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#that need somewhere to live
officialspec · 3 months
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modern au but set in brisbane. is this anything
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harrytheehottie · 9 days
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this scene has been playing on loop in my mind since i first watched it . it’s like a drug.
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beybuniki · 20 days
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they should go on a fishing trip pt.1
#DONT COMMENT ON THE BACKGROUND I KNOWWWWWWWWWWWW#anyway this is day 1. they take a bus. the bakugo household has fishing gear so ´deku is wearing bakugo's onesoe (?) and bakugo is wearing#his dad's. and notices he has grown :')#anyway they take a BUS and don't feel like doing this at all it's awkward for so many reason#also trying to relax after everything is neurologically just really hard they might be hyperivgilant dik#and there's so much they never got to unpack bnut they have to and they have to start somewhere and with someone#deku makes that flower crown while bakugo preps everything and they both look at it and are thrown back into their childhood 🧍‍♀️🧍‍♀️🧍‍♀️#and at first they just sit and wait for the bavarian fish to bite (rody should make a cameo tbh) but then bakugo breaks the iceeee.#and he starts with their moms because their moms have been such a stubbron connection between these two :')#and deku answers with the usual 'good :) how's your mom :)?' and to everyone's surprise he actually opens up#and tells deku about his mom's insomnia because she watched her son die (that shit was live streamed tpo 10 bnha tweets btw)#idk i love to think of their moms being a very easy subject to connect through i think it's easier for them that way to be more vulnerablei#and then some fish biteeeeeeeeeeee#but like 3 small ones so they have to gather berries and mushrooms and make stew (dw there's an aldi this is bavaria after all)#but yeah day 1 is a bit weird like it's just them in the woods with no distractions#which is so different from whatever went on during their 1st year of high school#don't read this i will throw up i just need this somewhere this is my public scrapbook#bnha#deku#midoriya izuku#bakugo katsuki#the flower crown on their knees makes this a bit homosexual but fishing is always homosexual im not fighting against that#au:#fishing
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caithyra · 1 year
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The Sims 4: Growing Together - San Sequoia - Unplayable Lots
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ruporas · 11 months
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cheers to the future of humanity (and the future of us)
[ID: Digital illustration in color of Vash and Wolfwood from Trigun. The illustration takes place during the ship/home arc, specifically chapter 21. At the center, Vash is grabbing Wolfwood by the collar and pulls him into a kiss in the middle of a celebration. The pair is colored in vibrant warm hues while their surroundings are colored in cooler colors like green and teals. Luida, Brad, Meryl, and Milly are shown amongst the crowd, occupied in the celebrations as Vash and Wolfwood share a moment by themselves at the center. END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#hospital yuri (explodeds) like any average vw enjoyer i will never get over that arc#specifically the scene where they heard the news of earth ships coming and did that little handshake they somehow conjured or#Had already. and then the entire ship had a party... meryl and milly started drinking immediately from joy and dragged vash and ww to get#wasted too and overall celebrate together. the chapter moves quickly just like how the hope was quickly withered out and died just hours#later when knives destroyed it. BUT IM JUST THINKING ABOUT IN THE MOMENT OF IT ALL bc in the same chapter#ww asks for a chance for tomorrow and then gets news of earth ships coming. in this same arc vash is thinking of all the things he needs to#resolve so his home doesn't get attacked so the people he love doesn't have to die and the humans he wants to protect gets to live.#i feel like deep down they both semi-recognize that it can't be this easy and regardless of earth ships coming- there's still a wait for#them to arrive and they have to hold out. and regardless ww still has a mission to follow through and vash knows knives would find out#but in that mood of celebration the entire ship brought in - they can at least let themselves relax for a moment and indulge#how they basically engaged with no violence for the few days they were on that ship coaxing them into domesticity... i feel like their#thoughts would wander to somewhere soft and all#allowing them to push aside the tiptoeing and tenseness and be sweet for a night#ruporas art
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show-tunes · 4 months
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Scrybeswap
I have a lot of scatterbrained design notes for each of them but generally I wanted them to look similar to their original designs but with different themes. I also imagine that they have the same inscribing tools as their original counterparts but just use them differently (i.e. Magnificus paints animals, Leshy takes pictures of people as they're dying/about to die, I'm not sure what the magic equivalent for P03 would be besides maybe a spellbook that copies the essence of things, and Grimora's quill would either "write" code or write directly onto the hardware of robots).
