So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.
I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!
Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.
This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!
This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.
What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.
Eating is an instinct, a necessity for the survival of every single living being.
And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)
In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.
On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.
Btw, this tweet and this thread gives additional characterisation to Sukuna:
Link to the original thread: Link.
More context (and reactions :P):
Link to original thread: Here
This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.
When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:
When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?
No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.
This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.
This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.
Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )
I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.
He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.
I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.
Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.
Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.
This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.
I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:
Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.
Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.
But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:
This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.
Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.
If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3
296 notes
·
View notes
Im gonna need your like, whole musical rec list, bc literally every song you have posted has not flopped once, give me your faves i need to eat them
OUGHHH YOUVE UNLOCKED THE BEAST ARGSHHFHJDF....
in the interest of making this both easily accessible but not stretching the dashboard, im embedding bandcamp links when i can, otherwise linking to youtube when unavailable
in no particular order, inclusion based mostly on what im still actively into LMAO but also just things you should give a go at least once:
list of artist recommendations
zeal and ardor: described as a mix of african-american spirituals and black metal. try devil is fine, you aint coming back, wake of a nation or church burns
bloodywood: indian folk metal, literally nobody is doing it like them. recently featured in monkey man (2024), try chakh le, yaad or dana dan
stromae: if youve never heard any of his songs WHAT ARE YOU DOING..... incredible lyricist, described as a blend of hip hop/electronic. papaoutai made the rounds on tumblr a while back, but you should also try santé and l'enfer
alamat: pinoy pop. a youtube commenter described them as sounding like 2nd gen kpop which probably also explains why i took a shine to them LMAO, notable for the amount of filipino culture on display and the diversity thereof (singing in different languages, themes). first heard them thru kasmala either here or on twitter lmao, try aswang or maharani
andy bull: alt-pop. a lot of poppy and upbeat songs with a melancholic undertone imo. an australian artist, try it's all connected or keep on running
cosmo sheldrake: electronic, wikipedia also lists him as folktronica and baroque pop. you may have heard the song come along on an apple ad - hes known for sampling sounds from nature. pliocene for example features sounds from endangered ecosystems.
if you like cosmo sheldrake, you might like hidden orchestra (electronica, ambient). also making use of field recordings, i really love the archipelago mixtape but its a hard sell at about an hour lmao. if you like the following song then i implore you to give it a go
son lux: experimental, you may have heard from them in the entire soundtrack for everything everywhere all at once (!!!!!). try dangerous, dream state (brighter night) or live another life.
ammar 808: electronic/world fusion, also behind bargou 08 (folk rock you should also listen to). i just cant get ain essouda out of my head, but i also love geeta duniki
miyavi: j-rock, used to be a visual kei artist. these days he might be known more for anime openings like flashback (kokkoku) or other side (id:invaded), or for work like snakes in arcane (or actually inspiring and voicing a character in it), but ive always been partial to his early work like sukkyanen myv or ashita, genki ni naare
songs/albums
'threads' album by now, now (indie rock).
'dream to make believe' or 'what to do when you are dead' by armor for sleep (rock, emo). here's the truth about heaven from the latter album
i already posted about it but denzel curry's 13lood 1n + 13lood out mixx (rap, trap) is extremely good
the guilty gear soundtracks and im so serious im not fucking joking. different kinds of rock and metal and all sorts of influences put in, a genuine labor of love. xrd and earlier games are mainly instrumental with some vocal tracks (try give me a break or big blast sonic), while strive pretty much always includes vocals (of course i need to rec rock parade, but also try requiem. its genuinely hard for me to pick and choose lmao)
not an album and not an artist
coke studio pakistan and coke studio bangla knocking it out of the fucking park, im particularly a fan of harkalay and kotha koiyo na. you could try the other coke studios too (tamil, india, etc)
triple j like a version is when the radio station triple j brings in artists and has them do a cover of a song (artists choice). i liked denzel curry's cover of bulls on parade and flume's shooting stars (video for this one is incredible, man had a vision you just have to stick it out), but you get a lot of interesting interpretations like the wombats' running up that hill, gordi's in the end or, infamously. the wiggles' elephant
ive DEFINITELY missed out some, but thats what my music tag is for LMAO i hope someone discovers something they like here!!!!
36 notes
·
View notes
Poll: What is, on average, the best Danganronpa chapter across the 3 mainline games?
AKA all Danganronpa murders are the same <3.
Parallels among the murders of the same chapter are listed below:
Chapter 1, AKA: "In a murder committed out of fear and panic, after dusk, in a location where the protagonist appeared shortly before, a strongly motivated individual, after taking initiative on their own, is murdered as a result of a betrayal by the protagonist's best ally, after which the corpse of the victim is found slumped on the floor and during the trial for which the blame is for a prolonged time placed on the protagonist or their ally (who was indeed involved, but ultimately is not the blackened)."
