#softline | Explore Tumblr Posts and Blogs

ostolarstwie · 1 year

Text

Krzesło Riva marki Softline: Projektowanie mebli i oświetlenia na najwyższym poziomie

Krzesło Riva marki Softline to idealne połączenie wyrafinowania, nowoczesnego design i wygody. Ten holenderski producent mebli od ponad trzech dekad produkuje meble, które łączą w sobie funkcjonalność i wygląd. Wykorzystując swoje wieloletnie doświadczenie, Softline wzbogacił swoja ofertę o wyjątkowe krzesła i fotele. Firma Softline została założona w 1986 roku w Hoofddorp w Holandii i od tego czasu dąży do tego, aby tworzyć meble, które są wyjątkowe i wygodne. Ich design wyróżnia się prostymi liniami, lekkimi formami i wybiegającymi poza utarte schematy kolorami. Krzesło Riva jest świetnym przykładem na to, jak Softline łączy modne i designerskie rozwiązania, z naciskiem na jakość wykonania i wygodę. Krzesło jest wykonane z polipropylenu połączonego z włóknem szklanym, a wyprofilowane oparcie i wygodne siedzisko zapewniają maksymalny komfort użytkowania. Przystosowane do sztaplowania, z antypoślizgowymi podkładkami w podstawie, krzesło Riva można wykorzystać w kuchni, w ogrodzie i w kawiarni. Dodatkowo, istnieje możliwość wyboru wersji z podłokietnikami. Krzesło Riva od Softline to świetna propozycja dla tych, którzy szukają mebli o wyjątkowym designie i wygodzie. Stworzone z najwyższej jakości materiałów, krzesło doskonale sprawdzi się zarówno w kawiarniach, jak i domach. Dzięki Softline, można stworzyć przestrzeń wyjątkową, funkcjonalną i designerską. Oświetlenie jest równie ważne jak meble, dlatego Softline zaprojektowała szereg lamp stołowych, kinkietów i plafonów, aby dopełnić swoją ofertę. Szeroki wybór lamp i kinkietów wykonanych z metalu i szkła pozwala dobrać do mebli Softline odpowiednie oświetlenie. Właścicielom domów i wnętrz oferuje możliwość stworzenia designerskiego i nowoczesnego wystroju. Softline nieustannie stara się doskonalić swoje produkty, tworząc meble i oświetlenie wyjątkowe, lekkie i wygodne. Proces tworzenia mebli jest skomplikowany i wymaga wielu precyzyjnych działań, aby osiągnąć najlepsze efekty. Meble Softline produkowane są z naciskiem na zachowanie jak najwyższych standardów jakości, dzięki czemu każdy może cieszyć się trwałością i wygodą mebli z tej marki.

0 notes

bestplanogramming · 2 years

Link

#planogram #planogramming #planograms #visual merchandising #retail store #retail sales #assortment planning #space optimization #softline #hardline

0 notes

softline-stickers · 6 months

Text

yume kawaii boy 2 ❤︎

like and reblog if used!!

#yume kawaii boy 2 #yume kawaii boy #danshi project #by dk co. ltd #softline-stickers #line #stamps #stickers #line stickers #line stamps #line emoji #emoji #png #anime boy #anime #cute #boy #yume kawaii

26 notes · View notes

pointycorgiears · 1 year

Text

Speaking as someone who once worked in several Target stores, all I can say is the backgrounds from the latest episode are A++++++++!!!

It's like I was at work again lol

Even the shopping carts were accurate!

#bobs burgers #Those endcaps were PERFECT #The softlines fixtures were straight out of the visual guide #It's like I knew the exact layout of the store haha #bob's burgers #rambling

3 notes · View notes

thesafarimattresses · 3 months

Text

Indulge in the epitome of comfort and support with the Bounce Pro Mattress. Crafted with precision and innovation, this mattress offers an unparalleled sleeping experience. Its advanced design provides optimal bounce and responsiveness, ensuring a restful night's sleep. Whether you prefer a soft or firm feel, the Bounce Pro Mattress adapts to your body's contours, relieving pressure points and promoting spinal alignment. Elevate your sleep quality and wake up refreshed every morning with the Bounce Pro Mattress.

