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#s2ep2
sensitivesiren · 6 months
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(if someone has these screencaps please add them to this post - i'm technologically challenged)
I simply cannot get over the look that passes between Aziraphale and Crowley in s2ep2 when they restore Job's children and all of the angels turn to Aziraphale and ask if they're his new children, and we can see him squirm a little and dodge the question with "they certainly seem to be!" and then a few lines later the angels turn to him with an "Aziraphale, who are they?" an inescapable question, time is limited, he can't hesitate, but he LOCKS eyes with Crowley who is leaning against a post with his eyebrows raised in a whose side are you on stare.
And then it pans back to Aziraphale who hesitates, "They . . . are . . ."
and then he has this LOOK on his face, of acceptance, of resignation, and he makes eye contact with Crowley again, and says "They are . . . his new children."
He was ready to risk it all. Fully believing that he would fall for this. That look is a surrender. And he was ready to do it too.
He holds eye contact with Gabriel, blinking a lot, but not looking away. His smile doesn't reach his eyes. There's a brief moment of relief on his face when Gabriel claps him on the shoulder and believes his lie, but he knows that God will know what he's done. He fully believes he's going to fall for this.
And he looks to Crowley again, who applauds him. Aziraphale looks like he's going to be sick.
He's had several earth-shattering revelations in the last 24-ish hours.
Crowley (the demon) is good, and he believes it with his full chest.
God plays games for fun at the expense of others, and it's wrong.
Gluttony (he ate that entire ox)
Aziraphale believes that Crowley believes that blurring the lines between Good and Evil by questioning God and thwarting the will of heaven are exactly what caused Crowley's fall. (see you in hell)
Crowley and Aziraphale are on the same side, if temporarily, holding onto each other like a rock in a storm, with Aziraphale constantly looking to Crowley for reassurance, trusting him to have his back.
he's going to fall
I just feel like its overlooked that this was the FIRST TIME EVER that they teamed up (as angel and demon) and Aziraphale was fully ready to accept the consequences of that. He found something more important than choosing sides.
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xinyuehui · 10 months
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Fondness
LINK CLICK S2 × 02
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parasauro · 9 months
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AN ANGEL, A DEMON, AND A PLATE OF ROAST MEAT - QUEER INTIMACY IN GOOD OMENS’ “A COMPANION TO OWLS”
Spoilers for S2 EP 2 of Good Omens below the cut!
A “Companion to Owls”, the minisode pertaining to the second episode of the second season of Good Omens, brings us a significant reveal in that Crowley was the one to introduce Aziraphale to food. Deftly using the audience’s foreknowledge to bring illuminating tenderness to an otherwise simple scene, Aziraphale discovers the bliss of human food while hiding out an overhead storm. The scene plays out reminiscent of Hades and Persephone, a temptation and entrapment through food presented underground, or in this case a cellar. A more Christian-aligned interpretation of the scene lies in the particular observation that Crowley tempts Aziraphale into an innocuous bite that swiftly becomes an act of gluttony- a deadly sin not unlike the Garden. Just as humanity got quite a lot out of the whims of Crowley’s temptations, Aziraphale’s very first experience with food, which he comes to love deeply in arguable moderation, was an act of indulgence and gluttony. At a defining moment in his relationship with Heaven, his love for human food is not only contrary to the behavior of an angel, but sinful in itself. 
Since the act of Aziraphale eating is doubly characterized as a deviant behavior, it bears credence to analyze how this scene fits into the broader themes inherent to Aziraphale and Crowley’s queerness. Throughout the first season, Good Omen’s themes of ostracization, divergence from expectation, rejection of the accepted, and a connection transcendent of standard human definition permeate the queer experience. Both Crowley and Aziraphale have been consistently coded alongside the queer expressions of the various eras they’ve lived through. In relation to each other, Crowley is arguably more experienced in the then-seedier parts of Soho and the elements of queer life that entailed. Aziraphale doesn’t lag far behind, but his experience lies solidly with a different crowd of queer folk. Contextualized within their continuing relationship to queerness, the scene in the cellar takes on an additional interpretation. In the simplest terms available that preserve the content of the scene: Crowley offers Aziraphale his meat, and Aziraphale gobbles it down. 
