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#take a detour here and there
exhuastedpigeon · 22 days
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Buck and Eddie's first kiss is going to be so heated, but not heated like a flashover or backdraft. No, their kiss is going to be heated like burning mountain - a fire that's been burning for thousands of years. Hot and passionate, but lasting. A fire burning under the surface of the earth with no end in sight.
When they break apart they're going to rest their foreheads together and just breath because holy shit everything just changed. There's no going back now.
Buck will break the silence with a nervous laugh and he'll say something about how long it took them to get here and how he's scared that maybe they took too long. Maybe they're too late.
And Eddie will smile at him, eyes all soft like they've always been when he looks at Buck and he'll say something like, "We just had to take a detour, but we got here right when we were supposed to."
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furies-inthe-mirror · 3 months
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& then a weird guy appear
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duck-n-clover · 8 months
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ghost hunters, on a scale to 1 to 10 how likely are they to be Blair Witch'd...?
new* ocs for the Whorror Movie universe! we have Chicago and Diana, a duo of sisters seeking out answers from the paranormal! accompanying them are Landon and Takeshi, they are hobbyist documentarians so this is a good opportunity to go on a roadtrip and see all the weird stuff small towns have to offer.
Diana is a believer and the rest are leaning more on the skeptic side but they're coming along for the ride anyway. good luck guys!
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chiropteracupola · 1 year
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recently I've read a very meaty and murdery novel, and, since I haven't stopped thinking about it, now I've made a playlist about it.
[listen here]
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undead-potatoes · 3 months
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Honestly such a bummer that "are you in the headspace to receive information that could potentially harm you" kicked up so much discourse and became a meme bc it IS genuinely good to ask people "hey can I just dump a bunch of shit on you rn?" before you do that (the script that person gave was just terrible).
People have their own traumas and bad days, and just dumping shit on top of that with no thought isn't always gonna be okay. If I know someone has struggles relating to a topic I always try ask before I just jump into talking about it, making sure I don't accidentally trigger some sort of episode for them with my careless bullshit. It takes like 10 seconds and I think it's good to be mindful that you're not the only person on the planet who is struggling at any given moment, and that sometimes you need to find a different person to talk to.
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wistrearchived · 8 months
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good morning/evening/afternoon, kira nation <3
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tea-earl-grey · 5 months
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as someone from the midwest and who's been to Indiana on numerous occasions it never stops tickling me the way people write Janeway's backstory/home like she's from some remote quaint farm when Bloomington is like. a real city. it's a huge college town. there are a lot of businesses there. apparently very few fanfic writers know this. apparently judging by 11:59 the writers of the show don't know this either.
(this is not a complaint, i think it's very cute to see people writing about places near me and i'm not bothered at all by any of it. it's just very funny to think about all the people who assume just because you're from Indiana then you must live on a farm. it's like thinking everyone from California works in the entertainment industry and lives on the beach.)
(also if you are one of these fanfic writers, don't fear, there are still a plethora of farms in Indiana and near Bloomington. and anyways who knows the actual city could have long since been destroyed by the time the Trek shows take place.)
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buffintruder · 1 year
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Seriously, we’re all sleeping on the concept of a soul nemesis au
Like in a soulmate au, fate tells you that you’re going to fall in love with someone, and you do it. But it is so much juicier if fate tells you that you’re going to fight and hate and possibly kill someone and instead you say 'fuck you to that'
The drama of enemies to lovers!! The futility of struggling against destiny and cursing the gods of a cruel universe! The beauty of finding love in the most unexpected places, of taking a horrible situation and making it your own! The tragedy of when another person is going to destroy you whether they want to or not but it would destroy you just as thoroughly to destroy them first, and so all you can do is find the gentlest way to shatter your own heart!!
Literally what more could you want
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myhyperfixationisback · 11 months
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oh-oh god. I 🤢 I can’t do thi-
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jovenshires · 8 months
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~hold my hand ,  i don’t want to lose track of you~
either with Spencer/Tommy or just whichever pairing first comes to mind when you read this prompt!