#Bounce Pro Mattress #spring coil mattress #softline mattress #visco magic mattress

0 notes

ceilidho · 5 months

Text

prompt: IKEA soap/reader fic. PART 4. (read 1, 2, 3) tags: dubcon; nsfw

You only realize after the fact that you may have miscalculated in thinking that this could be a one-time thing between the two of you.

After listening to Johnny bitch and moan during the Christmas party about having to take time off work to spend the holidays with his very religious family, you delude yourself into thinking you’ll finally be able to have some peace and quiet around the store. Not literally, of course. Working during the holidays is always a recipe for exhaustion—parents coming in at the last minute to demand toys that have long since sold out, fights breaking out in every other aisle as customers fight for the last palatable set of Christmas ornaments and boxed fruit cake.

You’re not delusional enough to think that work will be a piece of cake, but you are selfishly a little happy that you’ll finally get some time to breathe without Johnny hovering over your shoulder at all hours of your shift. Seasonal shoppers are as exhausting as always, but you get to sit alone in the breakroom with a cup of coffee in the morning right before your shift without someone staring at you or breathing into your personal bubble.

Johnny spends his entire time off blowing up your phone, sending you pictures of his childhood home, calling you during your breaks, and sending you weird videos that seem to have been filmed entirely in the dark where you can’t see or hear anything apart from some weird squeaks and one loud grunt at the very end of the video that sounds kind of like—you close the video.

You spend the first few days of January dreading his return. The day of is like a shock to your nervous system, the whole morning spent pouring coffee with a trembling hand.

“Hiya gorgeous,” he purrs when you clock in for your shift. You’re somewhat used to Johnny sneaking up behind you, so you don’t flinch this time when you feel the length of his body press up against you at the time clock.

“Johnny, it’s seven in the morning,” you mutter out through pursed lips, shoulders stiff when he puts his hands on them and digs his thumbs into the tender points of your back. You bite back a moan.

“Missed ye, kitten. Cannae believe I went a whole week without hearing you purr.”

He could’ve phrased that a thousand other ways, but he just had to choose the one that would make you wince. He digs his thumbs in again, trying to push the moan out of you, but you tamp it down. You hold back a shudder when he plants his nose onto the crown of your head and inhales, drawing your scent into his lungs.

“Where’ye assigned ta today? Jeff owes me a favour—gonna ask him if I can spend the day with ye so we can catch up.”

You go still when he drops a firm kiss to the side of your head. “I’m…not sure. I haven’t checked the schedule yet.” It’s a half-lie. You may not have checked the schedule yet, but you know from having briefly chatted with your manager this morning in the parking lot where you’ll be spending most of your day.

Still, it means that you get to shake off Johnny for a bit. “Lemme go check for ye, okay, hen? Stay here, a’right?”

You watch him jog off down the hall to the breakroom before finally leaving. It’ll be better for you if you’re gone before he comes back.

The first hour of your day is spent on softlines until Priya in jewellery randomly comes down with a chill and gets sent home early, forcing you to cover her section. Usually that wouldn’t be such a bad deal—it means you get to spend your shift helping people try on bracelets and rings, restocking the earring display, and leaning against the counter for hours at a time. It’s not a particularly busy station.

While you're assigned to the jewellery section though, Johnny pops out of nowhere as you're helping a customer contemplating a birthday ring for his fiancé. With the kind of confidence that you’ve come to expect from Johnny, he uses your hand to model some of the rings, but this time it feels oddly weirdly intense. When he slides the first ring onto your finger, you can feel the way he holds his breath, even shudders a bit. He presses himself right up against you behind the display counter, hardness pressing against your hip.

It doesn’t take long for your customer to leave. Johnny’s demeanour is off-putting, concerning even. You can’t fault the guy for being rightfully repulsed by the way Johnny crowds up against you like you’re alone together.

