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beomglocks · 3 years

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unlikely allies ; txt x reader

part: four.1 ,,,, next chapter / previous chapter

plot: when a zombie apocalypse breaks out in your town, you’re forced to team up with a group of boys from very different social standards in your school.

genre: fluff, angst, horror i guess?, not really that scary but alright, some funny moments

w/c: 2.1k

warnings: blood, gruesome scenes (kind of really detailed), cursing, everyone hates each other, definitely some major injuries, zombies duh, everyone kinda pining for mc

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"we are going to find more people y/n. we need to make up for beomgyu," taehyun spits. beomgyu walks up to him with anger taking over his features. "im still here you know! and i'd just hate for the kang taehyun to get bit because wouldn't that just be soooo fucking tragic! news flash, everyone's dead! you're not famous!"

"stop arguing!" you pull them apart but yeonjun shoves you away from them. "why? why should stop arguing?"

"we're all gonna die anyways," soobin says casually from his spot on the ground.

taehyun rolls eyes, walking straight into the library without any hesitation. "wait-" before you can warn him you all see something that makes you freeze.

you swear you remember that kid from somewhere. his fluffy hair is covering his eyes and instead of his baggy sweater covering his frame, it has ridden up to showcase his nonexistent abdomen. the zombies have absolutely ravaged the kid's body, leaving nothing but a lone carcass. there are still zombies lurking around his body, trying to feast on whatever part of him is left.

something beside the boy's body catches your eye and you realize who he is.

"ah shit," they mumble. you snap out of glaring at yeonjun to see a boy on the floor with books scattered around him. "shit im sorry! i should've been looking at where i was going," you apologize kneeling down to help the boy pick up his books.

"oh don't worry i shouldn't have taken up carrying so many books to the point where i couldn't see!" the boy's voice is so cheerful it makes you smile. you're glad he's not mad at you.

the boy is really cute too. his boyish features suit his face well and his hair is messy but looks like he stylized it that way. he's dressed comfortably in a huge sweater and baggy jeans with a molang keychain attached to one of the belt loops.

"where are you even going with all these books?" you ask. "i offered to take these back to the library for my english teacher, in hindsight i really should've just taken two or three not the whole stack." he chuckles sheepishly. he gets back up, picking up as many as he can.

you cover your mouth, trying not to let out an audible sob. even though you didn't know the freshman too well, this boy had left an impression on you with his cheeriness. that and the fact that this is the second time you've seen someone get eaten alive.

"hueningkai?" taehyun whispers. he takes several steps forward as if he's in a trance. "taehyun wait-"

"kai??" he raises his voice more but it cracks. the zombies in close proximity of you all snap their heads up at the sound of taehyun's voice. "tae we need to get out of here right n-"

"y/n!" you hear soobin call. you turn around to see beomgyu convulsing on the floor wildly. "w-what happened?" soobin shakes his head frantically. "he might be turning." you want to cry at the sight of your friend curled up in pain. you can tell he's trying to hold back his screams as to not draw attention to the group and get you all killed.

it's too late though because the zombies that were eating kai alive are now running towards you all. "what do we do?" yeonjun cries. you don't know what to do at this point. there's absolutely no saving beomgyu, who is currently turning. you go to grab taehyun's arm to at least try to save one person from your party but the zombie at the front of the group has already pounced on him. "NO!" you yell.

even though the zombie has sunk it's teeth into taehyun's ankle, you still try to drag him away in hopes of saving him. he's kicking at its face with the tiny sliver of strength he has left after being thrown to the floor. "don't worry taehyun im not leaving you," you huff.

you don't think you've ever had this much determination for anything ever. all you know is that someone's life is on the line and if you just try hard enough they might survive.

you're suddenly pulled back by your shirt when the entire group of zombies get to taehyun's idle body. "wait!" you reach out to him but it's too late. they've already began gnawing away at him. taehyun puts up a good fight but it's no use. there are too many of them.

he lets out a string of pained screams and all you can do is close your eyes.

"we have to go! we have to go," yeonjun screams. he shakes you to get you to get up but you have already given up. not one but three of the people who you've met have died. it hurts to know that they were once alive, smiling brightly with hope and life shining in their eyes.

it's not even the fact that prior to a zombie apocalypse happening you most likely gave no shits about these people but the stakes and circumstances have changed. of course now you care because you hoped they would love to see another day.

yeonjun sucks his teeth and picks you up. it takes a bit of extra strength on his part and he knows it'll slow him down tremendously but he doesn't care. "it's gonna be ok!" he reassures. you get a better view of soobin and beomgyu when he lifts you up and it makes you want to look away.

beomgyu's arm now has discolored veins that scale all the way up to him face. his eyes are glazed over and now white colored. you can see trances of dyed tears on his face but he's too far gone. he's dead and he's a threat to you all now.

"soobin r-!" yeonjun slaps his hand over you mouth so that you don't attract the zombies on taehyun to start going after you both.

soobin tries to hold his own against the now undead beomgyu and you can't exactly tell what's going on. yeonjun leads you away from the library and you can only hear a scream from who you assume is soobin.

"where are we going we can't just leave soobin behind like that!" you try to stand and halt the both of you but yeonjun harshly pulls you along. "yes we can and we will!" he barks. "there isn't a chance in hell that we could've saved him. it's us or him!"

he shoves you into the electrical room of the school. the door was thankfully unhinged otherwise the door would've remained locked.

there's nothing but silence minus the rapid breathing coming from you both. you go through what just happened and start to burst into tears, haphazardly wiping at your face but failing when more tears come down. yeonjun sighs, letting himself fall on the floor.

he doesn't even have time to rest before he hears a pounding coming from outside the door. "y/n? y-yeonjun? l-let me in!" you look over to yeonjun who's already looking at you wide eyed. "soobin?" you mumble. you go to stand but yeonjun launches himself at you. "hell no! soobin go away!" he yells.