Your writing style is so nice, I'll enjoy it no matter the pairing <3
aw thank you so much!!! <3 i am a spommy girlie til i die so here ya go. this became, unfortunately, a full-blown fic, so i put most of it under the cut and i published it to ao3 here! challenging myself to write from tommy's pov (i torture spencer agnew enough fr), pls enjoy <3 (ps the video i am referencing is this video right here!) send me a prompt & pairing!
Spencer Agnew must be a sadist. That's the only explanation for all this - the looming long hallway in front of him; the low, menacing music; the flickering lights. He can feel his hands shaking, his eyes darting around - he just prays to God Shayne doesn't notice.
But he's Shayne, so of course he notices. He gives him a comforting smile and says, "It'll be fine. Spencer's gonna walk you through the whole thing so you can get used to the scares and mark your exit."
Tommy glances at Spencer, who wiggles his eyebrows. He looks like he’s enjoying the whole ordeal, the sick bastard. Spencer, he knows, is a fan of haunted houses, but Tommy didn’t know he was also a fan of making Tommy’s life a living hell. Tommy just sighs and turns back to Shayne. "I just don't understand why I have to go through it while it's running. I mean, all I need to know is where my exit is, right?"
Kiana had run the joke by him before she'd put it in, and Tommy had agreed, though a little hesitantly. He's never been the biggest fan of haunted houses or anything, and he's not sure how good he's gonna be at scaring anyone. But Spencer helped Kiana make the damn thing, so when they came up with the premise, Tommy was the only logical option. Spencer even volunteered him, and then doubly volunteered to be the one to walk him through it. That is why Tommy blames Spencer for the probable cause of his early death in the middle of this stupid haunted house. Well, that and the fact that Spencer's grinning at him like the cat that ate the canary. Tommy thinks he has the right to be a little annoyed.
"Think of it like a dress rehearsal," Shayne is saying. "We get to see if it's actually scary, you get to know what's going to happen in advance. Look, you'll be totally fine; no one's gonna touch you, and Spencer will walk you through the whole thing." Shayne, probably the best guy Tommy's ever met, reaches out and puts a hand on his shoulder. "It's gonna be okay. Promise."
Tommy takes a shaky breath but nods. He glances over his shoulder just in time to see Spencer give Shayne a thumbs up. With one last look between the two of them, Shayne puts on his black morph suit mask and takes off, ready to become part of the haunt. Tommy turns to Spencer, whose smile becomes more gentle without the presence of company. "You know I won't let anything happen to you, right?" he asks, and, weirdly, it sounds pretty sincere. Reassuring, comforting. Caring. Despite his surprise, Tommy nods again. Spencer smiles and, without another word, leads them into the maze.
He tries to follow at a distance. Keyword: tries. But within a minute, someone stands up and ambles towards them, limbs bent at awkward angles, face hidden behind a mask, and Tommy jumps and hides behind Spencer. Spencer laughs, and for a moment, Tommy thinks he's being laughed at - but Spencer just smiles at him again. The same gentle one as before. "Come on, I've got you," he says, and gestures toward the next section.
It should be noted that Spencer isn't well-known for his sincerity. In fact, he's actually pretty famous for a lack thereof. He doesn’t like to be vulnerable or talk about his emotions, or have emotions in the first place. He has a tough exterior that bristles each time you try to get past it. But strangely, Tommy feels warm and, even more strangely, he feels safe. Like Spencer really does have him. Maybe it should also be noted that Tommy doesn't really make a habit of being had. He values his independence and he's stubborn by nature; he's used to doing everything alone. But something about this - about Spencer's soft smile, about his own shaking hands - makes him want to try. So he follows Spencer forward.
They do take a moment to laugh at the cheesy light-up spiders on the wall, watch as their shadows block them out, as Tommy's hand reaches up to touch one. But Tommy's reprieve is short-lived, and not even a moment after, he jumps as someone - Alex, he thinks, but the Scream mask obscures his face from view - jumps out and tosses something at him. He screams, and although he can't seem to hear himself, he can feel it, the air pushing out of his chest and his mouth opening wide. His hand reaches for Spencer's arm on instinct. To his credit, Spencer just stands there and takes it. He's still smiling, but it looks fond, and he doesn't push away. He waits patiently. When Tommy stops to catch his breath, he bends down to pick up the note and holds it out to him.
