It's been a week since I saw Wakanda Forever, and ever since, it's consumed my thinking. There are a million things I'd love to discuss about the film, but what keeps me up at night is Shuri and Namor.
Shuri had every right to gut his ass. Namor brought flooding and destruction to her home, killed her mother, all while knowing she was suffering from the death of her brother. Hell, Namor nearly killed her (by impaling her, which how did she survive that idk, anyway). And what was the worst thing that Shuri had done to him? Say no to his alliance to go to war with the surface world? Shuri wasn't the one who killed Namor's two subjects. She actually tried to save them. Yet just like T'Challa, she's forced to deal with the consequences of other people's actions, and when she stands over Namor with a blade to his neck, her internal struggle with this flashes across screen. It's a powerful sequence, but the one that captures me the most is when we hear her mother telling her to show Namor who she is. Not only is it one of many callbacks to the first film, but really, who is she? Who is Shuri? She is struggling with her identity, as grief often does to a person.
When audiences first met Shuri, she was the genius younger sister, the comic relief, who took solace in her lab. But now all this has been taken from her, and taken so suddenly. She's now front and center, now her country's most powerful figure, no longer the jokester, no longer a sister, no longer a daughter, and feels like a failure. The moments where she stands over Namor is us watching her return to herself but also become someone entirely new. She sees the destruction reverse. Sees Namor's hope. Sees their mothers and their nations. She understands that they are similar just as much as they are different. She finally realizes that ending Namor's life cannot reverse the destruction nor her pain, but sparing him is the answer to ending the cycle of it. She recognizes that even though her mother and brother are gone, she is still sister, still daughter. Death in Wakanda is a beginning.
Above all, Shuri understands she cannot think of only herself anymore. She cannot push her people to war because of her own grief and vengefulness. She becomes a leader, in granting mercy. A protector. And extends this protection by offering it to Namor and his people. This brought a bitter taste in my mouth at first, but it isn't about who's right or wrong, especially when both sides have a little right or a little wrong to them. It's about navigating the actions of their forebearers in the best way they can.
Her multifaceted character is symbolized by her panther suit--it's reminiscent of T'Challa, Kilmonger, and her past self. Now that she's burned her mourning clothes, hopefully in the next movie, we'll see her accept this role with newfound confidence and surity of its purpose. I'm also hoping that Shuri kept Namor's little baby ankle wing that she sliced off and puts it up somewhere to serve as a reminder that she bested him. Can you imagine? I can't wait to see more of her.
Then there's Namor. And dare I say it, he was justified in his feelings of wanting to kill Queen Ramonda. She was cunning and tricked him and had two of his people killed in the process. Remember the scene where he's cradling his subject's face as she dies? And she asks if he can save her and he does not answer because he knows he cannot? And then--was it Namora?--who says, with such blame dripping in her voice, that he was busy meeting with the queen during Nakia's attack. Namor is so angry, and very possibly, so ashamed (and scared?). His ultimate goal is to protect his people, and he failed. He's a god and Ramonda made him look like a fool. To him, she had to go.
Ryan Coogler said that despite Namor being about 500 years old, he wanted him to still feel somewhat childlike. And is he! He's rash. He focuses only on the immediate response without thinking of the ramifications. He seems almost charmingly innocent in his hopefulness that Shuri would want to join him. There's no doubt they wanted us to feel a romantic connection betweeen them, or perhaps just from Namor's end. I don't know who gives clearance on the music, but whoever does, they are always very intentional and unique about it, and a love song plays during That One Mesmerizing Scene. The theories that Namor is infatuated with Shuri just weaken me. She's the first person to ever see Talocan. The bracelet. The mural. Him acknowdging her power. Him waiting for her to beckon him. I. have. folded. No one look at me.
I really hope the MCU explores their relationship. And though I'm sure it would never be a romantic one, that does not make it any less intriguing. Ryan is phenomenal with his villains. Just like Kilmonger challenged T'Challa not just with war, but challenged his core beliefs, Namor did the same with Shuri. The only difference now is that Namor is still alive, and this sets us up for a delicious exploration of a complex relationship between two leaders who have similar wants but conflicting perspectives.
Man. I love them. MCU, please let us see more of them. And if we do, please. Be careful with them.
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The opening credits of “Wakanda Forever” fittingly say “introducing Tenoch Huerta" and what an introduction it’s been. Huerta’s role as Namor in the “Black Panther” sequel has wowed audiences, catapulting him onto the global stage and sparking conversations about race and identity, both in his native Mexico and abroad. It’s also led to Huerta being named one of The Associated Press’ Breakthrough Entertainers of 2022.
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Oscars 2023 winners:
Best Picture – Everything Everywhere All at Once
Best Actress in a Leading Role – Michelle Yeoh, Everything Everywhere All at Once
Best Actor in a Leading Role – Brendan Fraser, The Whale
Best Directing – Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once
Best Film Editing – Paul Rogers, Everything Everywhere All at Once
Best Original Song – “Naatu Naatu” by M.M. Keeravaani and Chandrabose, RRR
Best Sound – Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor, Top Gun: Maverick
Best Adapted Screenplay – Sarah Polley, Women Talking
Best Original Screenplay – Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once
Best Visual Effects – Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett, Avatar: The Way of Water
Best Original Score – Volker Bertelmann, All Quiet on the Western Front
Best Production Design – Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper, All Quiet on the Western Front
Best Animated Short Film – The Boy, the Mole, the Fox and the Horse
Best Documentary Short Film – The Elephant Whisperers
Best International Feature Film – All Quiet on the Western Front (Germany)
Best Costume Design – Ruth Carter, Black Panther: Wakanda Forever
Best Makeup and Hairstyling – Adrien Morot, Judy Chin, and Annemarie Bradley, The Whale
Best Cinematography – James Friend, All Quiet on the Western Front
Best Live Action Short Film – An Irish Goodbye
Best Documentary Feature – Navalny
Best Actress in a Supporting Role – Jamie Lee Curtis, Everything Everywhere All at Once
Best Actor in a Supporting Role – Ke Huy Quan, Everything Everywhere All at Once
Best Animated Feature – Guillermo del Toro’s Pinocchio
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