"please open the door! they're coming! please!" soobin pleads. you shake your head, "yeonjun we have to help him please!"

yeonjun contemplates for a little bit longer than you'd like but he suddenly stands up. he gets to the door however he doesn't open it all the way. "are you bit? there's no way you came out of that unbitten."

soobin looks around unsure of himself. he grips onto his arm tighter from what you can see and you silently hope and pray he's not bit. however yeonjun also notices his suspicious behavior. "you're not coming in," he says. he starts closing the door again but soobin shoves past him.

yeonjun runs after him and tackles him to the ground. you look back at the door and you can hear the zombies that were following soobin approaching. you make a run for it to shut the door but yeonjun yells at you. "we have to leave it open for when i throw this asshole out of here!"

"but-" you wince when yeonjun punches soobin square in the face. it doesn't seem to phase the other boy as he growls and turns the tables on yeonjun. soobin has always been a bit stronger than yeonjun so it's no surprise that especially at this moment he's overpowering the other boy.

you rack your brain trying to come up with a logical plan. though you aren't being given many options. it's either wait until yeonjun manages to throw soobin out meaning you risk the group of zombies reaching you all or you lock yourself in the electrical room with an already bitten soobin.

you bite your lip watching soobin throw as many punches as he can with an unusable arm and yeonjun blocking them as best as he can. however, soobin was steadily getting weak and you could tell as well as yeonjun. with one swift push, soobin falls back onto the ground and yeonjun punches him again for good measure.

you can't see them well in the dimly lit electrical room however with the sliver of light pouring in from the door being open you can somewhat make out yeonjun's face. soobin sure did a number on him. his nose is dripping blood and his lips are bruised and swollen. his eye is also bruised and swollen and you're not sure if he can even see from it. god, he looks miserable.

he looks up at you and spits some blood out from his mouth. "lets get him out of here," he mumbles. you watch him get off soobin but he stumbles a bit. "yeonjun please hurry i think the zombies are coming," you tell him. he groans but says nothing in response.

yeonjun picks soobin up but once he has soobin's arm around his shoulder soobin starts shuddering. "you're gonna turn soon," yeonjun mumbles. soobin chuckles in between his shaking, "you care about me all of a sudden. i thought we were sworn enemies?"

yeonjun rolls his eyes, "whatever." if this were happening at any other time you might have smiled at them. you smile sadly when the two boys reach you at the door. you lean down to soobin's hunched over state and hold his face in your hands. "im sorry," you say. he shakes his head but says nothing to you.

"t-the gun," he mumbles in pain. you can see the veins starting to crawl up his shoulder and onto his neck now. "if we shoot you then the zombies that were after you are sure to start running towards here," yeonjun frowns. "soobin i don't think any of us are willing to k-kill you," you say as a tear rolls down your face.

his head snaps backwards violently then he slumps forward. "please," he manages to croak out.

you shut the door, closing your eyes. "y/n..." yeonjun says. "we can't let him die as one of those- those things!" you shout. yeonjun sighs, putting soobin down onto the floor. "think about this, you're about to kill another living being!"

"WHAT OTHER OPTION IS THERE?" you lash out. yeonjun stands there shocked at your outburst and the expression on his face makes you cry even harder than before. "what other option is there?" you cry softly.

you both look over to soobin who's now started convulsing on the floor. unlike beomgyu, this time he doesn't hold in his blood curling screams of pain. there isn't much time left before he turns.

you tentatively take the gun from his person and hold it up to his head. his eyes open momentarily and you see the fear in them flash through. he closes them tightly once again to brace himself and a tear rolls down his face. "i-im s-sorry," you cry. even as you hold the gun to his head, you hesitate. killing someone wasn't as easy as you thought. yeonjun walks up but not before wiping a tear from his face. "cmon."

he helps you hold the gun steady but removes your finger from the trigger. "close your eyes ok?" he whispers close to your ear. you sniffle, watching soobin struggle to keep his humanity. he opens and closes his eyes and keeps flinching and convulsing in different ways. you can tell he’s really in pain and not just because of his screams.

“im sorry soobin,” you cry. “im sorry!” you close your eyes tightly, waiting for yeonjun to pull the trigger.

you hold your breath and you can feel yeonjuns on the back of your head. his is nowhere near steady and you can’t imagine how he’s feeling having to kill another human being. his breathing is shaky and unsteady.

he tightens his grip on the gun and you feel his breath stop completely.

“three,” he mutters.

you’re sobbing uncontrollably at this point, unable to say the next number so he does it for you. “two.”

“one.”

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taglist: @fxd-skz @jinniehyunjin @bluemoonnightmare @srcasticking-main @shuichi-sama @hyunjinsicedamerican0 @groovybiscuitdiplomatpeach @cutiegyu @gyyuniverse @strykiss @minari-iii @minheesmini @cha-raena @yuto-darling @hyunjinhasmyheart @whateveryouwant90 @peachy-maia @strawberryaourt @binniebutter

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terminally-karkalicious · 3 years

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allow me to rant about the only thing that has been in my brain for the past two months and that is doll customizing babeyyyyy

i know there’s a 90% chance that you wont give a Shit about any of this but here we go anyways

SO first you gotta choose a doll. preferably one with a high range of motion to avoid creating new joints or having annoying limitations like not having elbow joints for some fucking reason. what the fuck mattel. give monster high dolls back their ball jointed shoulders and elbow joints. smh

the most common dolls ive seen used as bases are monster high and ever after high. most customs ive seen are highly stylized so the stylized face molds work well for those types of dolls but dolls like barbies are good for when you want a more realistic face-ups.

once you’ve got your base picked out you gotta wipe that bitch’s face off with like. acetone or nail polish remover or something strong like that. you can also use acetone to shrink doll heads which is cool as hell imo. n e way once the face is wiped you gotta chop off the hair and remove the hair plugs from the inside. ive seen this done several ways but the easiest and most common way ive seen is to dunk the head into boiling water for ~30 seconds until it gets squishy and malleable. once you’ve got the head back, you can use pliers (i think tweezers would work in a pinch) to pull out the hair plugs which are kinda icky because theyre covered in glue and other gross shit. ew

now you must decapitate the doll. dunk em back in the boiling water to soften them back up then just tug the head off. the neck pegs look funky and are usually a different color than the body so thats cool ig

once the head’s off, you can start the face-up which is basically just giving the doll a new face using stuff like watercolor pencils, acrylic paint, gouache, and a whole lot of other stuff. hell ive seen people use person makeup on these dolls.

