io’s dress— all of which have very flowery inspirations. I sent Violet an ask and the first thing bay said was “something vaguely gauzy with a petal skirt,’ so that’s been a heavy part of all the deign ideas thus far. 
So, over various asks and time and fics, the needed elements are:
Colors: Reds and deep purples, like mulberry fruit, and white and cream, like mulberry flowers. Greens as needed. I'm thinking mostly a pinky-red. If you look at the first image below, there are three mulberries in a line at the top left-- look at the one in the middle and/or the one under it (not in the line of three) for a good color reference.
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Thigh holster: Knife. Hot. Io needs a knife under ly skirt because it’s what lu deserves. I'm thinking either a faux leather, because that's what I use for part of Remus's dress, or strap made of several green fabrics woven together, to give it a homemade vibe, like Io made it laself. And it will be accessible via... :
Skirt shape: Petals. The first idea I had was a petunia, to make a solid skirt with five panels, each which would have a scalloped edge to create the shape of the flower, like these:
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Skirt, cont.: But after realizing that lu would need access to a thigh holster for ly knife, I started to think about how to access that in skirt form. One idea is to make the skirt of separate, finished panels that can be easily reached between. One construction idea for the original paneled skirt idea was to make it as several strips with a waistband that tied around. So now the idea is to use that method, but with deconstructed panels to give a very open skirt but keep with the theme of easily removable. Also imagine all the different panels flaring out when you spin!
Fabric: After Mulberry was posted, we learned more about how Io dresses (or, uh, doesn't), so I started thinking more about the fabric type. I want to balance the surreal (shiny fabrics making a less natural looking appearance, nodding to fae) and the mundane (Io being a less powerful nymph, as opposed to powerful gentry). I'm a little at an impasse for what fabric to use. I love organzas (even though they're mean to me) (it's fine, everything's fine), and I think using a mix of organza and a very light-grade tulle would make an interesting texture for this dress.
Sleeves: Again, this depends on the fabric type, but imagine big billowing sleeves of a transparent mesh fabric with discrete embroidery of mulberry themed elements. Thinking the sleeves will be completely off the shoulder, maybe made with casing and a ribbon tie to keep them at the top of the arm.
Bodice: Also going back to Io's tendency to dress less, using a knit fabric which matches skin tone is one option for the body potion, OR, hear me out, a gentle mesh (that doesn't set off sensory hell!) with exposed boning to make a corset-like top! Then, referencing this post, flower or similar motifs sewn into to chest piece. Another part I'll add is an open back element, with some sort of lacing. This works great for me, because zippers and I are reluctant allies at best.
Overall vibes: Basically, I want this to look like a flower nymph ballet costume, because how fucking cool would that be? Here are some images with elements of the silhouette I'm thinking of:
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atopvisenyashill · 1 month
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[just black list the tag #rani liveblogs got if u don’t want to see me bitch]
changes from book to show i noticed
what do you think it says thematically that they change the execution ned is carrying out from gared to will. do you think it was just cheaper to hire one guy to be both the “point of view” for our intro to the others and to also be the person executed.
i KNOW what it says thematically that they end this open with a scary shocking gared gets beheaded by the white walker scene and completely cut waymar royce’s “dance with me then” last stand and it’s nothing very good.
i don’t know that i like that they gave the “what about you” “i’m not a stark” exchange to bran and jon instead of ned and jon. i feel like it hits more when it’s jon denying his own starkness to ned’s face and bran sitting there realizing what a big thing jon has done here. but maybe i’m being picky here.
i do love this jaime & cersei scene. establishes the incest early, that they aren’t the ones who killed jon arryn, and also nikolaj’s danish accent comes through sooooo bad but i like it let him do it and give no explanation it’s sexy.
the tyrion change sure is. very typical of d&d.
i understand why it’s easier to just have jon snow outside and if they had a stronger jon snow i think i’d find this change less annoying but jon snow getting drunk at the party and crying is like 80% of the reason i love him so much. whomst among us.
these people are cowards prudes and fake perverts for changing this to fully clothed cuddling from those horn dogs .25 seconds after they came. i don’t give a shit about those three dehydrated twenty year olds in the shaving scene, also jon snow is my son i do Not want to fuck him stop trying to make me want to fuck him and give me sweaty and naked sean bean and michelle fairley having political pillow talk dammit.
making that change from catelyn wanting ned to go and ned not wanting to into catelyn fighting with luwin for ned to stay and ned not saying anything. perfect combo of “man is always right” + “completely erasing cat’s canon personality” + “misunderstanding ned’s core trait of grief due to long term depression & ptsd as ned is an honorable fool” nonsense. also let sean bean be naked?? michelle is not even like old???
i do understand why george was annoyed at the wedding night change, he’s writing something much more subtle than this, buti do think that’s a sign that they are not writing as subtle as him in regard to like. literally everything but especially dany and especially her relationships.
general comments and bitching
the archery scene is so fucking good tho. the way bran just LAUNCHES himself over that barrel to go slap arya silly but he can’t catch her she’s gone she’s in the wind and jon rickon and robb are hooting and hollering. really great.
do you know how many people i know who thought that jon snow and catelyn were fuckin bc of the glare they added there. akskdkd.
i wish they’d differentiated between jeyne poole and beth cassel in this scene with some dialogue and arya hears the training outside eventually drown out their voices instead of complete silence. those girls were not just like, the Main socialization that arya & sansa get, they’re both important to the northern plot with jeyne poole being like foundational to both of their stories. but obviously we know where that one goes.
i always think of that “when he looks at MEEEEEE and i look at HIIIIIIM” post during the direwolf puppy scene
“but he’s coming right now! down our road!”
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i really like that arya is so mean to bran because he’s In Her Spot bc she’s next oldest so SHE goes next and HE goes next to the baby.
the way mark addy does that out of breath huffy “CAAAAAAAAAAAT” and hugs her is so funny to me i love every acting decision that man ever made.
honestly they really set emilia up by having most of her scenes be with harry lloyd when she can barely match kit harington and the daarios.
kit harington is always so much worse in this season than i ever remember. but that’s okay because lena headey, mark addy, and sean bean are also sooooo much better than i remember every single time.
the feast scene is also very good. the lil deranged moment between cersei catelyn and sansa. cat’s single nod to robb and him putting on the big brother and perfect heir face immediately. jaime so clearly wanting to fuck ned and ned cannot be more turned off by how desperate jaime is. amazing.
i remember reading an article about how this white opinion writer was like was that dothraki wedding racist. can you be racist against fictional people. you definitely can right?? anyways viserys looking really worried that murder is gonna fuck up his deal before laughing is so funny.
also the suddenness of “the things i do for love” is real good. i always gasp with bran when it happens, the way they time it is really good.
god i hope i don’t spend this much time bitching for every single episode. akskdjd. this is one of the good seasons.
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