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khalixvitae · 5 months
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Something about Asmo makes me fucking crazy. The fact that his party girl persona is just that- a persona, one that he’s hanging on to by his fucking fingernails. There’s a UR+ card I got ages ago (it’s a snow related card. Cannot remember the name off the top of my head) and one of his unlocked chats is just so devastating. He’s so incapable of being honest about how he feels/what he’s thinking that he’s practically begging the MC to listen to what he’s saying, to try and understand what he’s telling you. because if he had to come right out and say how he feels about you or himself or anything at all it would destroy him. He’s clinging on to the ghost of a reputation he had before the fall and constructing a new one around its long dead corpse. To acknowledge anything outside of that would pick apart what he’s worked so hard to convince people of. And when Simeon calls him out on it he has to deny deny deny, he’s irritated and uncomfortable because he’s aware of it. Like yes he can be so silly and whiny and even toxic but the thing is that Asmo is smart. Like, really smart. He knows he’s a house of cards, and whenever anything threatens his stability he has to find a way to come out on top. He has to have control or else it’s all coming down. I mean that’s even showcased by the pact offer between him and the MC (I’d argue that it applies to his pact with Solomon as well). Idk I’m just obsessed with characters who have the world and everything in it but all they want is to be genuinely and deeply loved. Bonus points if they’re in Asmo’s position, where surface level affection and adoration from others is guaranteed and equally desired but doesn’t scratch that itch, doesn’t fill that void with something they know they’re missing but just can’t figure out. I rlly wish Solmare had done more with his character because he has so so much potential that they just hint at before pushing him aside. Ironic that even the devs don’t want to fully explore past the charade they gave him
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cryptocism · 2 months
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Since I think about clones like I’m getting paid for it, I've been rotating those alternate universe "what if Bart and Thad were actually raised together" scenarios in my brain, with Thad either post-redemption-arc or pre-villainy. Because adjusting Thad's character to fit an ally role while still keeping true to his core motives and personality is so so fascinating to me.
Like I think there's an immediate first instinct to slot Thad into a "bad" twin category: ie rebellious and prickly, doesn't get along with people, mean lil shit. And obviously it's not wrong bc we're outside the realm of canon, but the reading still feels a little left of center.
Because Thad is mean and prickly in canon. In the Impulse comics he belittles Bart and Bart’s friends/family constantly in his appearances. He loves to goad, and monologue about his own superiority and intelligence. He’s very Not Nice, and he causes many problems, and he even does it on purpose.
But, I think it’s important to consider the context. From the jump Thad knows very little about anything except which team he’s on and who he’s playing for. He gets his orders from an unseen authority and he carries out his tasks because success means his team wins.
For all his self-aggrandizing talk, everything he does is in service of an end goal that doesn't actually center him. He's trying to get revenge for grievances he's never personally suffered, retribution for actions never committed against him. Everything he does is on someone else's behalf.
Thad sees in black and white, us or them. Up until the final few issues of Mercury Falling, Bart and co. are Thad's enemies, of course he's not going to be nice.
So Thad's motivation seems pretty simple: Thawne Supremacy™.
But it’s in Mercury Falling where this starts to fall apart, and the real core of his motivation gets revealed. Thad pretends to be Bart and suddenly Helen is nice to him. Bart’s friends think he’s funny. Bart’s teachers are impressed with his grades. Max ruffles his hair and gives him hugs and tells him he’s done a good job.
If he was actually an inherently mean and standoffish character, if Thad actually had significant personal stake in the Thawne VS Allen conflict, the weight of such tiny acts of kindness wouldn’t completely break him the way that it does in canon.
Thad thinks his goal is superiority and revenge and Thawne Supremacy™, but he's chasing validation. Thad doesn’t have a personal stake in the Thawne VS Allen conflict. He wouldn't get much satisfaction if he actually destroyed Bart and his family. Thad's personal victory would be the recognition after the fact: the praise and attention from the other Thawnes (a group of people he has literally never met) for his success.
He wants validation. That's basically it. And the fact that he gets it so easily from Bart's family and friends doesn't align with how he's told himself things are supposed to work.