next,,,,, hair. there’s about twenty million ways to do hair from gluing yarn wefts to sewing to rerooting with purchased nylon doll hair or yarn wefts but i’m gonna talk about the most common one ive seen which is rerooting and gluing.

before you can reroot, you need doll hair. which, as i mentioned, can be bought at stores like the doll planet or made at home with yarn in literally any color. have fun with it! make rainbow hair or something idk

to make homemade wefts, you take some acrylic yarn, cut it twice as long as you want the hair to be (keep in mind you can cut and style the hair once it’s been rerooted), fold them in half, and tie it to something sturdy like a wire coat hanger for the next step.

once you’ve got your yarn tied to your hanger, use a pet brush and brush the yarn until it’s wispy and looks like hair. then take a straightening iron and iron the weft flat. then remove from the hanger and boom. hair wefts. ta-da

to reroot the wefts onto the head, use a rerooting tool (which can be as simple as a needle with the eye cut at angle) (just google it please i’m shit at descriptions)) to poke small sections of the hair into the head. you can use the pre-existing rooting holes for your own reroot as they’re usually pretty reliable. to reroot, take a small length of you doll hair (about 10-15 strands), loop it in half, and put the middle of the loop into the reroot tool. poke the end of the tool with the hair on it into the pre-existing hole and remove the tool. the hair *should* stay in and fill up that plug!! also remember to plug thickly at the hairline and part of the hair where it's most noticeable. it doesnt matter as much in the center of the head as that’s not usually visible on the doll. once you’ve rerooted, squeeze in strong glue through the neck hole and squish around the head to make sure it covers all the plugs and secures them in place. then pour hot water onto the head to make the hair lay flat for styling later.

also, you can reroot yarn directly into the head to make thicker, more textured hairstyles. and since the yarn is thicker, you dont need to glue the inside of the head for the hair to stay in place!!

if youre not doing body modifications (which are also cool as hell) then it’s time for clothes but clothes are boring and i like body mods more so i’m gonna rant about them instead

the material ive seen most doll artists use is apoxie sculpt, which is like play doh on steroids. it comes in two parts which you gotta mix together for some reason. why dont they sell it pre-mixed. what was the reason. also once it’s dry it’s super super strong and you can sand it, drill into it, paint it, and all kinds of stuff. very nice and i want some for myself.

you can use hand saws and drills and shit to whack off doll limbs to make stuff like digitigrade legs or new joints. also dont be afraid to use other mismatching doll parts when customizing like heads and bodies and forearms and hands and shit. it literally does not matter if youre gonna recolor the doll anyways so have fun with it. make frankenstein’s doll if youre feeling spicy

accessories my beloved. stuff like tiny beads and clay baubles and shit will literally transform the entire doll plus they’re adorable and multi-purpose

i suppose i must talk about clothes now. ah well. you can find great clothing patterns if youre new to customizing on other customizer’s etsy shops and probably google although those will probably be lower quality than paid pattern pieces. and keep in mind that if it exists as clothing irl, you can likely make it doll-sized. there are literally no limits to your clothing options as long as you can execute your idea.

the once all your components have been made, you can assemble the doll again!! and finally see what all the parts look like together!! very cool 10/10 stars.

ight that wraps up my doll rant. i could really go into more detail on certain parts but thats a whole other rant for a whole other day smh. sorry for fucking flooding your inbox ender ahaha……………. you asked for this

little did you know that dolls have been one of my favorite things since like ever. if i can read a 25 chapter long fanfic i can read this B)

mattel definitely fucked up by completely ruining MH doll designs and just stopping EAH, alot of their profits most likely came from people who collect and customize dolls and by changing MH doll designs/Stopping EAH dolls they 1. most likely lost a small (or big if we're not jus talking people who customize dolls) part of their profit and 2. made it harder for doll customizers to make dolls/get commissions out rather quickly because they probably have to waste more time making joints or learning how to make joints.

EAH/MH dolls (specifically MH dolls) had AMAZING MODELS because there was so much variety with height, face shapes, etc (my favorite molds had to be the short/tall dolls and the cat molds because of the tails) and doll customizers really went all out with enhancing a molds unique features. The only "downside" abt MH dolls is that they (or atleast most)(from what i remember)) had slimmer faces but wider eyes while EAH dolls have wider faces with slimmer smaller which left a canvas for the face and not the eyes (and vice versa for MH dolls)

I've never seen any videos where a barbie is customized (maybe because i absolutely despised barbies at the time) so I'll definitely have to check those out but they seem to be good for realistic makeovers. I've seen like like semi realistic makeovers for EAH/MH dolls that were pretty good too tho (pretty sure mostly EAH dolls since yk MH dolls were used for creature makeovers while most EAH dolls weren't)

yeah i was always amazed by the head shrinking with acetone. honestly i still am?? idunno i have no idea how that chemical bullshit works. Ive seen a few of uh makeovers that just pain over the face (in multiple layers ofcourse) but that's usually when they're painting the entire body a different colour (again usually when they're turning a doll into a funky little baby man). I've also seen a few that just chop the hair off and take out the hair plugs yk without uuh like softening the head or just go straight for the hair plugs after taking off the head (i used to do that it was funny to me??). i always really liked when they used watercolour pencils or just colour pencils in general to draw/sketch on the face cause like wow ur drawing on ur doll without ruining it?? kinda epic maybe even poggers and pogchamp?? oh god my brain is failing wjshsmsj.

