#studio litho

[magpiewithacamera]

Google Maps image, October 2012, Fremont, Seattle.

I believe this to be Jeff and Stoney standing in the doorway of Studio Litho in October of 2012, watching the Google Earth photographer go past. I've included pics of both of them from 2012 for reference.

This is our history.

#seattle #jeff ament #stone gossard #pearl jam #the grunge tourist #grunge history #studio litho #fremont seattle

[looseygoosey66]

#stone gossard #Moonlander #studio litho #seattle #fremont #pearl jam #green river #mother love bone #brad

[1966loveminuszeronolimit]

ok so i have now downloaded every reading from this class's canvas site so now i just have to write the homework 2 , the first draft of my paper, and the formal analysis by thursday morning. i dont like this very much havent decided if im doing that for real or droppin g the class and dealing with all of the consequences of that. still;thinking on it

#i have 2 more classes today and wednesday i have to go to the open lab hours for printmaking because litho takes forecer and im not even do #done with intaglio #i would love to take more studio art classes though #i need to schedule a meeting with my advisorrrrrrrrrrrrrrr

[lesbianfrannyglass]

i love lithography bc its so insane... like why do all that lol

#that being said does anyone have access to a fully stocked litho studio that i could crash for 8 hour

[illdothehotvoice]

Damn all I wanna do is sleep but my day is fucking packed

#i have to go do classroom observations ouuuugh #so my day is really looking like #3 hours of classroom observations #then an hour long class like immediately after #then a 3 hour long studio immediately after where we're doing about 20 litho prints #and last time that took about 4 hours so this. will be fun. #and then i have until tomorrow night to write a 2-3 page paper about my classroom observations #ouuuuuugh might ask for another extension i was supposed to do it yesterday but the professor forgot and doesn't answer emails #whatever today and tomorrow are just gonna suck ass i think

[twafordizzy]

Cornelis Rip vernieuwde zich in de landschap-schilderkunst

Willem Cornelis Rip (1856 – 1922, Rotterdam, ) was kunstschilder. Rip was eerst lithograaf en werkzaam bij een drukkerij, studeerde aan de Rotterdamse Academie voor Beeldende Kunsten in de avonduren. Aan het eind van het eerste jaar ontving hij een prijs. Bij zijn afstuderen werd hem de hoogste onderscheiding toegekend. Vervolgens deed hij een studie in het Museum Boijmans om werk van de grote…

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#19-de en 20-ste eeuws #aquarel #aquarellist #buiten #Haagse School #impressionistisch #Koekoek #kunstschilder #landschap #litho #lithograaf #Museum Boijmans #natuur #Pulchri Studio #Rotterdam #schilderij #tekening #vernieuwen

[odk-2]

The Fireballs - Bulldog (1959)

The Fireballs - Bulldog (1959) George Tomsco from: "Bulldog" / "Nearly Sunrise" (Single) "The Fireballs" (LP)

Instrumental | Instrumental Rock

JukeHostUK (left click = play) (320kbps)

Personnel: George Tomsco: Lead Guitar Chuck Tharp: Rhythm Guitar Stan Lark: Bass Eric Budd: Drums

Produced by Norman Petty

Recorded: @ The Norman Petty Studios in Clovis, New Mexico USA May, 1959

Single Released: December, 1959

Album Released: March, 1960

Top Rank International Records

♪♪♪ ♪♪♪ ♪♪♪

"Bull Dog Lemons" Label c.1910's by Western Litho Co. Los Angeles, California USA

[looseygoosey66]

Stoney with old HS friend Om (who also introduced him to Brit). The top & bottom (personal) pics are them rocking out at the Bam Bam Tributaries show 2 (?? I think) years ago. I swear since the COVID lockdown my perception of the passage of time has been warped.

#stone gossard #om johari #seattle #pearl jam #loosegroove records #brittany davis #bam bam #tina bell #central tavern #studio litho #fremont #re-ignition #bad brains #bad brains tribute band #Jenelle Roccaforte

[bubblesandgutz]

The time has come to agonizingly wait for the new SUMAC LP! Will it be released this year or in 2024 to coincide with the band's 10th anniversary? I hope it's got more songs than May You Be Held (not dissing, I love MYBH)! What's the different approach/element that you guys introduced this time around? Thanks!

Thanks for the enthusiasm! Yes, the new SUMAC should be out sometime next year (has it been a decade already???). Not sure of the release date, but I'm guessing sometime mid-year. The album consists of four songs tracked at Studio Litho in Seattle by Scott Evans (Kowloon Walled City).

May You Be Held was a strange album in that it consisted of a re-worked track leftover from the Love In Shadow session ("Consumed"), one new track ("May You Be Held"), and three improv pieces. As I've mentioned before, it was more like Get Up With It than Bitches Brew, meaning it was compiled from a bunch of different sessions rather than all the material being composed and recorded at one time with all members in one room. While I still think May You Be Held is my favorite record we've released so far, it does seem a bit antithetical to how I like albums to come together.

The new one (still untitled) was much more traditional in terms of how it came together. We tracked the four songs live with minimal overdubs. Improvisation is still a big part of our MO, but I think it's been integrated in a more fluid and natural way, so I don't think it comes across like "structured part" vs "improv part" nearly as much this time around. I think this new one also has a broader emotional bandwidth than any of our previous albums. So overall I'd say it leans more towards What One Becomes or Love In Shadow in terms of cohesion, but it's also a lot freer and varied and untethered than either of those albums. The people that just like the big heavy riffs will be satisfied, though they will have to be patient at times. The folks that like the weird freakouts and sonic explorations will also be stoked as I feel like those passages have a greater sense of telepathic unity and focus.