"Thanks," Tommy murmurs. His embarrassment must be evident, in the red in his red face and the tremble in his voice. "And sorry. I'm acting so insane right now."
"Hey, you've got nothing to apologize for," Spencer says. Tommy has to stop thinking about how kind he's being before he drives himself even further insane.
Instead, he opens up the note. Turn around, it reads in bright red block letters, and Tommy takes a deep breath. "I don't wanna," he mutters.
The comment was more for himself than anything, but Spencer picks up on it. "Are you okay? You can tap out," he offers. But Tommy shakes his head.
"No, it's fine, it's fine." Sure, he's scared. But he's also here with Spencer. So it's kind of a win-lose situation.
He looks behind him to see the hallway light up, and honestly, he takes a moment to be very impressed with Kiana's handiwork. That was a great lighting queue. Then his eyes settle on Heidi and Erin, and all bets are off. First, he starts to laugh. Then, they start to run, and his laughter quickly turns to screaming.
"Oh, fuck! Jesus Christ!" He turns again, an involuntary flinch, and positions himself so that he's facing Spencer.
After a moment, Spencer says, "It's okay, man, they're gone."
Tommy nods and stands up a little straighter, sighing. "Hey, can I ask you a favor?" Spencer nods, and Tommy's a little afraid he's gonna say some shit like ‘anything,’ and right now, he really can't handle that. So he continues: "When I inevitably die of a heart attack in here, just leave me behind. It'll be really embarrassing and I'd rather you didn't see it."
Spencer laughs and shakes his head. "Come on, you baby," he says, and Tommy definitely doesn't imagine him dropping the 'you' in that sentence, and he definitely doesn't immediately follow Spencer's lead without a second thought.
Tommy should just leave. He should quit, tell Spencer to do it himself, say he’s out and head home. But no matter how much he thinks it, he knows that he won’t. Because Tommy's problem is this: Spencer is a real pain in the ass. He's annoying, he never knows when he's taken a joke too far, his sense of humor is too deadpan, he's never had a functioning emotion in his life. By far, he’s one of the most agitating people Tommy knows.
But he also knows Tommy's coffee order. He doesn't drink, but he asks Tommy about bartending anyway. Tommy's pretty sure he's memorized Tommy's favorite movies and his birthday and everything else about him. He's pretty - he's got this unruly curly hair and those beautiful eyes. And a sweet, soft smile. And Tommy likes him, he likes spending time with him, and he wants him. Maybe more than he's ever wanted anybody.
So, yeah, he'd walk through hot coals if the guy asked him to. A little haunted house is nothing.
They wander past some other stupid decorations - a skeleton in Lisa's office and a scary mask hanging from the ceiling. Then, he spots it - 'Full Time Cast Only.' He laughs a little. "Thought you'd like it," Spencer says. He almost sounds... proud? Like he's glad his silly little joke made Tommy laugh, even though Tommy already knew the punchline.
"Yeah," Tommy says, "I think they're gonna like that one."
Spencer smiles and nods, saying, "I think Rachel's gonna come out in, like, a mask and drag you away. I told her to be gentle, so she shouldn't scare you or anything."
He doesn't stop talking, he continues, saying something about how Tommy should be sure to walk through the door last, but Tommy isn't listening. He's staring at Spencer. He told Rachel to be gentle. Granted, Tommy is pretty sure Rachel couldn't hurt a fly, but - Spencer was looking out for him. Some part of Tommy, a stubborn and prideful part, doesn't want to be handled with kid gloves. He doesn't need gentle or kind. He can handle himself just fine, and he knows, at the end of the day, that it's just Rachel in a mask. But another part - a more traitorous and dangerous part, that wants to run his fingers through Spencer’s hair and kiss the smile off of his face - really, really likes being had.