Watching them putting the hair back on the doll was, other than the face stuff, was the BEST part for me. Favorite type of hair was iuuuuuh was either thick yarn or brushed out yarn. Literally worship the people that would reroot the hair, theyre the most patience people on this earth!! it's literally insane but i guess that's what happens when you've been doing that for years? you guess kinda get used to it. when they put glue into the head does it just become stiff?? like it's just a clump of dried glue or does it like..hollow out again??

dude you literally cannot convince me most of the supplies used for doll makeovers. APOXIE CLAY LOOKS SO FECKING GOOD. its edible and i will die on that hill. The body mods are literally so amazing!!!!! it's so impressive how theyre able to imagine certain features THEN LIKE ACTUALLY MAKE IT LOOK ACCURATE TO WHAT THEY WANTED TO LOOK LIKE AFTER LIKE ON TRY (or many yk trial and error is very necessary for..everything). Absolutely loved when doll customizers would saw off a dolls legs and use different ones or just completely get rid of the torso to use a different one. it's like uuh that one big guy that's mismatched and sewn together. very cool. The accessories are so fun!! just small little details you seen really need but can add because it's your feckin doll!! I used to be absolutely obsessed over the doll clothes i would find on etsy, so much so that i started sewing shitty shirts and dresses for my uh "customized" dolls (they were absolute HORRORS idk WHY my mom let me feck up my dolls like that).

Thank you for this!! i haven't been able to talk about any of my interests for a while and this just really made me happy!!

Question fer u my fellow MH/EAH enthusiast: what was your favorite MH/EAH movie/episode and doll series. Mine was The fusion dolls (MH obvi) and that MH movie "Haunted" cause we got to know more about Spectra :D

#YOOOO LONG POST?!#long post #:) hehehe #this was very fun to read cant wait for ur next fanfic length ask #asks :D #theoreticallyjasper

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whitleyschn33 · 5 years

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RWBY 7 Trailer Thoughts

So, I said I would share my thoughts on the trailer, so here they are! I’m going to start at the beginning and write down what comes to mind for each little section, but since I have seen the entire trailer a couple times now, I may jump forward to connect whatever I’m addressing to something later in the trailer. This might make things seem a bit erratic, so I apologize in advance if this comes out like a lot of rambling nonsense. That said, let’s begin!

1. We open with Ironwood narrating that these are “uncertain times” over a montage of the Kaiju Grimm attack Argus, then cuts to Ruby saying that she’s trying to do what’s best, but doesn’t know if what’s best is what’s right as we see her use her Silver eyes on the Kaiju.

I’m hoping that this line about Ruby not being sure about what’s best being what’s right implies that we’ll get some kind of fallout for the events of Argus. One of my major gripes with the V6 finale is just how dangerous their plan was for the civilians in Argus, and how the narrative so far hasn’t really acknowledged that. The first step of their plan was cutting communications in Argus – something that would have caused mass panic even if they had succeeded and got away without the military noticing in time to send out forces. That panic can and did draw Grimm, and very easily would have killed dozens to hundreds of people. They’re huntsmen and huntresses – even if what’s “best” may be getting the Relic to Atlas, that doesn’t make what they did to do so (putting the civilians of Argus in unnecessary danger) “right”. Anyway, moving on.

2. Next, we get the gang flying into Atlas, whose airspace is completely full of military airships, with Weiss saying that this isn’t right. It then transitions to a shot of Atlas above Mantle, which seems to be on fire, then to the city, then the streets, where we see Atlesian knights patrolling, and only a handful of civilians walking outside, while Blake says the city just seems awful. We see a man throwing a trashcan at a TV screen (which as far as I can tell was showing the “Atlas Broadcasting(?) Network”) while a voice asks “what can we do?” (Can someone tell me who that is? It doesn’t really sound like Oscar or Jaune, and Qrow’s new VA pulls off a much more convincing performance at the end of the trailer, so I don’t think it’s him). Cut to Ruby saying that they didn’t come this far to fail now.

So, from Weiss’s line, we know that this is not how things usually are. The military is on high alert, showing off how strong their defenses are to match the closed off borders. I would guess that this also means troops roaming the city on patrol isn’t how things used to be either. Now, from what I’ve seen, most people seem to be taking this as a sign of martial law, and that theory certainly seems likely – the man throwing the trashcan and the fires we see are all potential signs of rioting, which could be a cause and/or effect of martial law being enacted. I have to wonder if that’s only part of the story, though. Later in the trailer, we see the gang fighting Grimm on the city streets (so I assume that’s what Ruby’s line is directed at), which we know from the leaked storyboards and their clothes happens immediately after they enter Atlas. The only time we’ve seen Grimm inside kingdom walls is during the Fall, so why are they there? What if this is a recent occurrence – a sudden influx of Grimm making it past the defenses and into the city proper? That’s another explanation (or even just another reason in addition to rioting) for troops to be patrolling, and I could very easily see that becoming a vicious cycle. Grimm get in, people panic, drawing more Grimm to the area and making it more likely for them to get it, causing more attacks and more panic, and making the soldiers seem less like protectors and more like ineffective “peacekeepers”. There’s a lot more I could say about this, but let’s keep going.

3. We go back to Ironwood’s voice overlaying what seem to be two/three different fights – the fight in the city streets against the sabertooth Grimm and two different fights in a mineshaft (and yes, they’re mines, the warning signs on the walls warn of deep mineshafts) against a new type of Grimm that I’ve heard are called Centinels and later an Ice Geist. He says, “Until now, I believed it was impossible to truly turn the tides against Salem. We find ourselves in the position of needing…. A new approach. She will keep returning stronger and stronger –“ cut to the new model for Ironwood “- unless we destroy her.” Cut to Ruby saying “Tell us how we can help.”

So, the main thing of interest to me here is Ironwood. We can see from the shot of his new appearance that he’s no longer taking care of his appearance like he did in the first few volumes – the stubble from V4 has become a full grown beard, and his hair doesn’t look like it’s been combed in weeks. The guilt and paranoia that we saw budding in V4 has fully come into bloom, as evident by his lines here, the heightened defenses we saw around Atlas, and the troops patrolling the city. In V4 E11, Jacques accuses Ironwood of never trusting anyone but himself, to which Ironwood responds to “For good reason,” then immediately says, “If Oz had just listened to me from the start…” Ironwood clearly believes that the Fall of Beacon would not have happened had Oz listened to him – used his strategies. Oz’s strategies “failed”, so this reaffirmed Ironwood in thinking that he’d had the right ideas – that if he had been able to control what was happening in Beacon, he could have stopped it. So, now, he’s not taking any risks with Atlas. He’s doing everything he thinks is right to protect the kingdom, no matter how paranoid or insane it seems – closing the borders, dust embargos, potential martial law, whatever it takes to keep the kingdom “safe”.