Actually tangentially, Bart and Thad’s respective relationships to authority is so diametrically opposed and tbh kind of subversive in a superhero narrative. Where the hero is the one carving his own path without regard to social or societal rules, no fucks to give what anybody thinks of it. And the villain is a chronic people-pleaser.
Just based on Thad’s reaction to simple praise and affection from Max I really think Thad’s motivation has more to do with the response he gets than whatever the details are of any given task. He has no actual personal convictions beyond getting positive attention, and whatever he did have crumbled as soon as Bart’s friends laughed at his joke one time. Which of course leads into the core of his whole conflict at the end of Mercury Falling. He cares too much about Bart’s friends and family now, he doesn’t want to kill them, but worse than that, he’s faced with the sudden realization that he’s on the wrong side.
The Allens gave Thad everything he actually wanted and needed, but his conception of himself is inexorably tied to the Thawnes: who gave him jack shit. These two facts are in opposition to each other, and he can’t reconcile the reality of it.
Anyway all this to say, in an AU where Bart and Thad are raised together or Thad gets an actual redemption arc etc etc, I think my personal take on Thad’s personality whether it be pre-or-post-villainy would be one that is extremely socially conscious. He is much more of a people-person than Bart. Whether he's actually accurate in assessing people's feelings and how to respond to them can be hit or miss, but he wants to behave in a way that gets people to like him.
Pretending to be Bart isn’t remarked upon as, like, a difficult task for Thad. In his internal monologue he’s literally bragging to himself about how easy it is. But what’s especially notable to me is where his act differs from Bart's typical MO. Everyone notices, and lots of people comment, and presumably if Thad didn’t have the excuse of Max’s illness to “motivate” Bart to do better he would’ve been found out immediately. And those things are, specifically: paying attention in class, doing his chores, staying on task, and being helpful around the house. The one thing about Bart he chooses not to emulate is Bart’s rebelliousness.
Thad wants to prove himself, constantly, to whatever authority he respects (probably Max in this scenario) and will do whatever it takes to make that happen. In contrast to Bart, who only listens to authority when the shit they're saying actually makes sense to him. It’s excessively difficult to convince him to go against his own interests. (And I think a key part of that is Bart’s security in knowing that no matter how much he fucks up or doesn’t listen, the people he loves will always love him back.)
Thad’s got the people-pleaser in him that has to deserve whatever he’s given. It’s why he’s happiest when he’s given a clear goal or objective to complete, because it gives him an opening to prove himself.
All this to say that if we are quantifying Bart and Thad as a "good" or "bad" twin, in the eyes of every authority: Bart is the bad twin. Bart is the bad twin, Bart is the bad twin. Bart is the one who doesn’t care about school and whose grades vary wildly depending on his personal interest. He’s the one who goes off to do dangerous shit for fun and gets in trouble constantly and doesn’t do his chores and is thoroughly unconvinced by any authority figure trying to sell him bullshit. 
Thad is the one who needs to know all the rules just so he can experience the joy of following them. Relentlessly obedient. He'll put all his effort into doing all the right things that’ll endear him to whoever he wants to impress - meaning he’s the asshole who reminds the teacher about the assigned homework. Bart might be the most popular boy in school, but Thad is a pleasure to have in class.
Like Thad can (and should) still be high-strung and short-tempered and sarcastic and edgy and mean, because he is. But he can’t be doing all that without rhyme or reason. Colouring every interaction has to be that one-zero binary of ally or enemy. He needs to have somebody he’s proving himself to: a team he’s on and a team he’s against. He’s not an inherently rebellious character. He can go up against The Enemy, whoever he deems as such, but it has to be in service of a hypothetical future in which somebody eventually tells him he did a great job.
And in the interest of continuing to beat a dead horse, it connects to their respective upbringings. Thad and Bart were both raised in VR, but Bart’s experience had the side effect of basically hard-wiring him against insecurity. His world was a playground tailor-made for him, and he was never made to feel bad or insufficient about any aspect of himself. His first interaction with a real human person was Iris moving heaven and earth to save him, without him knowing her, without her knowing him, with no reasoning for the act needed beyond Being Her Grandson. Which is probably a significant factor in why Bart moves through the world with frankly atomic levels of autistic swag.
