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#sue carls
firsttarotreader · 21 days
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Pedro and his agent Sue Carls in NYC.
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joelslegalwhre · 20 days
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hey if you hear a scream- that’s me
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deadthehype · 2 years
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The Female MC Hall of Fame for The Source Magazine October 1997 issue written by Mimi Valdes photographed by Sue Kwon, Michael Lavine, Carl Posey & Natasha Calzatti
(via rapstylearcheology)
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burninface · 1 month
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Gallaghers and their missing friends
(Gallaghers and a Mr.Gallagher)
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gleetournaments · 7 months
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The Ultimate Glee Ship Tournament: Round 2 Match 23
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elbowreveal · 2 years
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new pastures
[don't repost]
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vertigoartgore · 3 days
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According to IMDb, the 1994 Fantastic Four movie turns 30 today. Feel old yet ?
"United States : May 31 1994 (only known showing)"
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Sebastian Vettel Giving Me Gender Envy - Part 3
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balu8 · 9 months
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Walt Disney's Donald Duck Adventures #4: Frozen Gold
by Carl Barks and Sue Daigle
Gladstone
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drama-glob · 1 year
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Today is the 3 year anniversary since the premiere of “The Present.” ^_^ <3 I thought it was such a sweet, sad episode as we feel for everyone’s pain at celebrating Christmas without Tadashi, especially Hiro. ;_; I’m pretty sure everyone teared up a little as well as laughed along with it; I’m also pretty sure we all knew that present wasn’t from Aunt Cass like Hiro thought it was.
Even though there is no way this episode could be canon and not just because of the time this episode takes place, the fact that the team and Globby aren’t wanted fugitives, or because there are new villains that they wouldn’t have met until the second semester of school, but above all else, it is because Krei remembered that his assistant’s name is Judy. There is no way that this happened, especially since the credits still list Judy as Krei’s assistant too. ;) XD
*Side note, I am still mad that as of this post, I still have not heard them play “Globby Holiday Song” on Disney Hits, both for this year and last year. >:( It’s a cute little song and it’s the season for it. ^_^<3<3<3
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nitpickrider · 1 year
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Oh RIGHT, I forgot about this weird thing that they did way way way way back in the day before the real Cap even came back. ...Whatever happened to The Acrobat?
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firsttarotreader · 21 days
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Pedro and his agent Sue Carls on a stroll in NYC.
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shreddheir · 2 years
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Dream analysis is definitely the Most psychology of all time.
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j-psilas · 9 months
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Will we ever get anything quite like Code Geass again?
I don't think it's possible.
Code Geass is Japanese nationalist propaganda disguised as a global political drama, disguised as a military mecha show, disguised as yaoibait, disguised as a teen melodrama, disguised as a high school romcom, disguised as a Pizza Hut commercial...
...except those layers aren't layers at all, but are instead comingled in a giant snake ball of insanity.
The lead writer, Ichirō Ōkouchi, only ever worked as an episode writer for other shows prior to Code Geass, and never took the helm of an anime series ever again. And it shows. [EDIT: Several people have pointed out his other lead writing credits to me. So I misread Wikipedia—sue me. I maintain that this guy is a better episode writer than he is a lead writer.]
The minute-to-minute pacing is impeccable from a mechanical standpoint, with tension and stakes rising to ever-higher peaks, balanced out by the slow simmers of the b-plot and c-plot. It keeps the viewer on the edge of their seat at all times. Meanwhile, the large-scale plot is the most off-the-wall middle school nonsense I've ever seen, continually surprising the viewer by pulling twists too dumb to have ever have been on their radar—and therefore more effective in terms of raw shock value.
"Greenlight it!" was the mantra of this anime's production. It must have been. It has, in no particular order, all of the following:
Character designs from CLAMP, the foremost yaoi/BL group in Japan at the time—for characters who are only queer insofar as they can bait the audience, and only straight insofar as they can be more misogynist to the female cast.
Speaking of the female cast, hoo boy the fanservice. We've all seen anime girls breast boobily, with many cases more egregious than Code Geass, but there's something special about it happening immediately after—or sometimes in the middle of!—scenes of military conflict and ethnic cleansing.
Pizza Hut product placement everywhere, in every conceivable situation. High-speed chases, light slice-of-life scenes, intimate character moments, all of it. Gotta have Pizza Hut.
The anime-only Pizza Hut mascot, Cheese-kun. He wears a fedora.
The most hilarious approximations of European names—which I would love to see more often, frankly. Names like, I dunno, "Count Schnitzelgrübe zi Blanquezzio."
A depiction of China that is wholly removed from any modern reality, with red-and-gold pagodas, ornamental robes, scheming eunuchs, and a brainwashed child empress. There's a character named General Tsao, like the chicken.
Inappropriate free-form jazz in the soundtrack, intruding at the most unexpected times.
A secret cabal not unlike the Illuminati, run by an immortal shota with magic powers, holding influence all across the world, at the highest levels of government. They matter for approximately three episodes.
An unexpected insert scene of a schoolgirl using the corner of a table to masturbate. She's doing it to thoughts of her crush, the princess Euphemia—because she believes Euphemia to be as racist as she herself is, and that gets her off. This interrupts an unrelated scene of our protagonist faction planning their next move, which then resumes as if uninterrupted.
Said schoolgirl, in a fit of hysteria, threatens to detonate a worse-than-nuclear bomb in the middle of her school. She then goes on to develop an even more destructive version of that bomb, and become a war criminal, in a chain of cause-and-effect stemming from the moment she finds out that Euphemia wasn't actually that racist.
A character called "the Earl of Pudding."
A premise that asks us to believe that the name Lelouch is normal enough that he didn't need to change it when he went into hiding as an ordinary civilian. "No, that's not Prince Strimbleford von Vanquish! That's our classmate, Strimbleford Smith."
The collective unconscious, a la Carl Jung, within which the protagonist fights his villainous father for control over the fate of humankind. After this is over, the anime just keeps going for about ten more episodes.
An episode in which a mech tosses a giant pizza.
A gay yandere sleeper agent who can manipulate the perception of time.
Chess being played very badly, even to the untrained eye. Lelouch frequently checkmates his opponent by moving his king. This goes hand-in-hand with the anime's crock of bad chess symbolism.
A fictional drug that can most succinctly be described as "nostalgia heroin."
Roller-skating mecha in knightly armor, and some of the most sickass mecha fight choreography that I've seen.
I could go on and on, but I think you get the picture. This anime is what the average Westerner in 2006 thought anime was, and it was made in a confluence of factors that cannot be replicated. I've never had so much fun watching something that I found so... insulting. Repugnant. Ridiculous. Baffling. I love it sincerely.
Catch me cosplaying Lloyd Asplund at a con sometime, or maybe even the big gay loser himself, Lelouch vi Britannia.
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a7estrellas · 21 days
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PEDRO PASCAL with his agent SUE CARLS out on a stroll in New York City
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thewaythisis · 8 months
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CAA agent Sue Carls, Pedro Pascal and CAA agent Franklin Latt
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