Now, this seems to be extending to Salem herself. If Oz was flawed about Beacon, he may be reasoning, why can’t he be wrong about Salem? Maybe there is a way – maybe the strength of Atlas *can* destroy Salem. Salem always seems to come back, maybe she’s just never been completely destroyed, and that’s what we need to try to do to fully get rid of her. Now, we know that this isn’t true, that Salem can’t be killed, can’t be destroyed, but even if Ironwood knows this (from his “believed it was impossible to turn the tides” line), he’s clearly no longer thinking straight. He no longer trusts Oz for having reasons for not simply going after her with an army, since Oz has been knocked down from his pedestal of “all-wise and powerful” with his “death”, so now he’s going to try to go about things his own way… which, from the state of Mantle? Doesn’t seem to be working amazingly well. More on that when I try to summarize my thoughts into a cohesive TLDR.

4. Cue Team RWBY jumping out of a plane into some kind of complex (my guess would be the mines/refineries at the mine site), interspersed with them fighting either the Sabertooths or the Cenitals, and title card.

So, “final” (I say that, but I’ll probably talk about them again) take on the new outfits. Ruby is still my favorite – it still looks really good, the hair is far tamer than I or anyone else thought it would be and I’m glad (though in some places, particularly the concept art that went around like a week ago, it really looks like Cinder, and I’m not sure how to feel about that), since this just gives her hair a more stylized look.

Blake is sitting at my second favorite – I think it’s a look that comes together pretty well, and the hair looks fine (I’ve seen some people complaining about how flat it looks, and I’m just here like, yeah, that happens a lot when you cut it that short, it can lose the volume it used to have).

Now Weiss and Yang… are now kinda tied. Yang’s outfit looks better than it did in the original art for me, and I think that’s mainly because the belt breaks up the khaki a bit better in 3D, so it’s not just a great expanse of bleh (still think the jumpsuit itself is ugly as hell, but I’ll take what I can get).

Weiss’s… is still a case where I like the aesthetic they were going for, but it doesn’t come together right. The big poofy skirt looks okay when she’s on her own (sometimes), but next to the rest of RWBY just looks so out of place and in the way and honestly a bit bland. The top half with the sleeves and gloves look… fine, but again, I wish they didn’t poof out the arms so much. The braid… still gives me really mixed feelings because it’s shorter than the concept art, but it’s still looks so thick and heavy, and adds to this unbalanced feeling I get. If it was in the back completely, instead of the side, I would be perfectly fine with it, but as it is, just throws me off. I can see what they were going for, particularly in the clip where she’s fighting a Cenital since that’s where the outfit as a whole looks best to me, but as a whole, there are too many little details that throw me off for me to really like it. Again, that might change when the first episode hits, but for now… eh.

The title card is pretty, though.

5. Back in the city streets – Qrow comments that he was expecting things to go a lot rougher, Blake and Yang are walking away when suddenly – captured by bolos! We see Blake, Qrow, then Ruby go down, the Relic falling off on to the pavement. A man approaches, while another standing of to the side, and then picks up the Relic. End trailer.

So, first off, major kudos to the new Qrow VA – his performance is outstanding. I was worried that the transition would be jarring, but if I hadn’t known they’d put someone new in, I honestly wouldn’t have noticed. His mimicry of Qrow’s voice is exceptional.

Second, I’m fairly certain that the people that captured the team are Atlas personnel. While we can’t see much, the man in frame wears white and blue, Atlas colors, and has a fairly militaristic haircut. The other figure is either wearing white boots, has a model that hasn’t been completely rendered yet, or seems to be an android, looking at the odd pattern and shape of his feet. I’ve seen some people throwing out the idea that this is Ironwood trying to take the Relic, or Atlas trying to steal the Relic, since the man picks it up, but – guys. Really? We see Ruby talking to Ironwood earlier in this trailer. They’re still in their old clothes, this is episode one. The more likely explanation is that these guys captured them because RWBY and Co attacked a military base, stole an airship, arrived in said stolen airship, and clearly are not supposed to be here if they just suddenly appeared without the border officials being informed, and so are clearly criminals in the eyes of Atlas. So, yeah, my 5 lien are on them spending, like, 5 minutes in jail before they can get to Ironwood, where he (hopefully) reams them out a bit.

So, yeah, that’s the trailer! No sign of Whitley, which, disappointed by not surprised. I’m gonna hold out hope for him to be in the intro, like in Volume 4. As for what I think may be happening this volume from the trailers, I expect we’ll have a heavy focus on Ironwood, his paranoia, and his relationship with Oz, and how that extends to how the inner circle has operated for the part 10/20/?? years. I also feel like the first big thing to be tackled will be the Grimm in the city. The fact that Grimm are getting in points to a huge breakdown in the kingdom’s defenses, despite the fact Ironwood seems to have ramped them up to 11. So, the question is, where are they coming from, and how are they getting in? Considering that the Centinals break out from the ground, and RWBY and Co are fighting in a mineshaft, I would say that it’s coming from a subterranean pocket of Grimm, like the ones that people of Mountain Glenn broke in on. Since we know Salem is experimenting more with Grimm, it’s possible that this Grimm outbreak is being caused by her seeing how viable it would be to launch an attack on Atlas from underground, where their defenses are at their weakest, and this is showing most prominently in the mines and the city around them/on the ground. Otherwise, it could be possible the SDC, while mining, broke into a cavern full of them. This doesn’t seem as likely, though, with the dust embargo. If the SDC isn’t able to sell overseas, then mining operations were most likely shut down temporarily. No use wasting money trying to get product that you can’t sell. It could be an old mine, though – one that had been boarded up cause Grimm, but that broke loose due to all the negativity caused by Ironwood’s new measures.