Blunt, but accurate. 
In a more nuanced discussion, queer intimacy on film has historically necessitated deep coding and subtextual theming to convey representation. While contemporary queer film has seen significant bounds in this regard, the long canon of coded queer intimacy has remained a staple of queer storytelling. Among the most commonly coded activities is eating, ostensibly a quotidian task with romantic and even sensual connotations depending on the people involved- thus the discussion of this scene. In the act of presenting Aziraphale with a plate of food, Crowley takes on an introductory and mentor-like role, stewarding Aziraphale into an experience familiar to himself but novel to his companion. Aziraphale reacts in a manner of initial repulsion at the temptation, to concession to his desire and curiosity, to performance of expected disgust, and finally to uninhibited indulgence. Beat-by-beat, this sequence in the cellar follows the rhythm of an experienced queer person guiding someone’s “first time”. Notably, this scene is intense and invokes a strange sense of voyeuristic discomfort, but remains a non-sexual display of intimacy, adhering to many fans’ (myself included) interpretation of Aziraphale and Crowley as asexual and exploring what non-sexual modes of intimacy look like. As Aziraphale eats, Crowley holds the plate and watches with a smug smile on his face– Aziraphale has accepted and is now joyously partaking in the nonconformist behavior he discovered long ago.
Even beyond this particular scene, the pairing’s frequent outings are frequently justified by a “temptation” to lunch, dinner, or a drink often initiated by Aziraphale (e.g. Aziraphale “tempting” Crowley to try oysters in Rome, and Aziraphale “tempting” Crowley to “a spot of lunch” after switching back corporations as the most explicit examples). As such, the act of eating remains an act of intimacy between the two, if nothing more than a pretense to spend more time in each other’s company while hiding their true sentiments from Above and Below.
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writeblrboy · 8 months
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has anyone done this yet
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bmndz · 6 months
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i just watched the ep that chase (a 30yo) kisses a 10yo with cancer.
i don't really know how to feel. and i should know. I'VE WATCHED IT LIKE 3 TIMES.
this show is fucking insane. why do i love it so much??
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achillean-archives · 1 year
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Community Season 2, Episode 2: Accounting for Lawyers
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aduckwithears · 9 months
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If you are dodgy on your comparative anatomy, know that these are oxen rib bones, all chopped up like they were part of a feast:
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I wonder where they got them
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The fact that Crowley is so dramatic when he kills all the goats, then turns them into birds anyways and doesnt kill a single one. He just shouts "DIE" and fireballs shoot from the sky, in the most dramatic way possible.... Then we see behind the mask and he is still kind and caring!
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Photo
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Downton Abbey | 2.02
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lyriumrain · 1 year
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"Oh, please call me Jenny, Miss Calender is my father."
Probably the funniest quote I've heard on Buffy so far.
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turtleboyz · 2 years
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“Wow one season later and iv still got full battery. Nice”
????????????
DONNIE did you just break the 4th wall? Is this like a show within a show?? Are the characters just actors/j
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hollaringmountains · 1 year
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Janguk really acting 110% tsundare and confusing everyone is so hilarious and also damn annoying like give poor maidservent kim a break!! At this rate before buying regains her memories Mrs Kim will have to sent to the healers ward
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xinyuehui · 10 months
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#2 NIGHT RAID
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shysheeperz · 1 year
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Tsurune S202:
That ending song sounded very nice!
So...it looks like we might get something similar to the shuu/ryouhei plotline in the light novel??? And that scene where masaki points out Minato loosened his pinky makes me think we could get something potentially similar to what we got in the LN as well with him.
The kaito stuff seems to be new though.
I guess we'll see bc kyoani changed up quite a bit in the first season (mostly character interactions) based on what I've heard.
🤔
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Yep. In love. Eliot asking hardison if he can borrow him, tapping his shoulder, then turning and gently guiding parker by her waist. Hardison not saying a word. IN LOVE.
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asyourshadowfalls · 6 months
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"am i being rude again?"
i love the doctor and rose so much.
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