He's pretty sure he interrupts Spencer when he says: "Thank you."
Spencer seems thrown off, shutting his mouth and blinking. "What?"
"For. You know, the Rachel thing. Thanks."
There goes that smile again. Tommy is beginning to wonder if it's reserved just for him. "Of course." Tommy thinks again of when he was pretty sure Spencer would have said ‘anything.’ As if he'd do anything for Tommy. He feels something that strangely feels like happiness settle in his chest.
Tommy is ready to call this day a success - he got to spend some time with Spencer, he learned his mark for the shoot later, and he only got a little terrified. All in all, he’d call that a win. But just as he goes to walk back towards the bullpen, Spencer opens the door. "Shall we?"
Tommy looks from him to the open door and back again. "Aren’t we done? I’ve got my mark, right?"
It might be the lighting, or maybe his mind playing tricks on him, but Tommy thinks he sees disappointment briefly flicker across Spencer's face. "It's a dress rehearsal. Let's give 'em someone to scare." There's another long moment, where it’s clear that Tommy's unsure, and then Spencer leans in a little and says, "Come on. I won't let anything hurt you, promise."
(Tommy never said he wasn’t weak.)
Beyond the door are the bathrooms which, to be honest, Tommy has a hard time finding particularly scary. They're bathrooms. He once saw Erin put a Leonardo DiCaprio cutout in one of them. But the door to one of them is ajar, and he feels a tingle of curiosity and anxiety down his spine regardless. "Well?" Spencer whispers, and he does whisper, close to Tommy's ear, sending a tingle of something else entirely down his spine. "Go ahead."
And Tommy does. Hot coals, remember?
Luckily, there's nothing inside. Just a pitch-black room, the vague outlines of the toilet and sink emerging blearily in the darkness. Spencer snickers at Tommy's sigh of relief. "Shut up," Tommy mutters, though there’s no real heat behind it.
They make their way down to the other door - it's closed, but Tommy still expects the scare. He glances at Spencer, who shrugs.
BANG BANG BANG. Tommy jumps back, and Spencer shakes his head, opening the door. Shayne stands on the other side in his black morph suit. "Nothing to be scared of," Spencer promises. His voice is low and quiet, pitched just for Tommy to hear.
On another day with another person, Tommy would say something like, 'I know that, I'm not a kid.' He'd snap and huff and cross his arms. But here and now with Spencer, he just nods. He's not sure what that says about him.
Shayne takes down his mask. "Having fun?" he asks. He's grinning, his eyes dancing with delight. Tommy can tell he's enjoying hosting this almost as much as Spencer and Kiana enjoyed making it.
Tommy doesn't have the heart to say no. "Yeah, a blast, man," he says. It's not even a lie. Not really. Well, it's not far enough from the truth that he feels bad about it, anyway. Spencer snorts, though, and Tommy elbows him.
Shayne directs them through to the next room, the kitchen, where Garrett leers at them from behind his counter. Tommy can't help but roll his eyes. Much like the bathrooms, unfortunately, Garrett is something they just can’t make scary. "Hey, Gar, what's cooking?" he asks. He can’t help the monotone sarcasm, and he takes delight in how it makes Spencer laughs.
“Not much, Tommy,” Garrett replies. “Just making my next meal… Wanna eat? Or yeet?” To emphasize the word yeet, he holds up a rubber eyeball. It dangles in the air, looking, well - Tommy doesn’t know a nicer word for ‘lame,’ but he also doesn’t know a better one.
That’s when Tommy notices the other props in front of him. A rubber head, a particularly cheap-looking leg, and some other phony body parts are laid across the countertop. It’s almost too cheesy - Tommy can’t help but laugh. Spencer laughs again too, and soon, they both shaking and wheezing. They’re not really laughing at anything in particular - sure, the rubber hand looks really dumb poking out from Garrett’s crockpot. But in a broader sense, Tommy thinks it might just be that strange feeling of happiness bursting out of him. Because no matter how miserable this is - no matter how many stupid jump scares get to him, or how many times he embarrasses himself in front of all his coworkers - at least he's with Spencer. He wouldn't want to do this with anyone else.
