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#source: the office us
imagine-darksiders · 2 years
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I know it’s spoilery for later chapters, but I can’t help myself, I’m so excited to write the Lost Light saga.
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lab-trash · 1 year
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Jack: Milton? Do I have a thing for him? No way!
Jack: ...
Jack: Why, did he say something?
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gammija · 1 year
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ok since the Magnus Protocol is confirmed AU from tma, and jonny and alex have purposely not said that their voices are not reappearing in TMAGP, consider:
evil AU jon and martin. mostly because I just know jonny and alex would have such a good time acting that out. And also because i want to see a completely unhinged jon and a web!martin used to their full potential damnit
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doodledrawsthings · 10 months
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Hey, I was looking through your stuff about Shadow of Shady Shore, and I really want to hear the lore behind it! Why is this random dad turning into a fluffy werewolf-adjacent monster? Who are the two women he hangs out with? Did he have a wife of some sort? You don't need to answer, but I am very curious.
The Random Dad's name is Luka (he/him). He's a divorced single father. His daughter's name is Harriet (she/they) but he calls her Bug. One day he kinda just. melted. for some reason. and turned into that big snake/slug/ferret/werewolf adjacent creature you see in some of my drawings. He can shapeshift and hold that shape for only a certain amount of time so he uses that to take on human form to do normal people things like try to hold down a job and take his kid to school. They move to a tiny kind-of-quiet-but-not-really town called Shady Shore. In Shady Shore, they meet some people like the person with the freckles who studies plants (Clover - she/her), and the tall guy with glasses (MJ-they/them), they're an artist and part-time waiter at a local diner. Clover also has a niece she takes care of named Bonnie (she/her). They all become become friends eventually, but I like drawing them post-becoming friends because i currently have no plans to do anything with this at the moment and just wanna draw em holding hands and doing chores. (burnout recovery reasons) Luka's arrival to the town causes a bit of a stir as some of the townies spot him in the woods in creature mode and now everyone's on the look out for the mysterious cryptid that has suddenly shown up in town, both locals and tourists, alike. He did have a wife at some point, but they aren't together anymore.
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ssasergio · 1 year
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*The team is doing CPR on a test dummy*
Hotch: So, assessing the situation. Are they breathing?
Emily: No, Hotch. They are not breathing. And they have no arms or legs.
Hotch: No, that’s not part of it—
Emily: Where are they? You know what? If we come across somebody with no arms or legs do we bother resuscitating them? I mean, what kind of quality of life do we have there?
Derek: I would want to live with no legs.
Emily: How about no arms? No arms or legs is basically how you exist right now, Derek. You don’t do anything.
Hotch: All right, well, lets get back to it. ‘Cause you’re losing him. *Emily pumps frantically* Okay, too fast. Everyone, we need to pump at a pace of a 100 beats per minute.
Emily: Okay, that’s uh, hard to keep track. How many is that per hour?
JJ: How’s that gonna help you?
Emily: I will divide and then count to it.
JJ: Right.
Hotch: Okay. Well, a good trick is to pump to the tune of ‘Staying Alive’ by the Bee Gees. Do you know that song?
Emily: Yes, yes I do. I love that song. *clears throat, begins to sing* First I was afraid, I was petrified..
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romanroyapologist · 6 months
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Only Friends The Incorrect Series
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ecrivainsolitaire · 6 months
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Open Art Guild – Testing the boundaries of collective IP ownership
Experimental release: Dr. T’chem’s Office (authorised for personal and commercial use)
I’ll try to keep this brief (you can read the full thesis statement here) but as we all know, intellectual property law is broken. It’s being exploited from every side and art workers are more vulnerable than ever to automation, copyright theft and myriad other unforeseeable forms of theft from the proletariat. We as a collective need to come together and work towards the creation of a better future.
The Open Art Guild is my proposal for the first of many steps towards a far away but necessary goal: the eradication of intellectual property as it pertains to the arts. It’s based on the open source standard and the creative commons, and the goal is for us to start creating a future where we stop thinking of artworks as private property to hoard, and start sharing the responsibilities and the benefits of their creation with the collective. And as I am proposing the idea, I should give the first step.
Which is why I am announcing the release of my short story series, Dr. T’chem’s Office, into the Open Art Guild license. This is an episodic HFY comedy series about the office hours of a sleazy yet well intentioned xenoanthropologist in charge of human integration into the crew of a spaceship, who happens to find them fascinating. You can read the first few instalments here:
| Part 1 | Part 2 | Part 3 | Part 4 |
The basics of the license go as follows: I’m giving any artist permission to use the assets of my artwork (in this case, settings, characters, plot lines and other unique concepts) both for personal use and for commercial use, provided they commit to crediting the original artist, giving away 30% of any profit back to the hands of the collective in the breakdown the guidelines specify, and giving the same license to any works they create derivative from this series. Any artist can join the Guild by remixing existing artworks in its database or voluntarily submitting their own works. For the time being this prototype model will have to rely on the honour system, but I have outlined the basic guidelines for a platform dedicated to facilitating the Guild’s business and income redistribution.