“What are you doing?” you hiss through your teeth.

“Cannae help it, hen. I ken ye wanna wait, but it jus’ makes me a bit emotional seein’ my girl wearing a ring I put on.”

He blinks down at you with big, blue eyes, the picture of innocence. You should’ve anticipated there being a danger in letting Johnny stew over that on his own. Of course he’d come to his own conclusions, even one as deranged as thinking of your hook up as a step towards dating. You can’t help but side eye him.

“We—we’re not a couple, Johnny.”

He cocks an eyebrow. “Ye just let anybody eat you out in the supply closet then? S’that right?” It’s said rhetorically, like he knows the answer already. You flinch at the slight though.

“That was—” you cut yourself off to take a breath, an ache growing behind your forehead, “—that was a…it was a one-time thing. You can’t just act like we’re dating.”

His lips turn down in a pout, displeasure rippling across his face. You brace yourself for the inevitable argument, for shit to hit the fan, because obviously that’s what’s brewing under the surface. You brace yourself for worse too because when you happen to glance around, you realize how few people are actually milling around in the area.

Then, instead of losing his temper, Johnny’s eyes grow smoky, heavy-lidded, and the pout lifts into a lazy, playful grin. “A’right, kitty, no’ dating then. That’s fine wi’ me.”

This time it’s you that frowns, staring up at him dubiously. “…Really?” It feels too sudden, quicksilver. Johnny’s fiery by nature, short tempered on his best days and more likely to grit his teeth and bear the displeasure of not getting his way than happily giving into it. His sudden smile is at odds with the version of him that exists in your mind, furious at you for denying him.

Maybe you’ve got him all wrong.

The gleam in his eye betrays nothing, however. “I swear.” He leans closer to you then, fingers fiddling with the name tag pinned over your chest on your work vest, straightening it. “Doesnae mean we have ta give the rest up though. Ye liked what we did in the closet, right, hen?”

It feels like he’s sucked the air out of the room, as big as it is. “I thought we weren’t going to talk about that.”

“Och, c’mon, kitty,” Johnny breathes, hunching just a little over and into your space, making the moment feel private, just the two of you. “Had to talk about it eventually. Did ye just expect that everything would go back to normal after ye let me eat ye out? Hey—” he catches you when you try to make a move to step away from him, wrapping a big hand around your wrist and tugging you closer to him, “—listen, kitty—it doesnae have to be anything serious, right? That’s what’s making ye all jumpy and nervous? I’ll lick your pussy, free of charge. Dinnae need any labels. How’s that sound, kitty? Dick on demand?”

It should repulse you. The way he speaks to you is crass, crude. His voice is hushed, haggard, fur stretched taut over stone—and yet, your hands tremble, just a little. It tempts you. Purring Scottish burr, lapis lazuli eyes, bristle cheeks that you still remember scraping up your inner thighs. He’s a package you can’t imagine sending back.

“You won’t get…you promise not to get weird about it?” you ask.

His smile curls up, impish. “Cross my heart, kitten.”

Maybe you’re delusional enough to think that you can have your cake and eat it too. There’s a voice in your head telling you to face the facts, but you disregard it as if you haven’t been working with Johnny for months. As if you aren’t aware of his penchant for saying or doing anything to get his way. It’s maybe naive of you.

All you know is that he smothers a laugh when you tell him you’ll think about it. Knows he’s got you right where he wants.

You don’t fight when he drags you into the single-stall bathroom towards the end of your shift, letting him position you in front of the mirror before sinking to his knees behind you. Forces you to watch the way you come apart on his tongue, not giving you his fingers until you beg him to, the whispered plea a hairsbreadth away from becoming a scream.

“Oh, did she miss me?” Johnny breathes, a happy laugh in his voice when he runs the broad side of his tongue over your entrance from the back. “Fuck, look at that. Winked at me ‘n everythin’. Hi darling, missed ye too.”

You don’t think you’ll ever be the same after hearing that come out of his mouth. You go hot all over again when you clench involuntarily, equal parts turned on and horrified. He sniggers before trying to cram his whole tongue up into you.