Tommy glances up to see Garrett's face pulled into a pout. He looks like a toddler; it doesn’t do him any favors in the scare department. "Guys, come on, I know I'm not that scary, but…"
He shakes his head and tries to stifle his giggles. "No, Garrett, it's not you, I swear." He glances down at the body again and bursts into more uncontrollable giggles. Spencer, for his part, is laughing so hard he’s nearly in tears.
“Oh, yeah? Well, what about this?” Garrett takes a meat cleaver from behind his back and slams it into a cutting board in front of him. It does take Tommy by surprise, but it only manages to turn his laugh into a hiccup, which then makes Spencer wheeze.
“Alright, alright, we’re out of here,” Spencer says. He puts a hand on Tommy’s shoulder and guides him forward, both sniffling in the aftermath of their laughter as they go.
“Sorry Garrett!” Tommy calls over his shoulder.
“You’ll get ‘em next time, bud,” Spencer adds.
They step out into the next part, a random section of the bullpen. They take a moment to compose themselves, wiping the tears from their eyes and catching their breaths. “Oh my God,” Spencer murmurs. “That was amazing.”
“Yeah,” Tommy says, finally standing up, recovering from how winded he was. “I just hope he gets some good scares in later. I feel a little bad for laughing.”
Spencer grins. “I’m proud of you, actually, you did really well in there. Even when he brought out the meat cleaver. Look at you, getting all brave all of the sudden.”
Tommy shrugs. “Maybe you make me a little brave.”
Spencer looks surprised by that. Tommy surprised himself, to be honest - he didn’t think he was going to say that. He’s not even sure what the implications of it are. But he does know that he means it. ‘I won’t let anything hurt you,’ Spencer had said, and for some reason, Tommy believed it.
There’s another moment of silence, then Tommy looks around. “So, where to next?” he asks.
Spencer doesn’t have the time to answer the question before the noise of a drill starts up, and Selina climbs from under her desk, shouting at them. After a quick shared look, Tommy and Spencer run past her, through to the next section. They also pass Rachel in a conference room, wielding a buzzing chainsaw, before bursting through another door. Tommy’s not sure what’s part of the maze and what’s not at this point, but Spencer seems to know where he’s going, and he’s pretty sure he’d follow him anywhere.
The door swings open and falls shut after they step through, and Tommy finds himself enveloped in darkness. There’s nothing in front of him, next to him, or behind him - only the pitch-black void of the studio. “Shit,” he says. “I can’t see anything.”
His eyes struggle to adjust to no avail. He’s fairly certain Spencer’s beside him, but only because he can hear him breathe. They are surrounded by nothingness, and for a moment, that initial fear returns. The creeping feeling of tension. The idea anyone could pop out at any time looming over him, but this time, he wouldn’t have Spencer to make him brave. He can’t even see him. Hell, at any moment, he might disappear and leave Tommy alone. Like he said, Spencer doesn’t know when the joke’s gone too far - and he wonders if leaving him here, alone, could be the beginning of a cruel joke.
Suddenly, though, Spencer speaks. “Here. Hold my hand.” He fumbles around in the darkness for a moment before his hand finds Tommy’s. It’s warm and rough and comforting as he interlaces their fingers. Tommy calms almost instantly. “I don’t want to lose track of you.”
Whether it’s the truth or a flimsy excuse, Tommy does not know nor care. What he does know is this: Spencer is here, and Tommy is okay. He’s fairly certain the two are connected, but he doesn’t care to examine how. Instead, he squeezes Spencer's hand and lets him pull him to the next section.
They shuffle forward, hand-in-hand now, towards the equipment room. Finally, the lights flicker on, and once again Tommy only has a moment to mentally commend Kiana for her work before his eyes adjust to the light and he notices Heidi and Erin. “Come play with us,” they say in unison.
“No thanks, we’re good,” Tommy calls out. “You guys are killing it, though, extremely fucking weird.” Spencer laughs again, a small thing, and tugs him forward by the hand. Tommy sees both Heidi and Erin’s eyes flick towards it, and he knows instantly how fast the rumors will spread. Fine - let them spread. He’s not sure how much he cares.