And that's about all I'm prepared to say about it at the moment.

[selkielore]

in the litho studio with my speaker playing azealia banks. club lithography studio with dj carlow

[burlveneer-music]

Tiptons Sax Quartet & Correo Aereo - Mujer o Bruja

During the worldwide COVID-19 Pandemic, two powerful ensembles joined forces in Seattle Washington in late 2020 to research and create the history of the role of women in culture. Written and directed by Madeleine Sosin, MUJER O BRUJA? takes us on a journey inspired by partnership societies of the Paleolithic Era, revealing the advent of the Dominator Systems and organized religion, and looking towards a balanced future. The musicians in Correo Aereo duo and the all-women Tiptons Sax Quartet developed ideas and compositions with digital technologist Jing ‘Jude’ Dai for a full year during the pandemic. The group developed the piece in 2021 by video conference and met in Seattle In October 2021 for a 2-week creative residency. where they honed, rehearsed and premiered. MUJER O BRUJA’s world premiere was a co-production of Wayward Music and the Earshot Jazz Festival in Seattle on October 22/23, 2021 at the Chapel Performance Space in the Good Shepherd Center. The ensemble went on to record and mix the audio at Stone Gossard’s Studio LITHO in Seattle. Inspired by The Chalice & The Blade by Riane Eisler Conception & Direction: Madeleine Sosin Creative Technologist, Visual Concept & Curation, Digital Artist, Video Production: Jude Dai Visual Curation & Concept: Madeleine Sosin Produced by Amy Denio Co-Producers: Madeleine Sosin and Jessica Lurie MUSICIANS/COMPOSERS: Correo Aereo Duo: Abel Rocha: harp, guitar, percussion, voice / Madeleine Sosin: violin, percussion, voice + Tiptons Sax Quartet Amy Denio: alto sax, clarinet, accordion, guitar, voice / Jessica Lurie: soprano & alto sax, flute, auxiliary percussion, kazoo, voice / Sue Orfield: tenor sax, piano, percussion, voice / Tina Richerson: baritone & alto sax, percussion, voice / Elizabeth Pupo Walker: percussionist in absentia

#tiptons sax quartet #Correo Aereo #saxophone #female vocal #vocal ensemble #2023 #seattle #jazz #folk #world music

[tenderanarchist]

Working Hands (A poem for my dad)

Split, scabbed knuckles and

Grease under fingernails, tracing

Every fissure and whorl, an inky sheen

Perfumed by exhaust.

You sit down at the dinner table in a shirt my mother says should have been thrown out years ago,

Constellations of paint and oil and sweat and moth-holes.

A single bead of saline sweat rolls off the tip of your nose

Falls through the air

And lands in your glass of Coca Cola.

The ice cubes hiss.

I spent this summer, too, reddening my shoulders

Under midday sun

Rivulets of water pouring down my face, salting flushed cheeks,

Tasting salt as my muscles ache with effort.

Back at school in the studio

The grease and industrial solvents remind me of you.

The litho ink seeps into my palms, a dusky glow,

Tacky and fragrant like the Sunday paper.

Remember when we used to get the paper?

In orange plastic bags to protect it from the rain. You’d unfurl the pages, reclined on the couch, leafing through while you sipped your coffee.

That orange plastic waterproofed my broken arm, ballooned around my fist in the bathtub.

I think I was born to work with my hands

Or maybe I learned it from you.

I remember sitting in the basement, dust motes catching the evening light,

Begging you to draw things for me with your bulky construction pencil.

And you’d come home from a hard day’s work smelling of sawdust,

Of metal and sweat,

Glittering with specks of insulation,

Eggshell white or periwinkle blue spattered on your work boots.

I wonder, one day,

If I’ll be walking through the doorway,

Flushed and sparkling,

A bead of saline dripping from the end of my nose.

Will my callused, stained hands,

Sore from a day of work,

Reach down to hold the tiny pink hands of another?

Grime and paint and sweat are no deterrent to reaching arms,

Sunburned skin and tight muscles are no excuse

Not to sweep us up into an embrace.

The mold of me is made with your fingerprints.

In the valleys and clefts

I find oily residue,

perfumed like gasoline,

Old hurts echoed into the present by touch.

Some inks never dry.

But that doesn’t mean what’s stained is ruined,

Or what’s written is written in stone.

Let out each drop, til rivulets form, til

The things you can’t say spill off the end of your nose.

I’ll wait, hands cupped,

To catch you,

Until my palms run dry again.

#poetry #family #spoken word #creative writing #freeform poetry #long post

[coldcanyon]

found the coolest looking art center on IG last night and it's only a few blocks away from the litho studio I was already aware of in south berkeley! printmaking+media art focus w/ so many workshops + residency opportunities . . . .nervous about moving next yr but so determined to make it work 4 me

#litho tag

[happysadyoyo]

color separations!

This isn't anywhere near what the finished product is going to look like, but I wanted to show off a couple pages from my concept book for my thesis work...

Basically, it's my book production class project. We get to work on the offset litho on the top floor with the master printer. Who is younger than me. And bought a church to convert into a studio and home. I'm not dwelling on that they're living the life I want at all, what do you mean.

Anyway, when I start working on the plates I'll take some more pictures to show you all the rest of the process.

[bxlldog]

my litho prof talks about herself in the third person and i decided that if i have to go through three 5 hour studio classes that are only demos then i get to be her

[majesticpalmart]

Beginnings of my first print project for senior studio 🩸

The plan is litho prints on fabric turned into a quilt/tapestry

#my art #digital art #printmaking #lithograph #wip #occulltism #occult #art #horror #art house horror #demon #red