There’s a moment of panic when Johnny draws up behind you after making you come and you hear him undo his pants. There’s nowhere for you to go with your pants still looped around your ankles, underwear pulled all the way down as well. You hear yourself hiss a startled Johnny when he slots a fat cock between your thighs, staring dumbly at the reflection of him behind you. At your back, he seems massive, lean and trim but towering over you, broad.

He shushes you. “Dinnae be selfish, hen—gotta get mine too. Jus’ gonna fuck your thighs, dinnae fret.”

You squeak when he pushes your thighs together forcefully, dragging his cock over your folds to wet himself. Watching Johnny fuck is nothing like staring down at him when he eats you out. He pants harsh and ragged into the side of your head, nips at your ear. The glint in his eyes goes animalistic, vacant. Human desire recedes, subsumed into the animal part of his brain with the single-minded need to fuck.

The only thing keeping him from driving up into you, accidentally or not, is the way you keep your thighs pressed together. A warm, tight channel for him to push his cock into. Thick fingers dig into your waist, sure to leave bruises. You wince when lean hips pound against your backside, growing frantic as need overtakes him. You flirt at the edge of panic, certain that at any second, he’ll pull your thighs apart and nudge the head of his cock up into you.

“Jus’ like that, fuck,” he grunts. “Be a good little fuckin’ girl and jus’ let me—”

His tongue lolls out on a particularly rough thrust, hands groping over your belly and up to your chest, slipping his hand under your shirt and bra to pinch your nipple. He twists it mean, nasty, until you have no choice but to grunt through grit teeth, eyes watering. You feel like a doll meant for his pleasure, no choice but to grip the sides of the sink and let Johnny use you until he comes.

“Fuck,” Johnny groans, eyes going half-lidded. “Love makin’ this pussy come. Love gettin’ her all messy and wet. Lettin’ me between your thighs even when I make ye nervous—fuck, ‘m gonna come, ‘m gonna—fuck, fuck, fuck—”

White come stripes the sink in front of you, thick and viscous. Paints the inside of your thighs as well when he drags his hips back until just the head of his cock sits nestled up against your sex. Hyperconscious of where it tags your inner lips, that there’s no barrier between the two of you, just come and skin.

The full body shake shocks you, a ripple from your heels to the top of your head.

His free hand grasps you by the hair when you try to slip away. “Ye gonna clean up your mess, baby?”

You glance back up at his reflection in the mirror, trying to suss him out. Shark-like eyes meet yours. Something you’ve seen in glances before finally staring back at you with full force. You reach for the paper towel dispenser with a shaking hand.

“Nah,” Johnny scolds, giving you a shake. “With your mouth.”

The command hangs in the air, no joke or laugh to undercut it. His eyes read serious to you, still dark. No leniency present in the blue.

You stare down at his come on the sink, slack-jawed. “You don’t seriously mean—”

“Jus’ kidding, silly,” he chuckles, giving a teasing bite to your earlobe and tugging. The tension in the air disperses. “Got ye, huh?”

You force a laugh. “Yeah…got me.”

#i cant believe this shit is at 10k and i still have another part to write #ceil writing #cod mw2 #cod x reader #soap x reader #soap mactavish #john soap mactavish #soap mw2 #soap cod #soap x you #soap/reader #ikea soap