Once they move past them, he finally sees it: a tall, billowing hallway, made of what looks like trash bags. Two pillars stand on either side, covered in bloody handprints and lining the entryway. The lighting as they draw closer is even worse, and Tommy’s certain that the inside is going to be pure nightmare fuel. “Oh, fuck, don’t tell me we’re going in there,” he says.
Spencer squeezes his hand. “It’s fine. I’m here with you, remember?” He wonders how he could possibly forget.
He follows Spencer as he pushes open the makeshift curtains and leads him in. Tommy takes a look around - the hallway stretches out a little, but otherwise, it looks fairly normal. That is, until he spots the door to the side of them. Hands pop out and rustle the curtain, showing them the way, and Tommy jumps again, his shoulder bumping into Spencer’s chest as he backs up. “You okay?” Spencer asks.
“Let’s just get this over with,” Tommy says, and pulls Spencer with him into the next room.
They both duck through the shelves of the prop room, Tommy’s back craining with the strain, and find themselves on the other side in a red-lit area. It’s littered with those fucking mannequins - Tommy hates these stupid things. Cassie dressed up as one for the hide and seek, and ever since, they’ve given him the creeps. Seems as if they’re just piled on the floor, though, and through his trepidation, Tommy almost breathes a sigh of relief. Almost.
The one on the bottom of the pile wails as it scrambles off of the ground. Tommy screams again, matching it in pitch, and instinctively turns into Spencer and pushes him back through the shelves. He uses the other hand not in Spencer’s to grab his shirt, and he tucks his face into Spencer’s neck.
The curtains close behind them, and he’s fairly certain he hears Cassie laughing on the other side. That’s right - it’s Cassie. It’s not some living mannequin, and he’s fine, and he’s here with Spencer - whose personal space he’s currently invading. He takes a deep breath, feeling the shake of it reverberate against Spencer’s skin, and pulls away. The look on Spencer’s face is an odd one, a mixture of what looks like shock and fear. He seems like he’s holding his breath, too. Tommy wonders if he’s crossed a line. “Sorry,” he murmurs. He feels himself smile nervously, and he glances towards Spencer’s mouth - slightly parted, pink and pretty even in the dim light of the hall. “Guess I’m not as brave as I thought, huh?”
Spencer kisses him.
He’s caught off guard, and so for a moment, he does nothing. He keeps his hands still, his breathing even, and every part of him freezes. Spencer pulls away and looks up at him. There’s a beat where neither of them say anything.
“Wait, I…” Tommy murmurs. But he has no idea what he’s going to say. What could he possibly say in this moment? So he simply chases Spencer’s mouth and kisses him back.
He does let go of Spencer’s hand then, because he gives into what he’s always wanted and reaches up to tangle his fingers in Spencer’s hair instead. It’s soft and easy to hold, and it gives him some purchase as Spencer walks him backwards into the shelves behind them. Tommy hits it with a thud, but he’s too focused on Spencer to care, because fuck, he’s finally kissing him, and Spencer tastes like lime, and his hands are raking all up and down Tommy’s back, and all his mind can give him is Spencer’s name, over and over, surrounded by a buzz of white noise and the crackling of electricity.
It’s no wonder neither of them hear it when the opening rustles, or when footsteps come towards them. “Hey, did you two bozos get lost, or-- Oh, Jesus Christ!”
They jump apart, but it’s far too late. Kiana’s look of disgust is something that will be imprinted in his mind forever. She looks between the two of them, and Tommy feels a rush of shame run through him. (Not regret though. Decidedly not regret.) “You two morons thought a good time for this was in the middle of workday surrounded by your coworkers? Really?”
Tommy’s face feels like it’s on fire. He doesn’t dare look at Spencer, but he imagines he’s the same. Kiana keeps looking between them, disappointment clear on her face. She turns on Spencer. “I mean, you, I expected this from. I thought you were gonna make a move, but in the middle of the damn thing?”