The purpose of this experiment is to test whether this system is financially viable, what modifications it needs, and how to enforce it. It’s also a way to study what the community thinks of this model. To summarise the implications, here are the pros and cons as I see them.
Pros:
- All fan art, spin-offs, third-party merchandise and other forms of adaptation become automatically authorised and monetisable, provided both the original artist and the remixer are active members of the Guild.
- All adaptations are automatically non-exclusive and must give away the same rights as the original, diminishing the incentive for massive corporations to try and scam an artist out of their intellectual property.
- It effectively unionises freelance artists of all fields to balance out negotiations with non Guild entities.
- It encourages artists to continue their output in order to reap the benefits of the Guild, by using the redistribution system as an incentive, instead of the current status quo where artists are actively fighting market forces all by themselves in order to make enough time and resources to work on their craft.
- It provides a safety net where everyone is invested in the continuous welfare of everyone else, giving a sense of class solidarity and facilitating donations and shared resources.
- It motivates artists to invest in each other, as the growth of one means the growth of the whole Guild.
- Eventually, if the project succeeds and the proposed platform comes to exist, it would effectively create a universal basic income for all Guild members, as well as a self sustained legal fund to protect their assets from IP theft by non Guild entities.
- It will give you complete control over whether your art can be used for AI dataset training, on an opt-in, post-by-post basis, so you don’t have to wonder who might be stealing it. If the platform is created, all works whose creators have not authorised to be used for this will have data scrambling features to make sure thieves can’t use them.
Cons:
- It will require all Guild members to permanently renounce to 30% of their profit, in order to build up the funds and distribution system.
- It will have to be built entirely on trust of the collective, at least until a platform can be established, which may take weeks or may take decades depending on lots of unpredictable factors.
- Leaving the Guild will require all artworks shared with the collective to become Creative Commons; once you renounce your right to monopoly of your IP, it’s permanent, no way to go back. This is necessary in order to prevent asset flippers and other forms of IP scabs to join the Guild, extract other people’s assets and then scram.
- Due to banking regulations entirely out of our hands, some artists will have participating in the redistribution. If the platform ever becomes a reality, one of its main goals will be to remedy this immediately.
This proposal requires a high cost, but it provides an invaluable reward. If the system works, it will empower all artists to profit from their work and protect it as a collective. If it doesn’t, all that will have happened is that you will have created a lot of Creative Commons art, which financially isn’t ideal, but artistically is extremely commendable. Even in the worst case scenario, corporations will not be able to hold your art hostage with exclusivity deals. To me, the benefits vastly outweigh the costs, but I do want to emphasise: there will be costs. This is an effort to subvert the entire way art has been monetised since the 1700s. It will require a lot of work, a lot of people, and a lot of time, to make it work. But I believe it can work. If you believe it too, you are welcome to join the Open Art Guild.
Please do read the guidelines for the Guild and the guidelines for the platform before you start creating, and give me whatever feedback you have. If it’s good, if it’s lacking, if I’m overstepping legal boundaries, if you can find loopholes, anything. I tried to make it airtight but I’m not a legal expert. This is not my project, it is a project for the proletariat. Everyone should have a say on what they’re signing on for. And regardless of what you think, share it with all artists you can. This will only work if as many people as possible participate.
Doctor T’chem’s Office’s license
This work has been released under the Open Art Guild license, and has been approved for reuse and adaptation under the following conditions:
For personal, educational and archival use, provided any derivative works also fall under a publicly open license, to all Guild members and non members.
For commercial use, provided redistribution guidelines of the Guild be followed, to all active Guild members.
For commercial use to non Guild members, provided any derivative works also fall under a publicly open license, with the explicit approval of the artist and proper redistribution of profit following the guidelines of the Guild.
For non commercial dataset training of open source generative art technologies, provided the explicit consent of the artist, proper credit and redistribution of profit in its entirety to the Guild.
Shall this work be appropriated by non Guild members without proper authorisation, credit and redistribution of profit, the non Guild entity waives their right to intellectual property over any derivative works, copyrights, trademarks or patents of any sort and cedes it to the Creative Commons, under the 4.0 license, irrevocably and unconditionally, in perpetuity, throughout time and space in the known multiverse. The Guild reserves the right to withhold trade relations with any known infractors for the duration its members deem appropriate, including the reversal of any currently standing contracts and agreements.
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justamegafan · 1 year
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Record of Ragnarok Incorrect Quote #5
Dadam in ACTION!!