But ultimately, we’ll just have to wait and see! Once again, I’m sorry if this is a bit rambling – I have to leave any minute now, so I haven’t given this a through reread, but I want to get my thoughts out there in a timely manner for once, so I’m going to post anyway. Thank you for reading this far! What’re your thoughts on the trailer, the outfits, the potential plot? Feel free to comment below or send an ask, and I’ll talk to you all soon! Have a good day!

#rwby #rwby7 #ruby rose #weiss schnee #Blake Belladonna #yang xiao long #ironwood #general ironwood #qrow branwen #RWBY spoilers #rwby7 spoilers #rwby 7 trailer #rwby7 thoughts #salem #grimm #ozpin

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bizarre-dollhouse · 6 years

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My Top 10 Favourite Anime (And Why You Should Watch Them)

This is normally something I would put on my main blog, but I wanted to celebrate a follower milestone and also I know this will reach a significantly wider audience on this blog.

Consider this both a list of recommendations and a *get to know me* thing, I guess.

Honourable Mentions:

Bakemonogatari: A really stylized show about a semi vampire helping people with their supernatural afflictions born from emotional issues. The subsequent seasons get a little questionable, but this is definitely a standalone story with great dialogue and visuals. (15 eps)

Shiki: Creepy story about a small town infested with vampires. Really brutal and sick, but it has fascinating themes. The pacing is a bit slow and it has a kind of bad scene towards the end, but the show is 100% worth it. (24 eps)

Cardcaptor Sakura: Because this is mostly aimed at younger viewers, I would only really recommend this show for either magical girl fans, or people who watched the extremely altered dub as a kid. That being said, its a cute, fun show about magic with a likeable cast and surprisingly creative and original ideas, especially towards the latter half. (70 eps)

Jojos Bizarre Adventure 4: Diamond is Unbreakable: Full disclosure, I have not seen the first 3 jojo series, but its not necessary to enjoy this show. This is a super creative and really fun series about superpowered badasses in a strange city fighting each other and trying to solve a murder mystery in the background. Weird, but in the best way. (39 eps)

Kuroshitsuji: Book of Circus: This should be higher on the list, but in truth I would recommend the manga way over the show. But, if you want to watch a supernatural horror/comedy without reading a 138+ chapter manga, OR you were a fan of the original Black Butler seasons and want to see something way better, give this a watch. (10 eps)

*drumroll*

10. Trigun

So Trigun takes place is this old west, yet mysterious science fiction-y world where, through a bunch of complicated scenarios, a pacifist is the most wanted criminal known to man. Due to his status as a “natural disaster,” two insurance workers are tasked with reining him in to save their business. It’s an incredibly charming series, and the protagonist is really likeable. It’s extremely creative, funny, and emotional near the end. I do have some problems with the ending because it almost seems like the final conflict just...solves itself, but that’s a nitpick. The first episode is basically a short film, so give that a watch and see how you feel. (26 eps)

9. Paranoia Agent

This was directed by the late and great Satoshi Kon and has his usual themes about the blurring between fiction, dreams, and reality. It’s about a string of mysterious assaults committed by a kid with a baseball bat, and how these assaults seem to solve the problems of the victims. It’s very arthouse and has a twist that makes me ball my eyes out even though it’s not sad it’s just...odd and overwhelming. It drags a bit near the middle, but if you like kind of surreal stuff that’s also just really good, you have to watch this show. (13 eps)

8. Baby Steps

The amazing thing about this show is that its premise is specifically designed to make me hate it. It’s about a nerdy teenager who starts to play a sport for the sole sake of getting fit and having a more well rounded life style, and also he has a crush on this really popular girl. That sounds fucking awful, but the main character is actually really likeable (he reminds me a lot of Deku from BNHA) and I swear to fucking god every time I thought this show was going to do something awful and cliched with its romantic comedy plot, it doesn’t. The beauty and the geek trope is still there, but all of the bullshit that comes with it is omitted in a way I feel was kind of self-aware. The sports aspect is really good too: it’s well paced and there’s lots of tension even though the show as a whole is really upbeat and pleasant. I had a blast watching it, and if you can make it past the fact that is has god awful animation, give it a watch.

7. Higurashi: When They Cry

Yet another great show with absolute garbage animation. Anyways, this show is about a group of teenagers in a small town who are unknowingly trapped in a time loop. In each loop there’s a bunch of new mysteries, as well as some extremely brutal murders and tortures experienced my the main cast. I’ve seen a number of Western shows (Orphan Black, BBC Sherlock, Lost, Supernatural, etc.) fall apart because the writers want a really clever and intricate mystery to play out, but they don’t want to actually put the time into crafting one, so it’s just a bunch of cliffhangers with no answers or pay off. THIS SHOW SUCCEEDS AT WHAT ALL OF THOSE OTHER SHOWS FAIL AT. While not all of the answers are great (the second season isn’t as good) the original author somehow made the world’s most ludicrously complicated mystery story work, with a lot of it relying on the audience to put all of the pieces together even when the characters can’t. Its very clever in doing that: it makes its audience feel smart. It also has themes that don’t really show up in other horror stories, even though they’re incredibly relevant to fear and violence. Great show, go watch it. (50 eps)

6. Fullmetal Alchemist Brotherhood

Everyone knows about this show, everyone says it’s great, and everyone’s right. If you’ve been living under a rock for ten years: the show is about two brothers who break an alchemy taboo, which destroys their bodies, They’re on the hunt for something to restore them to normal and along the way they meet like 8990354578579 characters with interesting stories. It’s tightly written and really gripping. It’s fun, but also really dramatic and emotional when it needs to be. My only problems with it are that the ending is reaaaallllly convoluted, and there’s a minor plot point earlier on that gets weirdly dropped, but everyone kinda forgets about those things because the show’s so good. Also the brotherly bond makes me cry. (64 eps)