Thad’s VR upbringing installed self-consciousness in his psyche before any other personality trait. As in: he is immediately made conscious of himself and his relationship with everyone he will ever encounter. He’s told two things: he’s a clone of someone else (inherently derivative, lesser) and that he was made to be superior (a status to achieve). Which is such an instant clarifier for Thad’s everything. Where superiority is a condition that everyone either has, or does not. It’s the one-zero binary again: are they better than me or am I better than them. Being above others is mandatory, and if his superiority is ever challenged by hard evidence or god forbid nuance Thad’s brain physically cannot take it. He needs to be better, to be worse is unthinkable, and there is no other way to be.
And this status of better or worse is, crucially, not up to Thad to decide. He needs The Authority to validate him. Bart never tries to prove himself because he has nothing to prove. Thad’s entire identity hinges on the self-worth he gets from doing a Good Job.
It is such an inherent part of his motives in the Impulse comics canon, which is why it always feels a little off when he’s interpreted as a jackass indiscriminately.
Like I don't think he needs everyone to like him. But I do think he has either one person or a set of very particular people that he needs to like him. Everyone else is either in that circle or outside of it.
(Which is why Bart is such a great foil for Thad tbh. There is no set of words or behaviors that’ll change Bart’s opinion of Thad, because Bart is unaffected by obedience or charm. So ironically Bart is probably one of few people that Thad doesn’t bother to put on even a little bit of an act for.)
While Bart goes with his instincts, his personal beliefs and convictions at all times, Thad is hyper-conscious of big-picture goals. They balance each other out that way. Thad's keeping track of whatever expectations he has placed on him, and how his actions reflect on him and the team beyond short-sighted solutions. He's a team player. AND he's an asshole.
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httpsgfg · 3 months
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ickypuppi3 · 1 month
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billy’s mom waking him up while it’s still dark, whispering even though neil’s working the night shift. it’s a couple days before his tenth birthday and she’s telling him they’re going to have their very own adventure, just like the ones in billy’s books. she grabs an already packed suitcase from under billy’s bed and kisses him on the nose, tells him to get dressed quick. the two of them leave in an old beat up yellow bug that she managed to get for a third of the asking price and keep parked around the corner until now. they stay with friends and jump from place to place so neil can’t track them down. billy gets used to surfing couches and staying in motels.
he spends his tenth birthday in a diner, his mom gets him a big stack of pancakes and a milkshake with extra cherries. gets a candle out her pocket along with her silver lighter. sings happy birthday and pulls a face when the waitress frowns at them, just to make billy laugh. she sips at her coffee while billy tucks in. smiles when he holds some out with a “c’mon mama, share with me.”
billy thinks it’s neat. thinks it’s the best birthday he’s ever had.
they eventually end up with a place in california, a little bungalow near the coast and billy grows up with his mom. billy gets pretty shirts from the thrift store ‘cause his mama lets him do stuff like that. doesn’t call him a queer, doesn’t force a baseball bat into his hands whilst yelling at him for crying, for being a pussy. his mom lets him read and keep a journal and press flowers between the pages of the neverending story, she plays hendrix and dusty springfield and laughs when billy comes home from his friends’ house with his first piercing at thirteen. she doesn’t tear down his posters or yell when she finds him using her eyeliner.
and everything’s perfect. sort of.
they have bad days- billy’s mom has bad days. billy calls them gray days ‘cause that’s how the world looks when she’s like this. all her color gone. no singing-dancing in the kitchen or baking five different kinds of cake because she couldn’t decide which one was best, no last minute trips to the beach or sitting outside at night and telling billy about the stars. instead she’ll stay in bed, won’t go to work. she’ll stare at the wall blankly and look right through billy when he tries to talk to her. she won’t take the pills the doc gave her and billy doesn’t know what to do. never knows what to do. just chews at his lip until it bleeds, bites at his thumb until it’s red raw. he’ll get in the bed with her. lay beside her and just talk like she used to do with him when he had a nightmare. hum a song to her.
billy’s still pissed at the world just slightly less so. still has that anger and anxiousness simmering just below the surface and shows his teeth when cornered. he’s still hardened in a way that a kid shouldn’t be but. it’s different. there’s no neil. the only bloody noses he gets are at school, when he fights with the kids who call him a fag and a fairy, call his mom a basket case. he uses fists when they laugh and ask if she’s all there with a finger pointing at their heads, ask if billy will “catch the crazy.”
those are billy’s bad days. sitting in the principals office, icing his knuckles.
