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#reze tag
neolxzr · 9 months
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kpop celibacy gif
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i raise you: switch celibacy gif
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orioncore · 1 year
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yahoo yahoo ^^ might i request... a kaoru please?? tyyyy <3 mwamwamwa
hey everyone my name is kaoru hakaze
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akinachiri · 1 year
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HI LEO !!!! wassup ^^
HI REZEEEEE!!!!!!!!!!!! :D im editing tori layoutsssss!!!!!!!!!!!!! im nearly done wehehe.... hbu???
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nguyenfinity · 1 year
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eats you :333 >w<
nooooooooooooooo ..・ヾ(。><)シ
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guiiay · 1 year
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gentlemen prefer makima ! 💋
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owainigo · 1 year
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hair down
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gimyung · 1 year
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when they're a chaotic neutral equipped w a god complex and a mouth running 1000kmph to spout the cockiest and most eccentric shit known to man >>
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entp: the real menaces
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kelpbrushes · 9 months
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lovey dovey
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feeling normal abt csm on this fine evening
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cowleyes · 1 year
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t4t royalty
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aszles · 3 months
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don't you love matching with your girlfriend
i think from referencing reze's death scene for this i somehow dreamt about denreze and they were abt to kiss at the end of the chapter and it was the most exciting thing since sliced bread
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neolxzr · 1 year
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WAUGH CRYN IM SO SORRY I MISSED YOUR BIRTHDAYYYY UEUEUEUEU ;_; I HOPE YOU HAD A LOVELY DAY <33 I LOVE YOU SOSOSO MUCH YOU DESERVE THE WORLD !!!! AND HERE IS SOME APOLOGY NARUCRYNS~~ I SWEAR NEXT YEAR I WILL NOT FORGET !!!
"cryn-chan, happy birthday!"
arashi is always the brightest thing in the room–even in the faint lighting–and her smile when she sees you does nothing to diminish that glow. in fact, it just seems to make it brighter. but that may just be the 'cryn effect', as it has been labelled by those unfortunate enough to be in the immediate vicinity when arashi is making her usual set goo-goo eyes at you.
in her hands is a small giftbox: it's wrapped with jewel-patterned paper, the same colour as her eyes. she blushes lightly as she holds it out to you. you take it from her, cradling it close to your chest.
written in loopy script, the card reads:
cryn-chan! happy birthday <3 i think i'm the luckiest girl in the world, to have you as a partner, and i hope this gift can show that. i know it isn't a lot, but i saw it and i thought of you... i love you so much. love, arashi~ <3
opening the box, you're greeted with the sight of a charm bracelet.
it's lovely–made of interlocking silver chains with a small collection of charms scattered around it. you pick out a citrine musical note, a pearl swan and a gorgeous set of amber gears. arashi must read the unspoken question in your eyes because she laughs sheepishly.
"yes, well, i'll admit: i had a little help picking out the charms. you're quite popular, you know~"
her laughs her airy laugh and you smile at her, impossibly fond.
"anyways! that's not all... i know that you have all these charms, but i wanted to do something special for you... so, i made this one myself."
she holds out a glittering silver butterfly, its wings inlaid with amethyst jewels. it matches her eyes, you think, a little surprised. "oh... it's beautiful."
arashi gives you a smile, and attaches it to your bracelet.
"there! now i'll always be with you, even when i'm not~"
you giggle, brushing your lips against her hands in a chaste kiss. "well, i love it. it's amazing. thank you so much, arashi." arashi titters.
"of course! anything for you, cryn-chan."
I HOPE THIS IS A SUFFICIENT BIRF PRESENT !!! anyways happy birthday cryn <3 i love you sooo much and i hope you had a lovely day on your birthday mwahmwah :3333
esHRGISHFKGDGJGFNSDSXDURDV GB FIDRHGFIEFKSDDKRHGRKH WAHHHHHHHHHH SNIFFLES THIS IS THE SWEETEST THING EVER I WILL SOB dfghDFHGIFDs THIS IS A PERFECT BIRTHDAY PRESENT
and no worries ofc!!! it was just yesterday anyway uehehe
thank you so much for the narucryns reze my friend!!! i will cherish it forever uueuuehueeeueuue T^T I LOVE U SO MUCH TOO!!! <3333
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orioncore · 9 months
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violin and the zzz for shiloh !!! :3
!!! okay!! really good choices I had to think abt these ones
🎻: does your OC play musical instruments?
tbh thinking about this now, since Shiloh is from a noble family, she'd most likely know how to play at least one instrument well, so she'd probably play the violin and piano!
before she began working in the clinic as a healer, she would spend a lot of time practicing playing music, but due to her responsibility of healing, she doesn't play as much anymore. she is still pretty good though, but not a master
💤: what are your oc's sleeping habits?
Shiloh has a pretty structured life, and goes to her room to sleep at generally the same time each day, but she tends to have trouble falling asleep, staring at the ceiling until she gets tired
when she does fall asleep, she is a very vivid dreamer, but she doesn't sleep too heavy, meaning she wakes up often in the middle of the night (especially if she has nightmares)
when she's sleeping with another person (in a literal sense) she's able to fall asleep much easier because she feels safe
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akinachiri · 1 year
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HIYA !!!! hops around your blog wildly
HI!!!!!! JUMPS WITH U!!!!!