1K notes · View notes

lesless · 3 months

Text

When I was 16-17 I worked at Target in softlines, which is basically clothing & jewelry. One day I was working in shoes, which was always a mess bc people kick them off & leave them everywhere but I was sick of folding so I was happy to do something else. While I was cleaning up the mess in the ladies section I heard a very timid, “excuse me” & was met by a shy, late 30’s man just a bit taller than me. I gave the standard Target greeting, it was something like ‘how may I help you today’ & he kind of fumbled with his words & said he was looking for heels, for himself. I was like ok! Do you know your size? He said no, so I walked him over to the little sizing floor mat & told him to take off his shoes to size. I cautioned that his left foot may be bigger (like mine) but the mat only had right feet to size so he may need a half to full size bigger, also depending on the width. We figured out his size & I asked him what style he liked. He said he didn’t know, the skinny heels look nice & he pointed to a pair of shiny red ones. I liked those too, I said, do you know how to walk in them? He said no. I said, let’s start off with wedges then, they’re easier & that’s how I learned to walk in heels. I pointed out pairs with ankle straps because that gives you more stability. I also stressed walking heel-toe & made sure he tried them on with BOTH feet. He tried on a few pairs & shuffled up & down the aisle. By the end of the exchange he had opened up & looked excited instead of nervous & was hugging a box of wedges with an ankle strap & the red pair he eyed first. He thanked me profusely. I said it was my job to help, & I’m happy he found a few pairs he liked! I remember that for a split second he just looked at me, smiling, like he wanted to hug me. It made me feel warm. Then, he turned & beelined straight to the registers. I never saw him again, & I didn’t think of it much for a long time except that if my job is in service, I really enjoyed helping someone with something I knew about. I still enjoy that feeling. & now that I’m older I can appreciate the exchange more, how scary it must have felt back then to approach a stranger about something you’re excited about, & that fear of rejection or cruelty that someone might unleash instead. Especially in south Texas, where we were. I wonder about the first time others have bought heels, & how it went for them. I wonder how he’s doing, if he got to embrace other clothing that makes him happy, if he’s still he any more. I hope that wherever that person is, they’re happy. I hope that now there’s a confident strut in shiny red heels. I hope everyone who wants to try something new is greeted with someone who’s just happy to be helping.

#me #looking at my heels this morning & I had that flashbulb memory #it is one of the best experiences working in retail #along with fixing the band on someone’s grandfathers watch for free #I showed them how to do it & they were delighted #happy

12 notes · View notes

sabakos · 2 months

Text

I think maybe the era of garage bands full of gawky boys with bad hair who can't make eye contact or read music was a bit of an anomaly. These days the talent is posting electronic music on bandcamp to afford her DIY and the filler who would have been her "bandmates" are probably listening to sad dad music too loud in the softlines of a big box store.

9 notes · View notes

budderdomo · 4 months

Text

My Paint Tool Sai Brushes/Painting Process Tutorial!

Explanations and Examples down below

Disclaimer: long post

Hello! I wanted to first thank everyone for liking/reblogging my most recent art piece (the Darkiplier one) It has become my first post with over 1000 notes which is just insane for me. I just wanted to do something to thank you guys for that.

Anyway, this post will be divided like this, so scroll to the title if you want specific things

Introduction

Brush textures/shapes for download

Overall process -> Terms and Definitions

How I use each brush (+ examples) -> Sketch -> Lineart (only do this sometimes) -> Rendering -> Textures + Post Processing

Conclusion

Introduction

This post is mainly for me in the future to look back on how my painting process was. My process changes ALL the time, sometimes I use lineart, sometimes I paint, sometimes I don't use textures, sometimes I have 100 layers, sometimes I have 1. It just changes depending on the piece. There is no "correct" way to do art. Do what you want!

Second of all, I feel I should point out you don't need fancy brushes or many brushes to make good art. I painted this piece with 1 brush.

That's right, 1 brush (it was the P A I N T brush shown in main). I didn't have a sketch, I didn't have any lines, I started with big shapes and went from there.

Third of all, I use Paint Tool SAI (the first one). So this will be specific to that program. I'm sorry, it's just what I know how to use.

Brush Textures/Shapes

You may see in my brushes that there are textures/shapes that don't come with the standard SAI program. I tried to find the links for you to download them yourself.

Arrow: https://www.deviantart.com/digikat04/art/Custom-SAI-Brush-I-265506547

All texture brushes: https://painttoolsaibrushes.splstc.com/painttool-sai-textures/

For some reason I can't find where I got marble pt. 2 or chalk so here's the png files. (You can convert them to .bmp files) (Hopefully that works!)