5. FLCL

I honestly don’t even know where to start with this show because it has the unique property of being the only show I have ever seen that I have literally no problems with. Not even nitpicks. There is nothing wrong with this show; it’s perfect. The only reason it’s not number 1 is because some other shows have more ideas or more fleshed out characters. So this arthouse spastic comedy is about a boy who is disappointed with all of the adults in his life, then some chick hits him in the face with a guitar and giant robots from a secret facility start coming out of his head. It’s fucking wild and has like 30 different aesthetics and I love all of them. It’s the best looking show I’ve ever seen and one of the best directed. It feels like someone read a really weird poem and turned it into a 6 episode show. It’s funny, it’s emotional, it’s cartoony, it’s beautiful, it’s raunchy, it’s poetic, it’s silly, it’s creative, and it’s got strong themes. The wtf visuals, the nonsensical plot, and the amazing soundtrack make an aesthetic experience more than anything. (6 eps)

4. Princess Tutu

I already made a post about this show and why it’s good, which you can check out here, but the gist is it’s a meta fairytale about a duck that turns into a girl to help a storybook prince find his emotions. I used to love stories that were “twists on fairytales” or whatever, but after watching this show I realized that the genre is pretty derivative. This show is so amazing it honestly made me reevaluate an entire genre and come to the conclusion that this is the only member of that genre worth watching. It’s truly creative and well crafted with fantastic characters. (26 eps)

3. Hunter x Hunter (2011)

This show is basically a bunch of creative ideas, unique set pieces, and interesting characters stacked on top of each other in a trench coat disguised as a narrative. It’s about a perky shonen protagonist and a child assassin becoming friends while also trying to become hunters (a position involving vast wealth and adventure). It’s in a modern fantasy setting so literally anything can happen. In one arc they have to play life-or-death dodgeball against robots, and another is an insanely epic tale about the intense evil that people are capable of (feat. a 25 episode climax). I can’t even talk about all of the themes or ideas because there are just too many. Because of it’s wild, sprawling story, it has a lot of ass pulls and retcons, but in the grand scheme of things they don’t really matter. It’s long, but super easy to watch in huge chunks. (148 eps)

2. Neon Genesis Evangelion and The End of Evangelion

The most efficient way to describe this show is to say that it’s the most interesting show ever made. It’s about an apocalyptic future in which emotionally disturbed teenagers must pilot giant bio-machines to fight monsters which are referred to as angels. It’s got deep characters, a creative story, and is probably the most well directed show I’ve ever seen. The ending infamously fell apart due to production problems, so there’s a movie called The End of Evangelion to conclude the story. It’s a very disturbing arthouse movie, so watch out for that, but the show as a whole is moooosssstly more straightforward and fascinating, This is an absolute must watch. (26 eps and 1 movie)

1. Baccano!

Baccano! takes place in 1930s New York, and is about thieves, gangsters, criminals, terrorists, alchemists, and immortals interacting in this nonlinear comedy/action thrill ride. I felt like I was on a rollercoaster while watching this show. It’s the perfect blend of action, comedy, romance, drama, horror, and creative storytelling. It’s fantastic to rewatch since the first episodes barely make any sense without context (but are still an absolute joy to watch). It’s got great characters and it’s a great story. Go watch it. And then watch it again. (13 eps and 3 OVAs)

That’s it for this list! Check out my MAL page for more recommendations if you’re interested and have a great night!

#neon genesis evangelion #hunter x hunter #fmab #higurashi no naku koro ni #trigun #flcl #princess tutu #baby steps #paranoia agent #baccano!#not kuro

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game-reviews-by-cody-blog · 6 years

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Second Review: Spec Ops: The Line

Spec Ops: The Line released in 2012 is the tenth title as well as a reboot, of the Spec Ops series, and the first entry since Spec Ops: Airborne Commando in 2002. This game is a stand out amongst military shooter games. Unlike most shooters you are NOT a hero and the actions you do or don’t do as you take control of Delta Force Captain Martin Walker play deep into the stories intense narrative.

Plot: The campaign for Spec Ops is very long consisting of 15 chapters total. I will to the best of my abilities try to condense this into a relativity short but compressible section hitting key plot points as the arise.

You are Delta Force Captain Martin Walker, you and your team consisting of you 1st Lieutenant Alphanso Adams and Staff Sergeant John Lugo are sent to a devastated Dubai which as been ravaged by a massive sandstorm which has nearly swallowed the entire city. You and your team are tasked with making contact with the American 33rd Infantry Battalion which volunteered to help evacuate the city before the storm by their commanding officer Colonel John Konrad. The game starts with you as the door gunner of a UH-60 Black Hawk firing a General Dynamics GAU-17/A Minigun at modified MH-6 Little Bird helicopters.This section ends with a crash as one of the Little Birds you shot at loses control and crashes into your helicopter. For some this section might feel out of place in the opening of the game but it will come back into play as a very important factor later.

in the fallowing few chapters (1-7) it is revealed the 33rd’s attempt at evacuating the civilians failed horribly and the 33rd is now a hostile force. It is revealed the failure of the evacuation lead to the 33rd tearing itself apart from the inside. A civil war ensued between those loyal to Konrad who decided to enact marshal law on those still left in Dubai and those who wished to still try to extract the civilians lead by Konrad’s former command team. Konrad’s faction, known now as the Damned 33rd won leading the chaos that the player is now witnessing. The player also discovers a CIA team known as Grey Fox was sent to Dubai to look for survivors but is now trying to clean up the ”mess” the Damned 33rd has now caused, As well the player is introduced to the radio man who constantly plays classic music and taunts the player throughout the game.