when he’s fifteen, billy manages to bag a job at the local auto repair by turning up every day and telling howie how good he’d be, that he knows cars and it’s all he wants to do and please please please. eyebrows pulled together, eyes puppy dog wide and hands clasped in front of him until howie grumbles, throws an oily rag at billy. says fine but billy’s gotta pay for anything he damages. someone brings in a chevy camaro and billy asks howie to let him help fix it up. does the begging again until howie laughs. says get a hold of yourself, kid, voice fond as he ruffles billy’s hair.
billy’s four months away from turning seventeen when the doorbell goes. he’s eating a sandwich and watching knight rider. he’s wearing the necklace his mom got him for his last birthday and- he answers the door. doesn’t think twice. freezes when he sees neil standing there. he looks different. hair a little shorter and more wrinkles. where billy’s gained weight, gained muscle, neil’s lost it. his eyes are a little sunken and he’s still got his wedding band on. he reeks of booze. billy has to remind himself to speak, just says “yeah?” his voice comes out small and neil smiles at him. smiles and billy feels this weird twist in his stomach ‘cause .. that’s his dad and he hasn’t seen him in years and it twists and twists and-
turns out. not much has changed. billy realises a little too late that neil will always be neil. they run again. have to leave everything behind. billy doesn’t get to say bye to his friends, to howie, to the car. they leave a lot of stuff behind and head in any direction away from neil. they both try to keep the mood light, take turns driving and play the tapes billy grabbed. they end up in indiana- hawkins. they stay at a motel until billy’s mom finds a place for dirt cheap. it has two bedrooms and a dingy bathroom, a living room slash kitchen and one hell of a damp problem. it’s dirt cheap for a reason.
it’s above a shop in town and- it’s fine. their landlord is an asshole but they’re together and they’ve got a roof over their heads. billy’s enrolled at hawkins high and his mom gets a job at the laundromat. he tells her that he doesn’t need to go to school, that he could just work and help pay the bills but his mom won’t have any of it. says that she wishes she had finished school and that billy’s too clever to waste it. that he has potential.
billy knows the reason she dropped out of school was because she had him. he just nods, rests his head on her shoulder.
it’s billy’s first day at school and his mom drives him to make sure he actually goes. he gets out the car and tries to shake the nerves off. straightens up and puts on his act. plasters a fake smile on his face and it’s working, he’s got most of the girls swooning and the boys at least seem curious. billy looks around and his eyes land on a guy leaning up against a bmw. his hair’s coiffed to high heaven and he’s wearing a polo, preppy as fuck but- pretty. it’s one of the first things billy realises about him, all doe eyes and moles dotted just about everywhere. he’s got a smirk on his face. not aimed at billy but the guy beside him.
pretty-boy walks over to him and billy raises an eyebrow, plays it cool. he introduces himself as steve and billy gets the idea that he’s top dog at hawkins high, is immediately proved right when they step into the building. king steve, freckles calls him. billy laughs- catches steve looking at him when he does and feels his face get hot. steve just smiles wider, calls billy california and tells him to sit with them at lunch. billy tries to ignore the way steve’s smile makes him feel like the rug’s been pulled out from under his feet.
he nods and steve grins. tugs at one of billy’s curls.
says “i think you’re gonna like it here, california.”
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andmaybegayer · 4 months
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the current model Chevy Bolt looks. Not very good. I will say this. But. And this is crucial. It looks exactly like a prop car from a movie made in 2004 that says it was set in 2024.
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neonbuck · 8 days
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i've felt a deep empty hole in my heart that can only be described as "I want to go Home," since childhood. even if i was at the house where i lived. this feeling has only gotten worse and stronger. and i'm gettin real tired of it
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beaft · 12 days
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they say it is easier for a camel to pass through the eye of a needle than for a poor man to enter the housing market
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yashley · 2 months
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absolutely fascinating to me that liliana gave everything to make sure her daughter does not fall into the hands of these people, when in reality, imogen absolutely thrives among them even by pretending that she’s a part of it. liliana keeping her daughter from belonging there when imogen naturally. does.
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i have finally landed a job interview and i have Such mixed feelings about it
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kayvsdoodles · 9 months
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tragically i don't have time to do full art for the yeehaw challenge so instead. doodles 🤠
day 1: ✨gather the posse ✨
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