Chalk : Marble pt. 2

Overall Process

Before I go over my process I'm going to define some terms I'll be using and what I mean by them:

Flats - base colors

Rendering - Includes shading, lighting, small details, and texturing to define a form

Blending - mixing two separate colors together

Reduction - Once you've made a line/shape, reduction is the act of erasing part of it -> At the bottom of my brushes (in the images up above) you can see a checkered box which makes your brush transparent. I use the erasing brush to Reduce the red circle.

Persistence - How well the brush can create a new shape/color on top of pre-existing colors (If the brush blends a lot on top of other colors it has low persistence)

"Hard" vs "Soft" brushes - How well defined an edge is on a brush

Stabilizer - Turns trembly lines into smooth lines

So, I draw a different way each time. My canvas size is normally between 2500 pixels and 4000. I usually do around 3000 though. In general for my paintings I usually do

A sketch

Flats

Hue Shifts

Lighting/Shadows

Brighter Light/Deeper Shadows (Highlights/Ambient Occlusion)

Smaller Details

Texturing

Post Processing

For my bigger compositions, I make thumbnails. And for my "comic book" style I use lineart and layer modes (like multiply, luminosity)

How I Use Each Brush (+ Examples!)

Sketch

I have 2 sketch brushes. "pencil" and "sketch" For most of my life I have been using the default pencil brush on size 1. But recently I have been using this softer "sketch" brush on size ~20 or so. Either way works, but I find that the "pencil" brush is easier for linework and the "sketch" brush is easier to blend into paintings

"Pencil" : "Sketch" examples

Lineart (opt.)

Nowadays I don't use lineart that often, but if I do it's with my "Softlines" brush. It's great for both very thick and very thin lines. I lower the opacity of my sketch and put lineart on a new layer on top of it

"Softlines" brush examples

Flats

With lineart I seperate each new color with a new layer. For painting I'm now using one color as an underpainting color and working on top of that layer. So I render one thing at a time while working on the same layer.

I lower the opacity of the sketch and create a new layer under my sketch. I use my "pencil" brush to lay out the underpainting color and "blur" for hue shifts. And then I reduce it to the silhouette using my "sketch" brush (This gives a softer outline)

Rendering

This would take way too long to explain every step of how I do it. So I'll explain how I use my brushes in this step.

"Arrow!!!" - I use this brush for laying out intial shapes, big areas of color, shading, lighting. The arrow shape has a point on the end that's really great for triangular shapes. It's not very good at small details because of the texture applied to it.

"Sketch" - I use this brush during the rendering as well. It's great for small details that you want a softer look of. It has a high persistence so it's great for working on the same layer.

"P A I N T" - This is a brush that's good at very many things. It has higher blending than "sketch" or "Arrow!!!" and it's shape is square. Great for blending, general painting, small details, reduction, etc.

"blur" - great for gradients or to smooth something out a lot

"Gaussian" - is a gaussian blur. Great for making things out of focus or fuzzy

"square TEX" - texture brush that has high persistence with some blending

"metal TEX" - texture brush with high blending and a spread shape.

"speckle TEX" - texture brush for kind of a sparkly look. High persistence

"water TEX" - texture brush that works kind of like a glaze. You can use for flair/fun

example

Post-Processing

Typically I use more filters for this. Paint Tool Sai has sliders to change hue, saturation, brightness, contrast, luminosity, and color deepen. So I tend to mess with those. I also add effects like chromatic aberration

The tutorial I follow for chromatic aberration in Paint Tool Sai: https://www.youtube.com/watch?v=thmaephD9Ec&t=169s

I also add particles like dust and other objects.

Finally I use my Gaussian blur to make things out of focus/motion blur

Conclusion

I hope this helps! I feel like I'm at a point in my art journey where I'm good enough to give advice. So hopefully this helps someone out there with their art journey! Obviously I have a long way to go, but I'm pretty proud of where I've come. I remember watching speedpaints and tutorials trying to become better at art. So I kind of want to add to that cycle for artists. :D Have a great day!

#paint tool sai #brushes #art tutorial

17 notes · View notes