Chapter 2, AKA: "In an attempt to maintain allegiance to an important individual and to uphold a sense of honor for their Ultimate title, a capable classmate bludgeons to death the mentally strong yet physically weak (or mentally weak and physically strong) fan favorite (who therefore ends up dying too early) in a hands-on-hands physical confrontation, after which the placement of the corpse as well as the "perceived" crime scene is messed with to pin the blame on another person."
Chapter 3, AKA: "A-not-mentally-well-adjusted individual commits an immaculate and complicated double murder for a unthinkably irrational or amoral cause, which includes a body appearing at the crime scene out of nowhere in a seemingly impossible fashion, and in which one of the victims is the one who was lured out by the killer and willfully takes part in the action (but unknowing that it will result in their own murder) and in which the other victim ends up being the socially ostracized individual, simply because they happen to be at a wrong place at the wrong time."
Chapter 4, AKA: "Within a set-up for a locked room murder mystery, the good-hearted fan favorite becomes a part of a two-person life-and-death allegiance to perform a heroic act of self-sacrificial killing using an unknown murder method with the intention of getting themself killed so that everyone else may live, while one person is revealed to have had a deeper insight into the killing game for some time."
Chapter 5, AKA: "In an unsuccessful attempt to bring the killing game to its conclusion, the most malicious student of the class orchestrates an almost perfect, convoluted and seemingly unnecessarily but indeed intentionally violent murder (which serves as a way of mangling the corpse to a point where the murder method is concealed), whose solving hinges on the protagonist's new but trusted ally's confession about their not-really-consenting involvement."
Chapter 6, AKA: "After a retrospective investigation that brings to light new circumstances about the game's setting as well as its previous events, an existential crisis consumes the remaining survivors as the identity of the class and the killing game itself is revealed, during which Junko Enoshima appears (of course), and which ends with the true protagonist killing the mastermind in order to seek redemption, freedom and hope for their classmates.
P.S. This whole thing was primarily inspired to by my desire to prove Nagito's assumptions from chapter 4 wrong:
Most of these are fortunatelly not true when we also take V3 into account: while Rantaro was important, he wasn't stabbed; a serial killer was revealed in the third chapter, not the in the second; and I wouldn't exactly classify chapter 4 murder as a suicide in either sdr2 or v3 (though we DID have two people playing Russian roulette in the Funhouse, yikes). All in all, the murders wouldn't have been nearly as shocking if they correlated with what had been already pointed out in the second game before, so I'm not really surprised that there ended up being other similarities among the murders.
That's all, thank you for reading <3
94 notes
·
View notes
I know I'm reeeeally late to the party, but I just finished Diablo 4 and I have… questions. First of all, the game looks incredible, and I loved the aesthetics, the scenery, the character designs—they were all really well done. However, the story felt a bit "meh."
Since Diablo 3 (or maybe even 2—tbh I really don't remember D2 lore; it's been ages since I've played), the story kept showing us how Heaven, source of light and good, doesn't care about humans or anything related to them, that they just mind their own business with Hell. They see humans as abominations since they have the darkness in them too. Again since D3, there's been this yin-yang situation going on, especially seen with Inarius and Lilith. Inarius is an angel corrupted by darkness, mostly by hatred, and Lilith is the daughter of hatred "corrupted" by love and care. She was a mother, maybe not the best for sure, but it really looked like she cared when her son got killed. Especially since Inarius was the killer and his reason was so fucking stupid. He really thought killing his son would get his ass back to heaven- i can't with this man... We see more humanity in Lilith than any other "villain" we've had so far, I believe. I'm not saying she's perfect of course, her ways were brutal obviously but she only talks about giving people the freedom to do whatever, suggests that they're free to do sin but never really gives any details on what a sin is. In the end it's the people choosing to do evil. She's saying that no religion, especially one following a corrupted angel, can show them the way to live and act. AND SHE WAS RIGHT! But why was she doing all this? What was in it for her? Did she just want to send a big "fuck off" to both Heaven and Hell, or was she craving power and wanted to be the sole ruler?
That's my biggest issue with the main story. We never get to learn. We were never given a chance to really talk and consider her points, which mostly made sense, btw. But instead, for some reason, we were considering more of what Mephisto, a damn Prime Evil, had to say? Like I said, the story so far had a yin-yang theme, so I thought we would dive deeper into this with less prejudice, but it felt so superficial, unlike the theme itself. Because it was literally just Lilith = bad while everything about her was mostly gray. And I think they wasted a lot of potential there :/
29 notes
·
View notes