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nguyenfinity · 1 year
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:333333
:3
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iridescentscarecrow · 7 months
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hi i'm the op of that post (stackslip) PLEASE elaborate on chainsaw man's metanarrative
hi! um. you've given me free reign, i hope you know what you're doing. anyway: fair warning in advance that this is based entirely on how i like to interpret and think of the csm story and doesn't necessarily hold true, partly because of the level of abstraction that i'm operating at here. i'm normal and i like metanarratives a normal amount. this might be a little long. but.
um. thinking about how protagonism in CSM is inflicted on denji by the author insert that is makima. i've brought up the Icon of chainsaw man before in my part 2 analyses but basically:
the Chainsaw Man is the role that denji occupies in the story, right? it's the title of the manga. it's what the public Sees him as. it's what makima quite literally produces. the relationship between denji and the chainsaw man in both aspiration and idealisation forms a major stem of both part 1 and part 2's narrative.
this production occurs on two levels: (1) what Chainsaw Man is, and should be, and (2) how denji is developed as a protagonist by makima.
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"you don't get him at all." chainsaw man is her blorbie (i think i'm funny). the point is that the Presentation of chainsaw man, the one that the audience is initially set up to expect, is almost entirely synonymous with makima's version of the CSM that we get later. i think a lot about how part one borrows from, amplifies, and later subverts shounen tropes. the CSM as an idea persists in how it's discordant from denji's normality in part 2 but part 1's direction in how denji voluntarily inhabits the chainsaw is what i'm pointing at here. (there's a lot to be said about how denji's idealisation as tied to the icon of the CSM is intertwined with his wants but that's not relevant in this meta except in the minutiae of his adherence / resistance to this role.)
the thing is that makima is instrumental in pushing this role onto denji. she sees chainsaw man, he is chainsaw man. it's (and i sound insane here but please hold on, i beg) like writing.
i think her addressing him in the last battle scene, the "i'll kill you personally" is indicative of her finally divorcing denji from the chainsaw; forming The Chainsaw Man in full, while still obviously curating the denji that would support this formation throughout the story.
a small side here but: "but she never even saw me once, even from the start." // fujimoto's writing actively utilises characters towards the end goal of shaping the protagonist. this struggle here is one between a character and an author.
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now continuing; the way that makima provides for and then systematically removes these initial connections simulates traditional story structures with its setup, its confrontation and resolution. her excellence as an antagonist rests upon her identity as a narrative device which develops the protagonist and pushes him through this structure. the conflicts and the loss that a protagonist usually naturally (at least in-world) goes through in a story are instead all artificially created by makima.
"how could i make you so hurt that you'd no longer be capable of living a normal life?" // her molding of denji isn't just passive emotional manipulation, it's active writing. she herself is aware of the tropes and the character relationships that are being built up, that are being subverted. she herself embodies, espouses and resolves the themes of multiple arcs (thinking of the end of the bomb devil and the darkness devil arc here / thinking of how she draws the shutters on ignorance and on wanting).
there's a lot i try to extrapolate from her commentary on movies during her date with denji especially in context with the story simulation that she herself is doing throughout the manga. i find it interesting how the ending to the movie date or the "good" movie founds itself on shared feeling: denji sees makima cry at the same movie as he does.
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"the drinks yesterday were delicious." // you talked about her goals already in your post but makima's search for real intimacy (and equality in a relationship) coincides with denji's one. to me, it comes off as a writer trying to find a mirror of understanding in their own creation. the way she visualises the CSM (as "chaos" to her order) reveals a relationship quite like the flawed connection that one has with characters one makes: and this relationship is what denji (the 'stage' of this process) responds to so emphatically: "she wasn't looking at me this whoole time."
so, yeah; CSM to me operates at two levels: the one with the deeply human character relationships that construct the story and another layer where fiction and ideation mesh. it's important to note that this is something fjmt quite likes doing in his other work: using characters to specifically engage with the telling of his stories or exploring his characters' nuanced reactions to fiction and its weight.
thinking of makima as the 'Author' is misleading, though, and it ignores the fact that makima is both a device deployed by the actual author and in-world by the structure that are the higher ups. she is the control devil; she controls the scaffoldings of the story but she in herself is an agent of the author, of the narrative, of the aforementioned higher ups.
i don't know. is an artist ever truly original in their art? do they not operate within a greater structure, borrowing from and being regulated by it and its interpretation of their work? are makima's plans not ultimately upset by her creation?
denji materialises as a character from multiple active sources instead of the unitary source that makima believes herself to be. he's a passive character and yet he refuses to be a stable creation (psst. it's that universal tussle between the living art and the artist -- something fjmt's already tackled in his oneshots).
i don't know (2). this interpretation's been simmering in my head for a while, but i wasn't very Sure about it. but hm. this writeup primarily bases itself off part one (since it's well. complete) but image and image production specifically coming into fruition as a theme in part two makes me feel increasingly confident in this interpretation. it's strange how it somehow all ties back into storytelling.
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