At that, Tommy does look over at him. He looks extremely embarrassed, keeping his eyes on his shoes. He was planning on making a move today? Did he bring Tommy in here with the intention of them making out in the middle of a haunted house like teenagers? That’s… sweet and cute are the only words coming to Tommy’s mind, though he bids them not to. Maybe, he reasons, Spencer Agnew is not a sadist. He’s just an idiot who doesn’t know how to make a move like a normal person.
Kiana speaks again, breaking him from his train of thought: “But you?” He looks up, and she’s looking at him now, her arms crossed. “I thought you were better than this.”
Tommy winces. “Sorry, Kiana,” he mutters.
There’s a long moment of silence where she continues to look between them, then she shakes her head and sighs. “Get the hell off my set,” she says finally. “I don’t wanna see either of you until call time.” She holds open the curtain and points, and they both shuffle past awkwardly, feeling thoroughly reproached.
They retrace their steps in relative silence, as the maze bustles around them, preparing to reset until the shoot actually begins. Once they make it back to the bullpen, past the light-up spiders and where the piece of paper lays crumpled on the ground, Tommy comes to a stop. Spencer stops beside him, footing unsure, and when Tommy turns to face him, he looks like he’s about to say something. An apology, maybe, or a self-depricating joke. But Tommy won’t have that. Instead, he cuts in and says, “Call time for the shoot’s in a couple hours, right?”
Spencer looks confused. “Uh, yeah,” he says. “They’re doing a Try Not to Laugh and a Games video before then. Why?”
This time, Tommy reaches for Spencer’s hand. “I think we could find a way to kill the time,” Tommy says.
There goes that smile again. “Yeah, alright,” Spencer says.
Tommy smiles too, and they sneak off towards the parking lot. He makes a mental note to thank Kiana later, when she’s not pissed off at him anymore. After all, he’s a pretty big fan of haunted houses now.
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villainsidestep · 29 days
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smth smth fawn’s self rivalry in the siblings!au
#gideon shut the hell up challenge#bc we keep randomly thinking abt how Absolutely Devastating the museum is in sibs!au it ofc led to#us thinking abt the heartache of having to see river take up the sidestep name#to have (who you think is) some stranger waltz in and just stake a claim on arguably the single most important thing in your life#(read: the sidestep name bc it’s all you have left of ur brothers)#BUT. then we started thinking abt how they Also take up the sidestep name again#and the agonizing self-loathing and Constant Mourning that they go through every time they commit a crime#bc it’s not just their own hero memory who they are corrupting and bastardizing but Their Brothers’……..#fawn in the sibs!au is literally the equivalent of being so broken and bloodied and still dragging yourself onward#bc what other choice do you have?#ALSO !!!! bc we love to discuss fawn treating destroying the exhibition as a self-inflicted funeral.#knowing that in the sibs!au they probs only intended to remove their own self ?? but spare cyrus and river’s??#except then cyrus goes and blows up the fucking museum !!!!!!#I know for a fact they’re too busy helping w evacuations to actually manage to detour and save any of it too#bc they def would’ve considered it. genuinely inconsolable later when ric talks to them abt it.#bc here’s the thing. it may not have happened in actual book canon but I know in my heart he would sit them down and explain that nothing#of the sidestep exhibit could be recovered. which is fine for Just fawn but when u include the brothers ??? absolutely not#angie also is the one who chases fawn off which makes it even more fun bc they Just run from her they don’t super fight#and genuinely…. idk if they could have right then !!!! I think they’d be way too distracted and shocked to manage it#keeping up with the beckers
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roseworth · 9 months
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Stupid Respawn theory because...it's stupid
But..hormones.
Like, they intentionally made the test tube baby cause Slade to have some weird hormonal reaction to his clone and become fatherly to it as a defensive mechanism for the test tube child. Just something DC uses to explain or retcon Slade's oc behavior.