Sgt. Lugo

Chapter seven also gives the player their first look at deadly White Phosphorus an incendiary and toxic chemical substance used as a filler in a number of different munitions that can be employed for a variety of military purposes.In chapter 8: The Gate after failing to save a CIA Agent Gould from death at the hands of the Damned 33rd you and your team must push past a large enemy force at the gate. Walker makes the decision to use a nearby mortar loaded with White Phosphorus shells.Sgt. Lugo protests knowing what they are capable of but, to no avail. As you work you way though destroying the camp with the deadly shells you eventually come to a Humvee that is parked near an access tunnel to a trench. Despite seeing the numerous heat signatures through the cameras heat vison the player must fire upon the Humvee to proceed. Doing so sees the Humvee destroyed and the trench be flooded with White Phosphorus smoke. After this the player/Cpt. Walker mus now walk though the destruction they caused by walking through the gate while listening to the screams of dying men begging for death. Upon reaching the trench's access tunnel entrance you find a soldier who is barely clinging to life. he asks Cpt, Walker “Why?’ Walker simply replies “your brought it on yourself.” The dying solider replies with his last breath and pointing to the trench “we were helping” before dying. As walker and his team look into the trench they discover the burned remains of dozens of civilians.

After an argument between Adams and Lugo about the White Phosphorus being necessary Walker’s team comes across the burned remains of Konrad’s command team killed with White Phosphorus. Konrad contacts Walker from a nearby radio revealing that he had his men who “mutinied” against him killed as an example of what happens when his order of the city is disrupted. In the next chapter upon stepping outside Walker sees to men tied up on a highway overpass. One a soldier and one a civilian. Konrad contacts Walker again telling him to choose which one lives and which one dies. The player can chose one of four options, option one do nothing and walk away where Walker will be killed by snipers. Option two stall and the snipers will shoot and kill Adams. Option three kill the soldier and Konrad as well as you team members will admonish you for killing you a fellow soldier but you can still proceed through the level. Option four you kill the civilian Konrad congratulates you for keeping order and you team wants to hurry away from the place.

Chapter 10 consists of Walker and his team regrouping with the last living CIA Grey Fox member Agent Riggs. Walker and his team help Riggs steal the remaining water left in Dubai that is held in several water trucks. Unbeknownst to walker on his team Riggs’ end game was to crash the trucks killing every one left via dehydration thereby “cleaning up” the “mess” the Damned 33rd has made. After this mission Walker decides they have to try and evac the civilians before they all die of thirst. He decides to pay the Radioman a visit as he seems to be able to reach Walker and his team everywhere in the city.

Journalist Robert Darden AKA the Radfioman

Chapter 12 consists of Walker and his team working their way to the Radioman and eventually confronting him. After Walker and his team finally meet the Radioman who is revealed to be a journalist who was embedded with the 33rd, he is killed by Lugo after he sets him up to broadcast to the whole city.The team then boards a UH-60 Black Hawk and destroys the radio tower. The fallowing chapter is the same helicopter sequence as the beginning of the game. According to game developers at Yager Development the people who made Spec Ops: The Line, Walker died in the helicopter crash that occurs at the end. The rest of the game is said to be Walkers dying thoughts as he tries to cope with what he has seen and done in Dubai up to that point. There is also evidence sprinkled all though out the game that strengthens this point. One key piece being at the star of the helicopter portion of chapter 12 Walker says “Wait..wait.. this isn't right” Lugo responding “well it’s to late now” Walker says, “Nah...I mean...we did this already!” This hinting that the helicopter sequence in the opening was the true helicopter sequence.

The fallowing chapters contain the deaths of both Lugo and Adams on Walkers hell bent quest to find and confront Konrad. In chapter 15 Walker finally makes it to Konrad only to find that Konrad had killed himself some time ago and Walker’s tortured mind merely dreamed up Konrad as someone to blame to justify what he had seen in Dubai and what he had done there. When “confronting Konrad” there are one of two outcomes. Outcome one walker commits suicide and the game ends. Outcome two Walker “shoots Konrad” and he calls for extraction.

In the epilogue an extraction team arrives for Walker. One of three outcomes can happen depending on the players choice. Choice one the player does not comply with the order to disarm and instead fires on his would be rescuers and dies. Choice two the player once again does not comply with the order to disarm and instead fires on his would be rescuers, this time killing them all and picking up a radio before speaking into it and saying “gentleman, welcome to Dubai.” Choice three the player complies with with the order to disarm and is evacuated with the soldiers sent to get him.

Overall this story dose a fantastic job! The setting is believable as are the actions that the player can take. The are a lot more story elements in this game which could warrant a whole review on their own but i can’t really do that or this review would be more like a book (haha). But, this game tells a nicely done dark narrative with good characterisation of it’s limited cast and is very engaging despit its length. Score 10/10

Conrols: The controls for this game take a que from 2006′s Gears of War and is a cover based third-person shooter. Some people my gripe about how cover based systems cheapen the shooter experience however I am not one of those people and i feel this system really suits the style of game Spec Ops is. I am unaware at this time if there are any other games that share the same button layout as Spec Ops.

Overall the controls are pretty solid but sometimes feel kinda clunky. The addition of second ways firing most weapons is also pretty unique. However, it can be somewhat jarring when switching from a scoped view back to a first person view. On the whole though pretty good. Score 7/10

Graphics: This game came out in 2012 for the Xbox 360 (the version I played), Playstaytion 3, and various PC platforms. The game’s age shows a little but is overall still pretty pleasing to the eye. It has a bit of a gritty and stylized look to it that emphasises the horrors that you see.

Overall for a six year old game it still looks pretty nice. The attention to detail and the art that was made for this game in the form of graffiti looks great and is a big bonus to it’s overall look. Score 8/10

Multiplayer/Extra modes: There is a multiplayer mode in this game however it is a buggy mess with servers about as lively as a graveyard and has many balancing issues. Yager Development the studio who developed the game said they did not want to have a multiplayer in their game. However, their publisher 2K Games wanted to capitalize on the shooter multiplayer market that games like CoD had forged, this did not work however as the games multiplayer never took off.

Overall the game’s multiplayer is trash and really isn’t worth playing. The draw for the game is it’s stellar story mode. Score 2/10

Thank you for reading my review of Spec Ops: The Line, and if you have any comments or questions feel free to share them with me. I want to be able to have a dialog with people so that I can be better at doing reviews as well as making others feel like that have some input as well.

#spec ops the line #video game reviews #game reviews #video games #gaming #intense visuals

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