Ares is talking with Y/N, but doesn’t notice the looming threat that’s right behind him as Adam forcefully YANKS Ares by his locks to a more private area to… talk
Adam (To Ares): That girl is a CHILD. I don’t wanna see you sniffing around her anymore this afternoon, do you UNDERSTAND me??
Ares: Y-yes sir-!
Adam (Activates Divine Reflection): Have you LOST your mind? Cause I’ll help you find it!
Adam: What you looking for? Ain’t nobody gonna help you out here. Zeus can come through that door and he’s not gonna help you if you don’t stay away from my child (Is ready to have Reginleif turn into his Knuckleduster to beat up Ares)
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Dadam couldn’t give a fuck if it was Zeus… He would actually strike HARDER if it was him… If the Gods try anything with his children, he’ll kick them all flat on their asses as the FIRST Warning…
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bratphilia · 6 months
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let me cook in the tags for a sec
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{Tung is playing the sitar badly}
Zap: Do you take requests?
Tung: Sure
Zap: Please stop
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arsonist-chicken · 2 months
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PSA, don't talk about anything in your town hall that you don't want every employee and their families to know. Maybe avoid your town hall in general and move to a town where none of your relatives or anyone else you know works unless you want them to know your business.
#source: my mother works in the town hall in the social housing department and immediately when arriving home#starts telling everyone everything that happened today and who applied for housing and who got it and who was kicked out etc etc.#which I Do Not want to know; and also it's another reason for me to move away for a while at least after graduating#because otherwise i'd have applied for social housing in my town which. requires filling out the forms that my mother reviews now.#she doesn't decide who gets housing but i don't need her to look at all my documents and insurance times and former employers etc etc#SHUT UP SHUT UP SHUT UP I don't want to know any of this!! how do you arrive home and immediately start talking a mile a second!!#@people who are in relationships: how the FUCK do you deal with coming home and not getting some peace and quiet?#i would lose it if I came home and was immediately talked at for the entire evening about things i don't give a shit about#and that should also not leave the town hall or even the office it belongs to#'are you not hungry or do you just not want to eat with us'. what. the fuck kind of answer do you expect to that.#yes i'm hungry but i'd rather sit in my room hungry and go to my swimming club hungry later than eat with you#and be talked at and questioned about what i did today and what my plans are for the tenth time this week#and having to repeat everything twice for some reason. sunday aka me leaving cannot come soon enough#mine#vent and rant#i also don't need to hear about her GODDAMN DIET PLANS *AGAIN*. i don't care i don't care i don't care!!#leave me alone with dieting!! i'm perfectly capable of falling back into disordered eating habits all by myself! I don't need someone else#to talk about diets and weights and weight loss and calories and weight watchers all the time for that!#i'm perfectly capable of hurting myself like that all on my own; i don't need outside encouragement! god. i cannot wait to live alone#and have my own damn kitchen and enough money to buy proper food that's good for me and that i like regularly.#maybe even see a dietician once to help me find some foods with iron and other things i often have too little of.#and no one to tell me when to eat and then be passive-aggressive about it when i say i don't want to eat now
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lab-trash · 1 year
Conversation
Jerry: Milton, you use your brain too much.
Milton: Are you advocating that I use it less?
Jerry: Sometimes the smartest people don’t think at all.
Milton: You just came up with that.
Jerry: As I was saying it.
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kitofawriter · 2 months
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Just spent like an hour looking for a free program to do a thing that I want to do only to find out libre office is probably my best bet. Why I didn’t attempt to use it in the first place is a mystery.
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muppetsnoopy · 3 months
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one thing I have learned is that cozy time.can very easily become sweaty time if you aren't careful. remember this
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psgmisquotes · 1 year
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I don't want to blame anyone in particular, I think everyone is to blame.
Marquinhos after PSG is out of Coupe de France OM 2 - PSG 1
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fideidefenswhore · 3 months
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After 1536 the only bard to comment on affairs of state with any regularity was Lewys Morgannwg, who as unofficial poet laureate continued to praise Henry for his imperial qualities as the heir of Brutus and a second Charlemagne, and (in an allusion to the laws of 1534) for disciplining the unruly Welsh for their own good. The opportunistic poet who before the break with Rome had honoured the monastic vocation in an ode to the abbot of Neath now commended the king for suppressing the corrupt monasteries, and yet he did not entirely abandon his attachment to the traditional faith. After the fall of Anne Boleyn, who is held responsible for promoting the 'new religion', Lewys denounced her as a second Alice Rowena, whose corruption had betrayed the kingdom of the Britons in 'the treachery of the long knives.' In the same poem the king is urged to prefer local men before Englishmen of low breeding to high offices, for the sake of security and contentment of the realm.
British Consciousness and Identity: The Making of Britain, 1533-1707, edited by Brendan Bradshaw, Peter Roberts
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