Like a weird alien horror movie I've watched that would cause other species to care for their offspring before it grows old enough to care for itself and eats its care taker
Like I said, stupid. Disregard if you like
this isn't stupid at all i love it ! everything surrounding respawn is so insane so the explanation that his existence caused some chemical reaction is fantastic <3 respawn literally being genetically engineered to make slade want to take him in
actually im taking it a step further because i also dont like the fact that ra's just. made a secret talia slade clone baby then tortured him for 15 years. so im saying that respawn was just kinda created. he was some kind of frankenstein thing crafted to look enough like slade and damian that the story would be believable then sort of,,, had memories programmed into his head of ra's to give him a backstory that would make slade (and rose for that matter) want to take him in and help him. and i cant even be proven wrong because ra's has never seen respawn so he cant confirm that he knows him and now theyre both dead :) im right about everything always
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dutybcrne · 7 months
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When Kaeya is upset with someone he loves, truly upset and seriously hurt, he tends to storm off immediately. And completely vanish from their radars. Whether it's two hours or even days.
A trail of ice-laced footprints is all they'd have to track him immediately after the fact, but after a time, not even Mond's best could hope to find him if he doesn't want to be found.
#hc; kaeya#//He doesn't ever actually leave Mond at these times#//The furthest he's gone is heading right to Dragonspine; actually#//Right up to the peak; or as far as he can go. But that's only if it was Really Bad#//The main reason no one can find him is bc he takes advantage of his little teleporting trick to mess up any trail he may leave#//Makes any indications point to him headed for the Winery; but uses that trick to make his detour. Like the Dragonspine bit#//Taking a detour near the snow-covered path by strictly traveling via water (seeing ice there would be normal anyways) for good measure#//Would end up Southeast; just shy of the Emtombed City's Hidden palace; if not further down#//Other than that; there are plenty caves and domains to hide out at until he calms down#//If asked; he will say he needed to clear his head on the shorter bouts#//And the longer ones; that he ran into trouble and needed to deal with it. And lost track of time#//Sometimes it's true; especially when he finds his way into a domain; and the Abyss starts tugging at his consciousness#//and messes with him so bad; his emotions prompt him to recklessly try and clear it himself; as though to blow off steam#//Has had equal times of success & getting his ass brutally handed to him & having to make a hasty retreat. It's gotten p close sometimes#//There was only (1) time he actually did show up to the Winery#//And that was after a particularly bad argument with Diluc; soon after he'd returned to Mond#//Left the tavern abruptly and tried to get into his old room; almost got shot by Addie who heard him breaking in. Got yelled at for it#//Then tended to after. He confided in her nothing but truth; but not ALL of it; that is to say; he said he was worried about Luc#//Esp coming back from Snezhnaya; even cried a little in her arms. but never mentioned Exactly that it was a fight that brought him here#//Stayed only for a bit; but the Moment he heard Luc come back; he fled. Heard commotion from downstairs & the moment Addie left to check#//He was out his room's window & teleported as far out & away as he could before trying to run back to Springvale w/out hurling on the way#//He does this bc he Fears saying something he Knows will hurt enough to regret#//Bc he thinks they might WANT him gone in that moment and gives them space accordingly#//They won't up and leave him if HE'S the one who makes his retreat first; right? Makes sure THEY don't feel the need to on his account#//They can say otherwise all they like; but the moment the anger's That clear in their eyes; his heart grows icy with dread#//And mind spirals enough to make him up and leave; either abruptly or with a stiff 'I need a moment'. But he needs OUT immediately#//Them being the ones to find him before he's calmed down & ready would always make it worse; unfortunately#//Bc then it starts up his mind spiraling all over again; esp since he'll inadvertently feel cornered by them. & act accordingly#//He WILL try & act as though he Didn't just do that to try & segue back normalcy; it's wiser to gently talk him through how it's not ok#//It might not stop future bouts during serious fights; but at least it can resolve things from this one bc he'd be willing to talk it out
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icedteaandoldlace · 2 months
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Doing that thing I said I'd never do and writing a story in present tense.
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themyscirah · 6 months
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I apologize sincerely for the person I am about to become here
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facedock · 2 years
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Starbuck in Battlestar Galactica 1.07, The Long Patrol
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